metrognome music: eugene ormandy quotes as gathered by members of the philadelphia orchestra

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"And the night shall be filled with music, And the cares that infest the day Shall fold their tents like the Arabs And as silently steal away." ~Henry Wadsworth Longfellow, The Day Is Done THURSDAY, JANUARY 26, 2012 Eugene Ormandy Quotes as Gathered by Members of the Philadelphia Orchestra · Now we will play something we have never played before. I didn't mean that. Mahler wrote it as the 3rd Movement of his 4th Symphony. I mean the 4th Movement of his 1st Symphony - we play it third. The trumpet solo will be played by our solo trumpet player. It's named "Blumine" - which has something to do with flowers. · With us tonight is William Warfield, who is with us tonight. · ... He is a wonderful man and so is his wife. · (On the occasion of the death of David Oistrakh) I told him he'd have a heart attack a year ago, but unfortunately he lived a year longer. · I conduct faster here so you can see my beat. · The next movement is still in the factory. · Think of your girlfriend or boyfriend or whomever you want to. · At every concert I've sensed a certain insecurity about the tempo. It's clearly marked quarter note = 80, uhh, 69. · All of you are ready to start so I must be ready. · It's not important. It's only important when it's late. · It's difficult to remember when you haven't played it before. ENJOY THIS SITE, BUT PLEASE: • No mirrors • Sharing is encouraged but please do so by posting a link directly to MetroGnome Music. Reposting is not just impolite, it is unnecessary. • If you are reading this message, all FileServe links are dead for the time being. Each time a new post is added I will add new links for the most recent previous post, working my way backwards. Any post which has working links will have "New Links" in the title. Join this site with Google Friend Connect Members (104) More » Already a member? Sign in FOLLOWERS 2012 (34) April (4) March (14) February (5) January (11) Richard Strauss - Symphonia DomesticaJascha Horens... Paavo Berglund 1929-2012 Eugene Ormandy Conducts ShostakovichAmerican Premi... Eugene Ormandy Quotes as Gathered by Members of th... BLOG ARCHIVE Share Report Abuse Next Blog» Create Blog Sign In

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Quotes by Eugene Ormandy as remembered by the members of the Philadelphia Orchestra

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  • "And the night shall be filled with music,And the cares that infest the dayShall fold their tents like the ArabsAnd as silently steal away." ~Henry Wadsworth Longfellow, The Day Is Done

    THURSDAY, JANUARY 26, 2012

    Eugene Ormandy Quotes as Gathered by Members of thePhiladelphia Orchestra

    Now we will play something we have never played before. I didn't mean that.Mahler wrote it as the 3rd Movement of his 4th Symphony. I mean the 4thMovement of his 1st Symphony - we play it third. The trumpet solo will be playedby our solo trumpet player. It's named "Blumine" - which has something to dowith flowers. With us tonight is William Warfield, who is with us tonight. ... He is a wonderful man and so is his wife. (On the occasion of the death of David Oistrakh) I told him he'd have a heartattack a year ago, but unfortunately he lived a year longer. I conduct faster here so you can see my beat. The next movement is still in the factory. Think of your girlfriend or boyfriend or whomever you want to. At every concert I've sensed a certain insecurity about the tempo. It's clearlymarked quarter note = 80, uhh, 69. All of you are ready to start so I must be ready. It's not important. It's only important when it's late. It's difficult to remember when you haven't played it before.

    ENJOY THIS SITE, BUT PLEASE:

    No mirrors

    Sharing is encouraged but please do soby posting a link directly to MetroGnomeMusic. Reposting is not just impolite, it isunnecessary.

    If you are reading this message, allFileServe links are dead for the time being.Each time a new post is added I will addnew links for the most recent previouspost, working my way backwards. Any postwhich has working links will have "NewLinks" in the title.

    Join this sitewith Google Friend Connect

    Members (104) More

    Already a member? Sign in

    FOLLOWERS

    2012 (34)

    April (4)

    March (14)

    February (5)

    January (11)

    Richard Strauss - SymphoniaDomesticaJascha Horens...

    Paavo Berglund 1929-2012

    Eugene Ormandy ConductsShostakovichAmerican Premi...

    Eugene Ormandy Quotes as Gatheredby Members of th...

    BLOG ARCHIVE

    Share Report Abuse Next Blog Create Blog Sign In

  • I'm conducting slowly because I don't know the tempo. I don't want to repeat this 100 times. When you see crescendo, it means p. I cannot give it to you so try to watch me. I was trying to help you so I was beating wrong. The minute you slow down a fraction, you're behind. I wrote it the right way so it was copied the wrong way right - I mean theright way wrong. Who is sitting in that empty chair? Bass Clarinetist: What note do I have?EO: The score is written out the way you hear it the way you play it - and I have totranspose back to normal. Tubist: Long note?EO: Yes, make it seem short. I guess you thought I was conducting, but I wasn't. The notes are right, but if I listened they would be wrong. You have to do two things. Watch it and me. Even if the right instruments are not here, we will play it anyway. It's only ashort piece. I am thinking it right but beating it wrong. I can conduct it better than I count. Intonation is important, especially when it is cold. It is not together, but the ensemble is perfect. Don't ever follow me because I am difficult. I purposely gave you a slower tempo, because I did not know what the rightone was. Suddenly I was in the right tempo -- but it wasn't. Brass, stay down all Summer. My bowings are only general. After two minutes after this time, and I am already there. This is one bar you should take home. I never know where I am. Tonight is the night when 300 years ago Johann Strauss was born. That'swhy this year is important. Something went wrong. It was correct when I studied it. There was confusion since I stood here 35 years ago. During the rests -- pray. It has no rhythm, but it will because it's so much faster. Don't play louder, just give it more. I don't get into politics, general or musical, but just call me if you get juryduty. Even in New Jersey I was able to help somebody. More basses because you are so far away. You're looking at me so strangely. I purposely didn't do anything and you were all behind. It can either be too soon or too late or not together. I go forward in tempo. There is a shadow on every page. You know who you are. EO: To the Woodwinds: There are no woodwinds at Number 6. Woodwinds: We're at number 15.EO: I know. that is why. Start 4 and be 42. Did you play? It sounded very good. I never say what I mean but I always manage to say something similar. EO: Percussion a little louderPercussion: We don't have anything.EO: That's right, play it louder. If you don't have it in your part, leave it out because there is enough missingalready. That C major chord is always out of tune. I don't know why -- it can't be you. Let me explain what I do here. I don't want to confuse you any more than

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  • absolutely necessary. That's the way Stravinsky was -- Bup, bup, bup - The poor guy's dead now.Play it legato. (To William Smith) Did you play?WS: Yes.EO: I know. I heard you. Why do you always insist on playing while I'm trying to conduct? We can't hear the balance yet because the soloist is still on the airplane. I think one thing and say another. Start at B. No. Yes. No. Yes. NO. Congratulations to each and every one of you for the concert last night inNew York and vice versa. Watch me closely -- only one can spoil it. Accelerando means in tempo. Don't rush. It's so legato it's difficult to splice. Sibelius was famous for that. I can see none of you are smugglers, that's why it's so loud. You notice I go faster and slower, faster and slower. It is all in relation to theprevious tempo. The tempo remains pp. Without him here, it is impossible to know how fast he will play it,approximately. We do not know when he is coming. He is coming tomorrow. Someone came too sooner. After one performance it will be perfect. That's the way it was every time I studied it. Serkin was so sick he almost died for three days. We have to play it longer because there are no numbers or letters. Thank you for your cooperation and vice versa. Don't think you are looking at me because you are not. I mean what I meant. I don't mean to make you nervous but unfortunately I have to. Even when you are not playing, you are holding me back. Not one of you told me I was too slow - I know I was too slow - why didn'tyou tell me? He was listening so I don't remember. I know this music from memory, not from the music. I always feel I do it too slow, but then others do it faster. Chorus, I am sorry you have to stand so long, but can you stand again? Beauty is less important than quality. There is a number missing. I can see it. That was perfect. It was just the opposite from what I said yesterday. Please follow me because I have to follow him and he isn't here. I need one more bass less. Yes, the mutes are already on. You took them off in the beginning. I am glad you asked me, or am. You know me. I'm a maniac when it comes to rhythm. I forgive you for shaving yourself. It is not as difficult as I thought it was, but it is harder than it is. It's marked accelerando, so you push ahead. Q: is that a G or a G# Maestro? EO: Yes. Why do you always start after my beat then rush to catch up? Do you wantus to stay behind? (Before walking on stage) Is the audience all here? Tonight I'm going to listen with my ears. Muti is going to do the Alpine Symphony this year. He will do it well becauseit is not very well known. I will beat in six because of the distance. It's all very well to have principles, but when it comes to money, you have tobe flexible. (In reference to Willy Knappell's death) Death is an awful thing. I don't

  • Posted by Progress Hornsby at 6:03 AM

    believe in it myself. (To Kendall Betts) When you have those dark glasses on, I can't tell whetheryou're looking at me or doubling. Bizet was a very young man when he composed this symphony, so play itsoftly. (To Cindy Williams, violinist) I don't think I've ever met you. Are youSwedish? Write it down in your own handwriting. (To the horns) The trouble is not with you; it is with me. I have to catch himand then it is too late. Let's start at 35 because I don't know where it is. This is a very democratic organization, so let's take a vote. All those whodisagree with me, raise their hands.

    Replies

    Reply

    4 comments:

    Misha Jan 26, 2012 05:34 AM

    Nice to see these. Most of them seem just a bit silly but there are some that appeal to me:

    - When you see crescendo, it means p.

    This is so true, it bears remembering every time

    - Accelerando means in tempo. Don't rush.

    Absolutely crucial, Ormandy is referring to the beginning of an accel.

    - During the rests -- pray.

    I love this one...

    Reply

    Appassionato Jan 27, 2012 12:04 AM

    Thanks for this quotes, and for DSCH with Eugene. His performances Dmitri's works, for me, arefar better, then now-days conductors ala Petrenko.

    Reply

    David Jan 28, 2012 12:17 PM

    Ienjoyed the not-very-subtle "That's the way Stravinsky was -- Bup, bup, bup - The poor guy'sdead now. Play it legato." That's a proper conductor ignoring the composer's markings & doing ithis own way!

    And good to see you still posting in these mean times!

    Reply

    Progress Hornsby Jan 28, 2012 01:36 PM

    David:

    Things seem to be looking up - FileServe is allowing downloads again and all links arenow working.

    -- Progress

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