minotaur - production type wassan-mon-ganeehla-ak polynices culture hero cylarabes prester john...
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Production Type Page 1/71www.productiontype.com © 2017
MinotaurDepth through restraint: the unexpected beauty of the straight line.
How does one reference Cubism in a typeface? The most obvious tack would be to disassemble each letter and render it broken and abstracted. That might produce something interesting to look at, but not something that can be used. Minotaur is more practical, but no less interesting. Initially created for a Paris art museum, Minotaur Sans and Serif is a family of straight lines inspired by the Cubist movement. Its roots are Venus, a landmark Grotesque from the era that gave rise to Cubism, and two serif models: Bruce’s Scotch Roman and A. V. Hershey’s series for early vector-based computing. Not only are the letters’ outlines atypical, but their set number of widths — derived from historical technical limitations — play with expectations too. Despite their seemingly primitive restraints, these fonts are legible at any size. And they have their own beauty too: Minotaur Serif, in particular, balances its harsh contours with the elegant skeleton of its early 20th-century model.Minotaur offers a richness not found in most type; one that rewards viewers in new ways as they step closer to the canvas.
Minotaur Lombardic and Minotaur Lombardic Sans are the companion to the Minotaur Collection. Both families offer a new uppercase design, inspired by the Lombardic style, fleshed-out across all weights of Minotaur.Lombardic capitals are particularily well suited for drop- and initial caps, page openers, and other classic uses for ornamented capitals.The design of these uppercases is deployed into a Sans companion, creating quite unusual shapes which suits many large display applications, from posters to store windows.
Minotaur LightMinotaur RegularMinotaur Bold
Minotaur Sans LightMinotaur Sans RegularMinotaur Sans Bold
Minotaur Lombardic LightMinotaur Lombardic RegularMinotaur Lombardic Bold
Minotaur Beef Bold
Minotaur Light ItalicMinotaur ItalicMinotaur Bold Italic
Minotaur Sans Light ItalicMinotaur Sans ItalicMinotaur Sans Bold Italic
Minotaur Sans Lombardic LightMinotaur Sans Lombardic RegularMinotaur Sans Lombardic Bold
5 families19 styles3 weights Roman & Italic
Minotaur
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MythographyInkanyambaReichsadlerDexamenusChangelingDeiphontes
Family overview
Light
Light Italic
Italic
Bold Italic
Regular
Bold
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Minotaur Sans
TlahuelpuchiTsurara-onnaAsteropaiosLycanthropeAigikampoiLugalbanda
Cockatrice
Family overview
Light
Light Italic
Italic
Bold Italic
Regular
Bold
Bold
Minotaur Beef
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Minotaur Lombardic
Lycus IasusBelus FableSky Father
Laius SatyrsHotu Matu’aFlood Myth
Family overview
Light
Light
Regular
Regular
Bold
Bold
Minotaur Sans Lombardic
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CarbuncleBar JuchnePersisor PersoBrownie PoseidonMisi-kinepikw BodachNanom-keea-po-da LabbuKabouter Wassan-mon-ganeehla-akPOLYNICES CULTURE HERO
CYLARABES PRESTER JOHN
GREEK STAR MYTHS ETHAL
CREATION MYTH KING GOLDEMAR
MONSTERS OF GREEK MYTHOLOGY
EARTH MOTHER METAMORPHOSES
Greco-Roman Mosaics Ilus
Lugalbanda Geomythology
Lycus, son of Poseidon Car
Greco-Roman Sculpture Laertes
Mythography Legendary Creature
Greek God & Goddesses Amyntor
Minotaur Light
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CROCOTTABUGUL NOZBLOODY BONESICHTHYOCENTAURHEADLESS HORSEMANPIM-SKWA-WAGEN-OWAD RÅKONOHA-TENGU THREE-LEGGED BIRDKAY KĀVUS CULTURE HERO
CHALCODON ALTUN BISHIK
LYCURGUS OF THRACE NÓR
PANTHEON OF THE GODS AENEUS
MONSTERS OF GREEK MYTHOLOGY
EARTH MOTHER METAMORPHOSES
Hippothous Geomythology
Metamorphoses Polydorus
Last Roman Emperor Lugh
Kingdoms Of Myth Geomythology
Greco-Roman Fresco Bellerophon
Nymphs & Daemones Nausithous
Minotaur Light
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Minotaur Light
B e s i d e s t h e O l y m p i a n s , t h e G r e e k s w o r s h i p p e d v a r i o u s g o d s o f t h e c o u n t r y s i d e , t h e s a t y r - g o d P a n , N y m p h s ( s p i r i t s o f r i v e r s ) , N a i a d s ( w h o d w e l l e d i n s p r i n g s ) , D r y a d s ( w h o w e r e s p i r i t s o f t h e t r e e s ) , N e r e i d s ( w h o i n h a b i t e d t h e s e a ) , r i v e r g o d s , S a t y r s , a n d o t h e r s . I n a d d i t i o n , t h e r e w e r e t h e d a r k p o w e r s o f t h e u n d e r w o r l d , s u c h a s t h e E r i n y e s ( o r F u r i e s ) , s a i d t o p u r s u e t h o s e g u i l t y o f c r i m e s a g a i n s t b l o o d - r e l a t i v e s . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a I n b e t w e e n t h e A r g o a n d t h e T r o j a n W a r , t h e r e w a s a g e n e r a t i o n k n o w n c h i e f y f o r i t s h o r r i f c c r i m e s . T h i s i n c l u d e s t h e d o i n g s o f A t r e u s a n d T h y e s t e s a t A r g o s . B e h i n d t h e m y t h o f t h e h o u s e o f A t r e u s ( o n e o f t h e t w o p r i n c i p a l h e r o i c d y n a s t i e s w i t h t h e h o u s e o f L a b d a c u s ) l i e s t h e p r o b l e m o f t h e d e v o l u t i o n o f p o w e r a n d o f t h e m o d e o f a c c e s s i o n t o s o v e r e i g n t y . T h e t w i n s A t r e u s a n d T h y e s t e s w i t h t h e i r d e s c e n d a n t s p l a y e d t h e l e a d i n g r o l e i n t h e t r a g e d y o f t h e d e v o l u t i o n o f p o w e r i n M y c e n a e . T h e a n c i e n t G r e e k s b e l i e v e d t h a t T r o y w a s l o c a t e d n e a r t h e D a r d a n e
M i n o s i s t h e C r e t a n w o r d f o r “ k i n g ” , o r , b y a e u h e m e r i s t i n t e r p r e t a t i o n , t h e n a m e o f a p a r t i c u l a r k i n g t h a t w a s s u b s e q u e n t l y u s e d a s a t i t l e . T h e r e i s a n a m e i n M i n o a n L i n e a r A m i - n u - t e t h a t m a y b e r e l a t e d t o M i n o s . A c c o r d i n g t o L a M a r l e ’ s r e a d i n g o f L i n e a r A , w h i c h h a v e b e e n h e a v i l y c r i t i c i s e d a s a r b i t r a r y w e s h o u l d r e a d m w i - n u r o - j a ( M i n o s t h e k i n g ) o n a L i n e a r A t a b l e t . T h e r o y a l t i t l e r o - j a i s r e a d o n s e v e r a l d o c u m e n t s , i n c l u d i n g o n s t o n e l i b a t i o n t a b l e s f r o m t h e s a n c t u a r i e s , w h e r e i t f o l l o w s t h e n a m e o f t h e m a i n g o d , A s i r a i ( t h e e q u i v a l e n t o f S a n s k r i t A s u r a , a n d o f A v e s t a n A h u r a ) . L a M a r l e s u g g e s t s t h a t t h e n a m e m w i - n u ( M i n o s ) i s e x p e c t e d t o m e a n ‘ a s c e t i c ’ a s S a n s k r i t m u n i , a n d f t s t h i s e x p l a n a t i o n t o t h e l e g e n d a b o u t M i n o s s o m e t i m e s l i v i n g i n c a v e s o n C r e t e . T h e a n c i e n t G r e e k s b e l i e v e d t h a t T r o y w a s l o c a t e d n e a r t
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NguruviluBar JuchneCericopithicusDzee-dzee-bon-daGichi-anami’e-bizhiwAzukibabaa NekomusumeKyūbi-no-kitsune Ichchhadhari NagKING PURU PRESTER JOHN
GENEALOGY OF RAMA ILUS
LUGALBANDA POLYPOETES
GEOMYTHOLOGY CREATION MYTH
REDCAP KWAKWAKALANOOKSIWAE
CULTURE HERO METAMORPHOSES
Underworld National Myth
Erechtheus King Goldemar
King Matjaž Creation Myth
Ascanius Greco-Roman Sculpture
Greco-Roman Mosaics Pendragon
Nymphs & Daemones King Arthur
Minotaur Light Italic
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ASKEFRUEBONNACONIBONG ADARNASEWER ALLIGATORALUX CINNAMON BIRDALOM-BAG-WINNO-SIS GEDGRECO-ROMAN MOSAICS ORCHAMUSCULTURE HERO CROTOPUS
NYMPHS & DAEMONES CAR
CROTOPUS EARTH MOTHER
GEOMYTHOLOGY CREATION MYTH
THERIOCEPHALUS AQRABUAMELU
CULTURE HERO METAMORPHOSES
Headless Horseman Kappa
Lugalbanda Creation Myth
Antiphates Metamorphoses
Greek God & Goddesses Ochimus
Math fab Mathonwy Mythography
Horned Serpent A-senee-ki-wakw
Minotaur Light Italic
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Minotaur Light Italic
I n G r e e k m y t h o l o g y , M i n o s w a s a k i n g o f C r e t e , s o n o f Z e u s a n d E u r o p a . E v e r y n i n e y e a r s , h e m a d e K i n g A e g e u s p i c k s e v e n y o u n g b o y s a n d s e v e n y o u n g g i r l s t o b e s e n t t o D a e d a l u s ’ c r e a t i o n , t h e l a b y r i n t h , t o b e e a t e n b y t h e M i n o t a u r . A f e r h i s d e a t h , M i n o s b e c a m e a j u d g e o f t h e d e a d i n t h e u n d e r w o r l d . T h e M i n o a n c i v i l i z a t i o n o f C r e t e h a s b e e n n a m e d a f e r h i m b y t h e a r c h a e o l o g i s t A r t h u r E v a n s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T T h e o l d e s t o f t h e h y m n s w e r e p r o b a b l y w r i t t e n i n t h e s e v e n t h c e n t u r y B C , s o m e w h a t l a t e r t h a n H e s i o d a n d t h e u s u a l l y a c c e p t e d d a t e f o r t h e w r i t i n g d o w n o f t h e H o m e r i c e p i c s . T h i s s t i l l p l a c e s t h e o l d e r H o m e r i c H y m n s a m o n g t h e o l d e s t m o n u m e n t s o f G r e e k l i t e r a t u r e ; b u t a l t h o u g h m o s t o f t h e m w e r e c o m p o s e d i n t h e s e v e n t h a n d s i x t h c e n t u r i e s , a f e w m a y b e H e l l e n i s t i c , a n d t h e H y m n t o A r e s m i g h t b e a l a t e p a g a n w o r k , i n s e r t e d w h e n i t w a s o b s e r v e d t h a t a h y m n t o A r e s w a s l a c k i n g . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n W a r r e m
C r y p t o z o o l o g y i s a p s e u d o s c i e n c e i n v o l v i n g t h e s e a r c h f o r a n i m a l s w h o s e e x i s t e n c e h a s n o t b e e n p r o v e n . T h e a n i m a l s c r y p t o z o o l o g i s t s s t u d y a r e o f e n r e f e r r e d t o a s c r y p t i d s , a t e r m c o i n e d b y J o h n W a l l i n 1 9 8 3 . T h i s i n c l u d e s l o o k i n g f o r l i v i n g e x a m p l e s o f a n i m a l s t h a t a r e c o n s i d e r e d e x t i n c t , s u c h a s n o n - a v i a n d i n o s a u r s ; a n i m a l s w h o s e e x i s t e n c e l a c k s p h y s i c a l e v i d e n c e b u t w h i c h a p p e a r i n m y t h s , l e g e n d s , o r a r e r e p o r t e d , s u c h a s B i g f o o t a n d C h u p a c a b r a ; a n d w i l d a n i m a l s d r a m a t i c a l l y o u t s i d e t h e i r n o r m a l g e o g r a p h i c r a n g e s , s u c h a s p h a n t o m c a t s ( a l s o k n o w n a s A l i e n B i g C a t s ) . C r y p t o z o o l o g y i s n o t a r e c o g n i z e d b r a n c h o f z o o l o g y o r a d i s c i p l i n e o f s c i e n c e . I t i s a n e x a m p l e o f p s e u d o s c i e n c e b e c a u s e i t r e l i e s h e a v i l y u p o n a n e c d o t a l e v i d e n c e , s t o r i e s a n d a l l e g e d s i g h t i n g s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n
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KeythongUnhcegilaKuda-gitsuneMooinjer veggeyAlom-bag-winno-sisCapetus Silvius BroteasErymanthian Boar Leanan sidheGIANTS & FANTASTIC MEN
BESTIARY OF CREATURES
LUGALBANDA IDRIS GAWR
CULTURE HERO NATIONAL MYTH
TUGARIN ZMEYEVICH LAVELLAN
GEOMYTHOLOGY LEODEGRANCE
Legendary Creature Atys
Pendragon Prester John
Polynices Geomythology
Kingdoms Of Myth Deiphontes
Metamorphoses Creation Myth
Cisseus Greco-Roman Mosaics
Minotaur Regular
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KOFEWALTBLEMMYAEAMPHISBAENAWARAK NGENDOGTUGARIN ZMEYEVICHGED HEINZELMÄNNCHENANDROSPHINX ICHTHYOCENTAURSBENNU KLABAUTERMANN
GAGANA GANDABERUNDA
GIRTABLILU SHACHIHOKO
WASSAN-MON-GANEEHLA-AK ZIZ
ERECHTHEUS METAMORPHOSES
GEOMYTHOLOGY BELLEROPHON
Hippogriff Manananggal
Bar Juchne Lycanthrope
Mygdon of Bebryces Ajax
Kingdoms Of Myth Erechtheus
Hitotsume-kozō Muma Pădurii
National Myth Metamorphoses
Minotaur Regular
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Minotaur Regular
B o o k o f I m a g i n a r y B e i n g s w a s w r i t t e n b y J o r g e L u i s B o r g e s , p u b l i s h e d i n 1 9 5 7 u n d e r t h e o r i g i n a l S p a n i s h t i t l e M a n u a l d e z o o l o g í a f a n t á s t i c a , a n d e x p a n d e d i n 1 9 6 7 a n d 1 9 6 9 t o t h e f n a l E l l i b r o d e l o s s e r e s i m a g i n a r i o s . T h e E n g l i s h e d i t i o n , c r e a t e d i n c o l l a b o r a t i o n w i t h t r a n s l a t o r N o r m a n T h o m a s d i G i o v a n n i , c o n t a i n s d e s c r i p t i o n s o f 1 2 0 m y t h i c a l b e a s t s f r o m f o l k l o r e a n d l i t e r a t u r e . W h e t h e r t h e r e i s a n y h i s t o r i I t c o n t i n u e s t o b e r e a d i n t h e H o m e r i c G r e e k a n d t r a n s l a t e d i n t o m o d e r n l a n g u a g e s a r o u n d t h e w o r l d . M a n y s c h o l a r s b e l i e v e t h a t t h e o r i g i n a l p o e m w a s c o m p o s e d i n a n o r a l t r a d i t i o n b y a n a o i d o s ( e p i c p o e t / s i n g e r ) p e r h a p s a r h a p s o d e ( p r o f e s s i o n a l p e r f o r m e r ) , a n d w a s m o r e l i k e l y i n t e n d e d t o b e h e a r d t h a n r e a d . T h e d e t a i l s o f t h e a n c i e n t o r a l p e r f o r m a n c e , a n d t h e s t o r y ’ s c o n v e r s i o n t o a w r i t t e n w o r k i n s p i r e c o n t i n u a l d e b a t e a m o n g s c h o l a r s . M a n y s c h o l a r s b e l i e v e t h a t t h e r e i s a h i s t
P o s e i d o n i s o n e o f t h e t w e l v e O l y m p i a n d e i t i e s o f t h e p a n t h e o n i n G r e e k m y t h o l o g y . H i s m a i n d o m a i n i s t h e o c e a n , a n d h e i s c a l l e d t h e “ G o d o f t h e S e a ” . A d d i t i o n a l l y , h e i s r e f e r r e d t o a s “ E a r t h - S h a k e r ” d u e t o h i s r o l e i n c a u s i n g e a r t h q u a k e s , a n d h a s b e e n c a l l e d t h e “ t a m e r o f h o r s e s ” . H e i s u s u a l l y d e p i c t e d a s a n o l d e r m a l e w i t h c u r l y h a i r a n d b e a r d . T h e n a m e o f t h e s e a - g o d N e t h u n s i n E t r u s c a n w a s a d o p t e d i n L a t i n f o r N e p t u n e i n R o m a n m y t h o l o g y ; b o t h w e r e s e a g o d s a n a l o g o u s t o P o s e i d o n . L i n e a r B t a b l e t s s h o w t h a t P o s e i d o n w a s v e n e r a t e d a t P y l o s a n d T h e b e s i n p r e - O l y m p i a n B r o n z e A g e G r e e c e a s a c h i e f d e i t y , b u t h e w a s i n t e g r a t e d i n t o t h e O l y m p i a n g o d s a s t h e b r o t h e r o f Z e u s a n d H a d e s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n
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TarasqueMenehuneKhalkotauroiKuchisake-onnaWentshukumishiteuLeucrota HecatonchiresAmbrosius Aurelianus MelanthusHESPERIDES AWA-HON-DO
DOPPELGÄNGER NARGUN
DI PENATES LEPRECHAUN
HEINZELMÄNNCHEN NUPPEPPO
NU GUI KWAKWAKALANOOKSIWAE
JÖRMUNGANDR CHRYSOMALLUS
Maski-mon-gwe-zo-os Ba
Puckwudgie Kongamoto
Wyrm Heinzelmännchen
Greco-Roman Sculpture Byzas
Psychopomp Gods & Goddesses
Lycus, son of Poseidon Faunus
Minotaur Italic
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YILBEGÄNNÍÐHÖGGRFURU-UTSUBOMETEE-KOLEN-OLMANU BELLEROPHONMISHIBIZHIW LEOKAMPOIERYMANTHIAN BOAR OPHIOTAURUSREPTILIAN HUMANOID OG
KURAGE-NO-HINOTAMA IO
REPTILIAN HUMANOID RÅ
METAMORPHOSES UNDERWORLD
MYTHOGRAPHY CREATION MYTH
PRESTER JOHN KING GOLDEMAR
Gambrinus Prester John
Habrok Katawa-guruma
Lycurgus of Arcadia Car
Erysichthon of Thessaly Byzas
Aventinus of Alba Longa Maeon
Pandion II Fabulous Creatures
Minotaur Italic
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Minotaur Italic
T h e e v e n t s o f t h e T r o j a n W a r a r e f o u n d i n m a n y w o r k s o f G r e e k l i t e r a t u r e a n d d e p i c t e d i n n u m e r o u s w o r k s o f G r e e k a r t . T h e r e i s n o s i n g l e , a u t h o r i t a t i v e t e x t w h i c h t e l l s t h e e n t i r e e v e n t s o f t h e w a r . T h e m o s t i m p o r t a n t l i t e r a r y s o u r c e s a r e t h e t w o e p i c p o e m s t r a d i t i o n a l l y c r e d i t e d t o H o m e r , t h e I l i a d a n d t h e O d y s s e y , c o m p o s e d s o m e t i m e b e t w e e n t h e 9 t h a n d 6 t h c e n t u r i e s B C . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n A l e g e n d a r y c r e a t u r e i s a n a n i m a l d e s c r i b e d i n n o n - h i s t o r i c a l o r y e t t o b e v e r i f e d s t o r i e s t h a t s o m e t i m e s i n v o l v e t h e s u p e r n a t u r a l . O t h e r l e g e n d a r y a n i m a l s , s u c h a s t h e u n i c o r n , w e r e d o c u m e n t e d i n a c c o u n t s o f n a t u r a l h i s t o r y b y v a r i o u s s c h o l a r s o f a n t i q u i t y . D u e t o t h e l a c k o f f o s s i l s o f t h e s e c r e a t u r e s , t h e v e r a c i t y o f t h e s e h i s t o r i c a l r e c o r d i n g s i s q u e s t i o n e d b y m o d e r n z o o l o g i s t s . S o m e o f t h e s e c r e a t u r e s c a n a l s o b e c r y p t i d s , a l t h o u g h t h e t e r m s a r e n o t s y n o n y m o u s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d
Z e u s i s t h e c h i l d o f C r o n u s a n d R h e a , a n d t h e y o u n g e s t o f h i s s i b l i n g s . I n m o s t t r a d i t i o n s h e i s m a r r i e d t o H e r a , a l t h o u g h , a t t h e o r a c l e o f D o d o n a , h i s c o n s o r t i s D i o n e : a c c o r d i n g t o t h e I l i a d , h e i s t h e f a t h e r o f A p h r o d i t e b y D i o n e . H e i s k n o w n f o r h i s e r o t i c e s c a p a d e s . T h e s e r e s u l t e d i n m a n y g o d l y a n d h e r o i c o f f s p r i n g , i n c l u d i n g A t h e n a , A p o l l o a n d A r t e m i s , H e r m e s , P e r s e p h o n e ( b y D e m e t e r ) , D i o n y s u s , P e r s e u s , H e r a c l e s , H e l e n o f T r o y , M i n o s , a n d t h e M u s e s ( b y M n e m o s y n e ) ; b y H e r a , h e i s u s u a l l y s a i d t o h a v e f a t h e r e d A r e s , H e b e a n d H e p h a e s t u s . A s W a l t e r B u r k e r t p o i n t s o u t i n h i s b o o k , G r e e k R e l i g i o n , “ E v e n t h e g o d s w h o a r e n o t h i s n a t u r a l c h i l d r e n a d d r e s s h i m a s F a t h e r , a n d a l l t h e g o d s r i s e i n h i s p r e s e n c e . ” W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n W a r r e
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BROTEAS ASTEROPAIOS
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GEOMYTHOLOGY ANTIPHATES
GRECO-ROMAN FRESCO HERO
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Wentshukumishiteu Rå
Polydorus Altun Bishik
Geomythology Creation Myth
Cisseus Nymphs & Daemones
Chrysaor Ani Hyuntikwalaski
Minotaur Bold
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PSYCHOPOMP PRESTER JOHN
Cylarabes Culture Hero
Gods & Goddesses Hoel
Penthilus Mythography
Menestheus Metamorphoses
Ceryneian Hind Sakabashira
Earth Mother King Goldemar
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T h e I l i a d ( s o m e t i m e s r e f e r r e d t o a s t h e S o n g o f I l i o n o r S o n g o f I l i u m ) i s a n a n c i e n t G r e e k e p i c p o e m i n d a c t y l i c h e x a m e t e r , t r a d i t i o n a l l y a t t r i b u t e d t o H o m e r . S e t d u r i n g t h e T r o j a n W a r , t h e t e n - y e a r s i e g e o f t h e c i t y o f T r o y ( I l i u m ) b y a c o a l i t i o n o f G r e e k s t a t e s , i t t e l l s o f t h e b a t t l e s a n d e v e n t s d u r i n g t h e w e e k s o f a q u a r r e l b e t w e e n K i n g A g a m e m n o n a n d t h e w a r r i o r A c h i l l e s . T h e w a r o r i g i n a t e d T h e o r i g i n s t o m a n y l e g e n d a r y c r e a t u r e s c a n b e f o u n d i n w r i t i n g s f r o m t h e M i d d l e A g e s . T h e s e d e s c r i p t i o n s e m e r g e d a s w a y s t o c o n v e y i m p o r t a n t c o n c e p t s a n d m e s s a g e s t h r o u g h s y m b o l i s m a n d m e t a p h o r r a t h e r t h a n f u n c t i o n a s l i t e r a l i n t e r p r e t a t i o n s . M e d i e v a l a c c o u n t s o f t h e s e c r e a t u r e s o f e n a p p e a r q u i t e w h i m s i c a l , b u t i t s h o u l d b e u n d e r s t o o d t h a t p o r t r a y i n g t h e n a t u r a l w o r l d ’ s p h y s i c a l a c c u r a c y w a s n o t l i k e l y a r e l e v a n t p r i o r i t y . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n
D i o n y s u s i s t h e g o d o f t h e g r a p e h a r v e s t , w i n e m a k i n g a n d w i n e , o f r i t u a l m a d n e s s a n d r e l i g i o u s e c s t a s y i n G r e e k m y t h o l o g y . H i s n a m e , t h o u g h t t o b e a t h e o n y m i n L i n e a r B t a b l e t s a s d i - w o - n u - s o ( K H G q 5 i n s c r i p t i o n ) , s h o w s t h a t h e m a y h a v e b e e n w o r s h i p p e d a s e a r l y a s c . 1 5 0 0 – 1 1 0 0 B C b y M y c e n e a n G r e e k s ; o t h e r t r a c e s o f t h e D i o n y s i a n - t y p e c u l t h a v e b e e n f o u n d i n a n c i e n t M i n o a n C r e t e . H i s o r i g i n s a r e u n c e r t a i n , a n d h i s c u l t s t o o k m a n y f o r m s ; s o m e a r e d e s c r i b e d b y a n c i e n t s o u r c e s a s T h r a c i a n , o t h e r s a s G r e e k . I n s o m e c u l t s , h e a r r i v e s f r o m t h e e a s t , a s a n A s i a t i c f o r e i g n e r ; i n o t h e r s , f r o m E t h i o p i a i n t h e S o u t h . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n t h e g o d d e s s e s H e r a , A t h e n a , a n d A p h r o d i t e
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Kun Senpoku-Kanpoku
Iapetus Underwater panther
Wassan-mon-ganeehla-ak Og
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M i n o s h i m s e l f i s s a i d t o h a v e d i e d a t C a m i c u s i n S i c i l y , w h i t h e r h e h a d g o n e i n p u r s u i t o f D a e d a l u s , w h o h a d g i v e n A r i a d n e t h e c l u e b y w h i c h s h e g u i d e d T h e s e u s t h r o u g h t h e l a b y r i n t h . S u b s e q u e n t l y h i s r e m a i n s w e r e s e n t b a c k t o t h e C r e t a n s , w h o p l a c e d t h e m i n a s a r c o p h a g u s , o n w h i c h w a s i n s c r i b e d : T h e t o m b o f M i n o s , t h e s o n o f Z e u s . A p h r o d i t e , a f e r E r i s , t h e g o d d e s s o f s r i f e a n d d i s c o r U p o n t h e d e a t h o f t h e k i n g , P a n d i o n I I , A e g e u s a n d h i s t h r e e b r o t h e r s , P a l l a s , N i s o s , a n d L y k o s , t o o k c o n t r o l o f A t h e n s f r o m M e t i o n , w h o h a d s e i z e d t h e t h r o n e f r o m P a n d i o n . A e g e u s ’ f r s t w i f e w a s M e t a , a n d h i s s e c o n d w i f e w a s C h a l c i o p e . S t i l l w i t h o u t a m a l e h e i r , A e g e u s a s k e d t h e o r a c l e a t D e l p h i f o r a d v i c e . H e r c r y p t i c w o r d s w e r e “ D o n o t l o o s e n t h e b u l g i n g m o u t h o f t h e w i n e s k i n u n t i l y o u h a v e r e a c h e d t h e h e i g h t o f A t h e n s , l e s t y o u d i e o f g r i e f . ” T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e
W h i l e m a n y o f t h e s e c r e a t u r e s s e r v e t h e p u r p o s e o f s y m b o l i z i n g r e l i g i o u s c o n c e p t s , o t h e r s p o i n t t o s o c i a l a s p e c t s o f t h e m e d i e v a l p e r i o d . T h i s i s e v i d e n c e d i n t h e c e n t a u r . T h i s l e d t o a r e v o l u t i o n a r y w a y o f c o n d u c t i n g b a t t l e f r o m h o r s e b a c k , a n d e m b o d i e d t h e i d e o l o g y b e h i n d t h e m y t h o l o g i c a l c e n t a u r . H i s t o r i a n L y n n W h i t e a r g u e d t h a t t h e s t i r r u p w a s t h e m o s t c r i t i c a l d e v e l o p m e n t i n m e d i e v a l E u r o p e . W h i t e c o n c l u d e d , “ A n t i q u i t y i m a g i n e d t h e C e n t a u r ; t h e e a r l y M i d d l e A g e s m a d e h i m t h e m a s t e r o f E u r o p e . ” S t i r r u p s p l a y e d a c r u c i a l r o l e i n t h e l i v e s o f p e o p l e a t t h i s t i m e , a n d t h e c e n t a u r s e r v e d a s a n a p p r o p r i a t e s y m b o l t o e x p r e s s t h i s i m p o r t a n c e . A s t h e A p p l e o f D i s c o r d , m a r k e d " f o r t h e f a i r e s t " . Z e u s s e n t t h e g o d
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HippogriffSolar DeityPalena of MauiIchchhadhari NagBalius and Xanthus IoGichi-anami’e-bizhiw VilaTerrible Monster Ani HyuntikwalaskiCORYCIAN NYMPHS YUXA
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YACUMAMA LEPRECHAUN
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heroes, gods and satyrs Io
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Alba Silvius Creation Myth
Mythological King Gyges Of Lydia
Poltergeist Gichi-anami’e-bizhiw
Heroes & Heroines Gods & Spirits
Minotaur Sans Light
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MELUSINEZBURATORISLAND SATYRNIGHTMARCHERSMARES OF DIOMEDESKORO-POK-GURU SIRENSPEGASUS PIM-SKWA-WAGEN-OWADHUMA YARA-MA-YHA-WHO
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LEODEGRANCE OLYMPIAN GODS
KANBARI-NYŪDŌ TAUROKAMPOI
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Turul Gichi-anami’e-bizhiw
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Vilkacis Heroes, Gods And Satyrs
Genealogy Of Rama Llyr Llediaith
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I n E u r o p e a n f o l k l o r e , t h e u n i c o r n i s o f e n d e p i c t e d a s a w h i t e h o r s e - l i k e o r g o a t - l i k e a n i m a l w i t h a l o n g h o r n a n d c l o v e n h o o v e s . I n t h e M i d d l e A g e s a n d R e n a i s s a n c e , i t w a s c o m m o n l y d e s c r i b e d a s a n e x t r e m e l y w i l d w o o d l a n d c r e a t u r e , a s y m b o l o f p u r i t y a n d g r a c e , w h i c h c o u l d o n l y b e c a p t u r e d b y a v i r g i n . I n t h e e n c y c l o p e d i a s i t s h o r n w a s s a i d t o h a v e t h e p o w e r t o r e n d e r p o i s o n e d w a t e r p o t a b l e a n d t o h e a l s i c k n e s s . O n t h e b a s i s o f e x c a v a t i o n s c o n d u A m p h i s b a e n a , a m p h i s b a i n a , a m p h i s b e n e , a m p h i s b o e n a , a m p h i s b o n a , a m p h i s t a , a m f v e n a , a m p h i v e n a , o r a n p h i v e n a ( t h e l a s t t w o b e i n g f e m i n i n e ) , a G r e e k w o r d , f r o m a m p h i s , m e a n i n g “ b o t h w a y s ” , a n d b a i n e i n , m e a n i n g “ t o g o ” , a l s o c a l l e d t h e M o t h e r o f A n t s , i s a m y t h o l o g i c a l , a n t - e a t i n g s e r p e n t w i t h a h e a d a t e a c h e n d . A c c o r d i n g t o G r e e k m y t h o l o g y , t h e a m p h i s b a e n a w a s s p a w n e d f r o m t h e b l o o d t h a t d r i p p e d f r o m t h e G o r g o n M e d u s a ’ s h e a d a s P e r s e u s f e w o v e r t h e L i b y a n D e s e r t w i t h i t i n h i s h a n d . O n t h e b a s i s o f e x c a v a t i o n s c o n d u c t e d b y S c
C e r b e r u s i n G r e e k a n d R o m a n m y t h o l o g y , i s a m u l t i - h e a d e d ( u s u a l l y t h r e e - h e a d e d ) d o g , o r “ h e l l h o u n d ” w i t h a s e r p e n t ’ s t a i l , a m a n e o f s n a k e s , a n d a l i o n ’ s c l a w s . [ 4 ] H e g u a r d s t h e e n t r a n c e o f t h e u n d e r w o r l d t o p r e v e n t t h e d e a d f r o m e s c a p i n g a n d t h e l i v i n g f r o m e n t e r i n g . C e r b e r u s i s f e a t u r e d i n m a n y w o r k s o f a n c i e n t G r e e k a n d R o m a n l i t e r a t u r e a n d i n w o r k s o f b o t h a n c i e n t a n d m o d e r n a r t a n d a r c h i t e c t u r e , a l t h o u g h t h e d e p i c t i o n o f C e r b e r u s d i f e r s a c r o s s v a r i o u s r e n d i t i o n s . T h e m o s t n o t a b l e d i f e r e n c e i s t h e n u m b e r o f h i s h e a d s : M o s t s o u r c e s d e s c r i b e o r d e p i c t t h r e e h e a d s ; o t h e r s s h o w C e r b e r u s w i t h t w o o r e v e n j u s t o n e ; a s m a l l e r n u m b e r o f s o u r c e s s h o w a v a r i a b l e n u m b e r , s o m e t i m e s a s m a n y a s 5 0 o r e v e n 1 0 0 . O n t h e b a s i s o f e x c a v a t i o n s c o n d u c t e
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ASENA GREEK MYTHOLOGY
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GEOMYTHOLOGY OLYMPIAN GODS
Lycus, son of Poseidon Hoel
Pricolici Mares of Diomedes
Erysichthon of Thessaly Nór
Gichi-Anami’e-Bizhiw Madremonte
Terrible Monster Three-legged bird
Titans & Titanesses Gyges of Lydia
Minotaur Sans Light italic
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ONMORAKIHANAU EPEKUDA-GITSUNEARGUS PANOPTESWENTSHUKUMISHITEUZASHIKI-WARASHI YAKSHAMASKI-MON-GWE-ZO-OS CHROMANDIJUJAK ICHTHYOCENTAURS
THERIOCEPHALUS SKRZAK
GREEK STAR MYTHS IASION
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Giants & Fantastic Men Ajax
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Gichi-anami’e-bizhiw Bestial beast
Titans & Titanesses Palena Of Maui
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T h e C h i m e r a w a s , a c c o r d i n g t o G r e e k m y t h o l o g y , a m o n s t r o u s f r e - b r e a t h i n g h y b r i d c r e a t u r e o f L y c i a i n A s i a M i n o r , c o m p o s e d o f t h e p a r t s o f m o r e t h a n o n e a n i m a l . U s u a l l y d e p i c t e d a s a l i o n e s s w i t h f u l l b r e a s t s , w i t h t h e h e a d o f a g o a t a r i s i n g f r o m h e r b a c k , a n d a t a i l t h a t m i g h t e n d w i t h a s n a k e ’ s h e a d , t h e C h i m e r a w a s o n e o f t h e o f s p r i n g o f T y p h o n a n d E c h i d n a a n d a s i b l i n g o f s u c h m o n s t e r s a s C e r b e r u s a n d t h e L e r n a e a n H y d r a . E p i s o d e s f r o m t h e w a E u r o p e a n d r a g o n s a r e l e g e n d a r y c r e a t u r e s i n f o l k l o r e a n d m y t h o l o g y a m o n g t h e o v e r l a p p i n g c u l t u r e s o f E u r o p e . I n W e s t e r n f o l k l o r e , d r a g o n s a r e u s u a l l y p o r t r a y e d a s e v i l , w i t h e x c e p t i o n s m a i n l y i n W e l s h f o l k l o r e a n d m o d e r n f c t i o n . T h i s i s i n c o n t r a s t t o C h i n e s e d r a g o n s , w h i c h a r e t r a d i t i o n a l l y d e p i c t e d a s m o r e b e n e v o l e n t c r e a t u r e s . I n t h e m o d e r n p e r i o d , t h e E u r o p e a n d r a g o n i s t y p i c a l l y d e p i c t e d a s a h u g e , f r e - b r e a t h i n g , s c a l y , h o r n e d , l i z a r d - l i k e c r e a t u r e ; t h e c r e a t u r e a l s o h a s l e a t h e r y , b a t - l i k e w i n g s , f o u r l e g s , a n d a l o n g , m u s c u l a r p r e h e n s i l e t a i l . T h e w a r p r o v i d e d m a t e r i a
T h e f o x s p i r i t s e n c o u n t e r e d i n t a l e s a n d l e g e n d s a r e u s u a l l y f e m a l e s a n d a p p e a r a s y o u n g , b e a u t i f u l w o m e n . O n e o f t h e m o s t i n f a m o u s f o x s p i r i t s i n C h i n e s e m y t h o l o g y w a s D a j i , w h o i s p o r t r a y e d i n t h e M i n g s h e n m o n o v e l F e n g s h e n Y a n y i . A b e a u t i f u l d a u g h t e r o f a g e n e r a l , s h e w a s m a r r i e d f o r c i b l y t o t h e c r u e l t y r a n t Z h o u X i n . A n i n e - t a i l e d f o x s p i r i t w h o s e r v e d N ü w a , w h o m Z h o u X i n h a d o f e n d e d , e n t e r e d i n t o a n d p o s s e s s e d h e r b o d y , e x p e l l i n g t h e t r u e D a j i ’ s s o u l . T h e s p i r i t , a s D a j i , a n d h e r n e w h u s b a n d s c h e m e d c r u e l l y a n d i n v e n t e d m a n y d e v i c e s o f t o r t u r e , s u c h a s f o r c i n g r i g h t e o u s o f c i a l s t o h u g r e d - h o t m e t a l p i l l a r s . B e c a u s e o f s u c h c r u e l t i e s , m a n y p e o p l e , i n c l u d i n g Z h o u X i n ’ s o w n f o r m e r g e n e r a l s , r e v o l t e d a n d f o u g h t a g a i n s t Z h o u X i n ’ s d y n a s t y , S h a n g . E p i s o d e s f r o m t h e w a r p r o v i d e d m a t e r i a l f o r G r e e k t r a g e d y a n d o t h e r w o r k s o f G r e e k l i t e r a t u r e , a
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TikolosheNarecnitsiKitsune-TsukiAlba Silvius AjaxAlf And Alfhild ManuRatatoskr GaltzagorriakGichi-anami’e-bizhiw SandwalkerAHKIYYINI PUCKWUDGIE
TUGARIN ZMEYEVICH AL
CHIMAERA BAR JUCHNE
CONTINENTS KARAKONCOLOS
DI SMA UNDAR JORDI TRAUCO
KWAKWAKALANOOKSIWAE NIX
Polypoetes Earth Mother
Theoi Classical Texts Car
Heroes, Gods And Satyrs
Will-O’-The-Wisp Gandaberunda
Headless Horseman Merpeople
Kobalos/Kobaloi Doppelgänger
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BLUECAPCRINAEAEHRÍMÞURSARPOLLO MALIGNOHOTU MATU’A NISOSWOLPERTINGER SUANGITHERIOCEPHALUS SWAN MAIDENAQRABUAMELU KUMIHO
PENG CALYGREYHOUND
KORO-POK-GURU PŪĶIS
LAELAPS SENPOKU-KANPOKU
ALOM-BAG-WINNO-SIS KEELUT
PENANGGALAN ANDROSPHINX
Wild man Teumessian fox
Life-Death-Rebirth Deity
Lycurgus of Nemea Asius
Titans & Titanesses Polypoetes
Bestiary Of Creatures Amyntor
Lycurgus of Nemea King Matjaž
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T h e d r a g o n s h a v e m a n y a n i m a l - l i k e f o r m s s u c h a s t u r t l e s , f s h , a n d i m a g i n a r y c r e a t u r e s , b u t t h e y a r e m o s t c o m m o n l y d e p i c t e d a s s n a k e - l i k e w i t h f o u r l e g s . I n y i n a n d y a n g t e r m i n o l o g y , a d r a g o n i s y a n g a n d c o m p l e m e n t s a y i n f e n g h u a n g . C h i n e s e d r a g o n s t r a d i t i o n a l l y s y m b o l i z e p o t e n t a n d a u s p i c i o u s p o w e r s , p a r t i c u l a r l y c o n t r o l o v e r w a t e r , r a i n f a l l , h u r r i c a n e , a n d f o o d s . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n t h e g I n l a t e p o e t i c a l G r e e k m y t h o l o g y i c h t h y o c e n t a u r s w e r e a p a i r o f c e n t a u r i n e s e a - g o d s w i t h t h e u p p e r b o d y o f a m a n , t h e l o w e r f r o n t o f a h o r s e , a n d t h e t a i l o f a f s h . A l s o , t h e y w o r e l o b s t e r - c l a w h o r n s . T h e y w e r e h a l f - b r o t h e r s o f t h e w i s e c e n t a u r C h i r o n a n d t h e s o n s o f P o s e i d o n a n d t h e s e a g o d d e s s A m p h i t r i t e . T h e s e t w o s e a - g o d s , t h o u g h l i t t l e r e m e m b e r e d , w e r e s e t i n t h e s k y a s t h e a s t r o n o m i c a l c o n s t e l l a t i o n P i s c e s . T h e t w i n i c h t h y o c e n t a u r s a p p e a r t o g e t h e r i n s e v e r a l w o r k s o f a r t . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b
A c e n t a u r o r h i p p o c e n t a u r i s a m y t h o l o g i c a l c r e a t u r e w i t h t h e h e a d , a r m s , a n d t o r s o o f a h u m a n a n d t h e b o d y a n d l e g s o f a h o r s e . I n e a r l y A t t i c a n d B e o t i a n v a s e - p a i n t i n g s ( s e e b e l o w ) , t h e y a r e d e p i c t e d w i t h t h e h i n d q u a r t e r s o f a h o r s e a t t a c h e d t o t h e m ; i n l a t e r r e n d e r i n g s c e n t a u r s a r e g i v e n t h e t o r s o o f a h u m a n j o i n e d a t t h e w a i s t t o t h e h o r s e ’ s w i t h e r s , w h e r e t h e h o r s e ’ s n e c k w o u l d b e . T h i s h a l f - h u m a n a n d h a l f - h o r s e c o m p o s i t i o n h a s l e d m a n y w r i t e r s t o t r e a t t h e m a s l i m i n a l b e i n g s , c a u g h t b e t w e e n t h e t w o n a t u r e s , e m b o d i e d i n c o n t r a s t e d m y t h s , b o t h a s t h e e m b o d i m e n t o f u n t a m e d n a t u r e , a s i n t h e i r b a t t l e w i t h t h e L a p i t h s ( t h e i r k i n ) , o r c o n v e r s e l y a s t e a c h e r s , l i k e C h i r o n . T h e w a r o r i g i n a t e d f r o m a q u
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Kay KāvusKing MinosCreation MythEarth Mother NórPlant & Flower MythsBokkenrijders TelekhinesFabulous Creatures Gyges Of LydiaPALENA OF MAUI AENEUS
LATINUS SILVIUS DRYOPS
HEIKEGANI URMAHLULLU
CRINAEAE SENPOKU-KANPOKU
ORIGIN-OF-DEATH MYTH MAEON
PRESTER JOHN CREATION MYTH
Solar Deity Creation Myth
Plant & Flower Myths Dion
List of kings of Athens Car
Kingdoms Of Myth Llyr Llediaith
Dragon Turtle Three-Legged Bird
Jack-In-Irons Ethiopian Pegasus
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ALICANTOKUSHTAKASEA MONSTERWANA-GAMES-AKTHREE-LEGGED BIRDARIKURA-NO-BABA SHENZUNBERA-BŌ ETHIOPIAN PEGASUSKAY KĀVUS ALBA SILVIUS
WENTSHUKUMISHITEU AL
ELDJÖTNAR HESPERIDES
ETHIOPIAN PEGASUS AGLOOLIK
MASKI-MON-GWE-ZO-OS LO-LOL
MULDJEWANGK KUARAHY JÁRA
Lunar Deity National Myth
Will-O’-The-Wisp Harmonia
Toire-No-Hanakosan Toyol
Reptilian Humanoid Raven Spirit
Hesperides Gichi-anami’e-bizhiw
Kingdoms Of Myth Gods & Spirits
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K r a k e n i s a l e g e n d a r y s e a m o n s t e r o f g i a n t p r o p o r t i o n s t h a t i s s a i d t o d w e l l o f t h e c o a s t s o f N o r w a y a n d G r e e n l a n d . T h e l e g e n d m a y h a v e o r i g i n a t e d f r o m s i g h t i n g s o f g i a n t s q u i d t h a t a r e e s t i m a t e d t o g r o w t o 1 3 – 1 5 m ( 4 0 – 5 0 f ) i n l e n g t h , i n c l u d i n g t h e t e n t a c l e s . T h e s h e e r s i z e a n d f e a r s o m e a p p e a r a n c e a t t r i b u t e d t o t h e k r a k e n h a v e m a d e i t a c o m m o n o c e a n - d w e l l i n g m o n s t e r i n v a r i o u s f c t i o n a l w o r k s . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e G r e e k m y t h o l o g y i s e x p l i c i t l y e m b o d i e d i n a l a r g e c o l l e c t i o n o f n a r r a t i v e s , a n d i m p l i c i t l y i n G r e e k r e p r e s e n t a t i o n a l a r t s , s u c h a s v a s e - p a i n t i n g s a n d v o t i v e g i f s . G r e e k m y t h a t t e m p t s t o e x p l a i n t h e o r i g i n s o f t h e w o r l d , a n d d e t a i l s t h e l i v e s a n d a d v e n t u r e s o f a w i d e v a r i e t y o f g o d s , g o d d e s s e s , h e r o e s , h e r o i n e s a n d m y t h o l o g i c a l c r e a t u r e s . T h e s e a c c o u n t s i n i t i a l l y w e r e d i s s e m i n a t e d i n a n o r a l - p o e t i c t r a d i t i o n ; t o d a y t h e G r e e k m y t h s a r e k n o w n p r i m a r i l y f r o m G r e e k l i t e r a t u r e . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a g e d a g a i n s t t h e c i t y o f T r o y b
T h e O u r o b o r o s o r U r o b o r o s i s a n a n c i e n t s y m b o l d e p i c t i n g a s e r p e n t o r d r a g o n e a t i n g i t s o w n t a i l . T h e O u r o b o r o s o f e n s y m b o l i z e s s e l f - r e f e x i v i t y o r c y c l i c a l i t y , e s p e c i a l l y i n t h e s e n s e o f s o m e t h i n g c o n s t a n t l y r e - c r e a t i n g i t s e l f , t h e e t e r n a l r e t u r n , a n d o t h e r t h i n g s s u c h a s t h e p h o e n i x w h i c h o p e r a t e i n c y c l e s t h a t b e g i n a n e w a s s o o n a s t h e y e n d . I t c a n a l s o r e p r e s e n t t h e i d e a o f p r i m o r d i a l u n i t y r e l a t e d t o s o m e t h i n g e x i s t i n g i n o r p e r s i s t i n g f r o m t h e b e g i n n i n g w i t h s u c h f o r c e o r q u a l i t i e s i t c a n n o t b e e x t i n g u i s h e d . W h i l e f r s t e m e r g i n g i n A n c i e n t E g y p t , t h e O u r o b o r o s h a s b e e n i m p o r t a n t i n r e l i g i o u s a n d m y t h o l o g i c a l s y m b o l i s m , b u t h a s a l s o b e e n f r e q u e n t l y u s e d i n a l c h e m i c a l i l l u s t r a t i o n s , w h e r e i t s y m b o l i z e s t h e c i r c u l a r n a t u r e o f t h e a l c h e m i s t ’ s o p u s . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n t h e g o
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SyrbotaeCluricaunWolpertingerTheriocephalusTugarin ZmeyevichWondjina MuldjewangkArion Wassan-mon-ganeehla-akHEADLESS HORSEMAN
OOZLUM BIRD ASTERIA
KESARAN-PASARAN AL
QUESTING BEAST BAKENEKO
CALYDONIAN BOAR HAUGBUI
ENKŌ TOIRE-NO-HANAKOSAN
Revenant Betobeto-san
Morgens Golden Fleece
Pardalokampoi Agloolik
Monsters Of Greek Mythology
Misi-Kinepikw Kanbari-Nyūdō
Ani Hyuntikwalaski La Mojana
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VANARA VRYKOLAKAS
CRETAN BULL SQUONK
QUETZALCOATL EACH UISGE
YALE TOIRE-NO-HANAKOSAN
HEROES, GODS AND SATYRS
Ichthyocentaurs Amala
Ljósálfar Sceadugenga
Thunderbird Carbuncle
Jiaolong Toire-no-Hanakosan
Cericopithicus Orang Bunian
Wassan-mon-ganeehla-ak Nix
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T h e g r i f n w a s t h u s m a d e a n e m b l e m o f t h e C h u r c h ’ s o p p o s i t i o n t o r e m a r r i a g e . A H i p p o g r i f i s a l e g e n d a r y c r e a t u r e , s u p p o s e d l y t h e o f s p r i n g o f a g r i f n a n d a m a r e . B e i n g a u n i o n o f a t e r r e s t r i a l b e a s t a n d a n a e r i a l b i r d , i t w a s s e e n i n C h r i s t e n d o m t o b e a s y m b o l o f J e s u s , w h o w a s b o t h h u m a n a n d d i v i n e . A s s u c h i t c a n b e f o u n d s c u l p t e d o n s o m e c h u r c h e s . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a F a i r i e s r e s e m b l e v a r i o u s b e i n g s o f o t h e r m y t h o l o g i e s , t h o u g h e v e n f o l k l o r e t h a t u s e s t h e t e r m f a i r y o f e r s m a n y d e f n i t i o n s . S o m e t i m e s t h e t e r m d e s c r i b e s a n y m a g i c a l c r e a t u r e , i n c l u d i n g g o b l i n s o r g n o m e s : a t o t h e r t i m e s , t h e t e r m o n l y d e s c r i b e s a s p e c i f c t y p e o f m o r e e t h e r e a l c r e a t u r e o r s p r i t e . V a r i o u s f o l k l o r i s t i c t r a d i t i o n s r e f e r t o t h e m e u p h e m i s t i c a l l y , b y n a m e s s u c h a s w e e f o l k , g o o d f o l k , p e o p l e o f p e a c e , f a i r f o l k ( W e l s h t y l w y t h t e g ) , e t c . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a g
S i n c e t h e l a t e 1 8 t h c e n t u r y , k r a k e n h a v e b e e n d e p i c t e d i n a n u m b e r o f w a y s , p r i m a r i l y a s l a r g e o c t o p u s - l i k e c r e a t u r e s , a n d i t h a s o f e n b e e n a l l e g e d t h a t P o n t o p p i d a n ’ s k r a k e n m i g h t h a v e b e e n b a s e d o n s a i l o r s ’ o b s e r v a t i o n s o f t h e g i a n t s q u i d . T h e K r a k e n i s a l s o d e p i c t e d t o h a v e s p i k e s o n i t s s u c k e r s . I n t h e e a r l i e s t d e s c r i p t i o n s , h o w e v e r , t h e c r e a t u r e s w e r e m o r e c r a b - l i k e t h a n o c t o p u s - l i k e , a n d g e n e r a l l y p o s s e s s e d t r a i t s t h a t a r e a s s o c i a t e d w i t h l a r g e w h a l e s r a t h e r t h a n w i t h g i a n t s q u i d . S o m e t r a i t s o f k r a k e n r e s e m b l e u n d e r s e a v o l c a n i c a c t i v i t y o c c u r r i n g i n t h e I c e l a n d r e g i o n , i n c l u d i n g b u b b l e s o f w a t e r ; s u d d e n , d a n g e r o u s c u r r e n t s ; a n d a p p e a r a n c e o f n e w i s l e t s . T h e A c h a e a n s ( G r e e k s ) a f e r P a r i s o f T r o y t o o k H e l e n f r o m h
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CaladriusTiddy MunBloody BonesCalydonian BoarHecatonchires DrukSvartálfar Mono GrandeMares of Diomedes SōtangitsuneMACHLYES KUMAKATOK
UNDERWATER PANTHER
OPHIOTAURUS AKATEKO
ARKAN SONNEY LADY MIDDAY
MASKI-MON-GWE-ZO-OS BAKU
GOLEM BALIUS AND XANTHUS
Rainbow Serpent Calingi
Three-Legged Bird Aleya
Black Annis Sea Monster
Gichi-anami’e-bizhiw Kiyohime
Metamorphoses Alf and Alfhild
Rainbow Serpent Ippon-datara
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SHENLONG FENGHUANG
NANOM-KEEA-PO-DA AL
KUARAHY JÁRA PATUPAIREHE
NOBUSUMA NIGHTMARCHERS
KWAKWAKALANOOKSIWAE OG
Ares Tugarin Zmeyevich
Loup-garou Ashi-magari
Svartálfar Myrmecoleon
Warak ngendog Soraki-gaeshi
Heinzelmännchen Jasy Jaterei
Wassan-mon-ganeehla-ak Lilin
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T h e E n g l i s h w o r d e l f i s f r o m t h e O l d E n g l i s h w o r d m o s t o f e n a t t e s t e d a s æ l f . A l t h o u g h t h i s w o r d t o o k a v a r i e t y o f f o r m s i n d i f e r e n t O l d E n g l i s h d i a l e c t s , t h e s e c o n v e r g e d o n t h e f o r m e l f d u r i n g t h e M i d d l e E n g l i s h p e r i o d . D u r i n g t h e O l d E n g l i s h p e r i o d , s e p a r a t e f o r m s w e r e u s e d f o r f e m a l e e l v e s , b u t d u r i n g t h e M i d d l e E n g l i s h p e r i o d t h e w o r d e l f c a m e r o u t i n e l y t o i n c l u d e f e m a l e b e i n g s . T h e A p p l e o f D i s c o r d , m a r k e d T h e m a n t i c o r e i s a P e r s i a n l e g e n d a r y c r e a t u r e s i m i l a r t o t h e E g y p t i a n s p h i n x . I t h a s t h e b o d y o f a r e d l i o n , a h u m a n h e a d w i t h t h r e e r o w s o f s h a r p t e e t h , s o m e t i m e s b a t w i n g s , a n d a t r u m p e t - l i k e v o i c e . O t h e r a s p e c t s o f t h e c r e a t u r e v a r y f r o m s t o r y t o s t o r y . T h e t a i l i s t h a t o f e i t h e r a d r a g o n o r a s c o r p i o n , a n d i t m a y s h o o t p o i s o n o u s s p i n e s t o e i t h e r p a r a l y z e o r k i l l i t s v i c t i m s . I t d e v o u r s i t s p r e y w h o l e a n d l e a v e s n o c l o t h e s , b o n e s , o r p o s s e s s i o n s o f t h e p r e y b e h i n d . Z e u s s e n t t h e g o d d e s s e s t o P a r i s , w h o j u d g e d t h a
I n G r e e k m y t h o l o g y , T a l o s o r T a l o n w a s a g i a n t m a n o f b r o n z e w h o p r o t e c t e d E u r o p a i n C r e t e f r o m p i r a t e s a n d i n v a d e r s . H e c i r c l e d t h e i s l a n d ’ s s h o r e s t h r e e t i m e s d a i l y . A l t e r n a t i v e l y T a l o s c o u l d b e f g u r e d a s a s a c r e d b u l l . H i s b r o n z e n a t u r e s u g g e s t e d t o t h e a u t h o r o f B i b l i o t h ē k ē t h a t h e m a y h a v e b e e n a s u r v i v o r f r o m t h e A g e o f B r o n z e , a d e s c e n d a n t o f t h e b r a z e n r a c e t h a t s p r a n g f r o m m e l i a e “ a s h - t r e e n y m p h s ” a c c o r d i n g t o A r g o n a u t i c a 4 . T h e c o n c e p t i o n t h a t H e s i o d ’ s m e n o f t h e A g e o f B r o n z e w e r e a c t u a l l y m a d e o f b r o n z e i s e x t e n d e d t o m e n o f t h e a g e o f g o l d b y L u c i a n f o r h u m o r o u s e f e c t . T h e p s e u d o - P l a t o n i c d i a l o g u e M i n o s r a t i o n a l i z e d t h e m y t h , t h r i c e y e a r l y s h o w i n g a t e a c h v i l l a g e i n t u r n t h e l a w s o f M i n o s i n s c r i b e d o n b r a s s t a b l e t s . T h e A p p l e o f D i s c o r
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KarkinosCandilejaWati-KutjaraAsbolus Ko-GokThree-Legged BirdOnocentaur SvaðilfariGichi-Anami’e-Bizhiw CambionMARES OF DIOMEDES
BALIUS AND XANTHUS
TUGARIN ZMEYEVICH
HEADLESS HORSEMAN DOLA
ANI HYUNTIKWALASKI DIP
HOMBRE CAIMAN CAMBION
Reptilian Humanoid Rå
Sandwalker Kyourinrin
Toire-No-Hanakosan Io
Heroes, Gods And Satyrs Ker
Maro Deivės Mooinjer Veggey
Heroes, Gods And Satyrs Hag
Minotaur Beef Bold
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TARTALOKINNARAGANDHARVASOROBANBŌZUSHUNKA WARAKINDUWENDE LINDWORMGICHI-ANAMI’E-BIZHIW ALUXSTYMPHALIAN BIRDS
MARES OF DIOMEDES
BALIUS AND XANTHUS
BLACK SHUCK ATO-OI-KOZŌ
GICHI-ANAMI’E-BIZHIW RÅ
BAHAMUT KANBARI-NYŪDŌ
Cerberus Yato-No-Kami
Toire-No-Hanakosan Io
Shellycoat Sunekosuri
Karura Gichi-Anami’e-Bizhiw
Toire-No-Hanakosan Cipactli
Quetzalcoatl Argus Panoptes
Minotaur Beef Bold
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Minotaur Beef Bold
T h e d r a g o n s h a v e m a n y a n i m a l - l i k e f o r m s s u c h a s t u r t l e s , f s h , a n d i m a g i n a r y c r e a t u r e s , b u t t h e y a r e m o s t c o m m o n l y d e p i c t e d a s s n a k e - l i k e w i t h f o u r l e g s . I n y i n a n d y a n g t e r m i n o l o g y , a d r a g o n i s y a n g a n d c o m p l e m e n t s a y i n f e n g h u a n g . C h i n e s e d r a g o n s t r a d i t i o n a l l y s y m b o l i z e p o t e n t a n d a u s p i c i o u s p o w e r s , p a r t i c u l a r l y c o n t r o l o v e r w a t e r , h u r r i c a n e , a n d f o o d s . Z e u s s e n t t h e g o d d e s s e s t P o s e i d o n i s o n e o f t h e t w e l v e O l y m p i a n d e i t i e s o f t h e p a n t h e o n i n G r e e k m y t h o l o g y . A d d i t i o n a l l y , h e i s r e f e r r e d t o a s “ E a r t h - S h a k e r ” d u e t o h i s r o l e i n c a u s i n g e a r t h q u a k e s , a n d h a s b e e n c a l l e d t h e “ t a m e r o f h o r s e s ” . H e i s u s u a l l y d e p i c t e d a s a n o l d e r m a l e w i t h c u r l y h a i r a n d b e a r d . T h e n a m e o f t h e s e a - g o d N e t h u n s i n E t r u s c a n w a s a d o p t e d i n L a t i n f o r N e p t u n e i n R o m a n m y t h o l o g y ; b o t h w e r e s e a g o d s a n a l o g o u s t o P o s e i d o n . I n 1 8 6 8 , h o w e v e r , t h e G e r m a n a r c h a e o l o g i s t H e i n r i c h S c h
W h i l e m a n y o f t h e s e c r e a t u r e s s e r v e t h e p u r p o s e o f s y m b o l i z i n g r e l i g i o u s c o n c e p t s , o t h e r s p o i n t t o s o c i a l a s p e c t s o f t h e m e d i e v a l p e r i o d . T h i s i s e v i d e n c e d i n t h e c e n t a u r . T h i s l e d t o a r e v o l u t i o n a r y w a y o f c o n d u c t i n g b a t t l e f r o m h o r s e b a c k , a n d e m b o d i e d t h e i d e o l o g y b e h i n d t h e m y t h o l o g i c a l c e n t a u r . H i s t o r i a n L y n n W h i t e a r g u e d t h a t t h e s t i r r u p w a s t h e m o s t c r i t i c a l d e v e l o p m e n t i n m e d i e v a l E u r o p e . W h i t e c o n c l u d e d , “ A n t i q u i t y i m a g i n e d t h e C e n t a u r ; t h e e a r l y M i d d l e A g e s m a d e h i m t h e m a s t e r o f E u r o p e . ” S t i r r u p s p l a y e d a c r u c i a l r o l e i n t h e l i v e s o f p e o p l e a t t h i s t i m e , a n d t h e c e n t a u r s e r v e d a s a n a p p r o p r i a t e s y m b o l t o e x p r e s s t h i s i m p o r t a n c e . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n W a r r e m a i n
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King PuruGreat KingMenninkäinenQalupalik HabrokOrigin-Of-Death MythPersonified Spirits LughKwakwakalanooksiwae Ashi-MagariERYMANTHIAN BOAR
GYGES OF LYDIA NÓR
CREATION MYTH CAR
LLYR LLEDIAITH PRITHU
RAMIDREJU SANDWALKER
MARES OF DIOMEDES PUCK
Hippothoon Geomythology
Diomedes Of Thrace Gods
Origin-Of-Death Myth Ajax
Lycus, Son Of Poseidon Amyntor
Aventinus Of Alba Longa C Cont.
Life-Death-Rebirth Deity Aeneus
Minotaur Lombardic Light
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ŽALTYSSKOGSRÅPOLYNICESKING ARTHURLYNCUS AMPHIONHEINZELMÄNNCHENGICHI-ANAMI’E-BIZHIW HAGCREATION MYTH NÓR
NÓR GODS & SPIRITS
MYTHOGRAPHY HERO
MYTHICAL PLACE BLADUD
GREEK STAR MYTHS BYZAS
POLYBUS OF THEBES ATYS
Tantankororin Narecnitsi
Ba Jiao Gui Amphisbaena
Heroes, Gods And Satyrs
Will-O’-The-Wisp Ippon-Datara
Erymanthian Boar Chibaiskweda
Soucouyant Di Sma Undar Jordi
Minotaur Lombardic Light
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WerewolfBarbegaziWater SpriteCeryneian HindAni HyuntikwalaskiEthiopian Pegasus OrkTheriocephalus TheriocephalusTERRIBLE MONSTER
STYMPHALIAN BIRD
ICHCHHADHARI NAG
MAGOG KALLIKANTZAROI
KURAGE-NO-HINOTAMA IO
HIDERIGAMI MINKA BIRD
Akurojin-No-Hi Gremlin
Landvættir Bake-Kujira
Kyūbi-No-Kitsune Adlet
Zashiki-Warashi Sakabashira
Duende Gichi-Anami’e-Bizhiw
Kobalos Kobaloi Shug Monkey
Minotaur Lombardic Regular
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ZDUHAĆCAR NÓRELDJÖTNARHOMBRE GATOASK-WEE-DA-EEDFAMILIAR PSOGLAVHESPERIDES PENANGGALANERYMANTHIAN BOAR
MARES OF DIOMEDES
PALENA OF MAUI NÓR
REPTILIAN HUMANOID BA
TOIRE-NO-HANAKOSAN AL
HUGIN AND MUNIN KO-GOK
Candileja Orang Minyak
Kobalos/Kobaloi Helead
Tengu Terrible Monster
Calydonian Boar Mormolykeia
Adroanzi Balius And Xanthus
Bokkenrijders Pok-Wejee-Men
Minotaur Lombardic Regular
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Shiki-ŌjiNór PanjiSkin-WalkerKing Lot MacarPolybus Of ThebesAlba Silvius OenopionLaukų Dvasios Iannic-Ann-ÔdMORINJI-NO-OKAMA
LIBYAN AEGIPANES
PRIMITIVE PRIMAL
XING TIAN TECUMBALAM
MANTICORE FEAR GORTA
HAMADRYAD EACH UISGE
Kurabokko Gancanagh
Pellinore Prester John
Kithairon Culture Hero
Mythical Place National Myth
Family Tree Of The Gods Nór
Life-Death-Rebirth Deity Bile
Minotaur Lombardic Bold
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JÖTUNNOG HERAŽIBURINISSHUTEN-DŌJIMOIRAI & KERESANALYSE SÉRIELLEMASKI-MON-GWE-ZO-OS ALPGEARING & DRIVING
CENTER OF GRAVITY
MORINJI-NO-OKAMA
HEADLESS HORSEMAN OG
THUNDERBIRD GLAISTIG
ERYMANTHIAN BOAR NIX
Stringent Requirement
Kwakwakalanooksiwae
Konoha-Tengu Agogwe
Cericopithicus Mono Grande
Kupua Gichi-Anami’e-Bizhiw
Balius And Xanthus Gui Shu
Minotaur Lombardic Bold
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BagiennikLa SayonaUma-No-AshiStymphalian BirdNational Myth PriamBreathless ConfectionerMooinjer Veggey Greek MythologyANTERO VIPUNEN BA
HEINZELMÄNNCHEN
ERYMANTHIAN BOAR
LEIR OF BRITAIN LYNCUS
COMPRESSORS AND PUMPS
BOLT INSTALLATION AGE
Khalkotauroi Sea Monster
Gichi-Anami’e-Bizhiw Oni
Libyan Satyr Tsuchigumo
Aspidochelone Ichthyocentaurs
Daily Experience Manufacturing
Soucouyant Di Sma Undar Jordi
Minotaur Sans Lombardic Light
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STUHAĆWEKUFEJORŌGUMOOROBANBŌZUHECATONCHIRESHEINZELMÄNNCHENLAST ROMAN EMPEROR BILETERRIBLE MONSTER
YOMOTSU-SHIKOME
LUBBER FIEND PECH
INDUCTOR FUNDAMENTAL
HEROES & HEROINES ATYS
ANI HYUNTIKWALASKI RÅ
Their Incredible Potential
Experience In Production
Authorized Contributions
Poverty-Stricken Self-Confident
Cockleshell Profuse Oceanology
Tendency For Businesses Abyss
Minotaur Sans Lombardic Light
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KushtakaCharybdisPollo MalignoWolpertinger AlNatonal Myth PriamHippopodes HrímþursarGichi-Anami’e-Bizhiw NarecnitsiBASILISCO CHILOTE
IELE BAOBHAN SITH
THREE-LEGGED BIRD
STUHAĆ NIGHTMARCHERS
LLYR LLEDIAITH JUPITER
CYLARABES DEATH DEITY
Kaukas Ichthyocentaurs
Gichi-Anami’e-izhiw Oni
Kyūbi-No-Kitsune Eachy
Aspidochone Ichthyocentaurs
Ichthyocentaurs Mono Grande
Headless Horseman Gyascutus
Minotaur Sans Lombardic Regular
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HAVSRÅGRIFFINTŌFU-KOZŌCAR ALCAEUSHORNED SERPENTGODS LEODEGRANCEPANTHEON OF THE GODS CARAUGVALD PORTHAON
CULTURE HERO BILE
EARTH MOTHER ILUS
GODS & GODDESSES BELUS
PENTHILUS ALTUN BISHIK
PALAEOTYPOGRAPHY AGE
Pendragon Prester John
Latinus Silvius Ormenus
Sky Father Culture Hero
Goffar The Pict Mythical Place
Palena Of Maui Gyges Of Lydia
Development Of Requirements
Minotaur Sans Lombardic Regular
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PeriphasCychreusIlus FerkingCapetus SilviusPrester John GodsCylarabes Alba SilviusGyges Of Lydia Olympian GodsKING MATJAŽ AJAX
EARTH MOTHER CAR
ALBA SILVIUS BIAS
GRECO-ROMAN MOSAICS
KINGDOMS OF MYTH CAR
GEOMYTHOLOGY OECLES
Lycus, Son Of Poseidon
Olympian Gods Asopus
Mechanization Species
Altun Bishik Metamorphoses
Improving Effectiveness Era
Manco Cápac King Goldemar
Minotaur Sans Lombardic Bold
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EVENUSMAGNESKAY KĀVUSLUNAR DEITYGEOMYTHOLOGYHEINZELMÄNNCHENTRICKSTER EARTH MOTHERGEARING & DRIVING
HOTU MATU’A GODS
BILE ALBA SILVIUS
POLYBUS OF THEBES CAR
HEROES & HEROINES NÓR
OLYMPIAN GODS LYNCUS
Miscellaneous Contrast
List Of Kings Of Athens
Pandion Ii Anaxagoras
Types Of Components Rarely
Family Tree Of The Gods Nór
An Invention Characteristics
Minotaur Sans Lombardic Bold
Minotaur
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Character set
A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°f fl fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � Ä � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � à á � � � � ă � � � � � � � � � � � � � � � � � � � � � � � � � � � � í � � � � � � � � � � � � � � � � � � � � � � � � � � ō � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 ➀ � � � � � � � � � � � � � � � � � � � �← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � �
Uppercase
Lowercase
Standard punctuation
Case-sensitive forms
Symbols
Figures (Lining proportional)
Figures (Oldstyle proportional)
Figures (Lining tabular)
Figures (Oldstyle tabular)
Superiors / Inferiors
Numerators / Denominators
Superscript
Accented uppercase
Accented lowercase
Circled numbers
Arrows
Ornaments
Mathematical symbolsFractions
LigaturesDiscretionary ligatures
Historical ligatures
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Minotaur Sans Character set
A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°f f fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Í � � � � � � � � � Ķ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ū � � � � � � � � � � � � � � � � � � Þà á � � ä � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ž � � � � � 0 ➀ � � � � � � � � � � � � � � � � � � � � ← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � �
Uppercase
Lowercase
Standard punctuation
Case-sensitive forms
Symbols
Figures (Lining proportional)
Figures (Oldstyle proportional)
Figures (Lining tabular)
Figures (Oldstyle tabular)
Superiors / Inferiors
Numerators / Denominators
Superscript
Accented uppercase
Accented lowercase
Circled numbers
Arrows
Ornaments
Mathematical symbolsFractions
LigaturesDiscretionary ligatures
Historical ligatures
Production Type Page 58/71www.productiontype.com © 2017
Minotaur Beef Character set
A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°f f fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � Å � Ą � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ĵ � � � � � � � � � � � � � � Ō � � Ø Ǿ Œ Ŕ � � Ś � Š � � Ť Ţ Ŧ Ù Ú Û � � Ū � � � � Ẁ Ẃ Ŵ � � � � � � � � � � � � à á â � � � � å � � � � � � � � � � � � � � � � � � ė � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ð � 0 ➀ ➁ � � � � � � � � � � � � � � � � � � �← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � A A B G J M O P Q R R R S T UÀ Á Â Ã Ä Ā Ă Å Ǻ Ą À Á Â Ã Ä Ā Ă Å Ǻ Ą Ĝ Ğ Ġ Ģ IJ Ĵ Ò Ó Ô Õ Ö Ō Ŏ Ő Ø Ǿ Œ Ŕ Ř Ŗ Ŕ Ř Ŗ Ŕ Ř Ŗ Ś Ŝ Š Ş Ș Ť Ţ Ŧ Ù Ú Û Ũ Ü Ū Ŭ Ů Ű Ų
Alternates(Stylistic set 5 → 19)
Accented alternates(Stylistic set 5 → 19)
Uppercase
Lowercase
Standard punctuation
Case-sensitive forms
Symbols
Figures (Lining proportional)
Figures (Oldstyle proportional)
Figures (Lining tabular)
Figures (Oldstyle tabular)
Superiors / Inferiors
Numerators / Denominators
Superscript
Accented uppercase
Accented lowercase
Circled numbers
Arrows
Ornaments
Mathematical symbolsFractions
LigaturesDiscretionary ligatures
Historical ligatures
Production Type Page 59/71www.productiontype.com © 2017
Minotaur Lombardic Character set
A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°fi fl fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � � � � � � Ć � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ó � � Ö � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �à á � � � � � � � � æ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ū � � � � � � � � � � � � � � � � � � � 0 ➀ � � � � � � � � � � � � � � � � � � � � ← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � � ♡ ♥
Uppercase
Lowercase
Standard punctuation
Case-sensitive forms
Symbols
Figures (Lining proportional)
Figures (Oldstyle proportional)
Figures (Lining tabular)
Figures (Oldstyle tabular)
Superiors / Inferiors
Numerators / Denominators
Superscript
Accented uppercase
Accented lowercase
Circled numbers
Arrows
Ornaments
Mathematical symbolsFractions
LigaturesDiscretionary ligatures
Historical ligatures
Production Type Page 60/71www.productiontype.com © 2017
Minotaur Sans Lombardic Character set
Uppercase
Lowercase
Standard punctuation
Case-sensitive forms
Symbols
Figures (Lining proportional)
Figures (Oldstyle proportional)
Figures (Lining tabular)
Figures (Oldstyle tabular)
Superiors / Inferiors
Numerators / Denominators
Superscript
Accented uppercase
Accented lowercase
Circled numbers
Arrows
Ornaments
Mathematical symbolsFractions
LigaturesDiscretionary ligatures
Historical ligatures
A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°fi fl fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � Å � � � � Ć � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ō � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �à á � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � í � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ū � � � � � � � � � � � � � � � � � � þ 0 ➀ � � � � � � � � � � � � � � � � � � � � ← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � � ♡ ♥
Minotaur
Production Type Page 61/71www.productiontype.com © 2017
OpenType features
All caps [CPSP]
Case-sensitive forms [CASE]
Standard ligatures [LIGA]
Discretionary ligatures [DLIG]
Historical ligatures [HIST]
Slashed zero [ZERO]
Tabular lining figures [TNUM + LNUM]
Tabular oldstyle figures [TNUM + ONUM]
Proportional lining figures [PNUM + LNUM]
Proportional oldstyle figures[PNUM + ONUM]
Superscript/Superior [SUPS]
Subscript/Inferior [SINF]
Numerator [NUMR]
Denominator [DNOM]
Lowercase
[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@
fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Historical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
UPPERCASE
[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@
f fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Hiſtorical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
OFF ON
Minotaur
Production Type Page 62/71www.productiontype.com © 2017
OpenType features
Fractions [FRAC]
Ordinals [ORDN]
Stylistic set 1 Arrows [SS01]
Stylistic set 2 Ornaments [SS02]
Stylistic set 3 & 4: Circled numbers [SS03 & SS04]
1/4 1/2 3/4 0/0 0/00
2a 2o No N° no n°
<>+−×÷=±
rstuvw
012345678910012345678910
¼ ½ ¾ % ‰
2ª 2º N° N° N° N°
←→↑↓↖↗↙↘
■◆●uvw
0➀��������������������
OFF ON
Production Type Page 63/71www.productiontype.com © 2017
Minotaur Sans OpenType features
All caps [CPSP]
Case-sensitive forms [CASE]
Standard ligatures [LIGA]
Discretionary ligatures [DLIG]
Historical ligatures [HIST]
Slashed zero [ZERO]
Tabular lining figures [TNUM + LNUM]
Tabular oldstyle figures [TNUM + ONUM]
Proportional lining figures [PNUM + LNUM]
Proportional oldstyle figures[PNUM + ONUM]
Superscript/Superior [SUPS]
Subscript/Inferior [SINF]
Numerator [NUMR]
Denominator [DNOM]
Lowercase
[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@
fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffkffl fft
ct st sp
Historical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
UPPERCASE
[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@
f f fb ff fh fj fk ft ffb ffh ffi ffj ffkffl fft
ct st sp
Hiſtorical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
OFF ON
Production Type Page 64/71www.productiontype.com © 2017
Minotaur Sans OpenType features
Fractions [FRAC]
Ordinals [ORDN]
Stylistic set 1 Arrows [SS01]
Stylistic set 2 Ornaments [SS02]
Stylistic set 3 & 4: Circled numbers [SS03 & SS04]
1/4 1/2 3/4 0/0 0/00
2a 2o No N° no n°
<>+−×÷=±
rstuvw
012345678910012345678910
¼ ½ ¾ % ‰
2ª 2º N° N° N° N°
←→↑↓↖↗↙↘
■◆●uvw
0➀��������������������
OFF ON
Production Type Page 65/71www.productiontype.com © 2017
Minotaur Beef OpenType features
All caps [CPSP]
Case-sensitive forms [CASE]
Standard ligatures [LIGA]
Discretionary ligatures [DLIG]
Historical ligatures [HIST]
Slashed zero [ZERO]
Tabular lining figures [TNUM + LNUM]
Tabular oldstyle figures [TNUM + ONUM]
Proportional lining figures [PNUM + LNUM]
Proportional oldstyle figures[PNUM + ONUM]
Superscript/Superior [SUPS]
Subscript/Inferior [SINF]
Numerator [NUMR]
Denominator [DNOM]
Lowercase
[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@
fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Historical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
UPPERCASE
[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@
f f fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Hiſtorical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
OFF ON
Production Type Page 66/71www.productiontype.com © 2017
Minotaur Beef OpenType features
Fractions [FRAC]
Ordinals [ORDN]
Stylistic set 1 Arrows [SS01]
Stylistic set 2 Ornaments [SS02]
Stylistic set 3 & 4: Circled numbers [SS03 & SS04]
Stylistic set 5:Alternate A [SS05]
Stylistic set 6:Alternate A [SS06]
Stylistic set 7:Alternate B [SS07]
Stylistic set 8:Alternate G [SS08]
Stylistic set 9:Alternate J [SS09]
Stylistic set 10:Alternate M [SS10]
Stylistic set 11:Alternate O [SS11]
Stylistic set 12:Alternate P [SS12]
Stylistic set 13:Alternate Q [SS13]
Stylistic set 14:Alternate R [SS14]
Stylistic set 15:Alternate R [SS15]
Stylistic set 16:Alternate R [SS16]
Stylistic set 17:Alternate S [SS17]
Stylistic set 18:Alternate T [SS18]
Stylistic set 19:Alternate U [SS19]
1/4 1/2 3/4 0/0 0/00
2a 2o No N° no n°
<>+−×÷=±
rstuvw
012345678910012345678910
MINOTAUR
ARCHETYPAL
LABYRINTH
GIGANTIC
TROJAN
MINOS
KNOSSOS
APHRODITE
QUEEN
SATYRS
GREEK
CREATURES
ODYSSEUS
MYTHOLOGY
ETRUSCANS
¼ ½ ¾ % ‰
2ª 2º N° N° N° N°
←→↑↓↖↗↙↘
������
0➀➁�������������������
MINOTAUR
ARCHETYPAL
LABYRINTH
GIGANTIC
TROJAN
MINOS
KNOSSOS
APHRODITE
QUEEN
SATYRS
GREEK
CREATURES
ODYSSEUS
MYTHOLOGY
ETRUSCANS
OFF ON
Production Type Page 67/71www.productiontype.com © 2017
Minotaur Lombardic OpenType features
All caps [CPSP]
Case-sensitive forms [CASE]
Standard ligatures [LIGA]
Discretionary ligatures [DLIG]
Historical ligatures [HIST]
Slashed zero [ZERO]
Tabular lining figures [TNUM + LNUM]
Tabular oldstyle figures [TNUM + ONUM]
Proportional lining figures [PNUM + LNUM]
Proportional oldstyle figures[PNUM + ONUM]
Superscript/Superior [SUPS]
Subscript/Inferior [SINF]
Numerator [NUMR]
Denominator [DNOM]
Lowercase
[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@
fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Historical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
UPPERCASE
[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@
fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Hiſtorical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
OFF ON
Production Type Page 68/71www.productiontype.com © 2017
OpenType features
Fractions [FRAC]
Ordinals [ORDN]
Stylistic set 1 Arrows [SS01]
Stylistic set 2 Ornaments [SS02]
Stylistic set 3 & 4: Circled numbers [SS03 & SS04]
1/4 1/2 3/4 0/0 0/00
2a 2o No N° no n°
<>+−×÷=±
rstuvw
012345678910012345678910
¼ ½ ¾ % ‰
2ª 2º N° N° N° N°
←→↑↓↖↗↙↘
■◆●u♡♥
0➀��������������������
OFF ON
Minotaur Lombardic
Production Type Page 69/71www.productiontype.com © 2017
Minotaur Sans Lombardic OpenType features
All caps [CPSP]
Case-sensitive forms [CASE]
Standard ligatures [LIGA]
Discretionary ligatures [DLIG]
Historical ligatures [HIST]
Slashed zero [ZERO]
Tabular lining figures [TNUM + LNUM]
Tabular oldstyle figures [TNUM + ONUM]
Proportional lining figures [PNUM + LNUM]
Proportional oldstyle figures[PNUM + ONUM]
Superscript/Superior [SUPS]
Subscript/Inferior [SINF]
Numerator [NUMR]
Denominator [DNOM]
Lowercase
[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@
fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Historical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
UPPERCASE
[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@
fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft
ct st sp
Hiſtorical
0123456789
H0123456789
H0123456789
H0123456789
H0123456789
HsuperscriptH0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
H0123456789H,.()+−×÷=€$¢
OFF ON
Production Type Page 70/71www.productiontype.com © 2017
OpenType features
Fractions [FRAC]
Ordinals [ORDN]
Stylistic set 1 Arrows [SS01]
Stylistic set 2 Ornaments [SS02]
Stylistic set 3 & 4: Circled numbers [SS03 & SS04]
1/4 1/2 3/4 0/0 0/00
2a 2o No N° no n°
<>+−×÷=±
rstuvw
012345678910012345678910
¼ ½ ¾ % ‰
2ª 2º N° N° N° N°
←→↑↓↖↗↙↘
■◆●u♡♥
0➀��������������������
OFF ON
Minotaur Sans Lombardic
Minotaur
Production Type Page 71/71www.productiontype.com © 2017
Information
Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Congo Swahili, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Vunjo, Welsh, Zulu.
Supported languages
Designer
Contact
Copyright
Jean-Baptiste Levée
Production Type255, rue du Faubourg Saint-Antoine 75011 Paris, France+33 (0)7 68 72 24 00www.productiontype.com
© 2017 Production Type, all rights reserved.Production Type is a registered trademark of Production Systems SAS.Minotaur is a registered trademark of Production Systems SAS.