minotaur - production type wassan-mon-ganeehla-ak polynices culture hero cylarabes prester john...

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Production Type Page 1/71 www.productiontype.com © 2017 Minotaur Depth through restraint: the unexpected beauty of the straight line. How does one reference Cubism in a typeface? The most obvious tack would be to disassemble each letter and render it broken and abstracted. That might produce something interesting to look at, but not something that can be used. Minotaur is more practical, but no less interesting. Initially created for a Paris art museum, Minotaur Sans and Serif is a family of straight lines inspired by the Cubist movement. Its roots are Venus, a landmark Grotesque from the era that gave rise to Cubism, and two serif models: Bruce’s Scotch Roman and A. V. Hershey’s series for early vector-based computing. Not only are the letters’ outlines atypical, but their set number of widths — derived from historical technical limitations — play with expectations too. Despite their seemingly primitive restraints, these fonts are legible at any size. And they have their own beauty too: Minotaur Serif, in particular, balances its harsh contours with the elegant skeleton of its early 20th-century model. Minotaur offers a richness not found in most type; one that rewards viewers in new ways as they step closer to the canvas. Minotaur Lombardic and Minotaur Lombardic Sans are the companion to the Minotaur Collection. Both families offer a new uppercase design, inspired by the Lombardic style, fleshed-out across all weights of Minotaur. Lombardic capitals are particularily well suited for drop- and initial caps, page openers, and other classic uses for ornamented capitals. The design of these uppercases is deployed into a Sans companion, creating quite unusual shapes which suits many large display applications, from posters to store windows. Minotaur Light Minotaur Regular Minotaur Bold Minotaur Sans Light Minotaur Sans Regular Minotaur Sans Bold Minotaur Lombardic Light Minotaur Lombardic Regular Minotaur Lombardic Bold Minotaur Beef Bold Minotaur Light Italic Minotaur Italic Minotaur Bold Italic Minotaur Sans Light Italic Minotaur Sans Italic Minotaur Sans Bold Italic Minotaur Sans Lombardic Light Minotaur Sans Lombardic Regular Minotaur Sans Lombardic Bold 5 families 19 styles 3 weights Roman & Italic

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Production Type Page 1/71www.productiontype.com © 2017

MinotaurDepth through restraint: the unexpected beauty of the straight line.

How does one reference Cubism in a typeface? The most obvious tack would be to disassemble each letter and render it broken and abstracted. That might produce something interesting to look at, but not something that can be used. Minotaur is more practical, but no less interesting. Initially created for a Paris art museum, Minotaur Sans and Serif is a family of straight lines inspired by the Cubist movement. Its roots are Venus, a landmark Grotesque from the era that gave rise to Cubism, and two serif models: Bruce’s Scotch Roman and A. V. Hershey’s series for early vector-based computing. Not only are the letters’ outlines atypical, but their set number of widths — derived from historical technical limitations — play with expectations too. Despite their seemingly primitive restraints, these fonts are legible at any size. And they have their own beauty too: Minotaur Serif, in particular, balances its harsh contours with the elegant skeleton of its early 20th-century model.Minotaur offers a richness not found in most type; one that rewards viewers in new ways as they step closer to the canvas.

Minotaur Lombardic and Minotaur Lombardic Sans are the companion to the Minotaur Collection. Both families offer a new uppercase design, inspired by the Lombardic style, fleshed-out across all weights of Minotaur.Lombardic capitals are particularily well suited for drop- and initial caps, page openers, and other classic uses for ornamented capitals.The design of these uppercases is deployed into a Sans companion, creating quite unusual shapes which suits many large display applications, from posters to store windows.

Minotaur LightMinotaur RegularMinotaur Bold

Minotaur Sans LightMinotaur Sans RegularMinotaur Sans Bold

Minotaur Lombardic LightMinotaur Lombardic RegularMinotaur Lombardic Bold

Minotaur Beef Bold

Minotaur Light ItalicMinotaur ItalicMinotaur Bold Italic

Minotaur Sans Light ItalicMinotaur Sans ItalicMinotaur Sans Bold Italic

Minotaur Sans Lombardic LightMinotaur Sans Lombardic RegularMinotaur Sans Lombardic Bold

5 families19 styles3 weights Roman & Italic

Minotaur

Production Type Page 2/71www.productiontype.com © 2017

MythographyInkanyambaReichsadlerDexamenusChangelingDeiphontes

Family overview

Light

Light Italic

Italic

Bold Italic

Regular

Bold

Production Type Page 3/71www.productiontype.com © 2017

Minotaur Sans

TlahuelpuchiTsurara-onnaAsteropaiosLycanthropeAigikampoiLugalbanda

Cockatrice

Family overview

Light

Light Italic

Italic

Bold Italic

Regular

Bold

Bold

Minotaur Beef

Production Type Page 4/71www.productiontype.com © 2017

Minotaur Lombardic

Lycus IasusBelus FableSky Father

Laius SatyrsHotu Matu’aFlood Myth

Family overview

Light

Light

Regular

Regular

Bold

Bold

Minotaur Sans Lombardic

Production Type Page 5/71www.productiontype.com © 2017

CarbuncleBar JuchnePersisor PersoBrownie PoseidonMisi-kinepikw BodachNanom-keea-po-da LabbuKabouter Wassan-mon-ganeehla-akPOLYNICES CULTURE HERO

CYLARABES PRESTER JOHN

GREEK STAR MYTHS ETHAL

CREATION MYTH KING GOLDEMAR

MONSTERS OF GREEK MYTHOLOGY

EARTH MOTHER METAMORPHOSES

Greco-Roman Mosaics Ilus

Lugalbanda Geomythology

Lycus, son of Poseidon Car

Greco-Roman Sculpture Laertes

Mythography Legendary Creature

Greek God & Goddesses Amyntor

Minotaur Light

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CROCOTTABUGUL NOZBLOODY BONESICHTHYOCENTAURHEADLESS HORSEMANPIM-SKWA-WAGEN-OWAD RÅKONOHA-TENGU THREE-LEGGED BIRDKAY KĀVUS CULTURE HERO

CHALCODON ALTUN BISHIK

LYCURGUS OF THRACE NÓR

PANTHEON OF THE GODS AENEUS

MONSTERS OF GREEK MYTHOLOGY

EARTH MOTHER METAMORPHOSES

Hippothous Geomythology

Metamorphoses Polydorus

Last Roman Emperor Lugh

Kingdoms Of Myth Geomythology

Greco-Roman Fresco Bellerophon

Nymphs & Daemones Nausithous

Minotaur Light

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Minotaur Light

B e s i d e s t h e O l y m p i a n s , t h e G r e e k s w o r s h i p p e d v a r i o u s g o d s o f t h e c o u n t r y s i d e , t h e s a t y r - g o d P a n , N y m p h s ( s p i r i t s o f r i v e r s ) , N a i a d s ( w h o d w e l l e d i n s p r i n g s ) , D r y a d s ( w h o w e r e s p i r i t s o f t h e t r e e s ) , N e r e i d s ( w h o i n h a b i t e d t h e s e a ) , r i v e r g o d s , S a t y r s , a n d o t h e r s . I n a d d i t i o n , t h e r e w e r e t h e d a r k p o w e r s o f t h e u n d e r w o r l d , s u c h a s t h e E r i n y e s ( o r F u r i e s ) , s a i d t o p u r s u e t h o s e g u i l t y o f c r i m e s a g a i n s t b l o o d - r e l a t i v e s . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a I n b e t w e e n t h e A r g o a n d t h e T r o j a n W a r , t h e r e w a s a g e n e r a t i o n k n o w n c h i e f y f o r i t s h o r r i f c c r i m e s . T h i s i n c l u d e s t h e d o i n g s o f A t r e u s a n d T h y e s t e s a t A r g o s . B e h i n d t h e m y t h o f t h e h o u s e o f A t r e u s ( o n e o f t h e t w o p r i n c i p a l h e r o i c d y n a s t i e s w i t h t h e h o u s e o f L a b d a c u s ) l i e s t h e p r o b l e m o f t h e d e v o l u t i o n o f p o w e r a n d o f t h e m o d e o f a c c e s s i o n t o s o v e r e i g n t y . T h e t w i n s A t r e u s a n d T h y e s t e s w i t h t h e i r d e s c e n d a n t s p l a y e d t h e l e a d i n g r o l e i n t h e t r a g e d y o f t h e d e v o l u t i o n o f p o w e r i n M y c e n a e . T h e a n c i e n t G r e e k s b e l i e v e d t h a t T r o y w a s l o c a t e d n e a r t h e D a r d a n e

M i n o s i s t h e C r e t a n w o r d f o r “ k i n g ” , o r , b y a e u h e m e r i s t i n t e r p r e t a t i o n , t h e n a m e o f a p a r t i c u l a r k i n g t h a t w a s s u b s e q u e n t l y u s e d a s a t i t l e . T h e r e i s a n a m e i n M i n o a n L i n e a r A m i - n u - t e t h a t m a y b e r e l a t e d t o M i n o s . A c c o r d i n g t o L a M a r l e ’ s r e a d i n g o f L i n e a r A , w h i c h h a v e b e e n h e a v i l y c r i t i c i s e d a s a r b i t r a r y w e s h o u l d r e a d m w i - n u r o - j a ( M i n o s t h e k i n g ) o n a L i n e a r A t a b l e t . T h e r o y a l t i t l e r o - j a i s r e a d o n s e v e r a l d o c u m e n t s , i n c l u d i n g o n s t o n e l i b a t i o n t a b l e s f r o m t h e s a n c t u a r i e s , w h e r e i t f o l l o w s t h e n a m e o f t h e m a i n g o d , A s i r a i ( t h e e q u i v a l e n t o f S a n s k r i t A s u r a , a n d o f A v e s t a n A h u r a ) . L a M a r l e s u g g e s t s t h a t t h e n a m e m w i - n u ( M i n o s ) i s e x p e c t e d t o m e a n ‘ a s c e t i c ’ a s S a n s k r i t m u n i , a n d f t s t h i s e x p l a n a t i o n t o t h e l e g e n d a b o u t M i n o s s o m e t i m e s l i v i n g i n c a v e s o n C r e t e . T h e a n c i e n t G r e e k s b e l i e v e d t h a t T r o y w a s l o c a t e d n e a r t

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NguruviluBar JuchneCericopithicusDzee-dzee-bon-daGichi-anami’e-bizhiwAzukibabaa NekomusumeKyūbi-no-kitsune Ichchhadhari NagKING PURU PRESTER JOHN

GENEALOGY OF RAMA ILUS

LUGALBANDA POLYPOETES

GEOMYTHOLOGY CREATION MYTH

REDCAP KWAKWAKALANOOKSIWAE

CULTURE HERO METAMORPHOSES

Underworld National Myth

Erechtheus King Goldemar

King Matjaž Creation Myth

Ascanius Greco-Roman Sculpture

Greco-Roman Mosaics Pendragon

Nymphs & Daemones King Arthur

Minotaur Light Italic

Production Type Page 9/71www.productiontype.com © 2017

ASKEFRUEBONNACONIBONG ADARNASEWER ALLIGATORALUX CINNAMON BIRDALOM-BAG-WINNO-SIS GEDGRECO-ROMAN MOSAICS ORCHAMUSCULTURE HERO CROTOPUS

NYMPHS & DAEMONES CAR

CROTOPUS EARTH MOTHER

GEOMYTHOLOGY CREATION MYTH

THERIOCEPHALUS AQRABUAMELU

CULTURE HERO METAMORPHOSES

Headless Horseman Kappa

Lugalbanda Creation Myth

Antiphates Metamorphoses

Greek God & Goddesses Ochimus

Math fab Mathonwy Mythography

Horned Serpent A-senee-ki-wakw

Minotaur Light Italic

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Minotaur Light Italic

I n G r e e k m y t h o l o g y , M i n o s w a s a k i n g o f C r e t e , s o n o f Z e u s a n d E u r o p a . E v e r y n i n e y e a r s , h e m a d e K i n g A e g e u s p i c k s e v e n y o u n g b o y s a n d s e v e n y o u n g g i r l s t o b e s e n t t o D a e d a l u s ’ c r e a t i o n , t h e l a b y r i n t h , t o b e e a t e n b y t h e M i n o t a u r . A f e r h i s d e a t h , M i n o s b e c a m e a j u d g e o f t h e d e a d i n t h e u n d e r w o r l d . T h e M i n o a n c i v i l i z a t i o n o f C r e t e h a s b e e n n a m e d a f e r h i m b y t h e a r c h a e o l o g i s t A r t h u r E v a n s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T T h e o l d e s t o f t h e h y m n s w e r e p r o b a b l y w r i t t e n i n t h e s e v e n t h c e n t u r y B C , s o m e w h a t l a t e r t h a n H e s i o d a n d t h e u s u a l l y a c c e p t e d d a t e f o r t h e w r i t i n g d o w n o f t h e H o m e r i c e p i c s . T h i s s t i l l p l a c e s t h e o l d e r H o m e r i c H y m n s a m o n g t h e o l d e s t m o n u m e n t s o f G r e e k l i t e r a t u r e ; b u t a l t h o u g h m o s t o f t h e m w e r e c o m p o s e d i n t h e s e v e n t h a n d s i x t h c e n t u r i e s , a f e w m a y b e H e l l e n i s t i c , a n d t h e H y m n t o A r e s m i g h t b e a l a t e p a g a n w o r k , i n s e r t e d w h e n i t w a s o b s e r v e d t h a t a h y m n t o A r e s w a s l a c k i n g . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n W a r r e m

C r y p t o z o o l o g y i s a p s e u d o s c i e n c e i n v o l v i n g t h e s e a r c h f o r a n i m a l s w h o s e e x i s t e n c e h a s n o t b e e n p r o v e n . T h e a n i m a l s c r y p t o z o o l o g i s t s s t u d y a r e o f e n r e f e r r e d t o a s c r y p t i d s , a t e r m c o i n e d b y J o h n W a l l i n 1 9 8 3 . T h i s i n c l u d e s l o o k i n g f o r l i v i n g e x a m p l e s o f a n i m a l s t h a t a r e c o n s i d e r e d e x t i n c t , s u c h a s n o n - a v i a n d i n o s a u r s ; a n i m a l s w h o s e e x i s t e n c e l a c k s p h y s i c a l e v i d e n c e b u t w h i c h a p p e a r i n m y t h s , l e g e n d s , o r a r e r e p o r t e d , s u c h a s B i g f o o t a n d C h u p a c a b r a ; a n d w i l d a n i m a l s d r a m a t i c a l l y o u t s i d e t h e i r n o r m a l g e o g r a p h i c r a n g e s , s u c h a s p h a n t o m c a t s ( a l s o k n o w n a s A l i e n B i g C a t s ) . C r y p t o z o o l o g y i s n o t a r e c o g n i z e d b r a n c h o f z o o l o g y o r a d i s c i p l i n e o f s c i e n c e . I t i s a n e x a m p l e o f p s e u d o s c i e n c e b e c a u s e i t r e l i e s h e a v i l y u p o n a n e c d o t a l e v i d e n c e , s t o r i e s a n d a l l e g e d s i g h t i n g s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n

Production Type Page 11/71www.productiontype.com © 2017

KeythongUnhcegilaKuda-gitsuneMooinjer veggeyAlom-bag-winno-sisCapetus Silvius BroteasErymanthian Boar Leanan sidheGIANTS & FANTASTIC MEN

BESTIARY OF CREATURES

LUGALBANDA IDRIS GAWR

CULTURE HERO NATIONAL MYTH

TUGARIN ZMEYEVICH LAVELLAN

GEOMYTHOLOGY LEODEGRANCE

Legendary Creature Atys

Pendragon Prester John

Polynices Geomythology

Kingdoms Of Myth Deiphontes

Metamorphoses Creation Myth

Cisseus Greco-Roman Mosaics

Minotaur Regular

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KOFEWALTBLEMMYAEAMPHISBAENAWARAK NGENDOGTUGARIN ZMEYEVICHGED HEINZELMÄNNCHENANDROSPHINX ICHTHYOCENTAURSBENNU KLABAUTERMANN

GAGANA GANDABERUNDA

GIRTABLILU SHACHIHOKO

WASSAN-MON-GANEEHLA-AK ZIZ

ERECHTHEUS METAMORPHOSES

GEOMYTHOLOGY BELLEROPHON

Hippogriff Manananggal

Bar Juchne Lycanthrope

Mygdon of Bebryces Ajax

Kingdoms Of Myth Erechtheus

Hitotsume-kozō Muma Pădurii

National Myth Metamorphoses

Minotaur Regular

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Minotaur Regular

B o o k o f I m a g i n a r y B e i n g s w a s w r i t t e n b y J o r g e L u i s B o r g e s , p u b l i s h e d i n 1 9 5 7 u n d e r t h e o r i g i n a l S p a n i s h t i t l e M a n u a l d e z o o l o g í a f a n t á s t i c a , a n d e x p a n d e d i n 1 9 6 7 a n d 1 9 6 9 t o t h e f n a l E l l i b r o d e l o s s e r e s i m a g i n a r i o s . T h e E n g l i s h e d i t i o n , c r e a t e d i n c o l l a b o r a t i o n w i t h t r a n s l a t o r N o r m a n T h o m a s d i G i o v a n n i , c o n t a i n s d e s c r i p t i o n s o f 1 2 0 m y t h i c a l b e a s t s f r o m f o l k l o r e a n d l i t e r a t u r e . W h e t h e r t h e r e i s a n y h i s t o r i I t c o n t i n u e s t o b e r e a d i n t h e H o m e r i c G r e e k a n d t r a n s l a t e d i n t o m o d e r n l a n g u a g e s a r o u n d t h e w o r l d . M a n y s c h o l a r s b e l i e v e t h a t t h e o r i g i n a l p o e m w a s c o m p o s e d i n a n o r a l t r a d i t i o n b y a n a o i d o s ( e p i c p o e t / s i n g e r ) p e r h a p s a r h a p s o d e ( p r o f e s s i o n a l p e r f o r m e r ) , a n d w a s m o r e l i k e l y i n t e n d e d t o b e h e a r d t h a n r e a d . T h e d e t a i l s o f t h e a n c i e n t o r a l p e r f o r m a n c e , a n d t h e s t o r y ’ s c o n v e r s i o n t o a w r i t t e n w o r k i n s p i r e c o n t i n u a l d e b a t e a m o n g s c h o l a r s . M a n y s c h o l a r s b e l i e v e t h a t t h e r e i s a h i s t

P o s e i d o n i s o n e o f t h e t w e l v e O l y m p i a n d e i t i e s o f t h e p a n t h e o n i n G r e e k m y t h o l o g y . H i s m a i n d o m a i n i s t h e o c e a n , a n d h e i s c a l l e d t h e “ G o d o f t h e S e a ” . A d d i t i o n a l l y , h e i s r e f e r r e d t o a s “ E a r t h - S h a k e r ” d u e t o h i s r o l e i n c a u s i n g e a r t h q u a k e s , a n d h a s b e e n c a l l e d t h e “ t a m e r o f h o r s e s ” . H e i s u s u a l l y d e p i c t e d a s a n o l d e r m a l e w i t h c u r l y h a i r a n d b e a r d . T h e n a m e o f t h e s e a - g o d N e t h u n s i n E t r u s c a n w a s a d o p t e d i n L a t i n f o r N e p t u n e i n R o m a n m y t h o l o g y ; b o t h w e r e s e a g o d s a n a l o g o u s t o P o s e i d o n . L i n e a r B t a b l e t s s h o w t h a t P o s e i d o n w a s v e n e r a t e d a t P y l o s a n d T h e b e s i n p r e - O l y m p i a n B r o n z e A g e G r e e c e a s a c h i e f d e i t y , b u t h e w a s i n t e g r a t e d i n t o t h e O l y m p i a n g o d s a s t h e b r o t h e r o f Z e u s a n d H a d e s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n

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TarasqueMenehuneKhalkotauroiKuchisake-onnaWentshukumishiteuLeucrota HecatonchiresAmbrosius Aurelianus MelanthusHESPERIDES AWA-HON-DO

DOPPELGÄNGER NARGUN

DI PENATES LEPRECHAUN

HEINZELMÄNNCHEN NUPPEPPO

NU GUI KWAKWAKALANOOKSIWAE

JÖRMUNGANDR CHRYSOMALLUS

Maski-mon-gwe-zo-os Ba

Puckwudgie Kongamoto

Wyrm Heinzelmännchen

Greco-Roman Sculpture Byzas

Psychopomp Gods & Goddesses

Lycus, son of Poseidon Faunus

Minotaur Italic

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YILBEGÄNNÍÐHÖGGRFURU-UTSUBOMETEE-KOLEN-OLMANU BELLEROPHONMISHIBIZHIW LEOKAMPOIERYMANTHIAN BOAR OPHIOTAURUSREPTILIAN HUMANOID OG

KURAGE-NO-HINOTAMA IO

REPTILIAN HUMANOID RÅ

METAMORPHOSES UNDERWORLD

MYTHOGRAPHY CREATION MYTH

PRESTER JOHN KING GOLDEMAR

Gambrinus Prester John

Habrok Katawa-guruma

Lycurgus of Arcadia Car

Erysichthon of Thessaly Byzas

Aventinus of Alba Longa Maeon

Pandion II Fabulous Creatures

Minotaur Italic

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Minotaur Italic

T h e e v e n t s o f t h e T r o j a n W a r a r e f o u n d i n m a n y w o r k s o f G r e e k l i t e r a t u r e a n d d e p i c t e d i n n u m e r o u s w o r k s o f G r e e k a r t . T h e r e i s n o s i n g l e , a u t h o r i t a t i v e t e x t w h i c h t e l l s t h e e n t i r e e v e n t s o f t h e w a r . T h e m o s t i m p o r t a n t l i t e r a r y s o u r c e s a r e t h e t w o e p i c p o e m s t r a d i t i o n a l l y c r e d i t e d t o H o m e r , t h e I l i a d a n d t h e O d y s s e y , c o m p o s e d s o m e t i m e b e t w e e n t h e 9 t h a n d 6 t h c e n t u r i e s B C . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n A l e g e n d a r y c r e a t u r e i s a n a n i m a l d e s c r i b e d i n n o n - h i s t o r i c a l o r y e t t o b e v e r i f e d s t o r i e s t h a t s o m e t i m e s i n v o l v e t h e s u p e r n a t u r a l . O t h e r l e g e n d a r y a n i m a l s , s u c h a s t h e u n i c o r n , w e r e d o c u m e n t e d i n a c c o u n t s o f n a t u r a l h i s t o r y b y v a r i o u s s c h o l a r s o f a n t i q u i t y . D u e t o t h e l a c k o f f o s s i l s o f t h e s e c r e a t u r e s , t h e v e r a c i t y o f t h e s e h i s t o r i c a l r e c o r d i n g s i s q u e s t i o n e d b y m o d e r n z o o l o g i s t s . S o m e o f t h e s e c r e a t u r e s c a n a l s o b e c r y p t i d s , a l t h o u g h t h e t e r m s a r e n o t s y n o n y m o u s . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d

Z e u s i s t h e c h i l d o f C r o n u s a n d R h e a , a n d t h e y o u n g e s t o f h i s s i b l i n g s . I n m o s t t r a d i t i o n s h e i s m a r r i e d t o H e r a , a l t h o u g h , a t t h e o r a c l e o f D o d o n a , h i s c o n s o r t i s D i o n e : a c c o r d i n g t o t h e I l i a d , h e i s t h e f a t h e r o f A p h r o d i t e b y D i o n e . H e i s k n o w n f o r h i s e r o t i c e s c a p a d e s . T h e s e r e s u l t e d i n m a n y g o d l y a n d h e r o i c o f f s p r i n g , i n c l u d i n g A t h e n a , A p o l l o a n d A r t e m i s , H e r m e s , P e r s e p h o n e ( b y D e m e t e r ) , D i o n y s u s , P e r s e u s , H e r a c l e s , H e l e n o f T r o y , M i n o s , a n d t h e M u s e s ( b y M n e m o s y n e ) ; b y H e r a , h e i s u s u a l l y s a i d t o h a v e f a t h e r e d A r e s , H e b e a n d H e p h a e s t u s . A s W a l t e r B u r k e r t p o i n t s o u t i n h i s b o o k , G r e e k R e l i g i o n , “ E v e n t h e g o d s w h o a r e n o t h i s n a t u r a l c h i l d r e n a d d r e s s h i m a s F a t h e r , a n d a l l t h e g o d s r i s e i n h i s p r e s e n c e . ” W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n W a r r e

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Polydorus Altun Bishik

Geomythology Creation Myth

Cisseus Nymphs & Daemones

Chrysaor Ani Hyuntikwalaski

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Cylarabes Culture Hero

Gods & Goddesses Hoel

Penthilus Mythography

Menestheus Metamorphoses

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Earth Mother King Goldemar

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T h e I l i a d ( s o m e t i m e s r e f e r r e d t o a s t h e S o n g o f I l i o n o r S o n g o f I l i u m ) i s a n a n c i e n t G r e e k e p i c p o e m i n d a c t y l i c h e x a m e t e r , t r a d i t i o n a l l y a t t r i b u t e d t o H o m e r . S e t d u r i n g t h e T r o j a n W a r , t h e t e n - y e a r s i e g e o f t h e c i t y o f T r o y ( I l i u m ) b y a c o a l i t i o n o f G r e e k s t a t e s , i t t e l l s o f t h e b a t t l e s a n d e v e n t s d u r i n g t h e w e e k s o f a q u a r r e l b e t w e e n K i n g A g a m e m n o n a n d t h e w a r r i o r A c h i l l e s . T h e w a r o r i g i n a t e d T h e o r i g i n s t o m a n y l e g e n d a r y c r e a t u r e s c a n b e f o u n d i n w r i t i n g s f r o m t h e M i d d l e A g e s . T h e s e d e s c r i p t i o n s e m e r g e d a s w a y s t o c o n v e y i m p o r t a n t c o n c e p t s a n d m e s s a g e s t h r o u g h s y m b o l i s m a n d m e t a p h o r r a t h e r t h a n f u n c t i o n a s l i t e r a l i n t e r p r e t a t i o n s . M e d i e v a l a c c o u n t s o f t h e s e c r e a t u r e s o f e n a p p e a r q u i t e w h i m s i c a l , b u t i t s h o u l d b e u n d e r s t o o d t h a t p o r t r a y i n g t h e n a t u r a l w o r l d ’ s p h y s i c a l a c c u r a c y w a s n o t l i k e l y a r e l e v a n t p r i o r i t y . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n

D i o n y s u s i s t h e g o d o f t h e g r a p e h a r v e s t , w i n e m a k i n g a n d w i n e , o f r i t u a l m a d n e s s a n d r e l i g i o u s e c s t a s y i n G r e e k m y t h o l o g y . H i s n a m e , t h o u g h t t o b e a t h e o n y m i n L i n e a r B t a b l e t s a s d i - w o - n u - s o ( K H G q 5 i n s c r i p t i o n ) , s h o w s t h a t h e m a y h a v e b e e n w o r s h i p p e d a s e a r l y a s c . 1 5 0 0 – 1 1 0 0 B C b y M y c e n e a n G r e e k s ; o t h e r t r a c e s o f t h e D i o n y s i a n - t y p e c u l t h a v e b e e n f o u n d i n a n c i e n t M i n o a n C r e t e . H i s o r i g i n s a r e u n c e r t a i n , a n d h i s c u l t s t o o k m a n y f o r m s ; s o m e a r e d e s c r i b e d b y a n c i e n t s o u r c e s a s T h r a c i a n , o t h e r s a s G r e e k . I n s o m e c u l t s , h e a r r i v e s f r o m t h e e a s t , a s a n A s i a t i c f o r e i g n e r ; i n o t h e r s , f r o m E t h i o p i a i n t h e S o u t h . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n t h e g o d d e s s e s H e r a , A t h e n a , a n d A p h r o d i t e

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M i n o s h i m s e l f i s s a i d t o h a v e d i e d a t C a m i c u s i n S i c i l y , w h i t h e r h e h a d g o n e i n p u r s u i t o f D a e d a l u s , w h o h a d g i v e n A r i a d n e t h e c l u e b y w h i c h s h e g u i d e d T h e s e u s t h r o u g h t h e l a b y r i n t h . S u b s e q u e n t l y h i s r e m a i n s w e r e s e n t b a c k t o t h e C r e t a n s , w h o p l a c e d t h e m i n a s a r c o p h a g u s , o n w h i c h w a s i n s c r i b e d : T h e t o m b o f M i n o s , t h e s o n o f Z e u s . A p h r o d i t e , a f e r E r i s , t h e g o d d e s s o f s r i f e a n d d i s c o r U p o n t h e d e a t h o f t h e k i n g , P a n d i o n I I , A e g e u s a n d h i s t h r e e b r o t h e r s , P a l l a s , N i s o s , a n d L y k o s , t o o k c o n t r o l o f A t h e n s f r o m M e t i o n , w h o h a d s e i z e d t h e t h r o n e f r o m P a n d i o n . A e g e u s ’ f r s t w i f e w a s M e t a , a n d h i s s e c o n d w i f e w a s C h a l c i o p e . S t i l l w i t h o u t a m a l e h e i r , A e g e u s a s k e d t h e o r a c l e a t D e l p h i f o r a d v i c e . H e r c r y p t i c w o r d s w e r e “ D o n o t l o o s e n t h e b u l g i n g m o u t h o f t h e w i n e s k i n u n t i l y o u h a v e r e a c h e d t h e h e i g h t o f A t h e n s , l e s t y o u d i e o f g r i e f . ” T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e

W h i l e m a n y o f t h e s e c r e a t u r e s s e r v e t h e p u r p o s e o f s y m b o l i z i n g r e l i g i o u s c o n c e p t s , o t h e r s p o i n t t o s o c i a l a s p e c t s o f t h e m e d i e v a l p e r i o d . T h i s i s e v i d e n c e d i n t h e c e n t a u r . T h i s l e d t o a r e v o l u t i o n a r y w a y o f c o n d u c t i n g b a t t l e f r o m h o r s e b a c k , a n d e m b o d i e d t h e i d e o l o g y b e h i n d t h e m y t h o l o g i c a l c e n t a u r . H i s t o r i a n L y n n W h i t e a r g u e d t h a t t h e s t i r r u p w a s t h e m o s t c r i t i c a l d e v e l o p m e n t i n m e d i e v a l E u r o p e . W h i t e c o n c l u d e d , “ A n t i q u i t y i m a g i n e d t h e C e n t a u r ; t h e e a r l y M i d d l e A g e s m a d e h i m t h e m a s t e r o f E u r o p e . ” S t i r r u p s p l a y e d a c r u c i a l r o l e i n t h e l i v e s o f p e o p l e a t t h i s t i m e , a n d t h e c e n t a u r s e r v e d a s a n a p p r o p r i a t e s y m b o l t o e x p r e s s t h i s i m p o r t a n c e . A s t h e A p p l e o f D i s c o r d , m a r k e d " f o r t h e f a i r e s t " . Z e u s s e n t t h e g o d

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Poltergeist Gichi-anami’e-bizhiw

Heroes & Heroines Gods & Spirits

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I n E u r o p e a n f o l k l o r e , t h e u n i c o r n i s o f e n d e p i c t e d a s a w h i t e h o r s e - l i k e o r g o a t - l i k e a n i m a l w i t h a l o n g h o r n a n d c l o v e n h o o v e s . I n t h e M i d d l e A g e s a n d R e n a i s s a n c e , i t w a s c o m m o n l y d e s c r i b e d a s a n e x t r e m e l y w i l d w o o d l a n d c r e a t u r e , a s y m b o l o f p u r i t y a n d g r a c e , w h i c h c o u l d o n l y b e c a p t u r e d b y a v i r g i n . I n t h e e n c y c l o p e d i a s i t s h o r n w a s s a i d t o h a v e t h e p o w e r t o r e n d e r p o i s o n e d w a t e r p o t a b l e a n d t o h e a l s i c k n e s s . O n t h e b a s i s o f e x c a v a t i o n s c o n d u A m p h i s b a e n a , a m p h i s b a i n a , a m p h i s b e n e , a m p h i s b o e n a , a m p h i s b o n a , a m p h i s t a , a m f v e n a , a m p h i v e n a , o r a n p h i v e n a ( t h e l a s t t w o b e i n g f e m i n i n e ) , a G r e e k w o r d , f r o m a m p h i s , m e a n i n g “ b o t h w a y s ” , a n d b a i n e i n , m e a n i n g “ t o g o ” , a l s o c a l l e d t h e M o t h e r o f A n t s , i s a m y t h o l o g i c a l , a n t - e a t i n g s e r p e n t w i t h a h e a d a t e a c h e n d . A c c o r d i n g t o G r e e k m y t h o l o g y , t h e a m p h i s b a e n a w a s s p a w n e d f r o m t h e b l o o d t h a t d r i p p e d f r o m t h e G o r g o n M e d u s a ’ s h e a d a s P e r s e u s f e w o v e r t h e L i b y a n D e s e r t w i t h i t i n h i s h a n d . O n t h e b a s i s o f e x c a v a t i o n s c o n d u c t e d b y S c

C e r b e r u s i n G r e e k a n d R o m a n m y t h o l o g y , i s a m u l t i - h e a d e d ( u s u a l l y t h r e e - h e a d e d ) d o g , o r “ h e l l h o u n d ” w i t h a s e r p e n t ’ s t a i l , a m a n e o f s n a k e s , a n d a l i o n ’ s c l a w s . [ 4 ] H e g u a r d s t h e e n t r a n c e o f t h e u n d e r w o r l d t o p r e v e n t t h e d e a d f r o m e s c a p i n g a n d t h e l i v i n g f r o m e n t e r i n g . C e r b e r u s i s f e a t u r e d i n m a n y w o r k s o f a n c i e n t G r e e k a n d R o m a n l i t e r a t u r e a n d i n w o r k s o f b o t h a n c i e n t a n d m o d e r n a r t a n d a r c h i t e c t u r e , a l t h o u g h t h e d e p i c t i o n o f C e r b e r u s d i f e r s a c r o s s v a r i o u s r e n d i t i o n s . T h e m o s t n o t a b l e d i f e r e n c e i s t h e n u m b e r o f h i s h e a d s : M o s t s o u r c e s d e s c r i b e o r d e p i c t t h r e e h e a d s ; o t h e r s s h o w C e r b e r u s w i t h t w o o r e v e n j u s t o n e ; a s m a l l e r n u m b e r o f s o u r c e s s h o w a v a r i a b l e n u m b e r , s o m e t i m e s a s m a n y a s 5 0 o r e v e n 1 0 0 . O n t h e b a s i s o f e x c a v a t i o n s c o n d u c t e

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Terrible Monster Three-legged bird

Titans & Titanesses Gyges of Lydia

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Giants & Fantastic Men Ajax

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T h e C h i m e r a w a s , a c c o r d i n g t o G r e e k m y t h o l o g y , a m o n s t r o u s f r e - b r e a t h i n g h y b r i d c r e a t u r e o f L y c i a i n A s i a M i n o r , c o m p o s e d o f t h e p a r t s o f m o r e t h a n o n e a n i m a l . U s u a l l y d e p i c t e d a s a l i o n e s s w i t h f u l l b r e a s t s , w i t h t h e h e a d o f a g o a t a r i s i n g f r o m h e r b a c k , a n d a t a i l t h a t m i g h t e n d w i t h a s n a k e ’ s h e a d , t h e C h i m e r a w a s o n e o f t h e o f s p r i n g o f T y p h o n a n d E c h i d n a a n d a s i b l i n g o f s u c h m o n s t e r s a s C e r b e r u s a n d t h e L e r n a e a n H y d r a . E p i s o d e s f r o m t h e w a E u r o p e a n d r a g o n s a r e l e g e n d a r y c r e a t u r e s i n f o l k l o r e a n d m y t h o l o g y a m o n g t h e o v e r l a p p i n g c u l t u r e s o f E u r o p e . I n W e s t e r n f o l k l o r e , d r a g o n s a r e u s u a l l y p o r t r a y e d a s e v i l , w i t h e x c e p t i o n s m a i n l y i n W e l s h f o l k l o r e a n d m o d e r n f c t i o n . T h i s i s i n c o n t r a s t t o C h i n e s e d r a g o n s , w h i c h a r e t r a d i t i o n a l l y d e p i c t e d a s m o r e b e n e v o l e n t c r e a t u r e s . I n t h e m o d e r n p e r i o d , t h e E u r o p e a n d r a g o n i s t y p i c a l l y d e p i c t e d a s a h u g e , f r e - b r e a t h i n g , s c a l y , h o r n e d , l i z a r d - l i k e c r e a t u r e ; t h e c r e a t u r e a l s o h a s l e a t h e r y , b a t - l i k e w i n g s , f o u r l e g s , a n d a l o n g , m u s c u l a r p r e h e n s i l e t a i l . T h e w a r p r o v i d e d m a t e r i a

T h e f o x s p i r i t s e n c o u n t e r e d i n t a l e s a n d l e g e n d s a r e u s u a l l y f e m a l e s a n d a p p e a r a s y o u n g , b e a u t i f u l w o m e n . O n e o f t h e m o s t i n f a m o u s f o x s p i r i t s i n C h i n e s e m y t h o l o g y w a s D a j i , w h o i s p o r t r a y e d i n t h e M i n g s h e n m o n o v e l F e n g s h e n Y a n y i . A b e a u t i f u l d a u g h t e r o f a g e n e r a l , s h e w a s m a r r i e d f o r c i b l y t o t h e c r u e l t y r a n t Z h o u X i n . A n i n e - t a i l e d f o x s p i r i t w h o s e r v e d N ü w a , w h o m Z h o u X i n h a d o f e n d e d , e n t e r e d i n t o a n d p o s s e s s e d h e r b o d y , e x p e l l i n g t h e t r u e D a j i ’ s s o u l . T h e s p i r i t , a s D a j i , a n d h e r n e w h u s b a n d s c h e m e d c r u e l l y a n d i n v e n t e d m a n y d e v i c e s o f t o r t u r e , s u c h a s f o r c i n g r i g h t e o u s o f c i a l s t o h u g r e d - h o t m e t a l p i l l a r s . B e c a u s e o f s u c h c r u e l t i e s , m a n y p e o p l e , i n c l u d i n g Z h o u X i n ’ s o w n f o r m e r g e n e r a l s , r e v o l t e d a n d f o u g h t a g a i n s t Z h o u X i n ’ s d y n a s t y , S h a n g . E p i s o d e s f r o m t h e w a r p r o v i d e d m a t e r i a l f o r G r e e k t r a g e d y a n d o t h e r w o r k s o f G r e e k l i t e r a t u r e , a

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TikolosheNarecnitsiKitsune-TsukiAlba Silvius AjaxAlf And Alfhild ManuRatatoskr GaltzagorriakGichi-anami’e-bizhiw SandwalkerAHKIYYINI PUCKWUDGIE

TUGARIN ZMEYEVICH AL

CHIMAERA BAR JUCHNE

CONTINENTS KARAKONCOLOS

DI SMA UNDAR JORDI TRAUCO

KWAKWAKALANOOKSIWAE NIX

Polypoetes Earth Mother

Theoi Classical Texts Car

Heroes, Gods And Satyrs

Will-O’-The-Wisp Gandaberunda

Headless Horseman Merpeople

Kobalos/Kobaloi Doppelgänger

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BLUECAPCRINAEAEHRÍMÞURSARPOLLO MALIGNOHOTU MATU’A NISOSWOLPERTINGER SUANGITHERIOCEPHALUS SWAN MAIDENAQRABUAMELU KUMIHO

PENG CALYGREYHOUND

KORO-POK-GURU PŪĶIS

LAELAPS SENPOKU-KANPOKU

ALOM-BAG-WINNO-SIS KEELUT

PENANGGALAN ANDROSPHINX

Wild man Teumessian fox

Life-Death-Rebirth Deity

Lycurgus of Nemea Asius

Titans & Titanesses Polypoetes

Bestiary Of Creatures Amyntor

Lycurgus of Nemea King Matjaž

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T h e d r a g o n s h a v e m a n y a n i m a l - l i k e f o r m s s u c h a s t u r t l e s , f s h , a n d i m a g i n a r y c r e a t u r e s , b u t t h e y a r e m o s t c o m m o n l y d e p i c t e d a s s n a k e - l i k e w i t h f o u r l e g s . I n y i n a n d y a n g t e r m i n o l o g y , a d r a g o n i s y a n g a n d c o m p l e m e n t s a y i n f e n g h u a n g . C h i n e s e d r a g o n s t r a d i t i o n a l l y s y m b o l i z e p o t e n t a n d a u s p i c i o u s p o w e r s , p a r t i c u l a r l y c o n t r o l o v e r w a t e r , r a i n f a l l , h u r r i c a n e , a n d f o o d s . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n t h e g I n l a t e p o e t i c a l G r e e k m y t h o l o g y i c h t h y o c e n t a u r s w e r e a p a i r o f c e n t a u r i n e s e a - g o d s w i t h t h e u p p e r b o d y o f a m a n , t h e l o w e r f r o n t o f a h o r s e , a n d t h e t a i l o f a f s h . A l s o , t h e y w o r e l o b s t e r - c l a w h o r n s . T h e y w e r e h a l f - b r o t h e r s o f t h e w i s e c e n t a u r C h i r o n a n d t h e s o n s o f P o s e i d o n a n d t h e s e a g o d d e s s A m p h i t r i t e . T h e s e t w o s e a - g o d s , t h o u g h l i t t l e r e m e m b e r e d , w e r e s e t i n t h e s k y a s t h e a s t r o n o m i c a l c o n s t e l l a t i o n P i s c e s . T h e t w i n i c h t h y o c e n t a u r s a p p e a r t o g e t h e r i n s e v e r a l w o r k s o f a r t . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b

A c e n t a u r o r h i p p o c e n t a u r i s a m y t h o l o g i c a l c r e a t u r e w i t h t h e h e a d , a r m s , a n d t o r s o o f a h u m a n a n d t h e b o d y a n d l e g s o f a h o r s e . I n e a r l y A t t i c a n d B e o t i a n v a s e - p a i n t i n g s ( s e e b e l o w ) , t h e y a r e d e p i c t e d w i t h t h e h i n d q u a r t e r s o f a h o r s e a t t a c h e d t o t h e m ; i n l a t e r r e n d e r i n g s c e n t a u r s a r e g i v e n t h e t o r s o o f a h u m a n j o i n e d a t t h e w a i s t t o t h e h o r s e ’ s w i t h e r s , w h e r e t h e h o r s e ’ s n e c k w o u l d b e . T h i s h a l f - h u m a n a n d h a l f - h o r s e c o m p o s i t i o n h a s l e d m a n y w r i t e r s t o t r e a t t h e m a s l i m i n a l b e i n g s , c a u g h t b e t w e e n t h e t w o n a t u r e s , e m b o d i e d i n c o n t r a s t e d m y t h s , b o t h a s t h e e m b o d i m e n t o f u n t a m e d n a t u r e , a s i n t h e i r b a t t l e w i t h t h e L a p i t h s ( t h e i r k i n ) , o r c o n v e r s e l y a s t e a c h e r s , l i k e C h i r o n . T h e w a r o r i g i n a t e d f r o m a q u

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Kay KāvusKing MinosCreation MythEarth Mother NórPlant & Flower MythsBokkenrijders TelekhinesFabulous Creatures Gyges Of LydiaPALENA OF MAUI AENEUS

LATINUS SILVIUS DRYOPS

HEIKEGANI URMAHLULLU

CRINAEAE SENPOKU-KANPOKU

ORIGIN-OF-DEATH MYTH MAEON

PRESTER JOHN CREATION MYTH

Solar Deity Creation Myth

Plant & Flower Myths Dion

List of kings of Athens Car

Kingdoms Of Myth Llyr Llediaith

Dragon Turtle Three-Legged Bird

Jack-In-Irons Ethiopian Pegasus

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ALICANTOKUSHTAKASEA MONSTERWANA-GAMES-AKTHREE-LEGGED BIRDARIKURA-NO-BABA SHENZUNBERA-BŌ ETHIOPIAN PEGASUSKAY KĀVUS ALBA SILVIUS

WENTSHUKUMISHITEU AL

ELDJÖTNAR HESPERIDES

ETHIOPIAN PEGASUS AGLOOLIK

MASKI-MON-GWE-ZO-OS LO-LOL

MULDJEWANGK KUARAHY JÁRA

Lunar Deity National Myth

Will-O’-The-Wisp Harmonia

Toire-No-Hanakosan Toyol

Reptilian Humanoid Raven Spirit

Hesperides Gichi-anami’e-bizhiw

Kingdoms Of Myth Gods & Spirits

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K r a k e n i s a l e g e n d a r y s e a m o n s t e r o f g i a n t p r o p o r t i o n s t h a t i s s a i d t o d w e l l o f t h e c o a s t s o f N o r w a y a n d G r e e n l a n d . T h e l e g e n d m a y h a v e o r i g i n a t e d f r o m s i g h t i n g s o f g i a n t s q u i d t h a t a r e e s t i m a t e d t o g r o w t o 1 3 – 1 5 m ( 4 0 – 5 0 f ) i n l e n g t h , i n c l u d i n g t h e t e n t a c l e s . T h e s h e e r s i z e a n d f e a r s o m e a p p e a r a n c e a t t r i b u t e d t o t h e k r a k e n h a v e m a d e i t a c o m m o n o c e a n - d w e l l i n g m o n s t e r i n v a r i o u s f c t i o n a l w o r k s . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e G r e e k m y t h o l o g y i s e x p l i c i t l y e m b o d i e d i n a l a r g e c o l l e c t i o n o f n a r r a t i v e s , a n d i m p l i c i t l y i n G r e e k r e p r e s e n t a t i o n a l a r t s , s u c h a s v a s e - p a i n t i n g s a n d v o t i v e g i f s . G r e e k m y t h a t t e m p t s t o e x p l a i n t h e o r i g i n s o f t h e w o r l d , a n d d e t a i l s t h e l i v e s a n d a d v e n t u r e s o f a w i d e v a r i e t y o f g o d s , g o d d e s s e s , h e r o e s , h e r o i n e s a n d m y t h o l o g i c a l c r e a t u r e s . T h e s e a c c o u n t s i n i t i a l l y w e r e d i s s e m i n a t e d i n a n o r a l - p o e t i c t r a d i t i o n ; t o d a y t h e G r e e k m y t h s a r e k n o w n p r i m a r i l y f r o m G r e e k l i t e r a t u r e . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a g e d a g a i n s t t h e c i t y o f T r o y b

T h e O u r o b o r o s o r U r o b o r o s i s a n a n c i e n t s y m b o l d e p i c t i n g a s e r p e n t o r d r a g o n e a t i n g i t s o w n t a i l . T h e O u r o b o r o s o f e n s y m b o l i z e s s e l f - r e f e x i v i t y o r c y c l i c a l i t y , e s p e c i a l l y i n t h e s e n s e o f s o m e t h i n g c o n s t a n t l y r e - c r e a t i n g i t s e l f , t h e e t e r n a l r e t u r n , a n d o t h e r t h i n g s s u c h a s t h e p h o e n i x w h i c h o p e r a t e i n c y c l e s t h a t b e g i n a n e w a s s o o n a s t h e y e n d . I t c a n a l s o r e p r e s e n t t h e i d e a o f p r i m o r d i a l u n i t y r e l a t e d t o s o m e t h i n g e x i s t i n g i n o r p e r s i s t i n g f r o m t h e b e g i n n i n g w i t h s u c h f o r c e o r q u a l i t i e s i t c a n n o t b e e x t i n g u i s h e d . W h i l e f r s t e m e r g i n g i n A n c i e n t E g y p t , t h e O u r o b o r o s h a s b e e n i m p o r t a n t i n r e l i g i o u s a n d m y t h o l o g i c a l s y m b o l i s m , b u t h a s a l s o b e e n f r e q u e n t l y u s e d i n a l c h e m i c a l i l l u s t r a t i o n s , w h e r e i t s y m b o l i z e s t h e c i r c u l a r n a t u r e o f t h e a l c h e m i s t ’ s o p u s . T h e w a r o r i g i n a t e d f r o m a q u a r r e l b e t w e e n t h e g o

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SyrbotaeCluricaunWolpertingerTheriocephalusTugarin ZmeyevichWondjina MuldjewangkArion Wassan-mon-ganeehla-akHEADLESS HORSEMAN

OOZLUM BIRD ASTERIA

KESARAN-PASARAN AL

QUESTING BEAST BAKENEKO

CALYDONIAN BOAR HAUGBUI

ENKŌ TOIRE-NO-HANAKOSAN

Revenant Betobeto-san

Morgens Golden Fleece

Pardalokampoi Agloolik

Monsters Of Greek Mythology

Misi-Kinepikw Kanbari-Nyūdō

Ani Hyuntikwalaski La Mojana

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PHOENIXASBOLUSKUMAKATOKBESTIAL BEASTARIKURA-NO-BABANIMERIGAR NUKEKUBIBACKOO REPTILIAN HUMANOIDHEADLESS HORSEMAN

VANARA VRYKOLAKAS

CRETAN BULL SQUONK

QUETZALCOATL EACH UISGE

YALE TOIRE-NO-HANAKOSAN

HEROES, GODS AND SATYRS

Ichthyocentaurs Amala

Ljósálfar Sceadugenga

Thunderbird Carbuncle

Jiaolong Toire-no-Hanakosan

Cericopithicus Orang Bunian

Wassan-mon-ganeehla-ak Nix

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T h e g r i f n w a s t h u s m a d e a n e m b l e m o f t h e C h u r c h ’ s o p p o s i t i o n t o r e m a r r i a g e . A H i p p o g r i f i s a l e g e n d a r y c r e a t u r e , s u p p o s e d l y t h e o f s p r i n g o f a g r i f n a n d a m a r e . B e i n g a u n i o n o f a t e r r e s t r i a l b e a s t a n d a n a e r i a l b i r d , i t w a s s e e n i n C h r i s t e n d o m t o b e a s y m b o l o f J e s u s , w h o w a s b o t h h u m a n a n d d i v i n e . A s s u c h i t c a n b e f o u n d s c u l p t e d o n s o m e c h u r c h e s . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a F a i r i e s r e s e m b l e v a r i o u s b e i n g s o f o t h e r m y t h o l o g i e s , t h o u g h e v e n f o l k l o r e t h a t u s e s t h e t e r m f a i r y o f e r s m a n y d e f n i t i o n s . S o m e t i m e s t h e t e r m d e s c r i b e s a n y m a g i c a l c r e a t u r e , i n c l u d i n g g o b l i n s o r g n o m e s : a t o t h e r t i m e s , t h e t e r m o n l y d e s c r i b e s a s p e c i f c t y p e o f m o r e e t h e r e a l c r e a t u r e o r s p r i t e . V a r i o u s f o l k l o r i s t i c t r a d i t i o n s r e f e r t o t h e m e u p h e m i s t i c a l l y , b y n a m e s s u c h a s w e e f o l k , g o o d f o l k , p e o p l e o f p e a c e , f a i r f o l k ( W e l s h t y l w y t h t e g ) , e t c . I n G r e e k m y t h o l o g y , t h e T r o j a n W a r w a s w a g

S i n c e t h e l a t e 1 8 t h c e n t u r y , k r a k e n h a v e b e e n d e p i c t e d i n a n u m b e r o f w a y s , p r i m a r i l y a s l a r g e o c t o p u s - l i k e c r e a t u r e s , a n d i t h a s o f e n b e e n a l l e g e d t h a t P o n t o p p i d a n ’ s k r a k e n m i g h t h a v e b e e n b a s e d o n s a i l o r s ’ o b s e r v a t i o n s o f t h e g i a n t s q u i d . T h e K r a k e n i s a l s o d e p i c t e d t o h a v e s p i k e s o n i t s s u c k e r s . I n t h e e a r l i e s t d e s c r i p t i o n s , h o w e v e r , t h e c r e a t u r e s w e r e m o r e c r a b - l i k e t h a n o c t o p u s - l i k e , a n d g e n e r a l l y p o s s e s s e d t r a i t s t h a t a r e a s s o c i a t e d w i t h l a r g e w h a l e s r a t h e r t h a n w i t h g i a n t s q u i d . S o m e t r a i t s o f k r a k e n r e s e m b l e u n d e r s e a v o l c a n i c a c t i v i t y o c c u r r i n g i n t h e I c e l a n d r e g i o n , i n c l u d i n g b u b b l e s o f w a t e r ; s u d d e n , d a n g e r o u s c u r r e n t s ; a n d a p p e a r a n c e o f n e w i s l e t s . T h e A c h a e a n s ( G r e e k s ) a f e r P a r i s o f T r o y t o o k H e l e n f r o m h

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CaladriusTiddy MunBloody BonesCalydonian BoarHecatonchires DrukSvartálfar Mono GrandeMares of Diomedes SōtangitsuneMACHLYES KUMAKATOK

UNDERWATER PANTHER

OPHIOTAURUS AKATEKO

ARKAN SONNEY LADY MIDDAY

MASKI-MON-GWE-ZO-OS BAKU

GOLEM BALIUS AND XANTHUS

Rainbow Serpent Calingi

Three-Legged Bird Aleya

Black Annis Sea Monster

Gichi-anami’e-bizhiw Kiyohime

Metamorphoses Alf and Alfhild

Rainbow Serpent Ippon-datara

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TACHASHJIAOLONGNOPPERA-BŌLAUKŲ DVASIOSCANOTILA LAELAPSCALYDONIAN BOAR PANPIM-SKWA-WAGEN-OWAD WRAITHAMABURAKOSAGI JAUD

SHENLONG FENGHUANG

NANOM-KEEA-PO-DA AL

KUARAHY JÁRA PATUPAIREHE

NOBUSUMA NIGHTMARCHERS

KWAKWAKALANOOKSIWAE OG

Ares Tugarin Zmeyevich

Loup-garou Ashi-magari

Svartálfar Myrmecoleon

Warak ngendog Soraki-gaeshi

Heinzelmännchen Jasy Jaterei

Wassan-mon-ganeehla-ak Lilin

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T h e E n g l i s h w o r d e l f i s f r o m t h e O l d E n g l i s h w o r d m o s t o f e n a t t e s t e d a s æ l f . A l t h o u g h t h i s w o r d t o o k a v a r i e t y o f f o r m s i n d i f e r e n t O l d E n g l i s h d i a l e c t s , t h e s e c o n v e r g e d o n t h e f o r m e l f d u r i n g t h e M i d d l e E n g l i s h p e r i o d . D u r i n g t h e O l d E n g l i s h p e r i o d , s e p a r a t e f o r m s w e r e u s e d f o r f e m a l e e l v e s , b u t d u r i n g t h e M i d d l e E n g l i s h p e r i o d t h e w o r d e l f c a m e r o u t i n e l y t o i n c l u d e f e m a l e b e i n g s . T h e A p p l e o f D i s c o r d , m a r k e d T h e m a n t i c o r e i s a P e r s i a n l e g e n d a r y c r e a t u r e s i m i l a r t o t h e E g y p t i a n s p h i n x . I t h a s t h e b o d y o f a r e d l i o n , a h u m a n h e a d w i t h t h r e e r o w s o f s h a r p t e e t h , s o m e t i m e s b a t w i n g s , a n d a t r u m p e t - l i k e v o i c e . O t h e r a s p e c t s o f t h e c r e a t u r e v a r y f r o m s t o r y t o s t o r y . T h e t a i l i s t h a t o f e i t h e r a d r a g o n o r a s c o r p i o n , a n d i t m a y s h o o t p o i s o n o u s s p i n e s t o e i t h e r p a r a l y z e o r k i l l i t s v i c t i m s . I t d e v o u r s i t s p r e y w h o l e a n d l e a v e s n o c l o t h e s , b o n e s , o r p o s s e s s i o n s o f t h e p r e y b e h i n d . Z e u s s e n t t h e g o d d e s s e s t o P a r i s , w h o j u d g e d t h a

I n G r e e k m y t h o l o g y , T a l o s o r T a l o n w a s a g i a n t m a n o f b r o n z e w h o p r o t e c t e d E u r o p a i n C r e t e f r o m p i r a t e s a n d i n v a d e r s . H e c i r c l e d t h e i s l a n d ’ s s h o r e s t h r e e t i m e s d a i l y . A l t e r n a t i v e l y T a l o s c o u l d b e f g u r e d a s a s a c r e d b u l l . H i s b r o n z e n a t u r e s u g g e s t e d t o t h e a u t h o r o f B i b l i o t h ē k ē t h a t h e m a y h a v e b e e n a s u r v i v o r f r o m t h e A g e o f B r o n z e , a d e s c e n d a n t o f t h e b r a z e n r a c e t h a t s p r a n g f r o m m e l i a e “ a s h - t r e e n y m p h s ” a c c o r d i n g t o A r g o n a u t i c a 4 . T h e c o n c e p t i o n t h a t H e s i o d ’ s m e n o f t h e A g e o f B r o n z e w e r e a c t u a l l y m a d e o f b r o n z e i s e x t e n d e d t o m e n o f t h e a g e o f g o l d b y L u c i a n f o r h u m o r o u s e f e c t . T h e p s e u d o - P l a t o n i c d i a l o g u e M i n o s r a t i o n a l i z e d t h e m y t h , t h r i c e y e a r l y s h o w i n g a t e a c h v i l l a g e i n t u r n t h e l a w s o f M i n o s i n s c r i b e d o n b r a s s t a b l e t s . T h e A p p l e o f D i s c o r

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KarkinosCandilejaWati-KutjaraAsbolus Ko-GokThree-Legged BirdOnocentaur SvaðilfariGichi-Anami’e-Bizhiw CambionMARES OF DIOMEDES

BALIUS AND XANTHUS

TUGARIN ZMEYEVICH

HEADLESS HORSEMAN DOLA

ANI HYUNTIKWALASKI DIP

HOMBRE CAIMAN CAMBION

Reptilian Humanoid Rå

Sandwalker Kyourinrin

Toire-No-Hanakosan Io

Heroes, Gods And Satyrs Ker

Maro Deivės Mooinjer Veggey

Heroes, Gods And Satyrs Hag

Minotaur Beef Bold

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TARTALOKINNARAGANDHARVASOROBANBŌZUSHUNKA WARAKINDUWENDE LINDWORMGICHI-ANAMI’E-BIZHIW ALUXSTYMPHALIAN BIRDS

MARES OF DIOMEDES

BALIUS AND XANTHUS

BLACK SHUCK ATO-OI-KOZŌ

GICHI-ANAMI’E-BIZHIW RÅ

BAHAMUT KANBARI-NYŪDŌ

Cerberus Yato-No-Kami

Toire-No-Hanakosan Io

Shellycoat Sunekosuri

Karura Gichi-Anami’e-Bizhiw

Toire-No-Hanakosan Cipactli

Quetzalcoatl Argus Panoptes

Minotaur Beef Bold

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Minotaur Beef Bold

T h e d r a g o n s h a v e m a n y a n i m a l - l i k e f o r m s s u c h a s t u r t l e s , f s h , a n d i m a g i n a r y c r e a t u r e s , b u t t h e y a r e m o s t c o m m o n l y d e p i c t e d a s s n a k e - l i k e w i t h f o u r l e g s . I n y i n a n d y a n g t e r m i n o l o g y , a d r a g o n i s y a n g a n d c o m p l e m e n t s a y i n f e n g h u a n g . C h i n e s e d r a g o n s t r a d i t i o n a l l y s y m b o l i z e p o t e n t a n d a u s p i c i o u s p o w e r s , p a r t i c u l a r l y c o n t r o l o v e r w a t e r , h u r r i c a n e , a n d f o o d s . Z e u s s e n t t h e g o d d e s s e s t P o s e i d o n i s o n e o f t h e t w e l v e O l y m p i a n d e i t i e s o f t h e p a n t h e o n i n G r e e k m y t h o l o g y . A d d i t i o n a l l y , h e i s r e f e r r e d t o a s “ E a r t h - S h a k e r ” d u e t o h i s r o l e i n c a u s i n g e a r t h q u a k e s , a n d h a s b e e n c a l l e d t h e “ t a m e r o f h o r s e s ” . H e i s u s u a l l y d e p i c t e d a s a n o l d e r m a l e w i t h c u r l y h a i r a n d b e a r d . T h e n a m e o f t h e s e a - g o d N e t h u n s i n E t r u s c a n w a s a d o p t e d i n L a t i n f o r N e p t u n e i n R o m a n m y t h o l o g y ; b o t h w e r e s e a g o d s a n a l o g o u s t o P o s e i d o n . I n 1 8 6 8 , h o w e v e r , t h e G e r m a n a r c h a e o l o g i s t H e i n r i c h S c h

W h i l e m a n y o f t h e s e c r e a t u r e s s e r v e t h e p u r p o s e o f s y m b o l i z i n g r e l i g i o u s c o n c e p t s , o t h e r s p o i n t t o s o c i a l a s p e c t s o f t h e m e d i e v a l p e r i o d . T h i s i s e v i d e n c e d i n t h e c e n t a u r . T h i s l e d t o a r e v o l u t i o n a r y w a y o f c o n d u c t i n g b a t t l e f r o m h o r s e b a c k , a n d e m b o d i e d t h e i d e o l o g y b e h i n d t h e m y t h o l o g i c a l c e n t a u r . H i s t o r i a n L y n n W h i t e a r g u e d t h a t t h e s t i r r u p w a s t h e m o s t c r i t i c a l d e v e l o p m e n t i n m e d i e v a l E u r o p e . W h i t e c o n c l u d e d , “ A n t i q u i t y i m a g i n e d t h e C e n t a u r ; t h e e a r l y M i d d l e A g e s m a d e h i m t h e m a s t e r o f E u r o p e . ” S t i r r u p s p l a y e d a c r u c i a l r o l e i n t h e l i v e s o f p e o p l e a t t h i s t i m e , a n d t h e c e n t a u r s e r v e d a s a n a p p r o p r i a t e s y m b o l t o e x p r e s s t h i s i m p o r t a n c e . W h e t h e r t h e r e i s a n y h i s t o r i c a l r e a l i t y b e h i n d t h e T r o j a n W a r r e m a i n

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King PuruGreat KingMenninkäinenQalupalik HabrokOrigin-Of-Death MythPersonified Spirits LughKwakwakalanooksiwae Ashi-MagariERYMANTHIAN BOAR

GYGES OF LYDIA NÓR

CREATION MYTH CAR

LLYR LLEDIAITH PRITHU

RAMIDREJU SANDWALKER

MARES OF DIOMEDES PUCK

Hippothoon Geomythology

Diomedes Of Thrace Gods

Origin-Of-Death Myth Ajax

Lycus, Son Of Poseidon Amyntor

Aventinus Of Alba Longa C Cont.

Life-Death-Rebirth Deity Aeneus

Minotaur Lombardic Light

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ŽALTYSSKOGSRÅPOLYNICESKING ARTHURLYNCUS AMPHIONHEINZELMÄNNCHENGICHI-ANAMI’E-BIZHIW HAGCREATION MYTH NÓR

NÓR GODS & SPIRITS

MYTHOGRAPHY HERO

MYTHICAL PLACE BLADUD

GREEK STAR MYTHS BYZAS

POLYBUS OF THEBES ATYS

Tantankororin Narecnitsi

Ba Jiao Gui Amphisbaena

Heroes, Gods And Satyrs

Will-O’-The-Wisp Ippon-Datara

Erymanthian Boar Chibaiskweda

Soucouyant Di Sma Undar Jordi

Minotaur Lombardic Light

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WerewolfBarbegaziWater SpriteCeryneian HindAni HyuntikwalaskiEthiopian Pegasus OrkTheriocephalus TheriocephalusTERRIBLE MONSTER

STYMPHALIAN BIRD

ICHCHHADHARI NAG

MAGOG KALLIKANTZAROI

KURAGE-NO-HINOTAMA IO

HIDERIGAMI MINKA BIRD

Akurojin-No-Hi Gremlin

Landvættir Bake-Kujira

Kyūbi-No-Kitsune Adlet

Zashiki-Warashi Sakabashira

Duende Gichi-Anami’e-Bizhiw

Kobalos Kobaloi Shug Monkey

Minotaur Lombardic Regular

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ZDUHAĆCAR NÓRELDJÖTNARHOMBRE GATOASK-WEE-DA-EEDFAMILIAR PSOGLAVHESPERIDES PENANGGALANERYMANTHIAN BOAR

MARES OF DIOMEDES

PALENA OF MAUI NÓR

REPTILIAN HUMANOID BA

TOIRE-NO-HANAKOSAN AL

HUGIN AND MUNIN KO-GOK

Candileja Orang Minyak

Kobalos/Kobaloi Helead

Tengu Terrible Monster

Calydonian Boar Mormolykeia

Adroanzi Balius And Xanthus

Bokkenrijders Pok-Wejee-Men

Minotaur Lombardic Regular

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Shiki-ŌjiNór PanjiSkin-WalkerKing Lot MacarPolybus Of ThebesAlba Silvius OenopionLaukų Dvasios Iannic-Ann-ÔdMORINJI-NO-OKAMA

LIBYAN AEGIPANES

PRIMITIVE PRIMAL

XING TIAN TECUMBALAM

MANTICORE FEAR GORTA

HAMADRYAD EACH UISGE

Kurabokko Gancanagh

Pellinore Prester John

Kithairon Culture Hero

Mythical Place National Myth

Family Tree Of The Gods Nór

Life-Death-Rebirth Deity Bile

Minotaur Lombardic Bold

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JÖTUNNOG HERAŽIBURINISSHUTEN-DŌJIMOIRAI & KERESANALYSE SÉRIELLEMASKI-MON-GWE-ZO-OS ALPGEARING & DRIVING

CENTER OF GRAVITY

MORINJI-NO-OKAMA

HEADLESS HORSEMAN OG

THUNDERBIRD GLAISTIG

ERYMANTHIAN BOAR NIX

Stringent Requirement

Kwakwakalanooksiwae

Konoha-Tengu Agogwe

Cericopithicus Mono Grande

Kupua Gichi-Anami’e-Bizhiw

Balius And Xanthus Gui Shu

Minotaur Lombardic Bold

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BagiennikLa SayonaUma-No-AshiStymphalian BirdNational Myth PriamBreathless ConfectionerMooinjer Veggey Greek MythologyANTERO VIPUNEN BA

HEINZELMÄNNCHEN

ERYMANTHIAN BOAR

LEIR OF BRITAIN LYNCUS

COMPRESSORS AND PUMPS

BOLT INSTALLATION AGE

Khalkotauroi Sea Monster

Gichi-Anami’e-Bizhiw Oni

Libyan Satyr Tsuchigumo

Aspidochelone Ichthyocentaurs

Daily Experience Manufacturing

Soucouyant Di Sma Undar Jordi

Minotaur Sans Lombardic Light

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STUHAĆWEKUFEJORŌGUMOOROBANBŌZUHECATONCHIRESHEINZELMÄNNCHENLAST ROMAN EMPEROR BILETERRIBLE MONSTER

YOMOTSU-SHIKOME

LUBBER FIEND PECH

INDUCTOR FUNDAMENTAL

HEROES & HEROINES ATYS

ANI HYUNTIKWALASKI RÅ

Their Incredible Potential

Experience In Production

Authorized Contributions

Poverty-Stricken Self-Confident

Cockleshell Profuse Oceanology

Tendency For Businesses Abyss

Minotaur Sans Lombardic Light

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KushtakaCharybdisPollo MalignoWolpertinger AlNatonal Myth PriamHippopodes HrímþursarGichi-Anami’e-Bizhiw NarecnitsiBASILISCO CHILOTE

IELE BAOBHAN SITH

THREE-LEGGED BIRD

STUHAĆ NIGHTMARCHERS

LLYR LLEDIAITH JUPITER

CYLARABES DEATH DEITY

Kaukas Ichthyocentaurs

Gichi-Anami’e-izhiw Oni

Kyūbi-No-Kitsune Eachy

Aspidochone Ichthyocentaurs

Ichthyocentaurs Mono Grande

Headless Horseman Gyascutus

Minotaur Sans Lombardic Regular

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HAVSRÅGRIFFINTŌFU-KOZŌCAR ALCAEUSHORNED SERPENTGODS LEODEGRANCEPANTHEON OF THE GODS CARAUGVALD PORTHAON

CULTURE HERO BILE

EARTH MOTHER ILUS

GODS & GODDESSES BELUS

PENTHILUS ALTUN BISHIK

PALAEOTYPOGRAPHY AGE

Pendragon Prester John

Latinus Silvius Ormenus

Sky Father Culture Hero

Goffar The Pict Mythical Place

Palena Of Maui Gyges Of Lydia

Development Of Requirements

Minotaur Sans Lombardic Regular

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PeriphasCychreusIlus FerkingCapetus SilviusPrester John GodsCylarabes Alba SilviusGyges Of Lydia Olympian GodsKING MATJAŽ AJAX

EARTH MOTHER CAR

ALBA SILVIUS BIAS

GRECO-ROMAN MOSAICS

KINGDOMS OF MYTH CAR

GEOMYTHOLOGY OECLES

Lycus, Son Of Poseidon

Olympian Gods Asopus

Mechanization Species

Altun Bishik Metamorphoses

Improving Effectiveness Era

Manco Cápac King Goldemar

Minotaur Sans Lombardic Bold

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EVENUSMAGNESKAY KĀVUSLUNAR DEITYGEOMYTHOLOGYHEINZELMÄNNCHENTRICKSTER EARTH MOTHERGEARING & DRIVING

HOTU MATU’A GODS

BILE ALBA SILVIUS

POLYBUS OF THEBES CAR

HEROES & HEROINES NÓR

OLYMPIAN GODS LYNCUS

Miscellaneous Contrast

List Of Kings Of Athens

Pandion Ii Anaxagoras

Types Of Components Rarely

Family Tree Of The Gods Nór

An Invention Characteristics

Minotaur Sans Lombardic Bold

Minotaur

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Character set

A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°f fl fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � Ä � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � à á � � � � ă � � � � � � � � � � � � � � � � � � � � � � � � � � � � í � � � � � � � � � � � � � � � � � � � � � � � � � � ō � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 0 ➀ � � � � � � � � � � � � � � � � � � � �← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � �

Uppercase

Lowercase

Standard punctuation

Case-sensitive forms

Symbols

Figures (Lining proportional)

Figures (Oldstyle proportional)

Figures (Lining tabular)

Figures (Oldstyle tabular)

Superiors / Inferiors

Numerators / Denominators

Superscript

Accented uppercase

Accented lowercase

Circled numbers

Arrows

Ornaments

Mathematical symbolsFractions

LigaturesDiscretionary ligatures

Historical ligatures

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Minotaur Sans Character set

A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°f f fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Í � � � � � � � � � Ķ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ū � � � � � � � � � � � � � � � � � � Þà á � � ä � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ž � � � � � 0 ➀ � � � � � � � � � � � � � � � � � � � � ← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � �

Uppercase

Lowercase

Standard punctuation

Case-sensitive forms

Symbols

Figures (Lining proportional)

Figures (Oldstyle proportional)

Figures (Lining tabular)

Figures (Oldstyle tabular)

Superiors / Inferiors

Numerators / Denominators

Superscript

Accented uppercase

Accented lowercase

Circled numbers

Arrows

Ornaments

Mathematical symbolsFractions

LigaturesDiscretionary ligatures

Historical ligatures

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Minotaur Beef Character set

A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°f f fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � Å � Ą � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ĵ � � � � � � � � � � � � � � Ō � � Ø Ǿ Œ Ŕ � � Ś � Š � � Ť Ţ Ŧ Ù Ú Û � � Ū � � � � Ẁ Ẃ Ŵ � � � � � � � � � � � � à á â � � � � å � � � � � � � � � � � � � � � � � � ė � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ð � 0 ➀ ➁ � � � � � � � � � � � � � � � � � � �← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � A A B G J M O P Q R R R S T UÀ Á Â Ã Ä Ā Ă Å Ǻ Ą À Á Â Ã Ä Ā Ă Å Ǻ Ą Ĝ Ğ Ġ Ģ IJ Ĵ Ò Ó Ô Õ Ö Ō Ŏ Ő Ø Ǿ Œ Ŕ Ř Ŗ Ŕ Ř Ŗ Ŕ Ř Ŗ Ś Ŝ Š Ş Ș Ť Ţ Ŧ Ù Ú Û Ũ Ü Ū Ŭ Ů Ű Ų

Alternates(Stylistic set 5 → 19)

Accented alternates(Stylistic set 5 → 19)

Uppercase

Lowercase

Standard punctuation

Case-sensitive forms

Symbols

Figures (Lining proportional)

Figures (Oldstyle proportional)

Figures (Lining tabular)

Figures (Oldstyle tabular)

Superiors / Inferiors

Numerators / Denominators

Superscript

Accented uppercase

Accented lowercase

Circled numbers

Arrows

Ornaments

Mathematical symbolsFractions

LigaturesDiscretionary ligatures

Historical ligatures

Production Type Page 59/71www.productiontype.com © 2017

Minotaur Lombardic Character set

A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°fi fl fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � � � � � � Ć � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ó � � Ö � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �à á � � � � � � � � æ � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ū � � � � � � � � � � � � � � � � � � � 0 ➀ � � � � � � � � � � � � � � � � � � � � ← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � � ♡ ♥

Uppercase

Lowercase

Standard punctuation

Case-sensitive forms

Symbols

Figures (Lining proportional)

Figures (Oldstyle proportional)

Figures (Lining tabular)

Figures (Oldstyle tabular)

Superiors / Inferiors

Numerators / Denominators

Superscript

Accented uppercase

Accented lowercase

Circled numbers

Arrows

Ornaments

Mathematical symbolsFractions

LigaturesDiscretionary ligatures

Historical ligatures

Production Type Page 60/71www.productiontype.com © 2017

Minotaur Sans Lombardic Character set

Uppercase

Lowercase

Standard punctuation

Case-sensitive forms

Symbols

Figures (Lining proportional)

Figures (Oldstyle proportional)

Figures (Lining tabular)

Figures (Oldstyle tabular)

Superiors / Inferiors

Numerators / Denominators

Superscript

Accented uppercase

Accented lowercase

Circled numbers

Arrows

Ornaments

Mathematical symbolsFractions

LigaturesDiscretionary ligatures

Historical ligatures

A B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e f g h i j k l m n o p q r s t u v w x y z! ¡ ? ¿ . , : ; … _ - – — / \ | ¦ ( ) [ ] { } ‘ ’ “ ” ‚ „ ' " ‹ › « » • · * † ‡ @ & ! ¡ ? ¿ - – — ( ) [ ] { } ‹ › « » · @§ ¶ © ℗ ® ™ � ª º N°fi fl fb ffb ff fh ffh ffi fj ffj fk ffk ffl ft fft ct st sp ſ0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #0 1 2 3 4 5 6 7 8 9 0 € $ ¢ £ ƒ ¥ #+ − ± × ÷ = ≠ ~ ≈ ^ < > ≤ ≥ ¬ ¤ ∞ ◊Δ Ω ∂ ∫ √ ∑ ∏ π μ ° � ℮ ¼ ½ ¾ % ‰0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢ ⁄ 0 1 2 3 4 5 6 7 8 9 , . ( ) + − × ÷ = € $ ¢a b c d e f g h i j k l m n o p q r s t u v w x y z� � � � � � � Å � � � � Ć � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � Ō � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �à á � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � í � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ū � � � � � � � � � � � � � � � � � � þ 0 ➀ � � � � � � � � � � � � � � � � � � � � ← → ↑ ↓ ↖ ↗ ↙ ↘ ⟷□ ◇ ○ � ◃ ▹ ▵ ▿ ■ ◆ ● u ◀ ▶ ▲ ▼ ◂ ▸ ▴ ▾ ◁ ▷ △ ▽ � � � � ♡ ♥

Minotaur

Production Type Page 61/71www.productiontype.com © 2017

OpenType features

All caps [CPSP]

Case-sensitive forms [CASE]

Standard ligatures [LIGA]

Discretionary ligatures [DLIG]

Historical ligatures [HIST]

Slashed zero [ZERO]

Tabular lining figures [TNUM + LNUM]

Tabular oldstyle figures [TNUM + ONUM]

Proportional lining figures [PNUM + LNUM]

Proportional oldstyle figures[PNUM + ONUM]

Superscript/Superior [SUPS]

Subscript/Inferior [SINF]

Numerator [NUMR]

Denominator [DNOM]

Lowercase

[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@

fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Historical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

UPPERCASE

[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@

f fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Hiſtorical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

OFF ON

Minotaur

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OpenType features

Fractions [FRAC]

Ordinals [ORDN]

Stylistic set 1 Arrows [SS01]

Stylistic set 2 Ornaments [SS02]

Stylistic set 3 & 4: Circled numbers [SS03 & SS04]

1/4 1/2 3/4 0/0 0/00

2a 2o No N° no n°

<>+−×÷=±

rstuvw

012345678910012345678910

¼ ½ ¾ % ‰

2ª 2º N° N° N° N°

←→↑↓↖↗↙↘

■◆●uvw

0➀��������������������

OFF ON

Production Type Page 63/71www.productiontype.com © 2017

Minotaur Sans OpenType features

All caps [CPSP]

Case-sensitive forms [CASE]

Standard ligatures [LIGA]

Discretionary ligatures [DLIG]

Historical ligatures [HIST]

Slashed zero [ZERO]

Tabular lining figures [TNUM + LNUM]

Tabular oldstyle figures [TNUM + ONUM]

Proportional lining figures [PNUM + LNUM]

Proportional oldstyle figures[PNUM + ONUM]

Superscript/Superior [SUPS]

Subscript/Inferior [SINF]

Numerator [NUMR]

Denominator [DNOM]

Lowercase

[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@

fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffkffl fft

ct st sp

Historical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

UPPERCASE

[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@

f f fb ff fh fj fk ft ffb ffh ffi ffj ffkffl fft

ct st sp

Hiſtorical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

OFF ON

Production Type Page 64/71www.productiontype.com © 2017

Minotaur Sans OpenType features

Fractions [FRAC]

Ordinals [ORDN]

Stylistic set 1 Arrows [SS01]

Stylistic set 2 Ornaments [SS02]

Stylistic set 3 & 4: Circled numbers [SS03 & SS04]

1/4 1/2 3/4 0/0 0/00

2a 2o No N° no n°

<>+−×÷=±

rstuvw

012345678910012345678910

¼ ½ ¾ % ‰

2ª 2º N° N° N° N°

←→↑↓↖↗↙↘

■◆●uvw

0➀��������������������

OFF ON

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Minotaur Beef OpenType features

All caps [CPSP]

Case-sensitive forms [CASE]

Standard ligatures [LIGA]

Discretionary ligatures [DLIG]

Historical ligatures [HIST]

Slashed zero [ZERO]

Tabular lining figures [TNUM + LNUM]

Tabular oldstyle figures [TNUM + ONUM]

Proportional lining figures [PNUM + LNUM]

Proportional oldstyle figures[PNUM + ONUM]

Superscript/Superior [SUPS]

Subscript/Inferior [SINF]

Numerator [NUMR]

Denominator [DNOM]

Lowercase

[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@

fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Historical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

UPPERCASE

[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@

f f fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Hiſtorical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

OFF ON

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Minotaur Beef OpenType features

Fractions [FRAC]

Ordinals [ORDN]

Stylistic set 1 Arrows [SS01]

Stylistic set 2 Ornaments [SS02]

Stylistic set 3 & 4: Circled numbers [SS03 & SS04]

Stylistic set 5:Alternate A [SS05]

Stylistic set 6:Alternate A [SS06]

Stylistic set 7:Alternate B [SS07]

Stylistic set 8:Alternate G [SS08]

Stylistic set 9:Alternate J [SS09]

Stylistic set 10:Alternate M [SS10]

Stylistic set 11:Alternate O [SS11]

Stylistic set 12:Alternate P [SS12]

Stylistic set 13:Alternate Q [SS13]

Stylistic set 14:Alternate R [SS14]

Stylistic set 15:Alternate R [SS15]

Stylistic set 16:Alternate R [SS16]

Stylistic set 17:Alternate S [SS17]

Stylistic set 18:Alternate T [SS18]

Stylistic set 19:Alternate U [SS19]

1/4 1/2 3/4 0/0 0/00

2a 2o No N° no n°

<>+−×÷=±

rstuvw

012345678910012345678910

MINOTAUR

ARCHETYPAL

LABYRINTH

GIGANTIC

TROJAN

MINOS

KNOSSOS

APHRODITE

QUEEN

SATYRS

GREEK

CREATURES

ODYSSEUS

MYTHOLOGY

ETRUSCANS

¼ ½ ¾ % ‰

2ª 2º N° N° N° N°

←→↑↓↖↗↙↘

������

0➀➁�������������������

MINOTAUR

ARCHETYPAL

LABYRINTH

GIGANTIC

TROJAN

MINOS

KNOSSOS

APHRODITE

QUEEN

SATYRS

GREEK

CREATURES

ODYSSEUS

MYTHOLOGY

ETRUSCANS

OFF ON

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Minotaur Lombardic OpenType features

All caps [CPSP]

Case-sensitive forms [CASE]

Standard ligatures [LIGA]

Discretionary ligatures [DLIG]

Historical ligatures [HIST]

Slashed zero [ZERO]

Tabular lining figures [TNUM + LNUM]

Tabular oldstyle figures [TNUM + ONUM]

Proportional lining figures [PNUM + LNUM]

Proportional oldstyle figures[PNUM + ONUM]

Superscript/Superior [SUPS]

Subscript/Inferior [SINF]

Numerator [NUMR]

Denominator [DNOM]

Lowercase

[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@

fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Historical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

UPPERCASE

[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@

fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Hiſtorical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

OFF ON

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OpenType features

Fractions [FRAC]

Ordinals [ORDN]

Stylistic set 1 Arrows [SS01]

Stylistic set 2 Ornaments [SS02]

Stylistic set 3 & 4: Circled numbers [SS03 & SS04]

1/4 1/2 3/4 0/0 0/00

2a 2o No N° no n°

<>+−×÷=±

rstuvw

012345678910012345678910

¼ ½ ¾ % ‰

2ª 2º N° N° N° N°

←→↑↓↖↗↙↘

■◆●u♡♥

0➀��������������������

OFF ON

Minotaur Lombardic

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Minotaur Sans Lombardic OpenType features

All caps [CPSP]

Case-sensitive forms [CASE]

Standard ligatures [LIGA]

Discretionary ligatures [DLIG]

Historical ligatures [HIST]

Slashed zero [ZERO]

Tabular lining figures [TNUM + LNUM]

Tabular oldstyle figures [TNUM + ONUM]

Proportional lining figures [PNUM + LNUM]

Proportional oldstyle figures[PNUM + ONUM]

Superscript/Superior [SUPS]

Subscript/Inferior [SINF]

Numerator [NUMR]

Denominator [DNOM]

Lowercase

[Case-sensitive]!¡?¿-–—()[]{}‹›«»·@

fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Historical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

UPPERCASE

[CASE-SENSITIVE]!¡?¿-–—()[]{}‹›«»·@

fi fl fb ff fh fj fk ft ffb ffh ffi ffj ffk ffl fft

ct st sp

Hiſtorical

0123456789

H0123456789

H0123456789

H0123456789

H0123456789

HsuperscriptH0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

H0123456789H,.()+−×÷=€$¢

OFF ON

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OpenType features

Fractions [FRAC]

Ordinals [ORDN]

Stylistic set 1 Arrows [SS01]

Stylistic set 2 Ornaments [SS02]

Stylistic set 3 & 4: Circled numbers [SS03 & SS04]

1/4 1/2 3/4 0/0 0/00

2a 2o No N° no n°

<>+−×÷=±

rstuvw

012345678910012345678910

¼ ½ ¾ % ‰

2ª 2º N° N° N° N°

←→↑↓↖↗↙↘

■◆●u♡♥

0➀��������������������

OFF ON

Minotaur Sans Lombardic

Minotaur

Production Type Page 71/71www.productiontype.com © 2017

Information

Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Congo Swahili, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Vunjo, Welsh, Zulu.

Supported languages

Designer

Contact

Copyright

Jean-Baptiste Levée

Production Type255, rue du Faubourg Saint-Antoine 75011 Paris, France+33 (0)7 68 72 24 00www.productiontype.com

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