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Page 1: Music and Media Communications
Page 2: Music and Media Communications

Presenters

Charles AguillonAssociate Principal for Teaching & Learning

Georgetown East View HS, Georgetown ISD

Kay PaytonChoral Director

Hendrickson HS, Pflugerville ISD

Tracy LaughlinSenior Project Manager

Resources for Learning

Page 3: Music and Media Communications

Agenda

10:00-10:30 Introduction and Background

10:30-10:50 7E Model

10:50-11:05 Break

11:05-11:35 Module 1—Aural Culture and Identity

11:35-12:05 Module 2—Imagination and Ideas

12:05-1:00 Lunch

1:00-1:15 Module 3—Careers in Music

1:15-1:30 Module 4—Social Relevance and Community

1:30-2:00 Lessons Learned, Wrap Up, Questions

Page 4: Music and Media Communications

What are your initial thoughts when you think of music and technology?

Would you describe yourself as “tech savvy”?

Page 5: Music and Media Communications
Page 6: Music and Media Communications

When you see this music lab, does it make you want to:

A: Scream

B. Laugh

C. Learn more

Page 7: Music and Media Communications

How many of you are a little anxious when you think of teaching music and technology?

How many of you are anxious when you think of the future of music education?

How many of you are anxious when you think about what the future may hold for your students?

Page 8: Music and Media Communications

Students Face Big Challenges

• Global competition for skilled workers—a war for “talent”

• Jobs in vertical markets that don’t exist yet

• A growing service economy and knowledge work

• An increased need for entrepreneurial skills

Page 9: Music and Media Communications

Schools Face Big Challenges

“Nearly half (47%) of former students surveyed said a major factor in their decision to drop out was that classes were not interesting.”

“70% of teachers and 68% of principals felt connecting classroom learning to real-world experiences would help a lot in reducing the number of dropouts.”

Page 10: Music and Media Communications

Fine Arts Educators Face Big Challenges

• Budget cuts

• Students overwhelmed or disengaged

• Lack of parent and community involvement

• Educating others on your campus as to the value of what you do

• Connecting to your colleagues & sharing resources

Page 11: Music and Media Communications

We are losing our students to boredom and lack of relevance.

The arts can provide solutions to address many of the challenges faced by schools today.

New technologies are changing the way we do everything.

Page 12: Music and Media Communications

Arts and Digital Media Series

• Designed to teach 21st century workforce skills in the creative media arts

• 2009-12 Art and Media Communications I and II

• 2011-13 Music and Media Communications I

• 2012-14 Theatre, Dance

Page 13: Music and Media Communications

Texas Policy Support: Standards

Texas Essential Knowledge and Skills for Fine Arts

Texas Essential Knowledge and Skills for Technology Applications

Texas College and Career Readiness Standards

Page 14: Music and Media Communications

Music and Media Communications

Creates relevancy

Teaches vital workforce skills

Provides integrationopportunities

Page 15: Music and Media Communications

TEA-Approved Innovative Course

• Course pilot: 2012-2013 school year

• PEIMS Code: N1170160

• Abbreviation: MUMECOM

• State elective credit (1.0)

• Grades 9-12

Page 16: Music and Media Communications

Music and Media Communications

• Open to students not participating in traditional music classes/groups

• Explores student interests and connections to music

• Uses technology applications for listening, sharing, recording, composing, making music

• Analyzes music in contemporary contexts/media

• Introduces music-related professions

Page 17: Music and Media Communications

Music and Media Communications

Essential Knowledge and Skills

1.) Perception & Information Acquisition

2.) Creative Expression & Communication

3.) Historical/Cultural Studies

4.) Response, Evaluation, & Media Literacy

Page 18: Music and Media Communications

7E Lesson Framework

Page 19: Music and Media Communications

7E FrameworkElicit—Access prior knowledge

Engage—Stimulate interest/thinking

Explore—Observe, experiment, interpret

Explain—Introduce models, vocab, rules, theories

Elaborate—Apply knowledge to new domains

Evaluate—Assess learning (formative/summative)

Extend—Provide new challenges for application

Page 20: Music and Media Communications

7E Example: Pitch, Chords, Rhythm

Elicit

Engage

Explore

Explain

Elaborate

Evaluate

Extend

Page 21: Music and Media Communications
Page 22: Music and Media Communications

The Times Are A Changin’

How has access to music changed for the typical consumer over the last several decades?

At your tables discuss the following:• When did you last see a 78, 45, 33 1/3, 8 track?• Did you listen to your radio on the way to this

conference? Tuning in local or Sirrius/XM?• Do you listen to music on an iPod/iPad?• Is the music you listen to “ripped” or

downloaded?

Page 23: Music and Media Communications

A different approach to technology integration…

Page 24: Music and Media Communications

Module 1: Aural Culture and Identity

Page 25: Music and Media Communications

Module 1: Aural Culture and Identity• Foundational musical concepts/vocab

• Musical genres, styles, components

• Music history overview

• Music and media industry developments

• Copyright issues

• Basic presentation, online research, blogging

Page 26: Music and Media Communications

Module 1

Lesson 1—Music of My Life, Part 1

Lesson 2—Music of My Life, Part 2

Lesson 3—Creating a Musical Timeline

Page 27: Music and Media Communications

Module 1: Music of My Life-Part 1

• Musical vocabulary

• What do we hear in our everyday life?

• How do we compare/contrast what we hear?

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Module 1: Music of My Life-Part 1

• Break into groups of 3-4

• Look at your assigned URLs and complete the worksheet.

• Marching Band: http://listeninglab.stantons.com/marching-band/• Choral Music: www.carlfischer.com/partbypart/brilee/3partmxd.html• Symphony Concert: www.myspace.com/chicagosymphony,

http://www.radiosymphony.com/• Broadway Music: http://www.mtishows.com/find_a_show.asp

• Be prepared to discuss your findings!

Page 29: Music and Media Communications

Module 1: Music of My Life-Part 2

• Billboard Charts

• How did popular music become popular?

• Compare and contrast genres

• What was popular on my birthday?

• Soundtrack of my life

• http://www.billboard.com/soyl/wizard#/soyl/edit?e=&t=Got%20Married&d=1976-8-21/#intro

Page 30: Music and Media Communications

Module 1: Musical Timelines

• Musical timeline with list of composers from each of the main historical periods

• Groups are assigned a genre and listen to music they choose from a list of classical music websites.

• Each group makes a presentation on their genre.

Page 31: Music and Media Communications

Module 2: Imagination and Ideas

Page 32: Music and Media Communications

Module 2: Imagination and Ideas

• Examine emotional components of music

• Analyze music in media

• Organize and create musical phrases

• Experiment with notation/composition

• Investigate intellectual property concerns

• Research the role of music across cultures

• Use editing/notation software, podcasts

Page 33: Music and Media Communications

Module 2: Imagination and Ideas

Lesson 1: The Possibilities of Digital Sound

Lesson 2: Music and the Message

Lesson 3: Capture Your Ideas

Lesson 4: Music and Society

Page 34: Music and Media Communications

Module 2: Possibilities of Digital Sound

Digitize Me! http://www.youtube.com/watch?v=S0FzjETQsQc

•Bring this lesson to their world!

•Engage students in dialogue about their devices, etc.

•Quick survey: How many digital devices do you have in your home? 2, 3,.........

•If we place that much emphasis on digital devices, why do we try to stifle what students use at school?

Page 35: Music and Media Communications

Module 2: Possibilities of Digital Sound• The first lesson in this module encourages

students to explore techniques to create new versions of digital music.

• Students also listen critically to make connections between various music files and decide how they might aurally fit together.

• This next activity demonstrates what type of product students will create using and editing sound clips using the free software “Audacity.”

• How many of you are familiar with “Audacity?” • What do you think of the learning curve?

Page 36: Music and Media Communications

Module 2: Possibilities of Digital Sound

• Let’s take a brief look at Audacity http://audacity.sourceforge.net/

Page 37: Music and Media Communications

Module 2: Music and the Message

• This lesson focuses on having students analyze music and how it conveys different types of messages.

• You have a handout titled: KEY QUESTIONS TO ASK WHEN ANALYZING MEDIA MESSAGES

• Let’s look at the video and go through the handout http://www.youtube.com/watch?v=mLRhsxJ8_GE

Page 38: Music and Media Communications

Module 2: Capture Your Ideas

Lesson 3:• Students begin looking at some basic

notation concepts• Projects have students creating

compositions using Finale NotePad• How many of you have used Finale

NotePad?

http://www.finalemusic.com/notepad/default.aspx

Page 39: Music and Media Communications

Module 2: Capture Your Ideas

• Students will

explore by

importing the

familiar “Ode to Joy”

theme• There is a

“quick start”

tutorial to get

students started!

Page 40: Music and Media Communications

Module 2: Capture Your Ideas

ACTIVITY:

•If you have a computer, download Finale NotePad and let’s see how quick it is for students to explore!

OR

•Watch me demonstrate!

Page 41: Music and Media Communications

Module 2: Music and Society

• Reflect on the impact of technology on music and how communities distribute and share music

• Explore the uses of the podcast as a communication tool

• Compare and contrast the cultural role and influence of music across cultures

• Use knowledge of composition or musical editing to create a short theme song for podcast projects

• Share podcasts through blogs or other online distribution channels

Page 42: Music and Media Communications

Module 3: Careers in Music—Collaboration and Communication

Page 43: Music and Media Communications

Module 3: Careers in Music

• Performance/writing, business/management, recording/technical, gaming/new media

• Research opportunities, skills, education

• Work in industry-appropriate roles to create collaborative products

• Virtual field trips/guest speakers

Page 44: Music and Media Communications

Module 3: Careers in Music

Lesson 1: Music Avocations

Lesson 2: Performance and Management

Lesson 3: Technical Professions

Lesson 4: New Media

Page 45: Music and Media Communications

Module 3: Sample Activity

How many artists can you connect to their accomplishments?

Page 46: Music and Media Communications

H 1. Dolly Parton

D 2. Lionel Ritchie

A 3. Leonard Bernstein

J 4. Ricky Skaggs

O 5. Christina Perri

K 6. John Williams

I 7. Beverly Sills

N 8. Eric Whitacre

C 9. Ryan Seacrest

G 10. Stephen Curtis Chapman

B 11. Benny Goodman

F 12. Arthur Fiedler

L 13. Luther Vandross

E 14. Billie Holiday

M 15. Hans Zimmer

Page 47: Music and Media Communications

Module 3: Careers in Music

• Careers in Music website www.careersinmusic.com

• Degree programs– Austin Community College Commercial Music

Management Program http://www.austincc.edu/cmusic/

– Texas State University Sound Recording Technology Program http://www.txstate.edu/music/srt/about/overview.html

Page 48: Music and Media Communications

Module 3: Careers in Music

• Participate in projects in industry-appropriate roles– Create a promotional plan for a community

arts event– Produce a concert at school– Record a live performance and mix audio

clips– Create a proposal for a video game with

background or theme music

Page 49: Music and Media Communications

Module 4—Social Relevance and Community (PSA Video)

Page 50: Music and Media Communications

Module 4: Social Relevance and Community

• Examine music in social change messaging

• Identify key message for target audience

• Develop audio/video components of PSA

• Identify/compose music for target audience

• Present and collect data on impact

Page 51: Music and Media Communications

Module 4: Social Relevance and Community

Lesson 1: Idea Generation and Planning

Lesson 2: Production

Lesson 3: Presentation and Evaluation

Capstone Project

Public Service Announcements

Page 52: Music and Media Communications
Page 53: Music and Media Communications

MMC I

• Pilot in 2012-13 school year

• Offer training statewide in 2013

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Page 55: Music and Media Communications

Lessons Learned continued

• Work with tech staff in advance

• Download, test, practice using software

• Don’t forget the small stuff—where to save files

• Create weblists in advance

• Review best practices in social media

• Don’t be afraid of loud and messy group work

Page 56: Music and Media Communications

http://www.txartandmedia.org/

Page 57: Music and Media Communications

Technology & Software

• Computers• Projector• MP3 recorders• Digital cameras• Internet connection• Blogging software•Audacity• Finale Note Pad•imovie/Movie Maker

Page 58: Music and Media Communications

Contact Information-TCT

Texas Cultural Trust http://txculturaltrust.org/

Amy Barbee, Executive [email protected]

Caroline Hammond, Project [email protected]

Page 59: Music and Media Communications

Contact Information-RFL

Resources for Learningwww.resourcesforlearning.net

Tracy [email protected]

Charles [email protected]

Kay [email protected]

Page 60: Music and Media Communications

http://www.txartandmedia.org/