music essential standards 2010 christie lynch ebert, arts education consultant, ncdpi janae copeland...
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MusicEssential Standards
2010Christie Lynch Ebert,
Arts Education Consultant, NCDPI
Janae Copeland Dan Johnson Tom MoncriefMark Propst
Essential Standards Writing Team Leads
NC Music Educators Association In-Service ConferenceNovember 8 and 9, 2010
Agenda
• Background & Overview of Essential Standards (ES)
• Writing Group Representation
• Process
• Implementation Timeline
• ES Organization
• Highlights
• Future Directions
• Additional Information
• Questions
ES BackgroundDirection from
Framework For Change
Long-Term Goal 1: Overhaul the K-12 SCOS to focus on essential standards in order to narrow and deepen the state’s curriculum
• Articulation at each grade level• Infusion of 21st century skills • Reflection of rigor, relevance, and relationships
May 2008
Accountability & Curriculum Reform Effort (ACRE)
• Essential Standards: – K-12 Arts EducationK-12 Arts Education
Dance, Music, Theatre Arts & Visual ArtsDance, Music, Theatre Arts & Visual Arts
• Writing Instruction System
• Accountability Redesign
• Comprehensive Assessment
Essential Standards are…
• Skills, understandings and learning experiences mastered at each grade level to move to the next level
• “Must Have" goals of the curriculum
• Focused on higher-order knowledge and skills all students should master
• Resolution to the "inch-deep, mile-wide" concern about the current SCOS
• Assurance that every student learns essential content and skills for the 21st Century
ES Guiding Question
What do students need to know, understand, and be able to do to ensure their success in the future, whether it be the next class, post-secondary, or the world of work?
ES Identification Criteria
Knowledge & Skills . . .
– valuable beyond one test: ENDURANCE
– valuable in multiple disciplines: LEVERAGE
– necessary for success at next level: READINESS
Essential Standards are …
• Identified for each level
• Focused on big ideas and cognitive processing
• Assessed in the classroom via
• formative,
• benchmark/interim, and
• summative assessments
Larry Ainsworth, Center for Leadership and Learning
Essential Standards Filters
ES Criteria
21st Century
Skills
Research
Int’l,
National
&
State
Standards
ES Writing Group
NCDPI Arts Education
Consultant
K-5 Lead 6-8 Lead 9-12 Lead K-12 Floating Lead
K-12 Writers
ES Writing Groups
Composition: Began in Spring 2009
Zoomerang Submissions+ Professional Recommendations ------------------------------------
Representation: • 8 regions of NC• All program areas in current SCOS• Range of experiences • K-12 Educators, IHE, Administrative, Central Office,
Professional Associations, Exceptional Children, Early Childhood, CTE, Accountability, and other representatives
ES Process (Summer 2009 – Summer 2010)
• Leads and writers met face to face and virtually by discipline
• Drafts regularly reviewed by Dr. Lorin Anderson
• Drafts reviewed by select reviewers and via public review2009-2010 School Year– Select Review (Fall 2010 and throughout process)– Version 1.0 Review (Winter 2010)– Version 2.0 Review (Spring 2010)
• Feedback compiled, analyzed, and used to guide revisions
• Ongoing alignment and filtering through standards/models, 21st century skills, ACRE criteria, and research
Timeline
August 2010• Version 3.0 to SBE (Discussion)
September 2010• Version 3.0 to SBE (Approval)
2012-13 School Year• Implementation
Philosophy
The Arts are CORE:
• ESEA
• NC BEP
• Balanced Curriculum
“While not all students will become professional dancers, musicians, actors, or visual artists, all students will benefit from skills and processes that are developed through the arts and that can be applied in a variety of disciplines and settings.” (Preamble, Arts Education Essential Standards, 2010).
Philosophy
The ARTS:
• Have intrinsic and instrumental value• Add richness and engagement to the learning
environment• Help students understand their own community• Provide intellectual demands
“A comprehensive, articulated arts education program engages and helps students develop the self-esteem, self-discipline, cooperative skills, and self-motivation necessary for success in life.” (Preamble, Arts Education Essential Standards, 2010).
MUSIC• Is deeply embedded in human existence
• Is fundamental to creating and communicating meaning
• Provides a primary means for learning about ourselves and others
• The music program develops musical literacy and relies on processes of creating, performing, and responding to develop understanding
INTENT: Students should know and be able to…
• communicate at a basic level in the four arts disciplines;
• communicate proficiently in at least one art form;
• develop and present basic analyses of works of art;
• recognize and appreciate exemplary works of art;
• relate various arts concepts, skills, and processes within and across disciplines.
FEATURES
• Communicating and developing literacy;
• Thinking creatively and critically, and solving artistic problems;
• Understanding the arts in relation to history, culture, heritage, ideas, and lifelong learning;
(continued)
FEATURES
• Connecting learning within each arts discipline and to life beyond school;
• Understanding and appreciating world cultures and historic periods;
• Addressing 21st Century Themes and Skills.
ES Components• [ES] - Essential Standards (<10)
• [COs] - Clarifying Objectives (approximately 2-5 per ES)
• [APs] - Assessment Prototypes (samples)
• Strands:
• Organization
• Common threads of understanding
• Learning Progression:• K-8 Grade Levels• HS Proficiency Levels• Organized to embed multiple entry points
ES Format: Arts Education
Example: 6.ML.3.1: Produce short rhythmic improvisations using a variety
of traditional and non-traditional sound sources.
KEY:
6 = Grade 6
ML = STRAND (Musical Literacy)
3 = Essential Standard ML3: Create music using a variety of sound and notational sources.
1 = Clarifying Objective number 1 aligned to ML3
Arts Education
• Four separate courses of study:– Dance– Music– Theatre Arts– Visual Arts
• Aligned with National Standards
• 21st Century Skills embedded throughout
Arts Education
• Use of RBT verbs (one verb per objective)
• Common clarifying objectives regarding history and culture, aligned with Social Studies curriculum, for all arts disciplines
• Assessment: included and aligned
Arts Education• Sequencing and Progression:
– Articulated K-12 with multiple entry points embedded
– Organized grade-by-grade (K-8) and by proficiency level (9-12)
– Student Profile
– Policy implications (honors)
HS Proficiency Levels
Beginning Intermediate Proficient Advanced
Standards are for students with no or limited K-8 progression in the arts education discipline (dance, music, theatre arts, or visual arts).
Standards are for students who have had a complete K-8 progression or who have achieved beginning level standards in the discipline at the high school level.
Standards are for students who have achieved intermediate level standards in the discipline at the high school level.
Standards are for students who have achieved proficient level standards in the discipline at the high school level.
Note: students of various proficiency levels may be served within the same class or course.
Music StandardsAlignment with National Standards*Note: This chart illustrates the primary alignments with the national content standards; additional alignments with content standards and
performance indicators occur across the Essential Standards, Clarifying Objectives, and Assessment Prototypes.
NC Essential Standards (2010) National Standards for Music Education (1994)
ML1: Apply the elements of music and musical techniques in order to sing and play music with accuracy and expression.
(1) Singing, alone and with others, a varied repertoire of music
(2) Performing on instruments, alone and with others, a varied repertoire of music
ML2: Interpret the sound and symbol systems of music. (5) Reading and notating music
ML3: Create music using a variety of sound and notational sources.
(1) Improvising melodies, variations, and accompaniments
(2) Composing and arranging music within specified guidelines
MR1: Understand the interacting elements to respond to music and music performances.
(1) Listening to, analyzing, and describing music(7) Evaluating music and music performances
CR1: Understand global, interdisciplinary, and 21st century connections with music.
(8) Understanding relationships between music, the other arts, and disciplines outside the arts
(9) Understanding music in relation to history and culture
MUSICStrand: Musical Literacy
Essential Standard ML1: Apply the elements of music and musical techniques in order to sing and play music with accuracy and expression.
Strand: Musical Literacy
Essential Standard ML3: Create music using a variety of sound and notational sources.
Strand: Musical Response
Essential Standard MR1: Understand the interacting elements to respond to music and music performances.
2nd Grade Music 6th Grade Music Advanced High School Music
2.ML.1.1: Apply problem solving strategies to improve musical technique when singing and playing instruments.
6.ML.3.1: Produce short rhythmic improvisations using a variety of traditional and non-traditional sound sources.
A.MR.1.1: Execute the gestures of the conductor, including meter, tempo, dynamics, entrances, cut-offs, and phrasing, to elicit expressive singing or playing.
AP: Students select methods for solving musical problems (e.g., improving posture to produce a more well-supported vocal sound; holding mallets correctly when playing barred instruments or wood blocks; patting a drum lightly or with more force to change the dynamic level, etc.).
Evaluate by asking students to use peer assessment and assist one another with making adjustments to technique.
AP: Using a variety of rhythm patterns and non-traditional sounds (e.g., body percussion, stand taps, instrument knocks), students improvise an 8-measure phrase.
Evaluate students’ successful creation and performance of the phrase.
AP: In peer conducting sessions or by watching a video of a rehearsal or performance, students evaluate their peers to determine effectiveness of conducting cues and gestures.
Evaluate students’ successful use of conducting gestures to elicit corresponding responses from their peers.
Framework for 21st Century Skills
CORE SUBJECTS
• English, Reading, or Language Arts• World languages
• ARTS• Mathematics• Economics
• Science• Geography
• History• Government and Civics
DANCE 7.C.1.2: Exemplify connections between dance and concepts in other curricular
areas.
MUSICA.CR.1.5: Compare the use of characteristic elements, artistic processes, and
organizational principles among the arts in different historical periods and different cultures.
THEATRE ARTS2.A.1.1: Distinguish the setting, characters, sequence of events, main idea,
problem, and solution for a variety of stories.
VISUAL ARTSK.CX.2.2: Identify relationships between art and concepts from other disciplines,
such as math, science, language arts, social studies, and other arts.
Core Subjects
GLOBAL AWARENESS
DANCE2.C.1.1: Exemplify dance representing the heritage, customs, and traditions of
various cultures.
MUSICB.CR.1.1: Use music to explore concepts in world history and relate them to
significant events, ideas, and movements from a global context.
THEATRE ARTS7.CU.1.1: Understand theatre arts in relationship to the geography, history, and
culture of modern societies from the emergence of the First Global Age (1450) to the present.
VISUAL ARTS3.CX.1.4: Compare purposes of art in different cultures, time periods, and
societies.
Financial, Economic, Business & Entrepreneurial Literacy
DANCE8.C.1.4: Explain the implications of career pathways and economic considerations
when selecting careers in dance.
MUSICP.CR.1.3: Explain how advances in music technology influence traditional music
careers and produce new opportunities.
THEATRE ARTS3.CU.1.2: Explain how theatre, film, and television impact our society.
VISUAL ARTS7.CX.2.1: Analyze careers in art and a variety of other careers in terms of the art
skills needed to be successful.
Civic Literacy
DANCE, MUSIC, THEATRE ARTS, and VISUAL ARTS:
Use (dance, music, theatre arts, or visual arts) to explore concepts of civics and economics (such as systems, functions, structures, democracy, economies, and interdependence).
*Common Clarifying Objective in all four arts education disciplines.
Health Literacy
DANCE7.C.1.3: Explain how to promote health, physical safety, and reduced risk of injury
through dance.
MUSICP.CR.1.4: Explain the causes of potential health and wellness issues for
musicians.
THEATRE ARTSI.C.1.1: Use non-verbal expression to illustrate how human motivations are
prompted by physical and emotional needs.
VISUAL ARTSB.V.3.1 Understand the appropriate and safe use of tools, media, and equipment.
Environmental Literacy
DANCEA.CP.1.5: Create dance for performance based on ideas, experiences, feelings,
concepts, images, or narratives that have personal meaning or social significance.
MUSIC2.CR.1.2: Understand the relationships between music and concepts from other
areas.
THEATRE ARTS8.C.1.3: Create original works that communicate ideas and feelings.
VISUAL ARTSI.V.3.2: Select media appropriate for communicating content.
Learning and Innovation Skills
– Creativity and Innovation
– Critical Thinking and Problem Solving
– Communication and Collaboration
Learning and Innovation Skills
DANCE4.CP.1.4: Understand how different strategies for problem solving in dance
generate different outcomes.
MUSICA.ML.3.2: Create original music using imagination and technical skill in applying
the principles of composition.
THEATRE ARTS5.C.1.3: Construct original scripts using dialogue that communicates ideas and
feelings.
VISUAL ARTS7.CX.2.3: Implement collaborative planning and art skills to solve problems.
Information, Media, and Technology Skills
DANCEA.C.1.3: Use a variety of resources to facilitate dance research.
MUSIC8.CR.1.3: Understand laws regarding the proper access, use, and protection of
music.
THEATRE ARTSA.AE.1.2: Use the knowledge and skills associated with technical roles, such as
lighting operator, prop master, or stage manager, in an appropriate and effective manner.
VISUAL ARTSA.CX.2.4: Analyze the influence of digital media and technology on creating art.
Life and Career Skills
– Flexibility and Adaptability
– Initiative and Self-Direction
– Social and Cross-Cultural Skills
– Productivity and Accountability
– Leadership and Responsibility
Life and Career Skills
DANCEA.C.1.5: Identify skills and qualities leading to success in the dance field and in
life such as responsibility, adaptability, organization, communication, project management and time management.
MUSICP.CR.1.5: Compare the roles of creators, performers, and others involved in the
production and presentation of the various arts, in order to make informed decisions regarding participation and involvement in the arts.
THEATRE ARTS6.CU.2.2: Understand the roles of actors and directors in creating performances.
VISUAL ARTS8.CX.2.1: Compare personal interests and abilities to those needed to succeed in
a variety of art careers.
Future Directions
Instructional ToolkitsDevelopmentUse
Professional Development To introduce standards To provide support
Implementation: 2012-2013
Additional Information
• ACRE Website (to access the standards and for additional
information including updated timelines): http://www.ncpublicschools.org/acre/standards/phase2
• Arts Education Website:http://arts.ncwiseowl.org
• Arts Education Listserv:http://arts.ncwiseowl.org/ > Resources > NCDPI Arts Education
Listserv Updates
Contact Information
Christie Lynch EbertArts Education Consultant
Ph: 919-807-3856
NC Department of Public InstructionDivision of K-12 Curriculum and Instruction
K-12 Programs Section