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Page 1: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world
Page 2: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

Step 1: PLANNING

Key points to consider when planning your response:

Try to think about the narrative arc. Think about the key incidents and turning point in the story – what are the most important things for you to cover?

The narrative arc will mirror the most important changes in the character and help you to create a similar arc for the main character in the story.

For example:

Step 2:

Structuring Ideas

Initially the narrator sleeps and dreams of a fantasy/ adventure world in which superman resides and she flies with him.

Her and some of the other children play games that reflect the war going on, although they are oblivious to it.

Uncle Frank waits to be drafted and there is talk of war on the radio.

The narrator views a war film.

PB (who represents power and materialism) slips on an oil slick and singles the narrator out. The narrator is blamed by all of

the children

Uncle Frank and mother fail to believe her innocence.

The narrator retreats to the isolation of her room, failing to put the light on, as the door closes behind uncle Frank.

Success Criteria for effective POINTS:

Link to essay task/question. Outline a technique that will be discussed. Puts in context.

Your Task: Now that you have looked at the narrative arc, add the character arc, showing how these events show changes in the maincharacter.

Page 3: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

Plan the point for each paragraph by focusing on a technique and linking it to the essay task.

For example:

If the question focuses on a character (an interesting one):

1. Initially, we are intrigued by the main character in the short story ‘Superman and Paula Brown’ as she has a very vivid and colourful imagination, which makes her interesting to the reader. This can be seen when…

2. Symbolism is also important in revealing interesting aspects of how the narrator perceives the world near the beginning of the story when she talks of superman and flight. This is evident when…

3. It is also interesting to note the influence and impact that the setting has on the character of the narrator. This can be seen most clearly when she views footage of the war during a trip to the cinema.

4. The narrator’s reaction to key incidents within the text, such as the betrayal of her friends illustrates the interesting way in which she responds to being scapegoated, running home and even doubting her own innocence.

5. Furthermore, it is interesting to observe the detrimental impact that this incident has on the narrators relationships with other characters in the story, primarily that of her Uncle Frank.

6. What is probably most interesting about the main character is the dramatic transition that she undergoes throughout the short story, which is most clearly portrayed through Plath’s contrast between light and dark.

If the question focused on setting (remember this can be setting in time and place)

1. The short story ‘Superman and Paula Brown’s New Snowsuit’ takes place during (is set during) the childhood school days of the main narrator. We can see this through Plath’s use of first person narrative , in which the narrator is recounting why this was a significant time in her life and reveals how naïve she was to what was really going on around her.

2. We are the introduced to the historical time in which the narrator was growing up: in America, in Boston, during World War 2. Despite her unawareness of the threat of war, it provides a rich backdrop for her imagination to unfold, as the airport and flight become important symbols in the story. This is clear when the narrator talk of….

Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Reference to setting, therefore essay task.
Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Reference to essay task
Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Reference to essay task
Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Reference to essay task
Dave Hall, 03/10/13,
Reference to essay task
Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Reference to essay task
Dave Hall, 03/10/13,
Reference to essay task
Dave Hall, 03/10/13,
Technique
Dave Hall, 03/10/13,
Reference to essay task
Page 4: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

3. The foreshadowing used by Plath is also effective in revealing how naïve the narrator is initially to the war going on around her. We can see this when…

4. It is also clear to see evidence of how the war has an indirect impact on the other children in the story, through the games that they play and roles that they assume during these games. This can be seen in what appear to be fairly minor characters such as that of Sheldon Fein.

5. Furthemore, this is demonstated on a much larger scale when Plath uses the character of Paula Brown to show the detrimental impact scapegoating (a main theme) can have and how easily it seems to happen. This also links to the wider context of World War 2. This is illustrated perfectly when…

6. Probably, the clearest example of how the setting impacts on the main character is when she views footage of American soldiers being tortured by the Japanese. This is the main turning point within the story.

7. Lastly, it is clear to see how the wider setting has impacted on the narrator when even the safety of ‘home’ becomes compromised. This change is shown most effectively through Plath’s contrast between light and dark.

8. It is also significant that the story closes with the same line with which it opened and therefore a direct reference to the lasting impact that the war has had on the narrator. It helps us understand the theme of fantasy versus reality. This can be seen when she says:

Task:

Now peer assess the remainder of the plan (points 4-8) against the success criteria for an effective POINT. Do they meet the standard?

Now it’s your turn! If the question focuses on the theme (and you selected betrayal) write the POINTS that would enable you to produce a good essay.

Step 3: Manipulating Evidence for Essay Task

Dave Hall, 03/10/13,
Reference to essay task
Dave Hall, 03/10/13,
Technique
Page 5: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

During study, you will have to revise key quotations that you could use for any essay task. Those that are essentials, I have marked in bold. In order to do this it is important that you realise they can be used in different ways and to discuss different techniques.

For Example:

“I lay there alone in the bed feeling the black shadow creeping up the underside of the world like a flood tide. Nothing held, nothing was left. The silver airplanes and the capes all dissolved and vanished, wiped away like the crude drawings of a child in coloured chalk from the colossal blackboard of the dark.”

Therefore this quotation offers the potential to discuss key techniques such as; characterisation, symbolism, contrast of light and dark and theme of betrayal, isolation, fantasy versus reality etc.

“I was sitting on the aisle, and I stood up in a hurry and ran out to the girls’ room, where I knelt over a toilet bowl and vomited up the cake and ice cream.”

Now you try!

The truth about Introductions and Conclusions (They are pretty much the same…shhhhh!!)

Don’t forget to TART: (Title, Author, Relate to essay task, Techniques)

nhall, 04/10/13,
Characterisation – shows the impact of the wider setting on the main character. Shows how devastating reality is for her.
nhall, 04/10/13,
Also deals with the theme of fantasy versus reality.
nhall, 04/10/13,
Symbolic of childhood fun and innocence. By vomiting this up, it is almost as if she is purging her childhood. We realise that things can’t return to this simple state.
Dave Hall, 03/10/13,
Contrast of light and dark.
Dave Hall, 03/10/13,
Symbolism – things such as superman and flight which were earlier symbols of possibility and imagination can no longer exist. Illusions have been shattered.
Dave Hall, 03/10/13,
Contrast between light and dark from the opening of the story to now. Highlights change in character and theme of fantasy versus reality.
Dave Hall, 03/10/13,
Character isolation due to betrayal. Highlights character change and a main theme.
Page 6: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

‘Superman and Paula Brown’s New Snowsuit’ is a short story by Sylvia Plath, in which the theme of reality versus fantasy is explored. Throughout the story, Plath emphasizes the contrasts between the young narrator’s fantasies and the war taking place in

the real world around her. The story revolves around the premature, somewhat harsh transition in the young girl’s life, as she is unjustly blamed for something that she didn’t do. This forces her to feel betrayed, by her friends and family. Plath highlights this change through use of techniques such as symbolism, and imagery of light and dark.

By the end of the story, the reader feels intense sympathy towards the young girl because of the movement from the fantasy to the real world. Plath uses imagery and the use of light and dark imagery cleverly throughout to establish the decay of the

persona’s innocence. “Superman and Paula Brown’s New Snowsuit” really conveys how wonderful the world is as a child, and how dark and dull it can be through an adult’s perspective, and highlights the differences well. The story is a stark reminder of the corruptness and betrayal in today’s world, and the differences between that and a naïve child’s fantasies.

“Superman and Paula Brown’s New Snowsuit” is a short story written by Sylvia Plath. Plath explores the harsh contrast between fantasy and reality through contrast of light and dark imagery along with characterization and key incident. This mirrors the narrator’s journey from her bright, happy childhood into the cold, grey adulthood that is so foreign to her.

“Superman and Paula Brown’s New Snowsuit” is a short story full of contrasts. Sylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world. Her use of light and dark imagery creates a vivid picture in our minds and the brilliant metaphors allow us to see this world of opposites in a dramatic new way and understand just how detrimental the premature transition from youthful fantasy to adolescent reality really is.

Key Quotations

Highlight the ones that you think would be most important

Page 7: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

“I can recall the changing colours of those days, clear and definite as a pattern seen through a kaleidoscope.”

“I used to kneel by the west window of my room and look over to the lights of Boston that blazed and blinked far off across the darkening water….flashing red and green lights that rose and set in the sky like shooting stars…”

“…a breathless sense of having tumbled like Icarus from the sky…”

“These nightly adventures in space began when Superman started invading my dreams and teaching me how to fly.”

“At this time my Uncle Frank was living with us while waiting to be drafted, and I was sure that he bore an extraordinary resemblance to Superman incognito.”

“The airport was my Mecca, my Jerusalem. All night I dreamed of flying.”

“…a breathless sense of having tumbled like Icarus from the sky…”

“Their voices were low and serious and the talk was of German planes and bombs.”

“The threat of war was seeping in everywhere.”

“Our war games and the radio programmes were all made up, but this was real, this really happened.”

“No matter how hard I thought of superman before I went to sleep, no crusading blue figure came roaring down in heavenly anger to smash the yellow men who invaded my dreams.” P3

Page 8: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

I was sitting on the aisle, and I stood up in a hurry and ran out to the girls’ room, where I knelt over a toilet bowl and vomited up the cake and ice cream.

“…somebody’s car had left a glittering black stain of oil-slick”

“At this time my Uncle Frank was living with us while waiting to be drafted, and I was sure that he bore an extraordinary resemblance to Superman incognito.”

“Their voices were low and serious and the talk was of German planes and bombs.”

“The threat of war was seeping in everywhere.”

“I was sitting on the aisle, and I stood up in a hurry and ran out to the girls’ room, where I knelt over a toilet bowl and vomited up the cake and ice cream.”

“Nobody on our block really liked her because she was bossy and stuck up, with pale skin and long red pigtails and watery blue eyes.”

“Paula stopped in the middle of the game to eye me coldly.

Sheldon and Paula and Jimmy and the rest of them faced me with a strange joy flickering in the back of their eyes. ‘You did it, you pushed her,’ they said.

“…toward the bright squares of light in the windows that were home.”

“But the words came out like hard dry little seeds, hollow and insincere. “I didn’t do it. Jimmy Lane did it.”

Page 9: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

“The staircase to the second floor was dark, but I went down the long hall to my room without turning on the light switch and shut the door. A small unripe moon was shafting squares of greenish light along the floor and the windowpanes were fringed with frost.” P4

“I could see his strong shoulderless bulk against the moonlight, but in the shadows his face was featureless.”

“I lay there alone in the bed feeling the black shadow creeping up the underside of the world like a flood tide. Nothing held, nothing was left. The silver airplanes and the capes all dissolved and vanished, wiped away like the crude drawings of a child in coloured chalk from the colossal blackboard of the dark.”

“That was the year the war began and the real world, and the difference.”

Improve your vocabulary in critical writingInstead of ‘this shows…’

This…

Highlights Illustrates Depicts

Conveys Describes Portrays Indicates

Page 10: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

Suggests Reveals Demonstrates

Implies Results in

Key Points to include:

• Imaginative mind at beginning links to fantasy (Characterisation) – colourful/childlike/vivid/innocent

• Children’s games (Setting) – mirror the wider context of war. Character naïve to this initially, which further demonstrates her youth.

• War picture (Symbolism) – first indication of difference between ‘games’ and ‘reality’. Shocking and brutal catalyst which prematurely catapults her into adolescent world.

• Betrayal of ‘friends’ (Characterisation of PB/ theme) – scapegoat idea and impact this has. World no longer a safe/trusting environment.

• Betrayal of mum and uncle Frank (Characterisation) – realisation that the adult world is powerless and people aren’t always what they seem. Feels isolated and despairing, reflected in dark imagery at the end.

Catalyst Precursor of things to come Effective

Significant Pre-empt Predominant(ly)

Protagonist Foreboding Sinister Reiterates Infiltrates Realisation synonymous

Page 11: Web viewSylvia Plath uses her undeniable skills in writing to pull us into the narrator’s changing and, at times, painful world

• Contrast between light and dark – most effective way that Plath conveys the difference in narrator and state of mind.

• Could include paragraph on foreshadowing - recurrent hints throughout text that allow reader to see narrator’s naivety, as more experienced they understand the significant of things that she is unaware of, such as the “whirring of the planes” etc.

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