neoclassical art.pdf
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Neo classical Art18th Century Art Styles
The Neoclassical style in art history is primarily associated with theEighteenth century.
Neoclassicism was a trend approximately in the years between 1750-1820.
Neoclassical style was influenced by several factors:
An artistic reaction against the thoughtlessness of the Rococo period.
Over a comparison with earlier Rococo paintings we would readily observethat the paintings here are thematically harsh, grim and gloomy, somber,serious and plain.
Inspiration of Classical world
Mid 18th centuryDiscovery of ancient Roman citiesHerculaneum and Pompeii
Artifacts and art objectsCreated interest in things Greekand Roman
The art of these civilizationsConsidered by many scholars to berepresenting the height of artisticachievement.
What does the word Neoclassical suggest?
Not only the appearance but also the subjects
Greek and Roman characters, myths, and stories reappear in context oftheme and imageries
The somber, serious works represent the ideals of a style that oftenaspired to high-minded statements - moralistic statements or stating rightor wrong
Artists combined fashion, politics, and a passion for antiquity to producethe Neoclassical style.
Blending the classical and contemporary
What appealed the Neo-classical artists?
One of the most influential and prolific Neoclassical artist.
His ability to capture dramatic moments, and incredible talent and skill as apainter made him an art legend.
Jacques-Louis David relied on ancient history and mythology.
With titles such as Andromache Mourning Hector, Paris and Helen, Lictorsbringing to Brutus the bodies of his sons, The Death of Socrates it is evidentthat David looked to the past for inspiration.
Made the myths and legends come to life by using subjects in relevance tothe contemporary context.
Jacques-Louis David (1748-1825)
The Death of Socrates
Lictors bringing to Brutus the bodies of his sons
Boucher, helped him in his early artistic development (1765).
He won the Prix de Rome in 1774 and spent six years in Rome.
It was during this period (1775-81) that he abandoned the manner of hisearly work, with its Baroque use of chiaroscuro and diagonal compositions,for a stark, highly finished and morally didactic style.
Influenced by the contemporary ideas in Rome and by artists such asHamilton - already experimenting with a Neoclassical idiom
In 1784 the change of style was confirmed by the Oath of the Horatii,which inscribed the classical virtues of masculinity and patriotism, stoicism.
Journey from the Baroque through Rococo to Neo Classical
Oath of the Horatii
David perfectly captured the mood of the time in which he lived.
During the French Revolution, David played an active role by producingnumerous and spectacular propaganda exercises.
Subjective response to an issue through art.
He also attempted to catalogue the new heroes of the age most successfullyin his portrayal of the Death of Marat (1793).
He eventually fell victimized in the confused politics of the 1790s, and wasimprisoned after the fall of Robespierre (1794), and saved by theintervention of his estranged (separated) wife, symbolized in his Interventionof the Sabine Women (1799).
Painter of the Revolution
Death of Marat
Interventionof the SabineWomen
In 1799 David gained a new hero.
Napoleon's demand for grandeurloosened the seriousness of numerouspropaganda pieces that David portrayed
Napoleon in his study
Search for new inspirations
With the fall of Napoleon, David went into exile in Brussels, and his workweakened as the possibility of exerting a moral and social influence receded.
Napoleon at St. Bernard