oddnews - issue#2 - inspiration

2
INTERNATIONALE PARTNERS Editorial team: Carola Stahl, Ruta Vimba, Tadeja Bucar Graphical Design: Agate Lorence, Sandra Wiesthal Web team: Kaj Derks, Bas Niemans Verdriet, Kar- men Spiljak, Lotte Twilt Let us know about smth odd: [email protected] phone: 0658959260 http://www.oddstream.org/ https://www.facebook.com/oddstream https://twitter.com/odd_stream http://www.flickr.com/photos/oddstream2011 TEAM The Oddstages pressed the play button: rock fans making devil horns, beat junkies and indie kids hanging around in the Oddstream festival, built around the inspiring cultural factory in the industrial area of Nijmegen. Beside the excellent choice of music, exhibitions in the contain- ers and installations all around give the festival atmosphere and Nijmegen city a pleasant vibe. Luckily, the weather is also on Oddstream’s side. “It is pacman with the ultimate freedom, divine in our consumerist society”, Jan van der Asdonk, one of the artists, sums up. Everyone knows pacman, the game with the yellow character eating its way through little dots, while colourful ghosts are chasing it. It can be nerve-wrecking, annoying, challeng- ing. Now, imagine a pacman with the opportunity to eat non-stop, without enemies, without a limited amount of food... “It all began with two broken arcade cabinets. We came up with the idea of adapting the popular pac- man game. That is how Freeman was born.” Insert any coin you want, be it five cents or one Norwegian Kroner and you enter the heaven of limitless freedom and resources. “At first glance, the word ‘Free- man’ has an extremely positive connotation”, Jan agrees, “but you are basically caught in the chains of infinite consumption.” “The only way to ever end the game is suicide. You either just stop moving and therefore stop eating, or you find your way into the cave of the ghost.” Your movements are not leaving any trace, you wan- der around realising the futility and make your decision to pull the trigger yourself, forcing a quit. Is there a better metaphor? He has just finished painting Kill your TV. “Everybody should get out, be creative, and not stay watching TV,” explains the dutch artist. The concrete wall outside de Vasim is, by these days, the bed for a street art orgy. The artists come from different countries and are filling it up with all the techniques: brush, spray, sten- cil, posters... They share different skills - and they share the same passion for street art. “We can offer people a distraction, a reflection, or just a laugh... whatever distracts them from normal life,” says Emilio from the italian crew. “We are not presenting the product: we are showing the process. And this involves the public,” explains Antje, who comes from Ger- many. “It’s good to have something ‘offline’ here: no electricity, just painting,” says 103. In the outside, walls like these make prisons for the poor and the immigrant. In Palestine, Cyprus, Ceuta or Western Sahara, they boost hate and oppression. Here in Oddstream, they are nothing but a huge canvas - for the freedom of creation. “I start painting and I reset myself: I don’t go to the toilet, I don’t eat...” says Emilio. Just a couple of meters away, we read: “Being in the moment, you can feel yourself express- ing”. It’s the Wall of Freedom: tabula rasa, impatiently waiting for people to paint and write whatever they want. The project comes from Loesje, a writers’ collective that fights for freedom of speech. And in the end, a stop-motion animation will be made out of it. “Walls try to isolate people and cultures. They should be a target when it comes to activism,” says Safaa, from Loesje. “Do whatever you want - but do something!” Text: Francisco Pedro // Photo: Karim Shalaby Text: Laura Reti // Photo: Karim Shalaby Text: Melek Senturk // Photo: Cirila Zorenc Creating an imaginary world by an interactive setting with projections, live animation and drawings as well as an ordinary item which was recognizable for everyone, paper, she encouraged the audience to get involved into the show. When I was passing by the Oddstage, the immediate traffic to Chop Wood (NL), the solo project of Odilo Grod from Coparck, caught my eye. Without any guitar rhythms, his acoustic sound mixed with eclectic electronic tunes, multilayered vocals of insomniatic lyrics, gave the listeners a calm feeling. After Chop Wood, I ran to the Vasim stage to have a look at another hip band from the Netherlands, Lola Kite. With the help of the promos of their new album, they created a nice vibe of concert atmosphere. The festival kicked off in early afternoon with local bands and DJ’s both on the Concretestage (Liquid Snow, NL) and on the Streamstage (Sick of Silence, NL), getting considerable attention from the audience. One of the highlights of the first day was Nina Boas (NL), the celebrated per- formance artist from Rotterdam, who employs imagination and alienation. Unquestionably, the biggest hit of the day was the Young Gods (CH). Hypnotic and heavy, melodic and noisy, familiar yet utterly unique, the Young Gods were young again. Later in the Club Oddstream the DJ’s like Richard Devine (US), Coco Bryce (NL) and Ceephax (UK) totally hit the roof with sharp beats and sent the audience to the camp area with awe. Tonight the headlines are the all-Dutch line up of the Death Letters, Emperors, zZz and Krause, while Club Oddstream promises a party with Alec Empire (DE) and T.Raumschmiere (DE), which should not be missed. Interviews with artists and more on “http://www.oddstream.org/” www.oddstream.org.

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nijmegen, netherlands, #ODDstream festival, 2.-5.june 2011

TRANSCRIPT

Page 1: ODDnews - issue#2 - INSPIRATION

INTERNATIONALE PARTNERS

Editorial team: Carola Stahl, Ruta Vim

ba, Tadeja B

ucar G

raphical Design: Agate Lorence, Sandra W

iesthalW

eb team: Kaj D

erks, Bas N

iemans Verdriet, Kar-

men Spiljak, Lotte Tw

ilt

Let us know about smth odd: [email protected] phone: 0658959260http://www.oddstream.org/https://www.facebook.com/oddstreamhttps://twitter.com/odd_streamhttp://www.flickr.com/photos/oddstream2011 TEAM

The Oddstages pressed the play button: rock fans making devil horns, beat junkies and indie kids hanging around in the Oddstream

festival, built around the inspiring cultural factory in the industrial area of Nijmegen. Beside the excellent choice of music, exhibitions in the contain-ers and installations all around give the festival atmosphere and Nijmegen city a pleasant vibe. Luckily, the weather is also on Oddstream’s side.

“It is pacman with the ultimate freedom, divine in our consumerist society”, Jan van der Asdonk, one of the artists, sums up. Everyone knows pacman, the game with the yellow character eating its way through little dots, while colourful ghosts are chasing it. It can be nerve-wrecking, annoying, challeng-ing. Now, imagine a pacman with the opportunity to eat non-stop, without enemies, without a limited amount of food...

“It all began with two broken arcade cabinets. We came up with the idea of adapting the popular pac-man game. That is how Freeman was born.” Insert any coin you want, be it five cents or one Norwegian Kroner and you enter the heaven of limitless freedom and resources. “At first glance, the word ‘Free-man’ has an extremely positive connotation”, Jan agrees, “but you are basically caught in the chains of infinite consumption.”

“The only way to ever end the game is suicide. You either just stop moving and therefore stop eating, or you find your way into the cave of the ghost.” Your movements are not leaving any trace, you wan-der around realising the futility and make your decision to pull the trigger yourself, forcing a quit.Is there a better metaphor?

He

has

just

fini

shed

pai

ntin

g Ki

ll yo

ur T

V. “

Ever

ybod

y sh

ould

get

out

, be

crea

tive,

and

not

st

ay w

atch

ing

TV,”

exp

lain

s th

e du

tch

artis

t.Th

e co

ncre

te w

all o

utsi

de d

e Va

sim

is, b

y th

ese

days

, the

bed

for a

str

eet a

rt o

rgy.

The

art

ists

co

me

from

diff

eren

t cou

ntrie

s an

d ar

e fil

ling

it up

with

all

the

tech

niqu

es: b

rush

, spr

ay, s

ten-

cil,

post

ers.

.. Th

ey s

hare

diff

eren

t ski

lls -

and

they

sha

re th

e sa

me

pass

ion

for s

tree

t art

. “W

e ca

n of

fer p

eopl

e a

dist

ract

ion,

a re

flect

ion,

or j

ust a

laug

h...

wha

teve

r dis

trac

ts th

em

from

nor

mal

life

,” s

ays

Emili

o fr

om th

e ita

lian

crew

. “W

e ar

e no

t pre

sent

ing

the

prod

uct:

we

are

show

ing

the

proc

ess.

And

this

invo

lves

the

publ

ic,”

exp

lain

s An

tje, w

ho c

omes

from

Ger

-m

any.

“It

’s g

ood

to h

ave

som

ethi

ng ‘o

fflin

e’ h

ere:

no

elec

tric

ity,

just

pai

ntin

g,”

says

103

.

In th

e ou

tsid

e, w

alls

like

thes

e m

ake

pris

ons

for t

he p

oor a

nd th

e im

mig

rant

. In

Pale

stin

e,

Cypr

us, C

euta

or W

este

rn S

ahar

a, th

ey b

oost

hat

e an

d op

pres

sion

. Her

e in

Odd

stre

am,

they

are

not

hing

but

a h

uge

canv

as -

for t

he fr

eedo

m o

f cre

atio

n.

“I s

tart

pai

ntin

g an

d I r

eset

mys

elf:

I do

n’t g

o to

the

toile

t, I d

on’t

eat..

.” s

ays

Emili

o. Ju

st

a co

uple

of m

eter

s aw

ay, w

e re

ad: “

Bei

ng in

the

mom

ent,

you

can

feel

you

rsel

f exp

ress

-in

g”. I

t’s th

e W

all o

f Fre

edom

: tab

ula

rasa

, im

patie

ntly

wai

ting

for p

eopl

e to

pai

nt a

nd

writ

e w

hate

ver t

hey

wan

t. Th

e pr

ojec

t com

es fr

om L

oesj

e, a

writ

ers’

col

lect

ive

that

figh

ts

for f

reed

om o

f spe

ech.

And

in th

e en

d,

a st

op-m

otio

n an

imat

ion

will

be

mad

e ou

t of i

t. “W

alls

try

to is

olat

e pe

ople

and

cu

lture

s. T

hey

shou

ld b

e a

targ

et w

hen

it co

mes

to a

ctiv

ism

,” s

ays

Saf

aa, f

rom

Loe

sje.

“D

o w

hate

ver y

ou w

ant -

but

do

som

ethi

ng!”

Text

: Fra

ncis

co P

edro

//

Phot

o: K

arim

Sha

laby

Text: Laura Reti // Photo: Karim Shalaby

Text: Melek Senturk // Photo: Cirila Zorenc

Creating an imaginary world by an interactive setting with projections, live animation and drawings as well as an ordinary item which was recognizable for everyone, paper, she encouraged the audience to get involved into the show.When I was passing by the Oddstage, the immediate traffic to Chop Wood (NL), the solo project of Odilo Grod from Coparck, caught my eye. Without any guitar rhythms, his acoustic sound mixed with eclectic electronic tunes, multilayered vocals of insomniatic lyrics, gave the listeners a calm feeling.

After Chop Wood, I ran to the Vasim stage to have a look at another hip band from the Netherlands, Lola Kite. With the help of the promos of their new album, they created a nice vibe of concert atmosphere.

The festival kicked off in early afternoon with local bands and DJ’s both on the Concretestage (Liquid Snow, NL) and on the Streamstage (Sick of Silence, NL), getting considerable attention from the audience. One of the highlights of the first day was Nina Boas (NL), the celebrated per-formance artist from Rotterdam, who employs imagination and alienation.

Unquestionably, the biggest hit of the day was the Young Gods (CH). Hypnotic and heavy, melodic and noisy, familiar yet utterly unique, the Young Gods were young again.

Later in the Club Oddstream the DJ’s like Richard Devine (US), Coco Bryce (NL) and Ceephax (UK) totally hit the roof with sharp beats and sent the audience to the camp area with awe.Tonight the headlines are the all-Dutch line up of the Death Letters, Emperors, zZz and Krause, while Club Oddstream promises a party with Alec Empire (DE) and T.Raumschmiere (DE), which should not be missed. Interviews with artists and more on “http://www.oddstream.org/” www.oddstream.org.

02.06.2011

Page 2: ODDnews - issue#2 - INSPIRATION

You’ve been warned not to enter, you’ve been instructed to let your imagination surrender. Didn’t listen. Thought you’re an ODD-STREAMist? Not yet: until you’ve educated yourself you are just an extremist.So dig: you are the closest thing you have to a voice of reason. Dig it? Then dig deeper: you are in search for the thing that inspires mind and soul. Welcome to the digging ground - this is your second day in the ODD-STREAM compound. Do not be afraid to stand out - the inspired one doesn’t hide behind the crowd. Look around: you are a part of 3D inspirational surround! There is no need to hold your breath, let yourself drown in the art and sound. Open your senses - there is new in you to be found.Stereotypes, phobias, prejudices - you know there is no way to get it up if you do not let them go. If this is the case, why do you still resist the stream of odd mind flow? Is it difficult to get rid of the mainstream shackles issued to keep you going slow?

Dare to surprise yourself and get inspired. This is ODDSTREAM and you are among your own.

Photo of the dayby Karim

Shalaby

Text: Janina Gutermann // Photo: Karim Shalaby

We all have knowledge which will be helpful for more people than the ones we know. Knowl-edge that will help people to achieve their individual dreams. Durf te Vragen/Dare to Ask wants to bring those people together. Durf te Vragen is a project run by Juul Martin and Niels Roemen. We met Juul in one of the containers, where he was sitting on a bright green pillow. Two years ago, the two guys felt inspired by an Estonian grassroots movement to start this project where people worked together to solve questions you can`t answer by yourself. Questions you don`t want to ask your peers because they don`t want to be judged on that. People can meet and work with each other at De Waarmakerij which is the office of Durf te Vragen. Through their website waarmakerij.nl they can arrange meetings. Durf te Vragen is a win-win situation. Not only does every participant get closer to his or her own dreams but also start to help other people.

Man

iacs

of N

oise

, liv

e. H

e ha

s a

strik

ingl

y od

d lig

ht e

mitt

ing

devi

ce o

f som

e so

rt a

t-ta

ched

to h

is fi

nger

. Fes

tival

! #od

dstr

eam

@FIBERFESTIVAL

Our

sta

ge @

Odd

stre

am s

unda

y - h

ttp:

//m

oby.

to/h

zwn8

8

@DEADNEANDERTHAL

Tom

orro

w w

e w

ill p

lay

#Odd

stre

am a

t 19.

15.

A ni

ce n

ew m

ultim

edia

/mus

ic fe

stiv

al in

N

ijmeg

en! -

-> h

ttp:

//bi

t.ly/

j0ha

Pu

@_ROUTINES_

Penn

y pr

ess

#1 -

Hel

lo d

ear

Odd

stre

am lo

v-er

s! H

ere

I am

, you

r fa

vorit

e pa

para

zzi,

pro-

vind

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your

dai

ly f

ix...

htt

p://

tum

blr.c

om/

@WHODAWIN

Sprin

g Fe

stiv

al w

as a

bla

st!!!

We

had

a gr

eat

time!

!! it

was

l.o

.u.d

. !!!

Hea

ding

for

Odd

-st

ream

Fes

tival

now

!

@ALEC_EMPIRE

Did you know? Did you know?

Did you know?

The 360 degrees me-dia lab sometimes turn into a ‘gezellig’ futuris-tic cocktail party (with no booze though). Richard Devine was

pretty intrigued by the plplpl.pl installation.

Children love Chroma. Once they start play-ing with the plexi-glassy drops they re-quire ice cream candy to call it quits.

Oddstream morally supports a counter counter-cultural fest: the Contrastream.

Text : Flaminia Klla, Photo: Cirila Zorenc

Text : Flaminia Klla

Hello lovely Oddstreamists, ready for a new saucy update?

Here. You will be delighted to know that our mascotte, the woody dong, fi-

nally’s got his missus: a sinuous wooden vulva. Cyrille was shaping it with

his mighty chainsaw when he aknowledged my presence and promptly asked

“Ok?”

“Approved!” I said.

I mean, you should see it, you surely can’t get it wrong.

I’m afraid I won’t be as revelatory as promised ‘cause Gid, my ally from the

lavatories, was nowhere to be found. He put his groupies at the wc gates and

presumably pimped out the toilets’ fee so he could go and enjoy the shows.

By the way, rumour has it that Carach Angren caused their share of funk, scar-

ing people shitless with their Chtulhu-ish make up. The backstage bar ladies

got really upset and thought those apparently normal guys of five minutes

before had suddenly underwent their mutation into Ghostface.

BUT THE BEST HAPPENED AFTER THE YOUNG GOD’S GIG. I met this very nice german woman

who’s following the band since ‘85 and guess what? She told me she also was

in Montreaux years ago, when they performed with Mike Patton.

Ok, so what? I cried when I saw that on the interwebz.

That’s all for today dear oddies. See you here.

I j ust l ove th is bui l ding, its so myster ious. When

you are here it fee l s l ike w e are enter ing another

w or l d! w e are enter ing another w or l d!

II came her a l ot, because I w ork here at a pr int -ing office. Th is is my first t ime here w hen there is a fest iva l or a par ty,I rea l l y l ove it ! A rea l l y good p l ace for th is kind of fest iva l !

I have been to th is p l ace a l ot before, I he l ped to bui l d th is, to make th is a very beaut ifu l p l ace.I am rea l l y happy to be here no w .

I rea l l y l ike the l ocat ion, I've never been here be -

fore, it is rea l l y nice. It is a l so very suitab l e for th is

fest iva l , because it is not mainst ream at a l l , j ust l ike

the fest iva l .

Petra, 22, student digital art & culture

Marc, 21, art designer

Jino, 19, student social works and service

Lae, 30, art designer

Text: Laura Reti, Photo: Laura Reti, Cirila Zorenc

02.06.2011 Issue:2

Did you know?