paint out blog - web viewi just finished it as the heavens opened, adding my signature under a...

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PAINT OUT WELLS Recently spent 3 days with a group of other artists painting 'en plein air' around the harbour and beach at Wells next the Sea and also had a morning at Blakeney. Conditions were quite challenging, particularly the wind and I found I had to move away from my usual enormous canvases to produce quite small works. The one on the right was started about 5.30 in the morning. I arrived at the beach with just a glimmer of light and set up near the lifeboat station, hardly able to see the colours I was setting out on my palette. It wasn't the most spectacular of sunrises and I found myself more interested in the colours, reflections and movement of the water, rather than the sky. The result is my interpretation of changes over a period of little more than an hour, layering the marks and colours. As the sun came up and the tide came in the fishing boats started to leave the harbour and I took a couple of photographs with my phone. The quality is awful, but just enough to jog my memory and help with this even smaller painting. (10" x 7") A morning trip to Blakeney with even more threatening weather. Wrapped up in layers of clothes with waterproofs zipped up to my nose and thick socks under my wellies, I just about kept warm. I painted a view from a corner of the harbour with lots of posts sticking up and row upon row of boats moored close together. Then, after a delicious cup of coffee and a quick warm up I moved along the bank and painted this view across the marshes. I just finished it as the heavens opened, adding my signature under a large plastic bag big enough to cover the painting and half the easel.

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Page 1: Paint Out Blog -    Web viewI just finished it as the heavens opened, adding my signature under a large plastic bag big enough to cover the painting and half the easel

PAINT OUT WELLS Recently spent 3 days with a group of other artists painting 'en plein air' around the harbour and beach at Wells next the Sea and also had a morning at Blakeney.Conditions were quite challenging, particularly the wind and I found I had to move away from my usual enormous canvases to produce quite small works. The one on the right was started about 5.30 in the morning. I arrived at the beach with just a glim-mer of light and set up near the lifeboat station, hardly able to see the colours I was setting out on my palette. It wasn't the most spectacular of sunrises and I found myself more interested in the colours, reflections and movement of the water, rather than the sky. The result is my interpretation of changes over a period of little more than an hour, layering the marks and colours.As the sun came up and the tide came in the fishing boats started to leave the harbour and I took a couple of photographs with my phone. The quality is awful, but just enough to jog my memory and help with this even smaller paint-ing. (10" x 7")

A morning trip to Blakeney with even more threatening weather. Wrapped up in layers of clothes with waterproofs zipped up to my nose and thick socks under my wellies, I just about kept warm. I painted a view from a corner of the harbour with lots of posts sticking up and row upon row of boats moored close together. Then, after a delicious cup of coffee and a quick warm up I moved along the bank and painted this view across the marshes. I just finished it as the heavens opened, adding my signature under a large plastic bag big enough to cover the painting and half the easel.

I had a great time and met some lovely people over the three days. There was plenty of time for socialising as well as working! I was also privileged to see other artists in action and share ideas and advice. There was some beautiful work produced and everything was displayed in an exhibi-tion on the Buttlands - much of it awe inspiring. It's well worth looking at the Paint Out website to see the results.