pazicski

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Vision & variety Designers in Hungary Part V: Miklós Pazicski and his label PAZICSKI A side street near Károlyi Kert in the centre of Budapest leads to Miklós Pazicski’s elegant shop, where visitors will find clothes in discrete colours with clean, modern cuts alongside extravagant handbags, shoes and other accessories. The Budapest Times spoke to Pazicski about his label, his method of designing and the customers he attracts. How did you get involved in fashion design? I was always interested in art and drawing but I never wanted to be an artist far-removed from the real world. Applied arts was more my thing. That’s why I did a preparatory course at the Moholy-Nagy University of Art and Design (MOME), after which I applied to study there and was accepted. It’s difficult to say exactly why I took up fashion design. It was by lucky chance. Are there any designers who you particularly look up to? I could name certain collections of some designers that I like but there is no one designer of particular importance. Like some other designers I also like clean forms. They certainly influence me and their creations have an effect on my work to some extent, but I couldn’t and would never copy anybody else’s work. My ideas always result in my own new creations. How would you describe your style? My style essentially revolves around shapes and changing the environment around the body but I am always concerned to make wearable and comfortable clothes for my customers. Fashion should be interesting but always keep its feet on the ground. That ties my hands somewhat when I’m designing but it means that small, subtle details become more important. I think design shouldn’t be egoistic. The harmony of the silhouette and of the whole piece of clothing is important. It should never look like a costume. With women’s fashion there are more possibilities. How do you create new pieces? There are some fixed elements, such as various technologies that I use again and again, but I always try to come up with new techniques and to bring variety to my clothes. Because I play around with materials and experiment with them on a dressmaker’s dummy, rather than designing on paper, often incredible ideas result in addition to the main item that I am designing.To create forms like mine on paper requires many years of expe- rience in order to know how the material reacts, where it will fold and how it will look as an end product. I am not at that stage yet. So does that mean that you don’t use patterns? In addition to that kind of creative experi- menting I have a very rational, exact tech- nique. I create a simplified pattern from what I have created on the dummy. The design, however, is just one side of it.The execution is just as important. It must be virtually perfect. I won’t sell any item of clothing that has not been perfectly cut and sewn. What kind of materials and colours do you use? In terms of materials I tend to stick to woven materials. I don’t normally use knitted mate- rials but we do use wool occasionally. Otherwise I like working with silk and some- times rayon but my preference is for natural fibres. Jersey is not my thing although it would be easier to work with because it stretches. Because I use stiffer materials my pieces need to be individually fitted to the customer. However, most of my customers like that because then the piece really becomes theirs. The colours that I use differ greatly in each new collection.This winter, for example, I had a preference for dark colours such as black, dark blue and dark grey. Now, however, I am making clothes in lighter shades again. When did the shop open and who are your customers? The shop opened about two and a half years ago. I think the location is good although a shop on Andrássy út would be ideal naturally (laughs). Customers who like my style tend to be somewhat older. I would say women aged over 25 shop here mostly. By that stage they can afford it because of course my one-off pieces are more expensive than the clothes sold in the fashion chains. Younger women are looking for something different. Around half of my customers are foreigners. My designs are particularly popular with French and Swedish people. Interestingly foreigners who come in almost always buy something. You mentioned one-off pieces. Does that mean that you don’t make additional pieces based on the same pattern? No, not really.For the collections we always buy exactly the amount of material that we need so there is none left over. If a customer finds that she would like to have the piece in another material or colour then of course that isn’t a problem.We make it individually for the customer. My collections change every season and are always different. You said “we”. How many colleagues do you have? I have two employees and we almost always have an intern here, usually from the univer- sity where I studied or from ModArt. We try to let them take on as many tasks as possible and to pass on our knowledge and experi- ence so that they really learn from the intern- ship. Do your collections have a theme? Collections are often only given a slogan after they have been created. It sums up the pres- entation, the makeup and the hair, and gives the whole thing an image. I don’t tend to use such themes. I am much more interested in the creation of the clothes, their form and the silhouette they create. Do you also sell the pieces of other designers in your shop? Yes.I have given four young, still relatively unknown designers the possibility to present their clothes and accessories here. The leather accessories such as belts, shoes and handbags are made by Réka Vágó. The jewellery is from the Souffle label and most recently we have also started selling clothing from Es-tu un Ange?. What does the future hold? All designers dream of making their break abroad, perhaps in Paris or London, but you never know if that dream will really come true. A shop in France or Scandinavia would be great because I think my clothes would suit the mood and the tastes of the people there. But in France in particular it is very difficult for designers to establish themselves and the market in Hungary is slow. – Ines Gruber PAZICSKI Budapest Open Monday to Friday 10am to 6pm and Saturday 10am to 5pm. Closed Sunday. Henszlmann Imre utca 3. Tel-: +36 1 411-06 31/32 www.pazicski.hu 21 MARCH – 27 MARCH 2011 THE BUDAPEST TIMES C ULTURE 14 THE BUDAPEST TIMES BUDAPESTER ZEITUNG RESTAURANTS To advertise in call 453-0752 V. Zoltán u. 16 (next to Szabadság tér) Reservations: 331-4352 w breakfast from 9am w international cuisine w pleasant atmosphere w private and company events SUNNY LOUNGE Bp., 1035 Szentendrei út 36/a Tel.: +36-1-367-3494 [email protected] www.sunnylounge.hu Miklós Pazicski studied at Moholy-Nagy University of Art and Design (MOME) between 2000 and 2005. In 2006 he established his own label and has run his shop in the city centre since 2008. His clothes are sold in Vienna, Stockholm, Malmö, Paris and Maribor as well as Hungary. Pazicski has participated in several fashion shows and exhibitions both in Hungary and abroad. BZT/Aaron Taylor (3)

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  • Vision &varietyDesigners in

    Hungary Part V: Mikls Pazicski

    and his label

    PAZICSKI

    Aside street near Krolyi Kertin the centre of Budapestleads to Mikls Pazicskiselegant shop, where visitorswill find clothes in discrete

    colours with clean, modern cuts alongsideextravagant handbags, shoes and otheraccessories. The Budapest Times spoke toPazicski about his label, his method ofdesigning and the customers he attracts.

    How did you get involved in fashion design?

    I was always interested in art and drawing butI never wanted to be an artist far-removedfrom the real world. Applied arts was moremy thing. Thats why I did a preparatorycourse at the Moholy-Nagy University of Artand Design (MOME), after which I applied tostudy there and was accepted. Its difficult tosay exactly why I took up fashion design. Itwas by lucky chance.

    Are there any designers who you particularlylook up to?

    I could name certain collections of somedesigners that I like but there is no onedesigner of particular importance. Like someother designers I also like clean forms. Theycertainly influence me and their creationshave an effect on my work to some extent,but I couldnt and would never copy anybodyelses work. My ideas always result in my ownnew creations.

    How would you describe your style?

    My style essentially revolves around shapesand changing the environment around thebody but I am always concerned to makewearable and comfortable clothes for mycustomers. Fashion should be interesting butalways keep its feet on the ground. That tiesmy hands somewhat when Im designing butit means that small, subtle details becomemore important. I think design shouldnt beegoistic.The harmony of the silhouette and ofthe whole piece of clothing is important. Itshould never look like a costume. Withwomens fashion there are more possibilities.

    How do you create new pieces?

    There are some fixed elements, such asvarious technologies that I use again andagain, but I always try to come up with newtechniques and to bring variety to my clothes.Because I play around with materials andexperiment with them on a dressmakers

    dummy, rather than designing on paper, oftenincredible ideas result in addition to the mainitem that I am designing. To create forms likemine on paper requires many years of expe-rience in order to know how the materialreacts, where it will fold and how it will look asan end product. I am not at that stage yet.

    So does that mean that you dont usepatterns?

    In addition to that kind of creative experi-menting I have a very rational, exact tech-nique. I create a simplified pattern from whatI have created on the dummy. The design,however, is just one side of it. The executionis just as important. It must be virtuallyperfect. I wont sell any item of clothing thathas not been perfectly cut and sewn.

    What kind of materials and colours do youuse?

    In terms of materials I tend to stick to wovenmaterials. I dont normally use knitted mate-rials but we do use wool occasionally.Otherwise I like working with silk and some-times rayon but my preference is for naturalfibres. Jersey is not my thing although itwould be easier to work with because itstretches. Because I use stiffer materials mypieces need to be individually fitted to thecustomer. However, most of my customerslike that because then the piece reallybecomes theirs. The colours that I use differgreatly in each new collection.This winter, forexample, I had a preference for dark colourssuch as black, dark blue and dark grey. Now,

    however, I am making clothes in lightershades again.

    When did the shop open and who are yourcustomers?

    The shop opened about two and a half yearsago. I think the location is good although ashop on Andrssy t would be ideal naturally(laughs). Customers who like my style tend tobe somewhat older. I would say women agedover 25 shop here mostly. By that stage theycan afford it because of course my one-offpieces are more expensive than the clothessold in the fashion chains. Younger womenare looking for something different. Aroundhalf of my customers are foreigners. Mydesigns are particularly popular with Frenchand Swedish people. Interestingly foreignerswho come in almost always buy something.

    You mentioned one-off pieces. Does thatmean that you dont make additional piecesbased on the same pattern?

    No, not really. For the collections we alwaysbuy exactly the amount of material that weneed so there is none left over. If a customerfinds that she would like to have the piece inanother material or colour then of course thatisnt a problem.We make it individually for thecustomer. My collections change everyseason and are always different.

    You said we. How many colleagues do youhave?

    I have two employees and we almost alwayshave an intern here, usually from the univer-sity where I studied or from ModArt.We try tolet them take on as many tasks as possibleand to pass on our knowledge and experi-ence so that they really learn from the intern-ship.

    Do your collections have a theme?

    Collections are often only given a slogan afterthey have been created. It sums up the pres-entation, the makeup and the hair, and givesthe whole thing an image. I dont tend to usesuch themes. I am much more interested inthe creation of the clothes, their form and thesilhouette they create.

    Do you also sell the pieces of other designersin your shop?

    Yes. I have given four young, still relativelyunknown designers the possibility to presenttheir clothes and accessories here. Theleather accessories such as belts, shoes andhandbags are made by Rka Vg. Thejewellery is from the Souffle label and mostrecently we have also started selling clothingfrom Es-tu un Ange?.

    What does the future hold?

    All designers dream of making their breakabroad, perhaps in Paris or London, but younever know if that dream will really come true.A shop in France or Scandinavia would begreat because I think my clothes would suitthe mood and the tastes of the people there.But in France in particular it is very difficult fordesigners to establish themselves and themarket in Hungary is slow.

    Ines Gruber

    PAZICSKI Budapest

    Open Monday to Friday 10am to 6pm andSaturday 10am to 5pm. Closed Sunday.Henszlmann Imre utca 3.Tel-: +36 1 411-06 31/32www.pazicski.hu

    21 MARCH 27 MARCH 2011 THE BUDAPEST TIMES

    CCUU

    LLTT

    UURR

    EE

    1144

    THE BUDAPEST TIMES

    BUDAPESTER ZEITUNG

    RESTAURANTS

    To advertise in

    call 453-0752

    V. Zoltn u. 16

    (next to Szabadsg tr)Reservations:

    331-4352

    ww breakfast from 9am

    ww international cuisine

    ww pleasant atmosphere

    ww private and company events

    SSUUNNNNYY LLOOUUNNGGEE

    Bp., 1035 Szentendrei t 36/a

    Tel.: +36-1-367-3494

    [email protected]

    www.sunnylounge.hu

    Mikls Pazicski studied at Moholy-Nagy University of Art and Design (MOME) between2000 and 2005. In 2006 he established his own label and has run his shop in the citycentre since 2008. His clothes are sold in Vienna, Stockholm, Malm, Paris and Mariboras well as Hungary. Pazicski has participated in several fashion shows and exhibitionsboth in Hungary and abroad.

    BZ

    T/A

    aro

    n T

    aylo

    r (3

    )