photoview 2012.10(october)-a

PhotoViewVol.6

Photography exhibitions eMagazine

2012.10-a

/ Publisher : Seo, JH ([email protected])

: www.sazine.co.kr

: 010-7520-7716

: www.webhard.co.kr (ID:ufoto / PW:7777)

Monthly Photography Exhibition eMagazine PhotoView

.

, , .

.

facebook www.facebook.com/ephotoview

tweeter www.tweeter.com/ephotoview

naver cafe cafe.naver.com/ephotoview

download www.sazine.co.kr

Han Sungpil, Where is Wally-178-280 c-print 2012

PhotoView Contents

2012.10-aHan Sungpil (En, Kor)

Gauthier Sibillant

Hosang Park

Park, Ja Yong

Photography is Magic!

Youth Code!

How the City Works

The Science of Photography

Repositioned Personal

Dancing on the Thin Line

Hein-kuhn Oh

Lee, So Yeong

2012

Erwin Olaf

Park, Bul-Dong

Kim, Hyo Jeong

Park, Jongseong

LEE, BYOUNGSANG

Lee, Han Gu

Park, Eunmi

Baek, Boo Hyun

Image of nature

PHOTOism

10

2012 , BUSAN BIENNALE 2012

/ Special Exhibition

Han Sungpil

'Outside of Garden'Still Life in Cityscape

2012. 9. 22 ~ 11. 24 Busan Culture Center

: (Song, Jimin)

www.busanbiennale.org

Container City-178-242 c-print 2012

, Holy City-178-230 c-print 2012

, Lego Village-178-238 c-print 2012

, New World-178-249 c-print 2012

, Where is Wally-178-280 c-print 2012

The City of Density, Busanby Han Sungpil

A city is a place formed by the history of time and a common life, and accumulated memory that can lead to

human commonness and common senses. Ostensibly, a city is a combination of architectures, roads, parks, rivers,

mountains, and etc. Its overall shape depends on the ground where the city is located, in which various lives are

reflected.

Considering metropolitan cities like Busan, it is so difficult to comprehend the city in one glance due to a broad

landscape and people's diverse life styles. The most attractive part of Busan, however, is a port city. The coastline,

a boundary between the ocean and land, organizes a boundary of the city, and has a significant influence on the

form of the city. In addition, another fascinating part is that it has many mountains, the city areas expand along

the valleys in the mountains. And the rivers in the valleys, the Suyeong River, the Dongcheon, etc, play a key role in

forming the structure of the city.

If I from Seoul am asked about "what is Busan like?," I will call it 'the City of Density' without hesitation.

Coincidentally, I have had a chance to observe all over the city about once in a decade for over a week.

Remembering back to my first visit to Busan 20 years ago, in 1992, I can reminisce about Gwangbok-dong and

Jagalchi market jam-packed with clamorous crowds speaking Busan dialect. Most importantly, however, what made

me very impressed is the city of density, Busan filled with a myriad of chimneys of public bathhouses which were so

high and had white and blue lines. As I recently visited Busan, most of them became history as the symbol of Busan,

which made me a little disappointed.

In the early 2000 after 10 years I had got a chance to look around the old villages out and out including mountain

towns and ports. Driving along the old towns, I often encountered many containers waiting in line to be loaded

and unloaded for export and import in Gamman port, Sinseondae port, Hutchison port, etc, steep ramps, and a

mountainside packed with multi-dwelling units and apartments. All of them made me impressed, but the roofs of

houses in Busan closely filled with blue water tanks gave me a peculiar impression, just the City of Density. Because

I saw yellow ones in Seoul densely a lot, the observation in Busan of the impressive blue ones had me compare and

feel different between the cultural phenomena of the two cities.

Ten years later, again, summer in 2012, I myself noticed the impressive summer vacationers, parasols, and yellow

floating tubes which seen on TV often around this time every year, and it caused an optical illusion like the UK's

comic artwork Where's Wally? by Martin Hanford. Most impressively, watching densely located skyscrapers

complex, I thought I was somewhere in overseas. Currently, many so-called City rather than one Jikhalsi (city under

direct control of the government) composed the area of Haeundae. Within a few years, I felt a bit daunted by the

radically changed landscape of Haeundae, which aims for The world's largest scale and South Korea's leading

luxury.

It is easy to find how densely Busan is a populous city if it is observed by the objective data. Although Busan was a

small port city in 1876, after opening the port, it became a modern city during Japanese colonial era. When Korea

was liberated from Japan, the population of Busan was 221,000 in 1945. Compatriots returning home after the

Korean Liberation from Japanese Colonialism, the surge of refugees in 1950 during the Korean War, and other

reasons have formed Busan as a metropolitan city of the population of 3.6 million within only the half century. In

particular, the city expanded without any preparation while some of returning compatriots and refugees settled

down.

From 1960s to 1970s, it grew into an industrial city through rapid modernization process, and created the urban

outline. According to numerically analysis, Busan industry was at the peak in the 1960s. Busans manufacturing

added value in 1968 recorded as the highest proportion of 22.3%. The high economic boom affected population

of 22.3%. The high economic boom affected population growth in Busan by average annual growth in Busan by

average annual growth rate of 7.1% - 400,000 after the liberation, 880,000 during the Korean War, reduced by

refugees returning home, 1.5 million in 1965, 2 million in 1972, and reaching 2.5 million in 1975.

Due to 60s~70s rapid industrialization the explosive growth of population had mountains and slopes in Busan

developed as residential areas. The residence spread out to even mountainside, and the skyline of mountains was

substituted for high-rise apartments. artificial structures.

After the 1990s,the change of city function has lasted because intracity industry changed from secondary to

tertiary. Recently, existing sections of the city have been actively redeveloped and reconstructed, the buildings and

houses built in the era of industrialization superannuated and the demand for a high quality residence increasing.

In particular, since 2000, some places like Suyeong bay landfill, Suyeongmilitary airport, Logistics Command at

Daeyeong-dong, the site of NIS (National Intelligence Service)independently provided differentiated attempts

against Busan Jikhalsi which they belonged to on administrative district and have reconstructed and redeveloped

to multi-functional high-tech residential complex of skyscrapers and super luxury-MarineCity, CentumCity, and

DaeyeonInnovationCity. Just as the Han River divides Seoul into Gangnam and Gangbuk, the SuyeongRiver Busan

into Haeundae-gu and Suyeong. Particularly, Haeundae-gu with the stately skyscrapers and super luxury buildings

constructed for the current years has reborn as Shinsegye(...)-meaning New World,of the symbol of splendid

wealth of Busan filled with all the modern amenities for residence, culture, and consumption such as the most

expensive apartment in Korea, Busan Cinema center, the worlds largest department store, Bexco of the 2ndlargest

exhibition and convention center, and so on.

However, when you look around the other areas out of Busan, Busan on the topography is along the beach and

surrounded by mountains. It is not easy to find the poor hillside villages which is not possible to try redevelopment

like New Town in Seoul. For example, Gamcheon-doong, Uam-dong, Jwacheon-dong, Ami-dong, Munhyeon-dong,

Sujeong-dong, and Yeongsun-dong. Those who are good at coining call Gamcheon-dong by Santorini of Korea,

Machu Picchu of Busan, or Lego Village. It was formed by refugees during the Korean War. They built back-to-back

tents there.

It was selected as a cultural village to be reborn as the hot one through creating new space and making things hum

by artists in Busan and villagers since 2009.

When seen from a long distance, the warm, exotic, and pastel-toned scenery creates fantastic atmosphere. It is now

one of the famous attractive and photogenic sites in Busan.

I took a walk with friends in Busan there on Saturday afternoon. I had a sense of dj vu, reminding me of the

scenery of our youth riding a time-machine when I watched village seniors drinking Makgeolli, Korean unrefined rice

wine, on a low wooden bench and children thronging into narrow alleys without decent toys instead of attending

any private educational institutes. It might be feeling and retrospection for those who spent their youth in the

1970s. At the time scenery of a day was that few children attended institutes. All family members, Uncles, aunties,

and seniors happily harmonized together, and children played on the ground and a game (the conquest of the land)

without any fancy toys.

However, in contrast with the scenery of Gamcheon-dong, young couples with loud dandification visited it for the

course of date and peeked here and there, carrying expensive DSLR cameras, so it seemed to make local people feel

unrealistic on it.

What a police officer at Gamcheon 2dong district where I was about to request cooperation for filming said still

rang in my ears.

Many people calling this. Santorini in Korea visit to see and film, but Id like to ask whether you are to live here or

not?

I asked myself. Would it be possible for me to live this uncomfortable and narrow life environment since I look for

the convenience of living in an apartment?

Without quite realizing it, those young people who were to take pictures of the exotic Gamcheon-dong have

vanished into thin air when dusk sat down and streetlights came on in ones and twos.

I could notice there were not many houses turning on lights despite of Saturday night at Gamcheon-dong. I think

the reason is there must be empty houses with no people or people there must be working to make a living even on

Saturday night.

The night of Santorini and Machu Picchu in Korea, a commercialized sightseeing village, was coming down like

that. Poverty has become something to attract tourists.

In contrast with Gamcheon-dong, families living in the high-rise apartments in Haeundae area which shows off

grandeur and colorful appearance are happily having a good time when the evening comes and lights of them turn

on one by one. The tourists visiting Haeundae enjoy swimming and splashing water during the hot day at the cool

beach. The restaurants, bars, cafes, and shopping centers are overcrowded in the evening.

The splendor becomes an attraction. The worlds largest department store, and multi-functional cultural complex are

another sightseeing products in Haeundae which brings 1 million summer vacationers at the peak. The evening of

the apartments calling itself ~ City is visiting with the scenery.

When the evening starts and workers leave, I can feel desolation at the construction sites of high-rise apartments,

which fight fiercely during the day to build the highest and the quickest. The light from the cross at a church, a

common scene in Korea, lends us hands of salvation to the mood of a city incoherently coexisting with desolation

and sanctity, mingling with the one on a crane at the construction sites. And opposite, bright lamps turning up at a

harbor, the key of Busan industry, in the evening, goliaths and cranes are busy loading and unloading.

As you see, the scenery of a big city, Busan, at twilight, spreads out with a variety of pictures.

Artist : Han Sungpil

Project Support : Jae -choon Lee, Jungmin Kim

Project Assistant: Bora Shin, Jae -young Cho

, , .

, , , ,

, .

, ,

. ,

. .

. .

, .

() .

10 1

.

20 1992,

.

.

.

10 2000 , . ,

, ,

,

.

.

10 2012 , TV ,

(Martin Hanford) (Where's

wally?) . ~

.

.

.1876

. 1945 22 1

, 1950 360

. .

1960 1970 .

60 1968 22.3%

. 7.1%

, 40, 88, 65 150 72 2

, 75 2 5 .

60~70 .

,

.

1990 2 3 .

. 2000 , , ,

(Marine City), (Centum City), ()

, , .

.

, , , 2

, , .

. , , ,

, , , .

, , .

6.25 2009 ,

.

.

,

. 70 .

, , ,

,

DSLR

.

2 .

?

.

?

,

.

.

.

.

.

, , .

, 100 , ~

.

,

.

.

.

Artist : Han Sungpil

Project Support : Jae-choon Lee Jungmin Kim

Project Assistant: Bora Shin, Jae-young Cho

: / 2010 3 30 / () .

: - , - : 2006 / 2006 12 15 / () /



Gauthier Sibillant

'Outside of Garden'From here to there Pictures from outside


: (Song, Jimin)


Gauthier Sibillat, inkjet 01_From here to there Pictures from outside 50cm x 41 cm, 2012



Hosang Park

'Outside of Garden'


: (Song, Jimin)


_archival inkjet print_ 127 cm x 152cm_ 2012

_archival inkjet print_ 127 cm x 152cm_ 2012

_archival inkjet print 180 cm x 220cm 2012

Park, Ja Yong

Songe et memoire du lieu

2012. 9. 15 ~ 10. 20 Gallery Form

1520 E-3F +82(0)51-747-5301

www.galleryform.com

, Songe d'une nuit d'ete( )_2012_70x100cm_pigment print

2012 gallery form Songe et memoire du lieu

.

.

Songe et memoire du lieu -

.

.

,

.

.

.

, .

.

.

Songe et memoire du lieu

.

, Alice au pays des merveilles ( ), 2012, 240x 125 cm, Digital print

, Hommage-Regard vers I'horizon(_ )_2012_60x120cm_pigment print

, Aux frontieres du virtuel( )_2010_70x100cm_ digital print

, Regard-Souffle(-)_2012_70x100cm_pigment print

, Lieu de memoire()_2012_40x80cm_pigment print

, Espace interieur3(3_2012_50.8x76.2cm_digital print

, Contemplation 6( 6) _2012_50x150cm_pigment print

, Espace interieur2(2_2012_50.8x76.2cm_digital print

, Contemplation 6-1( 6-1) _2012_60x120cm_pigment print

, Le seuil du regard ( )_2010_pigment print_60x90cm

, Esthetique de l'espace( )_2012_40x120cm_pigment print

, De n

ou

velles fenetres3

(

3_2

01

2_7

0x1

00

cm_p

igm

ent p

rint_2

01

2_p

igm

ent p

rint_7

0x1

00

cm

, con

temp

lation

I_20

12

_80

x12

0cm

_pig

men

t prin

t_Lamin

a

:

.

, , , .

.

,

.

2012 .

. .

( ) .

.

,

.

,

. .

.

.

, , ,

. ,

, , , .

, .

,

, . ,

,

,

.

. ,

.

.

.

.

z

2004 ,

2007 ~ 2012 - 1 (Sorbonne),

2007 - 1 (Sorbonne), MA

2004 -

2002 -

(selected)

2013 3 : , ,

2012 9 : , ,

12 : (), ,

,

( ),

2011 Contemplation, Cit des Arts,

2011 : , , .

2010 , Atelier-C, ,

2(, )

(selected)

2012 Asia Top Gallery Hotel Art Fair,

,

Demeure, Cite des Arts(),

Art Show Busan, ,

Marabout..Bout d'Ficelle, Centre culturel coreen

( ),

Best of Best 21, , ,

Nuit Blanche 2012-Promenade dans les nuages,

,

9 : SSS, , ,

10 : Nuit Blanche, ,

Cloitre des Billettes,

11 : , ,

2011 Printemps jaillissant, Salpetrire |

Salon Art Shopping, Carrousel du Louvre,

Je rve la ville, Viaduc des Arts, Paris

NovArts, VILLEVQUE ,

Korean Artiste in France, Lee Gallery,

, , ,

INTIME/EXTIME, ,

Jeu de regard, ,

AHAF, Grand Hyatt,

Provoque, ,

Passage temporel, , ,

Connextion within, , Cite des Arts,

2010 ImagineR , 2

(, , ), ,

Plein et Vide, 89,

Open Studio, Issy-les-moulineux,

Palm Beach Salons d'art contemporain, ,

Corps oniriques, claires dutopies,

,

, Hidden Sense

( ), ,

Art Edition, Bexco,

Eunic- , ,

( ), ,

, ,

2009 Naturellement, ,

Pathos, ,

Reflet, Espace des Arts sans frontieere,

Para-Frontiere, ,

2002-2008 30

.

2012

2012. 7~8.

2011 29

2010 ~ 2012. 2.

( , )

2012 Daegu Photo Biennale 2012

Photography is Magic! !

2012. 9. 20 ~ 10. 28

201, 053 606 6114

http://daeguphoto.com

Photography is Magic! !

! ? 2012

. 29 ,

. 20 , Man Ray, -Moholy-Nagy photogram,

. .

21 .

: (Charlotte Cotton, , )

2012 (The Photograph as Contemporary Art /

. ) .

.

Daniel Gordon, Sebastiaan Bremer

Arthur Ou, Untitled (Primer 1), 2011. Gelatin silver print, 35.6 x 27.9 cm

Cater Mull, Someday_Everyday_2011

Cuny Janssen / 2009 2010 Yoshino . ,

.

Cuny Janssen, Near the Takagiyama Lookout, Yoshino, 2009. Analogue color print, 70 x 80 cm

Cuny Janssen, View from the Road, Yoshino, 2010. Analogue color print, 100 x 123 cm

Daniel Gordon / 20 , ?

.

. , 21

.

?

Daniel Gordon, Anemone Flowers and Avocado, 2012. Chromogenic print, 114.3 x 91.4 cm.

Courtesy of the artist and Wallspace, New York

Daniel Gordon, Shadow Eye Portrait, 2012. Chromogenic print, 61 x 50.8 cm.

Courtesy of the artist and Wallspace, New York

Matt Lipps Untitled (Youth) 2010. C-print, 135 x 102 cm. Courtesy of the artist and Josh Lilley Gallery

Matt Lipps Untitled (Archive) 2010. C-print, six panels, 112 x 84 cm. Courtesy of the artist and Marc Selwyn Fine Art

Matt Lipps / . 20 .

.

Archive (2010) .

Paul Graham, Fuji Fujicolor HR400, 400asa (Beyond Caring), 1984, from the series Films, 2011

Paul Graham / 2011 Films (2011) 30 .

HR400, 25, HP5

. .

Sebastiaan Bremer, Large Schoener Goetterfunken IV, 'This glass to him, the good spirit' (Dieses Glas dem guten Geist) - 2010

Sebastiaan Bremer, Large Schoener Goetterfunken XIV, At natures bosoms (An den Bruesten der Natur) - 2010

Sebastiaan Brember / .

.


Youth Code!

I

2012. 9. 20 ~ 10. 28


(I, II) 6 . 21

. , ,

. ,

.

1960 1970

.

: Nathalie Herschdorfer

.

.

, ,

. SNS .

Dona PopaStphanie Marie Couson

Denis Darzacq, Hyper20 2007

Dona Popa, Untitled from the series Our Father Ceausescu, 2009

Fullerton-Batten Julia, Alabaster Doll(titre de la srie : Mother and Daughters)

Fullerton-Batten Julia, Pretty New Thing(titre de la srie : Mother and Daughters)

Fullerton-Batten Julia, The Divorce(titre de la srie : Mother and Daughters)

Ryan McGinley, You and My Friends 2, 2012

Stphanie Marie Couson, Mira02, 2010

Stphanie Marie Couson, Flora03, 2010


How the City Works

I

2012. 9. 20 ~ 10. 28


(I, II) 6 . 21

. , ,

. ,

.

1960 1970

.

: Sohn Young Sil

. ,

. , ,

.

, Exercises for Space, , inkjet print, 150 x90cm, 2012

, -75x110cm-c-print-2012

, Shopping_and_the_City-_Department_Store_9

, PPSung1

Ryan McGinley, You and My Friends 2, 2012


The Science of Photography

I

2012. 9. 20 ~ 10. 28


(I, II) 6 . 21

. , ,

. ,

.

1960 1970

.

: Lee Young June

.

, , , , , , ,

.

.

.

, cancer work, part III results, 63x43cm, inkjet print, 2012

, , , C23 gallbladder, 31x64cm, inkjet print, 2012

, , , C25 pancreas, size variable, inkjet print, 2012

, , , C22 liver, 31x64cm, inkjet print, 2012

, , , C25 pancreas,31x64cm, inkjet print, 2012

, , , C16 stomach, size variable, inkjet print, 2012

, , , C16 stomach, 31x64cm, inkjet print, 2012

()

(, )

, ,

. 4 . ,

, , . , ,

, . , . ,

.

, , , .

. ,

. , .

. .

. ,

.

. .

. .

. .

, ,

.

.

, . . ,

. (

) .

C24.0 . . 2011 6 11 69

Myelo .

. Gallbladder Cancer gallbladder

. (

) . .

. , , .

.

. . , ,

, . ,

, .

. 3 epigastric discomfort

, EGD reflux esophagitis omed, ulcerimin PPI ..., : DM/HTN/

Tb/Hepatitis(-/+/-/-)DM : HTN : 25ya, sat 70-->mask bas 15L ---- SAT76

. .

, , .

. .

.

. . ,

.

. .

, Y

. .

. .

, .

.

. .

. .

.

. (, , ) ( , )

. .

.

. ,

. ?

? .

2012 4 7 2 20 71 ,

. . , ,

. . , ,

. . ,

.

.

. ,

, .

. .

? ?

?

. . ()

() . ,

, . .

.

.

.

82 48 .

() .

.

. C25 , 81/,

, , . 3 / 14

2011 1 12 .

() . ,

, . ?

,

. , , .

.

. .

(Document)

. .

.

. . .

. . .

. () () .

/ Jason Sangik Noh

Jason Sangik Noh is a photographer based in Seoul, South Korea. His work explores

the tension of life and death from his working place, community and the environment.

Almost all of his projects are based on scientific materials, medical/surgical records,

laboratory results, patientsown commissioned photographs and something. Working

on the theme of CANCER, he is also doing some documentary projects. Noh joined

several group exhibitions so far and had his first solo exhibition at Artbit Gallery,

Seoul, 2008. Noh was raised in Seoul, South Korea.

Solo exhibition

2012 CANCER WORK : PART III RESULTs, Gallery ARTSAGAN,

2009 In vivo, Yanbian International EXCO, ,

2008 Presence of Trace, Artbit Gallery,

Selected group exhibition

2012 , 1,

Arles Photography Open Salon 2012, Galerie Huit, ,

2011 Salatist, Gallery Aura,

New year, Gallery K,

2010 Hereford Photography Festival, Hereford Museum&Art Gallery, ,

Selected Korean Artist, Art&Criticism, ,

2009 Prescription, Gallery AG,

2008 Meta-Text, Meta-Image, ,

2007 Gallery Lux,

No Title, Sejong Center, ANNEX Hall,


Repositioned Personal

I

2012. 9. 20 ~ 10. 28


(I, II) 6 . 21

. , ,

. ,

.

1960 1970

.

: Karen Irvine

SNS, , .

.

. ,

.

Jung LeeLaToya Ruby Frazier

Doug Rickard, #96.749058, Dallas, TX (2008), 2010

Curtis Mann, Attempt Connection (somewhere, Israel)

LaToya Ruby Frazier, Grandma Ruby and Me 2005

Jung Lee, I Love You With All My Heart From the Series Aporia 2010 C-type Print 160200 cm


Dancing on the Thin Line

I

2012. 9. 20 ~ 10. 28


(I, II) 6 . 21

. , ,

. ,

.

1960 1970

.

: Sumitomo Fumihiko

,

.

.

.

Shinya KigureMeiro Koizumi

Meiro Koizumi, Defect in Vision 2011 two-channel video installation each '12"00

Meiro Koizumi, Defect in Vision 2011 two-channel video installation each '12"00

Shinya Kigur, kagamida 110627 () 2011 photograph inkjet print, frame 104x143cm


II

2012. 9. 20 ~ 10. 28


20 .

. ,

.

, . .

, .

, ...

1):

80 , (,

.), , /,

2)

, , ,

3-_1960

5-_1960_1

6-_1960

7-__1967

8-1973

10_(1929)1964

11-__1960

12-_1954

13-__1960


II

2012. 9. 20 ~ 10. 7


20 .

. ,

.

, . .

, .

, ...

:

, 1960, 1970

. 1960 1970 . 1920

.

1990 , , .

.

03

06

08

12

. 1970

. .

. ()

.

Kim Yl Chang

1940

11

(Trace)

()

9, 11 1800

()

()

()

(10)

= 1962 =

= .1967. =

=,1963 =

= ,1966 =,

=,1965 =,

Hein-kuhn Oh

()

, .

2012. 9. 23 ~ 11. 25

452 16, 051 744.3933

www.goeunmuseum.org

, 127mm , 2010 10, Pigments on Fine Art paper, 146x186cm, 2010

, , 2010 10, Pigments on Fine Art paper, 146x186cm, 2010

, , 2010 5, Pigments on fine art paper, 127x100cm, 2009

, , , 2010 4, Pigments on Fine Art paper, 127x100cm, 2010

, , 2010 4, Pigments on Fine Art paper, 137x182.6cm, 2010

, , 2011 4, Pigments on Fine Art paper, 127x160.7cm, 2011

[ ]

2012 9 23 11 25 () .

(2012 5 3 ~ 6 17) .

() . ,

. 62

, .

.

, (, 1999) ,

, , 3

, .

. 40 ,

, .

1989 10 , ,

.

. ,

. ,

.

(1989-91), (1993-94), (1995-96), (1997-99), (2003-04), (2007-08) .

:

, , ,

. ,

.

, '' .

, ' '' .

, ,

. .

.

, .

(Mise-en-Scne).

. . , ,

, , .

2012 (, )

2011 ( , )

(, )

2009 Hein-kuhn Oh ( , )

2008 (, )

2004 (, )

1999 (, )

1993 (, )

2011 Believing is Seeing ( , )

, (, )

:

( , )

New Photography in Korea

( , )

2010 A Positive View ( , )

Man Ray and His Heritage (, )

On the cutting Edge-Aspects of Korean

Contemporary Photography

(, )

2009 Chaotic Harmony ( , )

(, )

- ( , )

2008 Deadpan ( , )

Correspondence (, )

2007 10 (, )

(, )

Activating Korea ( , )

(, )

Elastic Taboo (, )

Raised by wolves ( , )

/ ( , )

2006 Somewhere in Time (, )

1 (, )

(, )

2005 51 Secret beyond the Door

(, )

Fast forward ( , )

1945 ( , )

2004 (, )

-

(, )

2003 (, )

Image. Korea ( , )

III, ( , )

2002 II, ( , )

I, ( , )

2001 (, )

2000 , Fotofest 2000

( , )

1999 Seoul Alive: through the eyes of photographers

( , )

90 ( , )

1998 Site of Desire

( , , )

( , )

Contemporary Asian Photography

(AOI , )

Hein-kuhn Oh (b.1963)1993 M.F.A., , , / , ,

1988 B.A., , , ,

1963 ,

.

- Girl's Act( , , 2011) - Portraying Anxiety(

, , 2011) , Chaotic Harmony( / , 2009)

Deadpan, Elastic Taboo,

Correspondence . 2005 51 ,

, , , .

(1999), (2005), (2009), Unfinished Portrait(2010), Hein-kuhn Oh's Portraits

(2011) , 2011 10 ' ' .

, .

Lee, So Yeong

Light Scape

2012. 9. 25 ~ 11. 4 (5F)

15, 032 430 1157~8

www.shinsegae.com

, Potential world-Leaf no.4, 90x135cm, UVprint on Dibond, 2012

Light Scape .

. ,

. ,

, .

(serendipity) .

, , , .

,

, ().

()

.

, .

, .

, ,

. ,

.

.

, Potential world-morph no.1, 180x100cm, Diasec, Digital print, 2012

, Potential world-pregnant no.1, 90x135cm, Diasec, Digital print, 2012

, Potential world-pregnant no.2, 90x135cm, Diasec, Digital print, 2012

, The Travels in Laputa, 147x105cm, Lenticular, 2012

, The Travels in Laputa-Time, 105x137cm, Lenticular, 2012

, 3, 110x82cm, Digital print, 2012

,Potential world-Leaf no.2, 90x135cm, UVprint on Dibond, 2012

: ( )

. ()

(manipulation) . ,

. .

.

. () . ,

.

,

. , ?

. .

, ,

. ,

. . (, reality)

. .

.

(Plotinus) (Leibniz) (monadologie, 1714) .

(Le Monde nest autre chose quune substance simple. Simple cest dire sans

parties.). (monade) () .

, (ralisation) (virtualit) .

. (Rhizome)

. . (bulbs)

(tubers) . (connextion)

.

. (). , , , .

.

. , , () .

(Physical cosmology) ,

(parallel universe) (multiverse)

. (String)

.

(). , , , , , ,

. .

() .

. ,

(dyade) .

. , , , .

, , . , , .

, , . (Photoshop)

(Layer) .

. .

,

. .

. .

.

.

.

, .

. . ,

.

.

. . (La force de lart)

. .

.

.

.

. .

.

.

.

.

2012

2012. 9. 27 ~ 10. 10, ,, 15

Gallery illum

2 51-13 2, 02 2263 0405

www.galleryillum.co.kr

-( /)

.

.gall

.

,

, 4

.

, 15

.

,

,, 15 .

, ,, M&R model,

,, ,,, .

Erwin Olaf

2012. 9. 27 ~ 10. 21 GALLERY KONG

157-78 , 02 738 7776

www.gallerykong.com

The Keyhole 1, 84x 113 cm, chromomeric print Erwin Olaf, courtesy of Gallery Kong

The Keyhole 2, 84x 113 cm, chromomeric print, 2011Erwin Olaf, courtesy of Gallery Kong

The Keyhole Installation, 2011Erwin Olaf, courtesy of Gallery Kong

Rembrandt Vermeer , 21

Erwin Olaf 927 1021 .

The Keyholes (2011-2012) 6m

1 6 , 2010 Dawn & Dusk (2009-2010) 6, 2

.

1988 ,

. 2006

, . The New York

Times The Guardian , .

" . ......

.

, , .

. By The New York Times, 2010

, , , ,

.

, .

, , 90

. .

, .

Edward Hopper

. ,

. ,

, .

, .

. , ,

.

The Keyholes ( , 2011-2012) The Keyholes, , ,

25 .

6m

10 . .

, .

, , ,

.

.

,

.

. ,

. ,

, .

.

, .

. The Keyholes

. .

Dawn & Dusk ( , 2009-2010) Dawn(2010) Dusk(2009)

, .

Dusk () , 19 .

The Museum of Modern Art (MOMA) Frances B.

Johnson The Hamptons Album ,

. 20

. . Dusk,

. 20

. Frances Benjamin Johnson

, Dusk

,

.

Dawn () Dusk , ,

. .

. ,

.

,

.

,

.

1959 . 25

, .

1988 ,

. 21,

.

.

.

, .

,

. ,

.

1988 ,

Chessmen . , Cologne Ludwig Museum

. 1991 ,

.

2006 International Colour , 2007 Kunstbeeld

. Lucie , Dutch State Prize for The Arts,

2011 The Johannes Vermeer Award .

,

, RALEIGH,

, ,

21C MUSEUM,

GEORGE EASTMAN HOUSE,

GEMEENTE MUSEUM, THE HAGUE,

FONDATION FRANCS, SENLIS,

MARTIN MARGULIES COLLECTION,

STEDELIJK MUSEUM, AMSTERDAM,

CENTRAAL MUSEUM, UTRECHT,

RIJKS MUSEUM, AMSTERDAM,

GRONINGER MUSEUM, GRONINGEN,

MUSEUM ARTIUM, VITORIA-GASTEIZ,

ARS FUNDUM,

BANCO ESPIRITO SANTO,

THE FRANKS-SUSS COLLECTION,

NEUFLIZE VIE COLLECTION,

RABO BANK, AMSTERDAM,

ART PROGRESSIVE COLLECTION,

DEUTSCHE LEASING AG, BAD HOMBURG,

ING ART COLLECTION,

COLLEZIONE LA GAIA, PIEDMONT,

CALDIC COLLECTION,

COLLEZIONE LANFRANCHI, MILANO,

OREFI - VENTE-PRIVEE COLLECTION, PARIS,

RANDSTAD COLLECTION,

FUNDACIO FOTO COLECTANIA,

BLUE COLLECTION,

ARAD COLLECTION, LONDON,

INELCOM COLLECTION,

COFF COLLECTION,

MINISTRY OF FOREIGN AFFAIRS, THE HAGUE,

FNAC COLLECTION, PARIS,

< 2012 , >

.

.

.

? , 2012 8

,

. ,

. The UK Times, 2000

, El Greco Dama Del Armio Velzquez

Jester Calabacillas , .

. Time Out Beijing China, 2011

Park, Bul-Dong

- -

2012. 9. 27 ~ 10. 23 Trunk Gallery

15, 032 430 1157~8

www.shinsegae.com

, No.1 150x69 Nomad3 2012 pigment print - fineArt Baryta325g

, No.2 100x111 Littleprince 2012 pigment print - fineArt Baryta325g

, No.3 120x180 Belt 2012 pigment print - fineArt Baryta325g

, No.4 166x120 Happybaby 2012 pigment print - fineArt Baryta325g

, No.5 100x116 Everustree2 2012 pigment print - fineArt Baryta325g

, No.6 123x90 Seeds 2011 pigment print - fineArt Baryta325g

, No.7 120x145 Cleanup 2012 pigment print - fineArt Baryta325g

, No.8 110x159 Remember 2012 pigment print - fineArt Baryta325g

, No.9 120x176 Gate 2012 pigment print - fineArt Baryta325g

, No.10 119x178 Flower 2012 pigment print - fineArt Baryta325g

, No.11 133x90 Butfly7 2012 pigment print - fineArt Baryta325g

, No.14 380x98 Road2 2012 pigment print - fineArt Baryta325g

, No.15 300x112 Road1 2012 pigment print - fineArt Baryta325g

- -

.

,

,

.

,

. .

!

.

, , ,

,

Q ...

.

,

...

.

.

?

15

, .

()

.

,

.

,

.

, .

.

,

.

.

,

.

.

.

.

?

?

,

. .

,

129 37 ,

.

,

.

.

,

... .

1980, 20

.

. , !

, ...

, !

--

Park Bul-Dong

(: Park Sang-Mo)

1956

* :

1984 -

* :

1985 - / ,

1987 - / ,

1989 - / ,

1992 - / , /

,

1993 - Reproductive / ,

1996 - / ,

1999 - / ,

2001 - / ,

2011 - / ,

2011 - / ,

* :

1983 - / ,

1984 - / ,

1984 - / ,

1984 - / ,

1984 - ; 2

/ ,

1985 - / ,

1985 - / ,

1985 - / ,

1985 - 20 / ,

1986 - 85 / ,

1986 - / ,

1986 - / ,

1986 - / ,

1987 - / ,

1987 - / ,

1987 - / , / ,

1988 - / ,

1988 - 40 / ,

1988 - / , /

,

1989 - 80 / ,

1989 - 10; /

,

1990 - / ,

1990 - , / ,

1990 - , / ,

1991 - /

,

1991 - / ,

1992 - / ,

1992 - / ,

1992 - ; / ,

/ ,

1992 - / ,

1993 - / ,

1993 - 5 / ,

1994 - ; / ,

/ ,

1995 - / ,

1996 - / ,

1997 - 2 ; /

,

1998 - 88 10 /

,

1998 - / ,

1998 - / ,

1998 - / ,

1999 - / ,

1999 - / ,

1999 - 10 ; /

,

2000 - / ,

2000 - / ,

2000 - / ,

2000 - , /

2001 - / ,

2001 - / ,

2001 - / ,

2002 - 4 ; / 5.18

,

2002 - / ,

2002 - 2002 / ,

2002 - / ,

2002 - / ,

2003 - / MBC,

2003 - / ,

2003 - / ,

2004 - / ,

2004 - 5 ; , /

,

2004 - / ,

2004 - /

2005 - / ,

2005 - / ,

2005 - / ,

2006 - , / ,

2006 - /

2006 - 100 / ,

2006 - / ,

2007 - / ,

2007 - / ,

2007 - / ,

2007 - / ,

2007 - 2 / ,

2008 - 20 / ,

2008 - / ,

2008 - 5 / ,

2008 - / ,

2008 - 20 ; / ,

2009 - / ,

2009 - , / ,

2009 - / ,

2009 - 20 / ,

2009 - 100 / ,

2009 - / ,

2010 - / ,

2010 - / ,

2010 - / ,

2010 - / 175,

2010 - 30 / ,

2010 - / ,

2010 - ; 3

/ ,

2010 - , / ,

2010 - - / ,

2010 - A4 / 13

2011 - / ,

2011 - 5 / ,

2011 - ; /

,

2011 - / ,

2011 - 10 ; / ,

2011 - / ,

2011 - 2011 / ,

2011 - / ,

2011 - / ,

2012 - / ,

2012 - 2012 / ,

* :

4.3

* :

1990~1992

2002~2003

1988~1989 - ( )

1991 -

1996~1998 - ( )

2002 -

1986 - /

1998 - 88 10 /

2002 - /

2007 - /

2008 - 4.3 /

* :

* :

2012. 10. 2 ~ 10. 7 Ryugaheon

7-10, 02 720 2010

www.ryugaheon.com

, #1 2011.11.

,

- < >

. . , ,

. .

3 , . ,

. ,

. , ,

. .

. , .

, .

.

. , , ,

. .

. .

. , .

. ,

, . ,

, ,

.

10 2 7

.

: 02-720-2010

1970

1989

1997

1998

1999 - 2006 7,8

2006 - 2009 5

2009 - 8

2002 - 2003

2004 - 2007

2005 - 2007 3

Kim, Hyo Jeong

2012. 10. 3 ~10. 9 gallery Now

192-13 3, 02 725 2930

www.gallery-now.com

,001,60x90cm,Digital print,2012

.

.

.

.

.


2009 2,

2007 ,

2007 The Light of mind ,




Park, Jongseong

Imperfect Repose /

2012. 10. 3 ~ 10. 9 Kyung In Museum of Fine Art

10 11-4 / 02 733 4448

www.kyunginart.co.kr

, Imperfect Repose No.1

. ''.

' ......'

.

. .

.

.

'...... ......'

. 2 6 .

,

.

. 1+1 . .

'' .

' '


(gradation) ,

(texture).

, (

) .

.

.

.

.

( )

.

, (

) .

.

, .

. ,

.

.

.

.

.

,

(pause)

.

()


Park, Jongseong

http://www.kajimara.com

2010 /

2009 Black & White Portfolio Contest 2009 / Merit Award

2007 /

-

2010 Fear In My Mind /

-

2009 , /

2007 , /

2006 YPHOTO /

2005 YPHOTO /


LEE, BYOUNGSANG

2012. 10. 3 ~ 10. 9 Gallery Lux

185 3F, 02 720 8488

www.gallerylux.net

, #01 20110918,Archive pigment print,40X60,2012

.

, .

.

. .

. 17

.

.

. 40 . 10

(ridge) ,

. .

.

.

2007 2009

.

, #03 20091213, Archive pigment print,40X60,2012

LEE BYOUNGSANG

2012.10 / ,

2009. 6 / ,

2007. 11 / ,

2004-2007 the light of mind / ,

, #02 20101024, Archive pigment print,60X40,2012

.

.

-

,

#

12

20

09

11

01

, Arch

ive pig

men

t prin

t,35

X6

0,2

01

2

Lee, Han Gu

( _military use )

2012. 10. 9 ~ 10. 28, Ryugaheon

7-10, 02 720 2010

www.ryugaheon.com

__digital inkjet print

.

. . .

, .

1989, 15 . .

. . .

. . .

. .

. .

, .

. , .

. .

. , . .

. . .

.

. .

-

Lee, Han Koo1968

1993

1993-1997

1993-1998

1997-

2000-2002 LA

2002-2005 ()

2002-2006

2009- photo studio ,

Gallery

1988

1989

1993

1999

2000

2002

2002

2004 ,

2009 ,

/

. . . .

. . .

. . .

, . . . .

. .

, .

. . . . .

.

. . .

. .

. . .

. . - - . .

. . . .

.

. . .

. .

. ,

. .

. .

. .

. . .

. . .

. . .

.

. . .

. .

. ,

.

.

. . .

( ).

.

. . .

. ? ?

, . .(, )

.

.

, . .

. . .

.

.

. .

.

. . .

. .

. , , . .

. .

.

. . .

. , .

((_military use) ).

. .

.

. . .

. (, )

1989 11 1992 3 20 2012 .

. .

.

.

.

.

.

. .

. .

. . . , .

. .

.

. 92 .

93.

. .

. , , . .

. .

. .

.

. (

).

. .

. .

, .

. ,

.

20 , .

. .

. . . .

. .

, ,

() ( , ) ,

, . ,

, .

, 1986 7 .

. . . .

.

. . .

.

. .

. . .

. .

.

, . ,

, , .

---------------------------------------------------

. 1992 . , ! ,

. , .

, - < (_military use) >

. .

, . 1989, .

. .

. (, )

. , . .

. . . .

2010 , ( ) .

(_ . 2012), .

.

, . ,

... .

. . (, )

, 1989 11 1992 3 , 20 2012

. , ()

, .

.

. 92

. 93 .

.

10 9 28 .

: 02-720-2010

Park, Eunmi

SHOOT IT UP

2012. 10. 9 ~ 11. 9 NUDA Gallery NUDA

597 BF1

cafe.daum.net/NUDA

, angel

, Airport

, don't make a move!

, don't make a move!

, loss of memory

, save the green planet

?

.

.

.

.

.

.

. .(

10 30-35)

,

.

.

. ~! .

.

.

.

.

.

,

.

, .

, .

.

.

.

.

.

, ,

.

.

.

. !

!

, .

1. ,

.

. ,

.

,

.

, , ?

?

?

()

? .

. ,

,

. ? ,

,

. ?

. ,

, ~ .

.

.

?

.

, .

.

.

? . ? ?

,

.

. . ,

.

() ,

.

, ?

? ,

?

.

. .

. .

.

.

,

.

. ?

. !

! .

.

.

! ,

~ .

, (?) ,

.

2. .

.

? .

,

()

.

,

,

.

.

, ,

. !

!

,

.

.

!

. ?

? ,

, .

(?) , ()

,

(

). . ?

, .

,

.

.

. ~,

.

p.s: , ,

.

.

? ,

, , , ! ?

.

.

!

,

.

,

. .

~!

( NUDA)

Baek, Boo Hyun

I AM A PIG

2012. 10. 10 ~ 10. 16 Gallery Lux

185 3F, 02 720 8488

www.gallerylux.net

, I AM A PIG, #01, 50cm x 70cm ,cyanotype ,2012

.

..

.

.

, .

.

.

.

.

.

.

.

.

.

.

Baek Boo Hyun

2012 I AM A PIG, GALLERY LUX,

2012 korea photo festival, SETEC,

2011 Stare at, ,

2010 serendipity, TOTOHAUS,

12

Image of nature

2012. 10. 10 ~10. 16 gallery Now

, , , , , ,

, , , , ,

192-13 3, 02 725 2930

www.gallery-now.com

. 12

.

.

PHOTOism

Monotonous

2012. 10. 10 ~ 10. 20Gallery ISM

90-105 1

http://cafe.naver.com/photois

(index) .

...

. " ,

" .

.

,

... ... ''

.

'' .

'' . '

' .

'' = '' . ''

. '' ''

'()' .

.

, ,

. '' ()

'' .

,

.

,

, ''

(INDEX) '' ... .

/ / ...

'' , .

-

Thinking About Rene Magritte ( )

2012. 10. 11 ~ 10. 31KT&G

65 (), 02 330 6200

www.sangsangmadang.com

KT&G 10 11 31 KT&G

. KT&G

, ,

.

Thinking About Rene Magritte (

)

(Hommage)

23 .

.

( Depaysement)

4

.

.

.

.

,

.

,

.

.

www.inprint.co.kr

Archival Pigment Print

inprint

photoview 2012.10(october)-a

Documents