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Poetry, Opening the Door to Imaginatio n Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

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Page 1: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Poetry,Opening

the Door to Imagination

 

Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Page 2: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Acrostic

EDITING THE CHRYSALIS

«At last,» cried the Butterfly,

PoisedOver itsEmpty chrysallis«My final draft!»

Acrostic (single): the first letters of the lines form a word or sentence when read downward

Page 3: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

lliteration

from Dr Seuss poem Fox in SocksLuke’s duck likes lakes. Luke Luck licks lakes. Luke’s duck licks lakes. Duck takes licks in lakes Luke Luck likes. Luke Luck takes licks in lakes duck likes

Alliteration: when two or more words in a poem begin with the same letter or sound.

Page 4: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Bio poems

JarretKind, friendly, happy, mad

A very funny dadLover of riding bikes, games

and dogs,Who feels pessimistic, lonely,

and excitedWho fears guns, knives and a

scary kidWho would like to see Europe,

the highest mountain and China

Meanie

Bio poem: is a work that is meant to describe a person.

Page 5: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

inquain

The Pearl

InsideAn oyster shell

Glows a drop of moonlight,Polished by the stars when it

fellThrough night.

Cinquain: usually a twenty-two syllable, five-line poem.1st line: two syllables, 2nd line: four syllables, 3rd line: six syllables, 4th line: eight syllables, 5th line: two syllables.

Page 6: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

oncrete /shape poems

Concrete (shape) poems: verse that uses physical arrangement of the words on the page to add to its meaning and effect

Trees blossoming in the springClouds above give rain

Fruit will come soonNature is at work

whiletreesstandstill

Page 7: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

iamanteMonsters

Creepy, sinisterHiding, lurking, stalking

Vampires, werewolves, mummies, and zombies

Chasing, pouncing, eatingHungry, scary

Creatures

Diamante: a seven line poem shaped like a diamond.

DayBright, sunny

Laughing, playing, doingUp in the east, down in the west

Talking, resting, sleepingQuiet, dark

Night

Page 8: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

iamante

Diamante: a seven line poem shaped like a diamond.

Line 1: one word(subject/noun that is contrasting to line 7)

Line 2: two words(adjectives) that describe line 1

Line 3: three words(action verbs) that relate to line 1

Line 4: four words (nouns)first 2 words relate to line 1last 2 words relate to line 7

Line 5: three words(action verbs) that relate to line 7

Line 6: two words(adjectives) that describe line 7

Line 7: one word( subject/noun that is contrasting to line 1)

Page 9: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

nd RhymePERHAPS

«He’s safe!» the Bronto players shout,But Umpire Tritops yells, « You’re out! »

« No way! » shrieks Number Forty-oneWho claims his tail-tip scored a run.

A fight breaks out between the teams;The air is wild with dino screams.

Soon fans begin to lumber in,Creating prehistoric din.

The skirmish spreads into the stand,For day it rages through the land.

When all the dust has settled down,Silence covered every town.

Perhaps this battle could be linkedTo why the dinosaur’s extinct.

End Rhyme: sound repetitions which occur at the end of lines.

Page 10: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

ree Verse

TREE DANCERS

Windssweeping over pinesshape limbs intorigid images:tree dancerslockedin frozen rhythm—silent tango partners.

Free Verse: lines of poetry that are written without a regular rhythm or rhyme scheme and are freed from any one metrical pattern.

Page 11: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

ree Verse

What do the oceans do at night?Do they tease and tickle the bottom of boats?Do they ripple away in fright?Or are the beaches like coats That keep them still and quietAnd once the day breaks and it's breakfast timeDo the oceans wish for some other diet than fish?

Free Verse: lines of poetry that are written without a regular rhythm or rhyme scheme and are freed from any one metrical pattern.

Page 12: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

aiku

Cat preens in the sun,Smoothing her ruffled fur robe;

The fleas are awake

Haiku: a Japanese form of poetry consisting of three short lines with the middle line being slightly longer. The syllables are often arranged in a 5/7/5 pattern.

Page 13: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

umorous

Humorous: poetry that deals with amusing happenings

Why I wonder Is a tomato round and red?

Because if it was long and green It would be a cucumber instead

What did the tomato Say to the potata? You go on ahead

And I’ll ketchup later!

Then the tomato blushed No kidding, no messing

Do you know why? It saw the salad dressing!

If I saw a hiccup What color would it be? That's a good question Burple, perhaps, maybe

Divide 18 potatoes among 6 people The exam question read

Boil them and mash them! That's what I said

The big corn looked down And patted the baby corn's head

I'm ever so proud To be a popcorn, he said

Page 14: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

ingle

Jingle is a simple, catchy poem about a light or humorous subject. Jingles use rhythm, rhyme, and repeating words or lines to make the poem easy to remember. Because the sound of the words makes the poem likely to attract attention, jingles are often put to music and used in television and radio commercials. The use of repetition, rhyme, and rhythm gets the jingle “stuck in your mind,” which is what advertisers want.

The Sweet Tooth Candy Shop

Taffy, suckers, and lollipops, Lemon, lime, and orange gumdrops,

At the Sweet Tooth Candy Shop, It’s the sweetest place to stop!

Peppermint sticks and chocolate bars, Drive right up here in your car

To the Sweet Tooth Candy Shop,It’s the sweetest place to stop!

Is candy what you like to eat?Then you will find all sorts of sweets

At the Sweet Tooth Candy Shop,It’s the sweetest place to stop!

Page 15: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

imerick

In the marsh live a musical toad

Who emerged from his muddy abode

And remarked, «Why, it’s spring!

That’s the time when I sing!»

And ballooned himself up to explode.

Limerick: a five-line verse using the anapestic rhythm—lines 1, 2, and 5 rhyme and have three beats, lines 3 and 4 rhyme and have 2 beats.

Page 16: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

yrical PoetryAre You Thankful

The year is drawing to a close You are not slumbering in sweet repose Are you thankful?

The kids are all healthy and doing well Your spouse hasn't suffered a recent spell Are you thankful?

Your car still runs, the roof doesn't leak You got your annual bonus last week Are you thankful?

Christ died on the cross for our salvation This should create great jubilation Are you thankful?

Lyric Poetry consists of a poem, such as a sonnet or an ode, that expresses the thoughts and feelings of the poet. The term lyric is now commonly referred to as the words to a song. Lyric poetry does not tell a story which portrays characters and actions. The lyric poet addresses the reader directly, portraying his or her own feeling, state of mind, and perceptions.

Page 17: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

etaphorCONNECTIONSThis shell is my phoneto call up the seaand ask, «What’s the news?How’s the family? »

I can hear songs of whales,the surf in a roar,and laughter of pebblesteasing the shore.

When I miss the seain my small city home,I connect up with Neptuneon shellular phone.

Metaphor: compares two things by saying that one thing is something else

Page 18: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

arrative Casey At The BatThe outlook wasn't brilliant for the Mudville nine that day;The score stood four to two with but one inning left to play;And then, when Cooney died at first, and Barrows did the same,A sickly silence fell upon the patrons of the game.

A straggling few got up to go, in deep despair. The rest Clung to that hope which "springs eternal in the human breast;"They thought, If only Casey could but get a whack at that,We'd put up even money now with Casey at the bat.

But Flynn proceded Casey, as did also Jimmy Blake,And the former was a no-good and the latter was a fake;So, upon that stricken multitude grim melancholy sat,For there seemed but little chance of Casey's getting to the bat.

But Flynn let drive a single, to the wonderment of all,And Blake, the much despised, tore the cover off the ball,And when the dust had lifted and men saw what had occurred,There was Jimmy safe at second, and Flynn a-huggin' third.

Then from five thousand throats and more there rose a lusty yell,It rumbled through the valley, it rattled in the dell,It knocked upon the mountain and recoiled upon the flat,For Casey, mighty Casey, was advancing to the bat.

There was ease in Casey's manner as he stepped into his place;There was pride in Casey's bearing and a smile on Casey's face,And when, responding to the cheers, he lightly doffed his hat,No stranger in the crowd could doubt `twas Casey at the bat.

Ten thousand eyes were on him as he rubbed his hands with dirt;Five thousand tounges applauded as he wiped them on his shirt.Then, while the writhing pitcher ground the ball into his hip,Defiance gleamed in Casey's eye, a sneer curled Casey's lip.

Narrative: a poem that tells a story. Epics and ballads are narrative poems.

Page 19: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

arrative And now the leather-covered sphere came hurtling through the air,And Casey stood a-watching it in haughty grandeur there,Close by the sturdy batsman the ball unheeded sped --"That ain't my style," said Casey. "Strike one," the umpire said.

From the benches, black with people, there went up a muffled roar,Like the beating of the storm waves on a stern and distant shore."Kill him; kill the umpire!" shouted someone from the stand;--And it's likely they'd have killed him had not Casey raised his hand.

With a smile of Christian charity great Casey's visage shone;He stilled the rising tumult; he bade the game go on;He signaled to the pitcher, and once more the spheroid flew;But Casey still ignored it, and the umpire said, "Strike two."

"Fraud," cried the maddened thousands, and the echo answered "Fraud,"But one scornful look from Casey, and the multitude was awed.The saw his face grow stern and cold; they saw his muscles strain,And they knew that Casey wouldn't let that ball go by again.

The sneer is gone from Casey's lip; his teeth are clenched in hate;He pounds with cruel violence his bat upon the plate.And now the pitcher holds the ball, and now he lets it go,And now the air is shattered by the force of Casey's blow.

Oh! somewhere in this favored land the sun is shining bright;The band is playing somewhere, and somewhere hearts are light.And somewhere men are laughing, and somewhere children shout;But there is no joy in Mudville -- mighty Casey has Struck Out.

Narrative: a poem that tells a story. Epics and ballads are narrative poems.

Page 20: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

nomatopoeia

SMALL SOUNDS

Have you heardsmall sounds of the world:

a tipety-tap when a ladybird lands

the scrinching scrunch of a slug crunching lunch

or the rumble of worm murmurs under the ground?

Have you heardthe small world?

Onomotopeia: words wihich imitate sound of objects or actions

Page 21: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

nomatopoeia"Flap, Flap, Flap Your Ears"(Tune: Row, Row, Row Your Boat)

Flap, Flap, Flap your ears, In a forest pool. Flippity! Flappity! Flippity! Flappity! Trying to keep cool! Swish, Swish, Swish your tail, On a summer day. Slippity! Slappity! Slippity! Slappity! Keep the bugs away!

Onomotopeia: words wihich imitate sound of objects or actions

Page 22: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

uatrain

LATER

My teacher said I should look upthis word: PROCRASTINATE.I’ll check i out when I get home.it’s just a little wait.

But after school my friends drop by,we laugh and play and fight;then suddenly it’s dinner time,I’ll look it up tonight.

But now the television’s on, homework’s looking bleak;PROCRASTINATE can wait a bit,I’ll look it up next week.

Quatrain: a four-line poem or stanza/consisting of four lines of verse.

Page 23: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

ongue twisters

Betty Botter had some butter,"But," she said, "this butter's bitter.If I bake this bitter butter,It would make my batter bitter.But a bit of better butter,That would make my batter better." So she bought a bit of butter -Better than her bitter butter -And she baked it in her batter;And the batter was not bitter.So 'twas better Betty BotterBought a bit of better butter.

Tongue Twisters:  it is a phrase or sentence which is hard to speak fast, usually because of alliteration or a sequence of nearly similar sounds.

Page 24: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

PoetryOpening the

Door to Imagination

 ELAR

Page 25: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from text to support their understanding. Students are expected

to:

K.7A Respond to rhythm and rhyme in poetry through identifying a regular beat and similarities in word

sounds.

Respond

TO RHYTHM AND RHYME INPOETRY THROUGH IDENTIFYING AREGULAR BEAT AND SIMILARITIES INWORD SOUNDS

Including, but not limited to:Predict and react to patterns in poetry read aloudRhythm - regular patterns that emphasize soundRhyme - identical or very similar recurring final sounds in words

(rhyming words may occur at the ends of lines or within lines)

Page 26: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about

the structure and elements of poetry and provide evidence from text to support their understanding. Students are

expected to:

1.8A Respond to and use rhythm, rhyme, and alliteration in poetry.

Respond, UseRHYTHM, RHYME, AND ALLITERATION IN POETRY

Including, but not limited to:Predict and react to patterns in poetryRhythm - regular patterns that emphasize soundRhyme - identical or very similar recurring final sounds in words(rhyming words may occur at the ends of lines or within lines)

Alliteration - the repetition of the same sounds at the beginning of two or more adjacent words or stressed syllables (e.g., furrow followed free in Coleridge’s The Rime of the Ancient Mariner)

Page 27: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of

poetry and provide evidence from text to support their understanding. Students are expected to:

2.7A Describe how rhyme, rhythm, and repetition interact to create images in poetry.

DescribeHOW RHYME, RHYTHM, AND REPETITION INTERACT TO CREATE IMAGES IN POETRY

Rhythm - regular patterns that emphasize soundRhyme - identical or very similar recurring final sounds in words (rhyming words may occur at the ends of lines or within lines)Repetition - a repeating cadence/meter that enriches or emphasizes words, phrases, lines, and even whole verses of poems. It encourages young children to join in orally, to experiment with language, and to move with it. Alliteration is a type of repetition.

Page 28: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

3.6A Describe the characteristics of various forms of poetry and how they create imagery (e.g., narrative poetry, lyrical

poetry, humorous poetry, free verse).

Supporting Standard

DescribeTHE CHARACTERISTICS OF VARIOUS FORMS OF POETRY AND HOW THEY CREATE IMAGERY

Poetry forms include, but are not limited to:Narrative poetryLyrical poetryHumorous poetryFree verse

Lyrical poetry - a short poem of personal feelings and emotions, which may or may not be set to music and often involves the use of regular meterNarrative poetry - poetry that tells a story to entertainHumorous poetry - poetry that deals with amusing happeningsFree Verse poetry - poetry composed of rhymed or unrhymed lines that have no set patterns. Free verse has a casual irregular rhythm similar to that of everyday speech.

Page 29: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

3.6A Describe the characteristics of various forms of poetry and how they create imagery (e.g., narrative poetry, lyrical

poetry, humorous poetry, free verse).

Supporting Standard

Conventions of poetry include, but not limited to:Rhyme - two words or lines that end in the same sound (patterns that emphasize sound)Meter - the movement of words in the poemPatterns of verse - the number of syllables in a lineRepetition - a repeating cadence/meter that enriches or emphasizes words, phrases, lines, and even whole verses of poems. Alliteration is a type of repetition.

Page 30: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

PoetryOpening the

Door to Imagination

 STAAR…

Page 31: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

3.6A Describe the characteristics of various forms of poetry and how they create imagery (e.g., narrative poetry, lyrical

poetry, humorous poetry, free verse).

STAAR Released

Item

Page 32: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

3.6A Describe the characteristics of various forms of poetry and how they create imagery (e.g., narrative poetry, lyrical

poetry, humorous poetry, free verse).

STAAR Released

Item

Page 33: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

3.6A Describe the characteristics of various forms of poetry and how they create imagery (e.g., narrative poetry, lyrical

poetry, humorous poetry, free verse).

STAAR Released

Item

Page 34: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

4.4A Explain how the structural elements of poetry (e.g., rhyme, meter, stanzas, line breaks) relate to the form (e.g.,

lyricalpoetry, free verse).

Supporting Standard

ExplainHOW THE STRUCTURAL ELEMENTS OFPOETRY RELATE TO THE FORM

Including, but not limited to:Rhyme - two words or lines that end inthe same sound (rhythmic patterns thatemphasize sound)Meter - the basic rhythmic structure inverse, made up of stressed andunstressed syllables. The movement ofwords in the poem. Meter stresses thenumber and patterns of syllables. It hasa definite organization with certain lines containing a certain number of pronounced beats. Stanza - division of a poem composed of two or more lines characterized by meter, rhyme, and number of lines (i.e., couplet: a 2-line stanza; triplet: a 3-line stanza, quatrain: a 4-line stanza; quintet: a 5-line stanza, sestet: a 6-line stanza) Line breaks - the intentional end of a line of poetry

Page 35: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

4.4A Explain how the structural elements of poetry (e.g., rhyme, meter, stanzas, line breaks) relate to the form (e.g.,

lyricalpoetry, free verse).

Supporting Standard

Poetry forms include, but are not limited to:Narrative poetryLyrical poetryHumorous poetryFree verse

Page 36: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

4.4A Explain how the structural elements of poetry (e.g., rhyme, meter, stanzas, line breaks) relate to the form (e.g.,

lyricalpoetry, free verse).

STAAR Released Item

Page 37: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

4.4A Explain how the structural elements of poetry (e.g., rhyme, meter, stanzas, line breaks) relate to the form (e.g.,

lyricalpoetry, free verse).

STAAR Released Item

Page 38: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

4.4A Explain how the structural elements of poetry (e.g., rhyme, meter, stanzas, line breaks) relate to the form (e.g.,

lyricalpoetry, free verse).

STAAR Released Item

Page 39: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

5.4A Analyze how poets use sound effects (e.g., alliteration, internal rhyme, onomatopoeia, rhyme scheme) to reinforce

meaning in poems.

Supporting Standard

Analyze

HOW POETS USE SOUND EFFECTS TO REINFORCE MEANING IN POEMS

Including, but not limited to:Steps in analysisIdentify sound effect(s)Identify meaning in the poemExplain ways the sound effect contributes to meaning

Page 40: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

5.4A Analyze how poets use sound effects (e.g., alliteration, internal rhyme, onomatopoeia, rhyme scheme) to reinforce

meaning in poems.

Supporting Standard

Sound effects include, but are not limited to:Alliteration - the repetition of the same sounds at the beginning of two or more adjacent words or stressed syllables (e.g., “furrow followed free” in Coleridge’s The Rime of the Ancient Mariner) Internal rhyme - a rhyme within the same line of verse, as dreary and weary in Poe’s The Raven: “Once upon a midnight dreary, while I pondered, weak and weary.”Onomatopoeia - the use of words that sound like what they mean (e.g., buzz and purr); a poetic device to produce this effectRhyme scheme - the pattern of rhyming lines (e.g., ABAB, ABBA)Consonance - the repetition of internal or ending consonant sounds close together (e.g., I dropped the locket in the thick mud.)Assonance - the repetition of vowel sounds in words close together (e.g., I made my way to the lake.)

Page 41: Poetry, Opening the Door to Imagination Adapted from Fly With Poetry An ABC of Poetry Written and Illustrated by Avis Harley

Reading/Comprehension of Literary Text/Poetry. Students understand, make inferences and draw conclusions about the structure and elements of poetry and provide evidence from

text to support their understanding. Students are expected to:

5.4A Analyze how poets use sound effects (e.g., alliteration, internal rhyme, onomatopoeia, rhyme scheme) to reinforce

meaning in poems.

STAAR Released Item

TEA’s 5th Grade Release

STAAR Items did not

include any poetry.