preview zombie dreams preview · please note: our band and orchestra music is now being collated by...

Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order.

YOUNG BAND

PROGRAM NOTES

Various sources define “zombie” as “a corpse which has been reanimated by various supernatural means, and whose mute body continues to move despite a lack of normal biological function,” and “a person held to resemble the so-called walking dead.”

I have always been fascinated by zombies. Half living but half dead, one foot in the real world but one foot in the nether world, zombies are just….well, awkward. This piece, Zombie Dreams, attempts to capture and convey the strange juxtaposition of normal and abnormal that typifies a zombie’s existence. It consists of several smaller subsections, bearing the following subtitles: “Zombie Wakes,” “Zombie Walks,” “Zombie Waltzes,” “Zombie Crush,” and “Zombie Flees.” While the subtitles do suggest an underlying backstory, the composer encourages each ensemble to develop its own more detailed ideas supporting and illustrating the typical “day in the life of a zombie.”

Zombie DreamsROLAND BARRETT (ASCAP)

INSTRUMENTATION

1 Conductor 8 Flute 2 Oboe 2 Bassoon 4 1st Bb Clarinet 4 2nd Bb Clarinet 2 Bb Bass Clarinet 5 Eb Alto Saxophone 2 Bb Tenor Saxophone 2 Eb Baritone Saxophone 4 1st Bb Trumpet 4 2nd Bb Trumpet 4 F Horn 4 Trombone

2 Baritone 2 Baritone Treble Clef 4 Tuba 3 Mallet Percussion

(Bells/Xylophone, Vibraphone, Chimes) 1 Timpani

(Initial Tune: G, Ab, C, Eb) 4 Percussion 1

(Rainstick and/or Shakers and/or Ocean Drums/Snare Drum, Triangle, Bass Drum)

4 Percussion 2 (Heavy Chain/Suspended Cymbal/Woodblock/Cowbell or Brake Drum/Vibraslap, Cowbell or Brake Drum/Tambourine/Shaker/Wind Chimes/Gong)

WORld PARTSAvailable for download from www.alfred.com/worldparts

Horn in Eb

Trombone in Bb Bass ClefTrombone in Bb Treble ClefBaritone in Bb Bass ClefTuba in Eb Bass ClefTuba in Eb Treble ClefTuba in Bb Bass ClefTuba in Bb Treble Clef

Grade 2

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NOTES TO THE CONdUCTOR

In the opening measures, the trumpets are asked to contribute to the desired spooky and atmospheric effect by rustling plastic grocery bags. Using ordinary plastic bags (available at grocery stories, convenience stores, etc.), players should lean forward and gently shake the bags close to the floor in front of their chairs for a better sound and to keep the bags slightly hidden from the audience’s view.

Additionally, measures 1 through 10 include a “heavy chain” in the Percussion 2 part. The instructions to the player are as follows:

Drop a heavy chain onto a wooden surface. Then, drag the chain across the surface as you gradually lift it completely up and off of the surface. This process should be repeated ad lib several times, stopping just before the downbeat of measure 10.

The actual notation in measure 1 is only a suggestion—the drops and drags should be somewhat random in nature, and not performed in strict time. Players and ensembles are encouraged to experiment, in order to achieve the best and creepiest effect possible.

In measures 2–11, the ensemble should strive for good breath support and control in order to help achieve a gradual but ominous build from piano to fortissimo. The sustained percussion roll in measure 12 must be very powerful, and the feel at measure 13 should be very driving and menacing.

In measures 25–32, the ensemble should work to create a pronounced stylistic and dynamic change, in comparison to the previous measures.

In measures 33 and 35, the bassoon, bass clarinet, and bari sax should carefully observe the one-measure crescendo from pianissimo to mezzo piano. Additionally, the percussion in measures 37 and 38 should crescendo solidly and confidently from piano to forte in order to prepare the winds’ forte entrance in measure 39.

At measure 50 (“Zombie Waltzes”), the desired effect is to create a type of waltz grotesque, portraying the zombies’ decidedly awkward attempts at dancing. The section begins very tentatively, then gradually gains momentum. Getting louder, bolder, and faster as it progresses, the dancing should reach a raucous, nearly out-of-control peak of enthusiasm in measures 86–91 before receding.

The passage beginning in measure 103 should be played tenderly, sweetly, and with great longing. In measures 108 and 109, the director may specify flute solo or oboe solo, or one instrument in measure 108 and the other instrument in measure 109.

At measure 112, the ensemble should begin very softly, then progressively build to forte on beat 3 of measure 117. The percussion instruments should be thunderous in measure 118.

Finally, at measure 119, the ensemble should play with the same style and intensity as in measure 13, carefully observing the dramatic crescendo from subito piano to fortissimo in measures 126 and 127.

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Bb Clarinets

Bb Trumpets

Trombone

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2

1

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Flute

Oboe

Bassoon

Bb Bass Clarinet

Bb TenorSaxophone

Eb BaritoneSaxophone

F Horn

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Tuba

Mallet Percussion(Bells/Xylophone,Vibraphone, Chimes)

Percussion 1(Rainstick and/or Shakersand/or Ocean Drums/SnareDrum, Triangle, Bass Drum)

Percussion 2(Heavy Chain/Suspended Cymbal/Woodblock/Cowbell or Brake Drum/Vibraslap, Cowbell or Brake Drum/Tambourine/Shaker/Wind Chimes/Gong)

Timpani

Eb AltoSaxophone

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Blow air through instrument



Rustle plastic grocery bags (lean forward–rustle the bags close to the floor for better sound and to keep the bags hidden from the audience’s view)

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pRustle plastic grocery bags (lean forward–rustle the bags close to the floor for better sound and to keep the bags hidden from the audience’s view)

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Large Rainstick and/or Shakers, and/or Ocean Drum

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Chimes

drop dragP

Drop heavy chain onto wooden surface. Then, drag chain across the surface and gradually lift completely. Repeat the process, ad lib., several times,stopping just before the downbeat of m. 10. Drops and drags should be somewhat random–not in strict time. Experiment for best creepiest effect.

“Zombie Wakes”

“Zombie Wakes”

Tune: G, A≤, C, E≤

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39525S

By Roland Barrett (ASCAP)

© 2013 BELWIN-MILLS PUBLISHING CORP. (ASCAP),a division of ALFRED MUSIC PUBLISHING CO., INC.

All Rights Reserved including Public Performance

Zombie DreamsFULL SCOREApprox. Duration - 4:45

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&

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&

&

&

&

&

&

&

&

&

?

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&

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ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Ÿ

Ÿ∑

∑


∑

∑

œN>


JœN . .œ œ œ œ œ œ.

∑

jœ ‰ Œ Ó

jœ..œ œ œ œ œ œ.

jœ..œ jœ ‰ Œ

∑




∑

∑

¿ Œ ¿ ¿

17

œ œ œ œ

F

F

F

F

F

Woodblock

f

fB.D.(on rim)

F

F

F

∑

∑


∑

∑

œN>

œb œN œb œ œN œb œœb œ œ œ ‰ Jœ

. œ œ

∑

∑

œb œ œ œ ‰ Jœ. œ œ

œb œ œ œ‰ jœ. œ œ

∑




∑

∑

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18

‘

Œ .˙

∑


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∑

∑

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19

‘

(no trill)

F

F

F

F

F

F

œ œ œ œ œb œ‰ J

œ. œ œ

∑

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œ œ œ œ œb œ ‰ Jœ. œ œ

Œ œb œ‰ jœ. œ œ

œb>

jœb‰ œ

>jœ

‰

∑

∑

œb > jœn ‰ œ> jœ ‰

∑

∑

∑

œb >Jœb ‰ œ>

Jœ ‰

œb >Jœb ‰ œ>

Jœ ‰

œb >

jœb ‰œ>

jœ ‰

œ œ œ œ œb œ ‰ Jœ œ œ

Œ œb Œ œ

œæ œ œ œ œæ œ œ œŒ ¿ ¿ ¿ Œ ¿ ¿ ¿

20

‘

Xyl.

F

F

P

S.D.

7

39525S

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&

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&

&

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&

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&

&

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&

?

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?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Ÿ

Ÿ

Jœ.

‰ Œ Ó

Jœ.

.œ œ œ œ œ œ.


jœ. ‰ Œ Ó

jœ.

‰ Œ Ó

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∑

jœ ‰ Œ Ó


jœ..œ jœ ‰ Œ

∑




jœ ‰ Œ Ó

∑

¿ Œ ¿ ¿

21

œ œ œ œ

F

f

∑



∑

∑

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. œ œ

∑

∑



∑




∑

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22

‘

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œ œ œ œ. œ ˙


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œ œ œ œ. œ ˙

Œ.>̇

Ó œ œ œb œ

œ œ œ œ.œ ˙

Œ œN .œ ˙

Œ ..

˙




∑

∑

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23

‘

(no trill)

œ œ œ œ œb œ œ œ œ

∑

.˙N Œ


Œ œb œ œ œ œ

.˙Œ

∑

∑

.˙ Œ

.˙ Œ

.˙ Œ

.˙ Œ

.˙NŒ

.˙ Œ

.

.˙˙

N Œ


œ œ Œ œ Œ

œæ œ œ œ œ œ œ œæ¿ ¿ ¿ ¿ ¿ ¿ ‰ J¿ ¿

24

‘

P π

8

39525S

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w Onl

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s Pur

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&

&

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&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

œ œn œ œ œb œ œ œ

œ œn œ œ œb œ œ œ

˙N ˙b

œ œ# œ œ œb œ œ œ

œN œ# œ œ œb œ œ œ

˙N ˙b

˙ ˙

∑

˙N ˙b

∑

∑

∑

∑

∑

∑

∑

∑

jœ ‰ Œ Ó

25

¿ Œj¿ .¿

œ œ œ œ ˙æ

P

P

P

P

P

P

P

P

25

25

Susp. Cym. (on crown w/Snare sticks)

PTambourine

œ œ œA œ

œ œ œA œ

˙N .œ Jœ

œ œ œN œ

œ œ œN œ

˙N .œ jœ

˙ ˙

∑

˙N .œ Jœ

∑

∑

∑

∑

∑

∑

∑

∑

∑

26

¿ Œj¿ .¿

œ œ œæ

œ œ œæ

F

F

F

F

F

F

F

F

œ œn œ œ œ œ œ

œ œn œ œ œ œ œ

˙ ˙

œ œ# œ œ œ œ œ

œ œ# œ œ œ œ œ

˙ ˙

˙ ˙

∑

˙ ˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

27

¿ Œj¿ .¿

œ œ œ œ ˙æ

P

P

P

P

P

P

P

P

œ œb œn - Œ

œ œb œn - Œ

.œ Jœ œ Œ

œ œb œ# -Œ

œ œb œ# -Œ

.œ jœ œ Œ

˙n œ Œ

∑

.œ Jœ œ Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

28

¿ ¿ ¿ ¿æœ œ œ

æœ œ œ

æ

F

F

F

F

F

F

F

F

9

39525S

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P

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P

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P

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P

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P

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P

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Previe

w Onl

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Lega

l Use

Req

uire

s Pur

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e

&

&

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&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

.œ Jœ.œ Jœ

.œ Jœ.œ Jœ

˙ ˙

.œjœ .œ

jœ

.œjœ .œ

jœ

˙ ˙

.˙ œ œ

∑

˙ ˙

∑

∑

Œ ˙ œ œ

∑

˙ ˙

∑

.œ Jœ.œ Jœ

∑

∑

29

¿ Œ ¿ ¿œ

æ˙

æœ

æ

P

P

P

P

P

P

P

P

p

P

P

Bells

œ œb œ œ

œ œb œ œ

˙b ˙

œ œb œ œ

œ œb œ œ

˙b ˙

œ œ œ œ

∑

˙n ˙

∑

∑

œ œ œ œ

∑

˙b ˙

∑

œ œb œ œ

∑

∑

30

¿ Œ ¿ ¿œ œ œ

æœ œ œ

æ

F

F

F

F

F

F

F

F

F

F

F

œ œ œ œ œ

œ œ œ œ œ

˙ .œ Jœ

œ œ œ œ œ

œ œ œ œ œ

˙ .œj

œ

.œ Jœœ œ

∑

˙ .œ Jœ

∑

∑

.œjœ œ œ

∑

˙ .œ Jœ

∑

œ œ œ œ œ

∑

∑

31

j¿ .¿ j¿ .¿œ œ œ

æœ œ œ

æ

œ œ ˙

œ œ ˙

w

œ œ ˙

œ œ ˙

w

w

∑

w

∑

∑

w

∑

w

∑

œ œ ˙

∑

∑

32

¿ ¿ ¿ Œœ œ œ œ ˙

æ

P

P

P

P

P

P

P

P

P

10

39525S

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w Onl

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Lega

l Use

Req

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s Pur

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&

&

&

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&

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&

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?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

∑

œ œ œ œ œ œ œ œ

∑

∑


∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ œ Œ œ œ Œ

œ œ Œ œ œ Œ

33

œ Œ Ó

π

π

π p

33

33

π pB.D. (normal on head)

∑

∑

jœ ‰ Œ Ó

∑

∑

jœ ‰ Œ Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ œb œ œ

∑

∑

34

Œ.˙w

æ

Chimes

P

P

P

π

Vibraslap

∑

∑


∑

∑


∑

∑


∑

∑

∑

∑

∑

∑

∑

œ œ Œ œ œ Œ

œ œ Œ œ œ Œ

35

∑

π

π

π p

π

π p

∑

∑

jœ ‰ Œ Ó

∑

∑

jœ ‰ Œ Ó

∑

∑

jœ ‰ Œ Ó

∑

∑

∑

∑

∑

∑

œ œb œ œ

∑

∑

36

Œ.˙w

æ

P

P

P

π

11

39525S

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w Onl

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Lega

l Use

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&

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&

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&

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ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ˙

œ

œ œ Œ œ œ Œ

œ œ Œ œ œ Œ

37

œ œ Œ œ œ Œ

p P

p P

Bells

p P

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ˙

œ

œ œ Œ œ œ Œ

œ œ Œ œ œ Œ

38

œ œ œæ

œ œ@ œ

F f

F f

F f

F f

∑

∑


∑

∑

œ>

œb œ œb œ œ œb œ

∑

∑

œ> œb œ œb œ œ œb œ

∑

∑

∑




∑

œ Œ Ó

œ Œ Ó

39

œ œ œ œ

f

f

f

f

f

f

Cowbell (or Brake Drum)

f

∑

∑


∑

∑

œN>


∑

∑


∑

∑

∑




∑

∑

Ó æ̇

40

‘

S.D.

p

12

39525S

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ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Ÿ

Ÿ

∑

Jœ.

.œ œ œ œ œ œ.


∑

∑

œN>



œ. œ ˙Œ

jœ ‰ Œ Ó


jœ..œ jœ ‰ Œ

œ. œ ˙ Œ




∑

œ Œ Ó

œ œ œæ œ œ œ œ œ œœ Œ Ó

41

œ œ œ œ

f

f

f

f

f

f

W.B.

41

41

f

f

Change: E≤ to D≤

∑



∑

∑

œN>


. œ œ

∑

∑



∑




∑

∑

œ œ œæ œ œ œ œ œ œ

42

‘

Œ .˙

œ. œ .˙


Œ.˙

Œ .˙

œN>


œ. œ .˙

Œ.>̇

Ó œ œ œb œ

œ. œ .˙

œ. œN .˙

Œ ..

˙




∑

∑

‘

43

‘

(no trill)

f

f

f

œ œ œ œ œb œ‰ J

œ. œ œ

∑

œb >Jœb ‰ œ> Jœ ‰

œ œ œ œ œb œ ‰ Jœ. œ œ

Œ œb œ‰ jœ. œ œ

œb>

jœb‰ œ

>jœ

‰

∑

∑

œb > jœn ‰ œ> jœ ‰

∑

∑

∑

œb >

Jœb ‰ œ>Jœ ‰

œb >

Jœb ‰ œ>Jœ ‰

œb>

jœb ‰œ>

jœ ‰

œ œ œ œ œb œ ‰ Jœ œ œ

Œ œb Œ œ

œæ œ œ œ œæ œ œ œŒ œ Œ œ

44

‘

Xylophone

f

13

39525S

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P

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P

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P

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P

REVIEW

P

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P

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PREVIEW

P

REVIEW

P

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P

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P

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l Use

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s Pur

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e

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&

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&

&

&

&

&

&

&

&

&

?

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&

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ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

nb

nb

nb

#

#

#

##

#

##

#

#

n

nb

nb

nb

nb

nb

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Jœ.

‰ Œ Ó

Jœ.

.œ œ œ œ œ œ.


jœ. ‰ Œ Ó

jœ.

‰ Œ Ó

œN>

œb œ œb œ œN œb œ


œ. œ ˙Œ

jœ ‰ Œ Ó


jœ..œ jœ ‰ Œ

œ. œ ˙ Œ



œN > œb œ œn œb œN œb œjœ ‰ Œ Ó

œ Œ Ó

œ œ œæ œ œ œ œ œ œœ Œ Ó

45

œ œ œ œ

∑



∑

∑

œN>


. œ œ

∑

∑



∑




∑

∑

œ œ œæ œ œ œ œ œ œ

46

‘

Œ .˙

.˙ Œ


Œ .˙

Œ .˙

œN>


.˙ Œ

Œ.>̇

Ó œ œ œb œ

.˙ Œ

.˙ Œ

Œ ..

˙




∑

∑

‘

47

‘

Ó Œ Jœ.

‰

Ó Œ JœN . ‰

Ó Œ JœN .‰

Ó Œ jœ. ‰

Ó Œ jœ.‰

Ó Œ jœ.

‰

Ó Œ jœ.‰

Ó Œ Jœ.

‰

Ó Œ jœ.‰

Ó Œ jœ. ‰

Ó Œ jœN .‰

Ó Œ jœ.‰

Ó Œ Jœ.

‰

Ó Œ Jœ. ‰

Ó Œ jœN .‰

∑

œb œ œ œ Ó

∑

48

Ó ˙ƒ

Vibraslap

P

P

P

P

P

P

P

P

P

P

P

P

P

P

P

Ï

"

"

"

"

"

"

"

"

"

"

"

"

"

"

"

"

"

"

"

14

39525S

PREVIEW

P

REVIEW

P

REVIEW

P

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P

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P

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P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

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P

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P

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P

REVIEW

P

REVIEW

P

REVIEW

P

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P

REVIEW

P

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P

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P

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P

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P

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P

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P

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P

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Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Œ Jœœ ‰ J

œœ ‰

∑

∑

∑

∑

.˙N

Œ jœœ ‰ jœœ ‰

∑

∑

∑

∑

∑

∑

∑

∑

.˙N

Œ Jœœ ‰ J

œœ ‰

∑

— — Œ

49

∑

p

p

(Flute)

Dance-like Œ = 120

Dance-like Œ = 120

p

Bells

p

p

Trgl.

49

49

“Zombie Waltzes”

“Zombie Waltzes”

p

Change: D≤ to DÎ

div.

Œ˙̇b

∑

∑

∑

∑

.˙b

Œ ˙̇b∑

∑

∑

∑

∑

∑

∑

∑

.˙b

Œ˙̇b

∑

— Œ Œ

50

∑

Œ Jœœ ‰ J

œœ ‰

∑

∑

∑

∑

.˙

Œ jœœ ‰ jœœ ‰

∑

∑

∑

∑

∑

∑

∑

∑

.˙

Œ Jœœ ‰ J

œœ ‰

∑

— — Œ

51

∑

Œ˙̇b

∑

∑

∑

∑

.˙b

Œ ˙̇b∑

∑

∑

∑

∑

∑

∑

∑

.˙b

Œ˙̇b

∑

— Œ Œ

52

∑

∑

∑

Œ ˙

Œœ œ

Œœ œ

.˙

∑

∑

∑

∑

∑

∑

Œ ˙

Œ œ œ

.˙

∑

∑

Œ — —

53

œ Œ Œ

p

p

p

p

p

pTamb.

∑

∑

Œ œ œb

œb œ œ

œb œ œ

.˙#

∑

∑

∑

∑

∑

∑

Œ œ œb

œb œ œ

.˙#

∑

∑

Œ ±

54

œ ˙æπ

15

39525S

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REVIEW

P

REVIEW

P

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P

REVIEW

P

REVIEW

PREVIEW

P

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P

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P

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P

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P

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P

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P

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P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

∑

Œ ˙

œ œ œN

œ œ œN

.˙

∑

∑

∑

∑

∑

∑

Œ ˙

œ œ œN

.˙

∑

∑

Œ — —

55

œ Œ Œp

∑

∑

Œ œ œb

.˙b

.˙b

˙n Œ

∑

∑

∑

∑

∑

∑

Œ œ œb

.˙b

˙bŒ

∑

∑

Œ ±

56

œ ˙æπ

∑

∑

Œ ˙

Œœ œ

Œœ œ

œ ˙

∑

∑

∑

∑

∑

∑

Œ ˙

Œ œ œ

œ ˙

∑

∑

Œ — —

57

œ Œ Œp

∑

∑

Œ œ œb

œb œ œ

œb œ œ

.˙#

∑

∑

∑

∑

∑

∑

Œ œ œb

œb œ œ

.˙#

∑

∑

Œ ±

58

œ ˙æπ

∑

∑

Œ ˙

œ .œj

œ

œ .œj

œ

˙ œ

∑

∑

∑

∑

∑

∑

Œ ˙

œ .œ Jœ

˙ œ

∑

∑

Œ — —

59

œ Œ Œp

∑

∑

Œ œb œb

˙NŒ

˙NŒ

˙# Œ

Œ ˙#

∑

∑

∑

∑

Œ ˙#

Œ œb œb

˙N Œ

˙# Œ

∑

∑

Œ ±

60

œ ˙æ

π

π

Play

π

16

39525S

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P

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P

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REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

∑

Œ ˙N

Œ œ œn

Œ œ œn

œ ˙

.˙

Œ œ œn

∑

∑

∑

.˙

Œ ˙N

Œœ œb

œ ˙

∑

∑

Œ — —

61

œ Œ Œ

p

p

p

61

61

p

∑

∑

Œ œ œb

œb œ œ

œb œ œ

œ# ˙

.˙N

œb œ œ

∑

∑

∑

.˙N

Œ œ œb

œb œ œ

œ# ˙

∑

∑

Œ ±

62

œ ˙æπ

∑

∑

Œ ˙

.œ jœ œ

.œ jœ œ

œ ˙

˙ œ

.œ jœ œ

∑

∑

∑

˙ œ

Œ ˙

.œJœ œ

œ ˙

∑

∑

Œ — —

63

œ Œ Œp

∑

∑

Œ ˙b

œn ˙#

œn ˙#

˙n œ#

œ ˙#

œn ˙#

∑

∑

∑

œ ˙#

Œ ˙b

œb ˙n

˙b œn

∑

∑

Œ ±

64

œ ˙æπ

∑

∑

Œ ˙

ŒœN œb

ŒœN œb

.˙

.˙N

Œ œN œb

∑

∑

∑

.˙N

Œ ˙

Œ œA œn

.˙

∑

∑

Œ — —

65

œ Œ Œp

∑

∑

Œ ˙b

œ ˙b

œ ˙b

.˙#

.˙n

œ ˙b

∑

∑

∑

.˙b

Œ ˙b

œA ˙b

.˙#

∑

∑

Œ ±

66

œ ˙æπ

17

39525S

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P

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P

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P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

∑

Œ œ œb

.˙

.˙

œ ˙

œ œ œn

.˙

∑

∑

∑

œ œ œb

Œ œ œb

.˙

œ ˙

∑

∑

— — Œ

67

œ ˙æp π

∑

Œ œ œ œb œ

˙ Œ

˙Œ

˙Œ

˙ Œ

Œ œ œ œn œ˙ Œ

˙ Œ

∑

Œ œ œ œb œ

Œ œ œn œb

˙ Œ

˙ Œ

˙ Œ

˙Œ

∑

∑

— Œ Œ

68

œ Œ Œ

p

p

Muted

Muted

p

p

One or two players only

p

∑

.˙

∑

∑

∑

∑

œ œn œ

∑

∑

œ œb œ

.˙

∑

∑

∑

∑

∑

∑

∑

69

∑

P

P

A bit faster Œ = 124

A bit faster Œ = 124

P

P

69

69

∑

.˙n

∑

∑

∑

∑

œ œn œb

∑

∑

œ œb œb

.˙#

∑

∑

∑

∑

∑

∑

∑

70

∑

∑

.œ Jœœb

∑

∑

∑

∑

œ .œnJœ

∑

∑

œ .œb jœ

.œjœ œn

∑

∑

∑

∑

∑

∑

∑

71

∑

∑

œ œb œ

∑

∑

∑

∑

˙ Œ

∑

∑

˙ Œ

œb œb œ

∑

∑

∑

∑

∑

∑

∑

72

∑

18

39525S

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&

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&

&

&

&

&

&

&

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&

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&

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ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

œb - ˙

∑

∑

∑

∑

œ œb œ

∑

∑

œ œb œ

œn - ˙

∑

∑

∑

∑

∑

∑

∑

73

∑

∑

.˙

∑

∑

∑

∑

œb œb œn

∑

∑

œb œb œb

.˙

∑

∑

∑

∑

∑

∑

∑

74

∑

∑

.œb Jœb œ œ

∑

∑

∑

∑

œ .œb Jœb

∑

∑

œ .œb Jœb

.œnjœb œ œ

∑

∑

∑

∑

∑

∑

∑

75

∑

Œ ‰ jœ œb œ

.œ jœ œb œ

∑

Œ ‰ jœ œb œ

Œ ‰ jœ œb œ

∑

.œJœN œn œ

Œ ‰ jœ œb œ

∑

.˙

.˙

Œ ‰ jœ œb œ

∑

∑

∑

∑

∑

∑

76

∑

P

P

P

All

P

P

œ œ œb

.œb jœ œ

Œ ˙

œ œ œn

.œb jœ œ

Œ ˙

.œnJœ œ

œ œ œn

∑

Jœ ‰ Œ Œ

jœ ‰ Œ Œ

œ œ œb

∑

Œ ˙

∑

∑

∑

∑

77

Œ œ œ

Slightly faster Œ = 128

Slightly faster Œ = 128

F

π

π

F

F

F

F

F

F

F

F

F

77

77

Shaker

F

œ œ œ

œ ˙

Œ ˙

œ œ œ

œ ˙

Œ ˙

œ ˙

œ œ œ

∑

∑

∑

œ œ œ

∑

Œ ˙

∑

∑

∑

∑

78

Œ ˙æ

19

39525S

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&

&

&

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&

&

&

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&

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&

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ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

œ .œjœb

œ-œb œ œ œb

Œ ˙

œ .œ Jœb

œ- œb œ œ

Œ ˙

œ- œb œ œ œn

œ .œ Jœb

∑

∑

∑

œ .œjœb

∑

Œ ˙

∑

∑

∑

∑

79

Œ œ œ

.˙

.œ jœ œ

Œ ˙

.˙

.œ jœ œ

Œ ˙

.œJœ œ

.˙

∑

∑

∑

.˙

∑

Œ ˙

∑

∑

∑

∑

80

Œ ˙æ

œ œ œb

œb œb œ œ œ

Œ ˙b

œ œ œb

œn œb œ œ œ

Œ ˙n

œn œn œ œ œ

œ œ œb

∑

∑

∑

œ œ œb

∑

Œ ˙b

∑

∑

∑

∑

81

Œ œ œ

œ œ œb

˙ œ œb

Œ ˙

œ œ œb

˙ œ œn

Œ ˙

˙ œ œn

œ œ œb

∑

∑

∑

œ œ œb

∑

Œ ˙

∑

∑

∑

∑

82

‘

œ .œ Jœ#

˙ œ#

Œ .œb Jœ

œ .œ Jœ#

˙ œ#

Œ .œb jœ

˙ œ#

œ .œ Jœ#

∑

∑

∑

œ .œ jœ#

∑

Œ .œb Jœ

∑

∑

∑

∑

83

Œ ˙æ

.œ Jœœ œ

.œjœ œ œ

˙œ-

.œJœN œ œN

˙ œ

œ œb œ œ œn

˙ œ

˙ œN -

Œ œn œ œ œn

Œ ‰ Jœœ œ

Œ Œ œ

˙ œb -

Œ Œ œ

˙œ

Œ œb œ œ œb

Œ Œ œ

∑

Œ æ̇

84

Œ Oæœ Œ Œ

FOpen

Open

F

P

F

Bells

F

F

p

p

S.D.

Susp. Cym.

20

39525S

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ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

œ œ œ œ- œ-

œ œ œ œ- œ-

œ- ˙

œ œ œ œ- œ-

œ ˙

œ ˙

œ œb œN œ œn œ

œ œb œ œ œn œ

œ ˙

œ œ œ œ- œ-

œ ˙

œ œb œ œN œb œ

œ ˙

œ ˙

œ ˙

œ œ œ œ œ

∑

œ>

œ œœ Œ Œ

85

¿ Œ Œ

ƒ

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Raucous Œ = 132

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

f

85

85

F

œ œ œb -

œ œ œb -

.˙b

œ œb œn -

œb œn œ-

œ œb œn

.˙b

.˙b

œ œb œn

œ œb œn -

œb œn œ-

.˙b

.˙b

.˙b

œ œN œb

œ œ œb

∑

Œ œ œ œœ Œ Œ

86

∑

œ œ œ œ œb œ

œ œ œ œ œb œ

˙N œb œ

œ œ œ œ œb œ

œ œ œ œ œb œ

˙ œN œ

˙N œb

˙N œb

˙ œN œ

œ œ œ œ œb œ

œ œ œ œ œb œ

˙N œb

˙N œb œ

˙N œb œ

˙ œ œ

œ œ œ œ œb œ

∑

Œ œ œœ Œ Œ

87

∑

˙b Jœ ‰

˙b jœ ‰

œb ˙b

˙b jœ ‰

œb œ œb œn œ œb

˙b œ

˙ œ-

˙ œ-

˙n œ

˙b jœ ‰

œb œ œb œn œ œb

˙ œ-

œb ˙b

œb ˙b

˙b œ

˙b Œ

∑

Œ œ œ œ œœ œ Œ

88

∑

œ- œN œN œ- œ-

œ- œN œN œ- œ-

œ œb œ œn œb œN

œ- œN œN œ- œ-

œN ˙

˙ œb

œ œb œ œ œn œN

œ œb œ œ œn œN

˙ œb

œ- œN œN œ- œ-

œN ˙N

œ œb œ œ œb œN



˙ œb

œ œN œ œ œ

∑

Œ œ œœ Œ Œ

89

∑

œ œ œb -

œ œ œb -

˙b œ

œ œb œn -

œb œn œ-

œ œb œn

˙b œ

˙b œ

œ œb œn

œ œb œn -

œb œn œ-

˙b œ

˙b œ

˙b œ

œ œ œb

œ œ œb

∑

Œ œ œœ Œ Œ

90

∑

21

39525S

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ã

ã

b

b

b

#

#

#

##

#

##

#

#

b

b

b

b

b

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

œ œb œ- œn - œb - œb -

œ œb œ- œn - œb - œb -

˙ œb -

œ œb œ- œb - œ- œb -

œ œ œb - œ- œb - œ-

œ œb -œb -

˙ œ-

˙ œ-

œ œb - œn -

œ œb œ- œb - œ- œb -

œ œ œb - œ- œb - œ-

˙ œ-

˙ œb -

˙ œb -

œ œb -œb -

œ œb œ œb œ œb

∑

Œ œ œ œæœ œ Œ

91

∑

rit.

rit.

.˙

.˙

.˙

.˙

.˙N

œ- œb œ œb - œb -

.˙

.˙

œN - œb œ œb - œn -

.˙

.˙N

.˙

.˙

.˙

œ-œb œ œn - œb -

.˙

∑

œ Œ Œœ Œ Œ

92

∑

˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ

˙ Œ

∑

∑

∑

93

∑

p

p

p

p

p

p

p

p

p

p

p

p

p

p

p

Œ œ œ

Œ œ œ

.˙

.˙

.˙

.˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ — —

94

œ Œ Œ

P

P

P

P

P

P

Slower Œ = 128

Slower Œ = 128

94

94

Tamb.

p

Trgl.

P

œb œ œ

œb œ œ

.˙b

.˙

.˙b

.˙b

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ ±

95

œ ˙æπ

œ .œ Jœ

œ .œ Jœ

œN ˙

˙ œ

.˙N

œN ˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ — —

96

œ Œ Œ

p

22

39525S

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&

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&

&

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ã

ã

b

b

b

#

#

#

##

#

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#

#

b

b

b

b

b

bb

bb

bb

n

n

n

n#

n

n#

n

n

b

bb

bb

bb

bb

bb

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

.˙b

.˙b

.˙b

.˙

.˙b

.˙n

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ ±

97

œ ˙æπ

Jœ ‰ Œ Œ

Jœ ‰ Œ Œ

Jœ ‰ Œ Œ

jœ ‰ Œ Œ

jœN‰ Œ Œ

jœ ‰ Œ Œ

∑Jœ# ‰ ˙

-

∑

∑

∑

∑

jœ# ‰ ˙

Jœ ‰ ˙

Jœ ‰ ˙

jœ‰

˙

∑

∑

∑

98

œ Œ Œ

(Horn)

p

p

∑

∑

∑

∑

∑

∑

∑Jœ# ‰ ˙

-

∑

∑

∑

∑

jœ# ‰ ˙

Jœ ‰ ˙

Jœ ‰ ˙

jœ‰

˙

∑

∑

∑

99

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œb œ ‰ Jœn œb œ

∑

∑

100

∑

p

Œ Jœ.

‰ ŒU

Œ Jœ.

‰ ŒU

Œ Jœ. ‰ ŒU

Œ Jœ.

‰ ŒU

Œ jœ.‰ ŒU

Œ jœ.‰ ŒU

Œ Jœ.

‰ ŒU

∑U

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∑U

∑U

∑U

∑U

∑U

Œ jœ.‰ ŒU

jœb ‰ Œ ŒU

∑U

∑U

101

Œjœ ‰ ŒU

p

p

p

p

p

p

p

p

W.B.

Play

23

39525S

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REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

œ œ œ œU

Œ

Ó ŒU Œ

.U̇Œ

œ œ œ œU

Œ

œ œ œ œU Œ

.˙U Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

102

Ó ŒU Œ

Tenderly Œ = 72

Tenderly Œ = 72

P

P

P

P

P

102

102

“Zombie Crush”

“Zombie Crush”

œ œ œ œU

Œ

œ œ œ œU

Œ

.U̇Œ

œ œ œ œU

Œ

œ œ œ œU Œ

.˙

U Œ

Ó ŒU Œ

Ó ŒU Œ

.˙U Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

103

Ó ŒU Œ

P

P

‰ Jœœ œ œ œ œ œ

‰ Jœœ œ œ œ œ

.˙ œ œ

‰ jœ œ œ œ œ œ œ

‰ jœ œ œ œ œ œ

.˙ œ

∑

∑

∑

∑

∑

∑

.˙ œ œ

.˙ œ œ

.˙ œ

∑

∑

∑

104

∑

P

P

P

P

P

P

P

P

P

.˙ œ-

.˙ œ-

.˙ œ-

.˙ œ-

.˙ œ-

œb ˙ œ œ-

‰ Jœœ œ œ œn œ œ

‰ jœ œ œ œ œb œ œ

∑

Ó Œ œ œ

Ó Œ œ-

Ó ‰ jœb œ œ

.˙ œ-

.˙ œ-

œb ˙ œ œ-

∑

∑

∑

105

Oæ

P

P

P

P

P

p

Susp. Cym.

24

39525S

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P

REVIEW

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REVIEW

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REVIEW

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P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

.U̇Œ

.U̇ Œ

.U̇Œ

.U̇Œ

.˙U Œ

.˙bU Œ

.U̇

Œ

.U̇Œ

.˙nU

Œ

œ œb ˙U

Œ

.˙U Œ

.˙U

Œ

.U̇Œ

.˙bUŒ

.˙bU

Œ

Ó ŒU Œ

Ó ŒU Œ

Ó ŒU Œ

106

¿U

Œ Ó

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

F

œ œn œ ˙U

œ œn œ ˙U

wU

Œ œ# ˙nU

Œ .˙U

∑U

wU

∑U

∑U

Œ .˙U

Œ œ ˙U

Œ œ# ˙nU

∑U

∑U

∑U

wU

∑U

∑U

107

¿¿

U

p

p

p

p

p

p

p

P

P

p

Wind Chimes

p

Flute or Oboe Solo

Flute or Oboe Solo

Bells

œ œn œ ˙U

œ œn œ ˙U

wU

Œ œ# ˙nU

Œ .˙U

∑U

wU

∑U

∑U

Œ .˙U

Œ œ ˙U

Œ œ# ˙nU

∑U

∑U

∑U

wU

∑U

∑U

108

¿¿

U

w

w

w

w

w#

w

w#

∑

∑

∑

∑

Ó ˙

Ó ˙n

Ó ˙

Ó ˙

∑

∑

∑

109

¿ Œ Ó

p

p

p

p

p

p

All

All

w

w

w

w

w

w

w

∑

∑

∑

∑

w

wn

w

w

∑

Œ .æ̇

Œ .˙æ

110

∑

π

∏~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~

25

39525S

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P

REVIEW

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P

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P

REVIEW

P

REVIEW

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P

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REVIEW

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REVIEW

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REVIEW

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REVIEW

P

REVIEW

P

REVIEW

PREVIEW

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REVIEW

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REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ww

w

w

œ œb œ œ

œ œ Œ œ œ Œ

œ œ Œ œ œ Œ

111

œ œ œ œœ œ œ œ œ œ œ œ

Chimes

p

p

p

111

111


π

Menacingly Œ = 120

Menacingly Œ = 120

“Zombie Flees”

“Zombie Flees”

Tamb. (lay flat–play with both hands)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ œb œ œ

œ œ Œ œ œ Œ

‘

112

œ œ œ œœ œ œ œ œ œ œ œ œ

∑

∑

œ> œb œ œn œn > œb œ œ

∑

∑

œ>

œb œ œb œn>

œb œn œb

∑

∑

œ> œb œ œb œn > œb œn œb

∑

∑

∑



∑

œ œb œ œ

œ œ Œ œ œ Œ

‘

113

œ œ œ œœ œ œ œ œ œ œ œ

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ œb œ œ

œ œ Œ œ œ Œ

‘

114


26

39525S

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P

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REVIEW

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P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

∑

∑

œN > œb œ œn œn > œb œ œ

∑

∑

œN>

œb œN œb œn>

œb œn œb

∑

œ>

œb œ œb œn>

œb œn œb

œN > œb œN œb œn > œb œn œb

∑

∑

∑



∑

œ œb œ œ

œ œ Œ œ œ Œ

œ œ Œ œ œ Œ

115


p P

p P

p P

p P

p P

p P

P

P

P

P

Ó œ> œn œ œ



Ó œ> œ# œ œ

œ> œb œ œ# œn >œ# œ œ

œN>

œb œN œb œn>

œb œn œb

œ>

œb œ œ# œn>

œb œ œ

œ> œb œ œ# œn > œb œ œ

œN > œb œN œb œn > œb œn œb

Ó œ>œ# œ œ

œ> œb œ œ# œn >œ# œ œ

œ>

œb œ œ# œn>

œb œ œ



∑

œ œb œ œ

œ œ Œ œ œ Œ

œ œæ jœ ‰ œæœ œ Œ œ œ Œ

116

œ œ œ œœ œ œ œ œ œ œ œ œ œ

f

F f

F f

F f

f

F f

F f

F f

F f

F f

F f

f

F f

F f

F

F

F

f

f

f

fF

S.D. (enter at piano, then crescendo)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

.œ> jœ> œ œ œ>

œ>

œ œ œ œ œ>

œ œ œ œ œ>

œ œ.œ Jœ œ œ

117

Œ .Oæ

ƒ

ƒ

Ç

Susp. Cym.

27

39525S

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P

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REVIEW

P

REVIEW

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REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

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P

REVIEW

P

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P

REVIEW

P

REVIEW

P

REVIEW

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REVIEW

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REVIEW

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REVIEW

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REVIEW

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P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

œ> œ .˙

œ>œ ˙ œ œ

œ> œ œ œb œN œb œ œn

œ> œ .˙

œ> œ ˙ œ œ

.>̇ œ œ

Œ œ>.œ JœN

Œ œ>

.œ JœN

.˙>

œ œ

œ> œ ˙ œ œ

œ> œ ˙ œ œ

Œ œ>.œ

jœN

œ> œA œ œb œ œb œ œn

œ> œ œ œb œN œb œ œn

.>̇œ œ

œ> œŒ Œ œ œ

œ œ Ó

œ>

œ œ œ œ œ œ œ œæœ œ Ó

118

¿ Œ ÓŒ .O

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

ƒ

f

Gong ƒ

118

118

Bells

.˙Œ

œb œ œ œ

œA œb œ œN

.˙ Œ

œb œ œ œ

˙b œ œ

œ œ œ œ

œ œ œ œ

˙n œ œ

œb œ œ œ

œ œ œ œ

œ œ œ œ

œA œb œ œN

˙A œ œN

˙b œ œ

œbæ œ

æœ œ

Ó Œ œ

œ œ œ œ œ œ œ œ œæÓ Œ œ

119

Ó Œ ¿æ

P

Jœ.œ œ œ œ œ

jœ .œ œ œ œ œ

œ œ œN œb œ œb œ œn

jœ .œ œ œ œ œ

jœ .œ œ œ œ œ

œ ˙ œ œ

.˙ œ œ

.˙ œ œ

œ ˙ œ œ

jœ .œ œ œ œ œ

jœ .œ œ œ œ œ

.˙ œ œ



œ ˙œ œ

œ œŒ ‰ Jœ

œ œ

œ œ Ó

œ œ œ œ œ œ œ œ œ œ œœ œ Ó

120

¿ Œ ÓŒ .O

ƒ

œb œ .œ ‰

œb œ .œ ‰

œA œ .œN ‰

œb œ .œ ‰

œb œ .œ ‰

œb œ .œ‰

œn œ .œ ‰

œb œ .œ ‰

œn œ .œ ‰

œb œ .œ ‰

œ œ .œ ‰

œb œ .œ ‰

œA œ .œN ‰

œA œ .œ ‰

œb œ .œ ‰

œbæ œ

æœ Œ

Ó Œ œ

œæ œ œ œ œæ œ œ œÓ Œ œ

121

Ó Œ ¿æ

P

28

39525S

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P

REVIEW

P

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REVIEW

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REVIEW

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REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

PREVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

P

REVIEW

Previe

w Onl

y

Lega

l Use

Req

uire

s Pur

chas

e

&

&

?

&

&

&

&

&

&

&

&

&

?

?

?

&

?

ã

ã

bb

bb

bb

#

#

b

bb

bb

bb

bb

bb

Cls.

Tpts.

Tbn.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

œ> œ .˙

jœ>.œ œ œ œ œ

>̇ >̇

œ> œ .˙

jœ> .œ œ œ œ œ

>̇> >̇Œ œ>

.œ Jœ

Œ œ>

.œ Jœ

˙>> >̇

jœ>

.œ œœ œ œ

jœ> .œ œ œ œ œ

Œ œ>.œ

jœ

>̇ >̇

>̇ >̇

˙>> >̇

Jœ> .œ œ

œ œ œ

œ œ Œ œ

œæ>

œ œ œ œ œæ œ œ œ œœ œ Œ œ

122

¿ Œ ÓŒ .O

ƒ

.˙Œ

œ œb œ œ

>̇ >̇

.˙ Œ

œ œb œ œ

˙b > >̇œ œ œ œ

œ œ œ œ

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preview zombie dreams preview · please note: our band and orchestra music is now being collated by...

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