P R I N C I P A L P A R T N E R

ndings and beginnings make

up so much of our lives, and

West Australian Ballet is no

different. While we are busy getting on

with the day-to-day, it’s important to

take a moment to acknowledge these

transitions, give thanks and get excited

about what the future holds.

So in this spirit, I would like to extend

a heartfelt farewell and thank you

to Steven Roth, our long-serving

Chief Executive, who left in February.

Melbourne-raised, Steven took to his

adopted WA home with great flourish

and created many special friendships

through WAB. He also bolstered our

Ballet family by attracting new audiences,

collaborators, donors and appreciators

and all of this was done from a standing

start in the Perth community. The

successful company we have today –

recognisable by its additional dancers,

larger productions, extra support staff,

enthusiastic audiences and most

excitingly, its new home in Maylands – is

testament to Steven’s extraordinary

leadership, commitment and love for

West Australian Ballet. These few words

can’t do justice to his work or our praise,

but our appreciation is so palpable -

hopefully he can see it from his new

home at Scottish Ballet in Glasgow.

We wish him well and look forward to

welcoming him to

West Australian Ballet productions in the

coming years, next time as a guest!

“Momentum” was a defining feature of

Steven’s leadership and it hasn’t abated

since his departure, thanks to our Acting

Chief Executive, Jan Stewart. Jan is

well known to the West Australian Ballet

family as one of our Life Members and

in her former role as CEO of Lotterywest

- one of our most valuable supporters

for over two decades. In ‘retirement’

she has taken on new board roles in the

WA community, but still has time to take

the helm at WAB while recruitment for a

permanent Chief Executive is underway.

Welcome and thank you Jan. We hope

you enjoy your time seeing WAB from

the inside.

Our Artistic Director, Aurélien Scannella,

who has taken our company to new

heights since he joined us three

years ago, is continuing to lead West

Australian Ballet to international

recognition for the creativity of our

programing and the quality of our

dancers. We have a stunning year ahead

of lively and stimulating dance, which will

open up wonderful new opportunities for

the company. We look forward to having

you join us too!

Cover: Aurélien Scannella by Francis Andrijich

This page: Polly Hilton & Aurélien Scannella by Francis Andrijich

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Alexandra Burt & Sarah Hepburn

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t was a most surprising and exciting

invitation that I received from the

Chairman to take on the role of

Acting Chief Executive earlier this year

when Steven Roth announced that he was

leaving West Australian Ballet.

As many of you know, I have been a

personal fan of WAB for many years. In my

former role as CEO of Lotterywest, I was

also responsible for contributing to the

financial support of all West Australian Arts

organisations including WAB. Steven and

I became friends not long after his arrival

to this state and I followed his incredible

achievements with great interest and

did all I could to support him and the

Artistic Director to achieve their goals

for this company.

So to have the chance to take on this

job is a wonderful opportunity for me,

combining as it does my love for the arts

with my experience in senior leadership

and management.

Our Artistic Director, Aurélien Scannella

has ambitious plans for the next phase

of growth of this amazing company. I am

looking forward to working with him in this

new capacity supporting him in achieving

the goals he describes in this edition of

Ballet News.

I hope you enjoy the new look of our Ballet

News. This has been enabled, in part,

through the generous sponsorship of

our designers The Mad Empire and print

partner Abbott & Co and we thank them

for their support in creating this beautiful

new publication. We hope you enjoy these

striking pictures and stories from the heart

of our company, presented in a fresh, new

layout, which gives you a chance to learn

more about our dancers and the wide

range of work that they do to bring joy to

our community.

You will be on our mailing list for Ballet

News because you are already a supporter

of our company. Many of you I know

already but many I'm still to have the

pleasure of meeting.

I thank you for all you have done in so

many ways to help WAB to achieve so

much. I encourage you to read about our

plans – particularly those we will describe

in more detail in our upcoming Annual

Giving brochure. Please think about how

you can continue to help us become the

internationally known ballet company to

which we aspire and give our young and

talented dancers every chance to achieve

their dreams.

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A c t i n g C h i e f E x e c u t i v e

From the desk of the Acting Chief Executive

Polly Hilton by Francis Andrijich

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R E F L E C T I O N S

F R O M T H E

A R T I S T I C

D I R E C T O R

fter being Artistic Director of West

Australian Ballet now for three

years it is maybe time for me to

do a first personal review of what has been

achieved under my leadership and what

can still be achieved to ensure the best

future for this beautiful ballet company.

As I said during my first speech at

the Quarry in 2013, WAB was then

like a rough diamond that needed

to be polished. As with real stones,

this part of the process takes time and I

strongly believe that now, after three years of

commitment, we can see the results of the hard

work accomplished. These great results are to be

shared not only with our dancers and artistic staff

but also with the entire WAB organisation.

Consistency is one of the key elements for

success. A ballet company that brings quality and

beauty on stage during every single performance

can only provoke success and admiration

from its public. Building a strong and versatile

repertoire for both our dancers and our audience

was another important part of the process. Thanks

not only to the support of our friends, donors and

patrons but also with the support of the Board

and Chair, WAB’s repertoire is bold, audacious and

international - both acclaimed Australian & overseas

choreographers are now part of our bright repertoire.

The strength and standard of the company has never

been so high, and due to the extension of the

Young Artist Programme we’ve now reached a total of

40 dancers. Thanks to the support of several generous

donors we proudly have eight young talented dancers within

WAB’s ranks. Several international touring opportunities are in

negotiations and I will soon be able to share this news with you.

Building international recognition is vital to reinforce national

pride and once WAB is admired and revered

outside of Perth I know that we will attract

more interest from the local community

to attend all of our productions.

A Subscriptions and single ticket sales have

increased from year to year, as has our Great

Leaps programme. Our Christmas season has

now also become such a beautiful moment

of joy and gathering for thousands of Perth

families.

I see this as a significant growth in our ballet

tradition and this makes me feel so proud to

be part of it every year.

I still have loads of ambition for this company

and hope to be able to realise many of my

wishes within the next few years. WAB will

continue increasing the number of dancers

to ensure we can continue to perform the big

name classics, building new productions to

reinforce our repertoire, performing regionally,

nationally and internationally, developing

work with Australian and international

choreographers and of course building our

relationship with greater Western Australia.

To enable all of this, the already great support

of our loyal patrons, sponsors, and donors

will hopefully continue to grow along with

the support from both our State and Federal

Governments.

Together let’s open a new chapter of this

fabulous book called ‘West Australian Ballet’

in a time where the lives of many Western

Australians may look a bit grey. Let’s give it

lots of colour and happiness and make Perth

one of the biggest cultural cities in the world.

AURÉLIEN SCANNELLA A r t i s t i c D i r e c t o r

The strength and standard of the company has never been so high...

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ach year, West Australian Ballet welcomes a number of recent dance

graduates as part of the Young Artist Programme. This programme plays an essential role for young Australian dancers in their transition from proficient dance students to professional dance artists.

Without a stepping stone from tertiary dance study to professional dance employment, graduates run the risk of losing their elite levels of strength, fitness and skill they have trained so hard to achieve. Many ballet companies will not hire dancers who do not exhibit professional experience and performance maturity. In this highly competitive industry, a recent graduate needs to gain experience quickly, maintain their bodies, and still earn enough money to travel for auditions, workshops or work experience opportunities - quite a challenge for a young dancer to face!

A L B A N Y A D V E N T U R E S

W A B T O U R S T O T H E G R E A T S O U T H E R N

Y O U N G A R T I S T S P R O F I L E

ouring for the first time in 2016, West Australian Ballet went on tour to WA’s Great

Southern region over the Labour Day long weekend. Fresh from the sell-out season at The Quarry Amphitheatre, the company packed their bags and headed to Albany for two performances of Five by Night at the Albany Entertainment Centre and a range of community activities.

It had been three years since WAB performed in Albany and the community were hungry to see world-quality ballet on the stage again. With only one matinee and one evening performance on Saturday 5 March, audiences quickly snapped up tickets. Many dance lovers and families came together to watch what they told us was an exceptional performance. “Absolutely brilliant, fantastic and really wonderful’’ were among the responses.

One patron wrote “Thank you for bringing such beauty and vibrancy to our town on the 5 March. I attended your performance of Five by Night, and I will never forget the awesomeness of the performances

and music. It is uplifting to have such loveliness…”

Accompanying our dancers was WAB’s Education and Access Manager Deborah Robertson who worked with the Albany team to coordinate a series of events in the community. A ‘Ballet Unveiled’ public lecture, presented in partnership with the University of Western Australia, gave the public a behind-the-scenes view of a ballet company. On Friday 4 March, youth at the local drop-in centre were treated to a display by Bboy champion Pepito, who extended his season with WAB to bring his unique skills to the region.

Along with WAB dancers Alexandre Dahms and Lola Howard, Pepito chatted with the kids and showed them his moves. Inspired by his energy and with encouragement, many also came along to one of the three break dancing workshops held on the Sunday.

For those not keen on participating but wanting to see more of the company, there was an Open Class on stage at the theatre where the

general public watched our dancers take class prior to the matinee performance. This unique insight into how a dancer starts their day proved fascinating to the audience who then stayed on to attend the show.

Of course, it wasn’t all work and no play as the dancers were able to squeeze in a little bit of time to see the sights and enjoy some of the great food on offer. West Australian Ballet’s commitment to providing enriching experiences across the state continued in April when the Education and Access team returned to complete an education programme, which included workshops for dance students and in-school activities.

For more information email: learning@waballet.com.au

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CASSANDRA KIRKPATRICK

Fortunately with the generous support of our Young Artist Supporters, we can ensure the most talented young dancers in Australia have the best opportunity to succeed. We have seen many Young Artists excel since the programme inception in 2008. Soloist Sarah Hepburn and Demi-Soloist Meg Parry were two of the inaugural Young Artists who have grown through the ranks of WAB as result of their participation in this programme. Young Artist Alumni also include Benjamin Kirkman (2009), William Banks (2010) and Samuel Maxted (2013), who have gone on to perform for various companies in Europe, while Ashley McLellan (2011) and Joseph Simons (2009) have had successful Australian dance careers, transitioning into the contemporary dance realm.

The Young Artist Programme was collectively supported by a significant number of 2015 WAB

Black and White Ball guests. This has made it possible for WAB to offer an additional two scholarships, making 2016 our largest cohort of Young Artists to date.

Already we have witnessed the growth of these dancers, many of whom joined the main company on stage during Five by Night: Ballet at the Quarry. With such a strong start to the year we can be sure the 2016 Young Artists will be the next wave of dancers to look out for.

PENNY DOLLING

Already we have witnessed the growth of these dancers...

“”Photograph by deborah robertson

left to right: Vida Polakov, Ben obst, Heather maclachlan, Tristan Gross, Courtney radford, nikki Blain, Ari Thompson and lola Howard. Photograph by Francis Andrijich.

A c t i n g M a r k e t i n g M a n a g e r

D e v e l o p m e n t & E v e n t s O f f i c e r

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Recently West Australian Ballet was visited by the very gracious and personable former Principal Ballerina of The Australian Ballet, Madeleine Eastoe. Madeleine’s trip to Perth was short, but filled with activities shedding light on her career, her training and her aspirations for the future.

Madeleine shared her approach to ballet technique and performance in a ‘Learn From The Masters' workshop for some of Perth’s elite young dancers. This was followed by an insightful, moving and at times very funny, Monday Vernissage interview with her long-time friend and WAB Demi-Soloist, Christopher Hill. She talked thoughtfully and with great insight about her journey in life so far - from her hopes as a small girl to be a dancer, to becoming the star of her dreams and now to the process of ‘retirement’- letting go of her career as a dancer and planning this next phase of her life.

As many may know, Madeleine’s pathway to ballet super-stardom began here in Perth, her mother being a ballet teacher at a number of Perth’s well established dance schools.

Madeleine’s friendly and open nature was refreshingly grounded coming from one who had such an outstanding performance career working with artists such as Maina Gielgud and David McAllister AM. From students with stars in their eyes, to those reeling with laughter at her candid stories of ballet life, this pint-sized prima ballerina sure made an impression. If ever she were to return I’m sure she would be welcomed with open arms, and not just from her adoring mum.

“This is a wonderful opportunity you have provided for women and children, who would rarely have the chance to experience the wonder of ballet.”

WAB takes great pride in assisting those in need through our community access programmes. We strongly believe in the power of ballet to transform, enlighten and inspire, and that everyone in our community should be able to access that experience.

These gorgeous images are from our Cinderella rehersals where young aspiring dancers were lucky enough to perform with the company at His Majesty’s Theatre - for most, their first time on a professional stage, working with professional dancers - providing experiences and memories to last a lifetime!

E D U C A T I O N & A C C E S S W R A P

n Wednesday 25 November, in honour of the International Day for the Elimination of

Violence Against Women, or White Ribbon Day, West Australian Ballet invited a number of community groups working in this area to attend a special matinee performance of Cinderella.

Clients, staff and volunteers from seven organisations attended the performance at His Majesty’s Theatre including Women’s Council, Women’s Health and Family Services – Domestic Violence Advocacy Service, Anglicare WA, RUAH,

The Esther Foundation and Relationships Australia.

The responses from guests were full of appreciation for the art form and the opportunity to take time out from their everyday lives to enjoy a magical afternoon at the theatre, the benefit of which cannot be understated.

“It gave us great pleasure to distribute the tickets to the refuges for the women and children escaping domestic and family violence” says Angela Hartwig, CEO of Women’s Council.

The responses from guests were full of appreciation for the art form...

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B A L L E T O P E N I N G D O O R S F O R T H E D I S A D VA N TA G E D

M A D E L E I N E E A S T O EL E S S O N S F R O M A B A L L E T M A S T E R

Florence leroux-Coléno by Tony Currie

Florence leroux-Coléno by Tony Currie Christopher Hill and madeleine eastoe by Tony Currie

DEBORAH ROBERTSONE d u c a t i o n & A c c e s s M a n a g e r

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. . .PerFormed WITH WIT T Y PAnACHe

- The Australian

” THAnK You For BrInGInG SuCH Be AuT Y And VIBr AnCY To our ToWn

- Patron (rosalyn e. Scott)

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” - ArtsHub

” - out in Perth

F I V E B Y N I G H T :

B A L L E T

A T T H E

Q U A R R Y

Sandy delasalle & matthew lehmann André Santos, Carina roberts & Chihiro nomura Page 12/13: Photography by Sergey Pevnev

left to right: Christopher Hill, nikki Blain, oliver edwardson, Andrew radak, Florence leroux-Coléno & Alessio Scognamiglio

Pepito & Brooke Widdison-Jacobs

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S P O T L I G H T

lessio Scognamiglio’s passion for dancing runs through

his family. As a young boy, his mother used to take him to her ballroom and social dance classes and at six years of age Alessio entered his first dance school.

After a couple of years learning ballroom dancing, he saw a ballet school perform near a movie theatre in his home town of Naples, Italy. He immediately asked his mother if he could join the school and after a mutual agreement between him, his mum and his ballroom teacher, he soon exchanged his ballroom shoes for ballet flats.

Since then Alessio has had the opportunity to train under many different dance tutors but he holds a very special place for his first dance teacher Rosalba Cesare and Naples Academy director Luca Masala for always showing him support, always pushing, and always keeping him motivated to be nothing less than his best.

‘Ale’, or even ‘Sesso’ are some of the pet names given to him by members of the company who, like me, take great joy in spending time with this huge ball of personality. He is always making people laugh and is a very caring and all-round happy guy.

But don’t make the mistake of taking him out for dinner where anything remotely close to authentic Italian cuisine is on the menu because it will never be as good as his mother’s.

That said, Alessio spends some of his most enjoyable hours in the kitchen, and is actually quite a talented cook. I can testify to that!

Not only is Ale an extremely talented dancer (and cook), he is an intelligent young man who speaks five languages and is, at heart, a family man. He jumps at every chance he gets to fly back to Naples to spend time with his friends, brothers and parents who have only just visited Perth for the first time. He admits, “All I do in Italy is see my friends, family and EAT”.

This humble Italian fire ball joined the company at just 18 years of age and has turned heads ever since. Now 21 years old and a Demi-Soloist in our ranks he has had the chance to perform many different roles and ballets. Steptext, by renowned choreographer William Forsythe is definitely one of his favourites. The movement and strength this embodies gives him the rush of excitement needed to push through this extremely difficult piece. Playing the Prince in both Snow White and the 7 Dwarfs and Cinderella was also a highlight, but Alessio is only at the beginning of what I believe will be an amazing career. Keep your eye on him out there, he will be delivering greatness. Just wait and see.

O N A L E S S I O S C O G N A M I G L I O

AWRITTEN BY WAB SOLOIST ANDRÉ SANTOS

Alessio Scognamiglio and Florence leroux-Coléno

Photograph by Sergey Pevnev

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WAB welcomes

Soloist Gakuro Matsuri

and Corps de Ballet

Chihiro Nomura

to our ranks.

Photograph by

Francis Andrijich

F R O M T H E G R E E N R O O M

fter nine years at the helm of West Australian Ballet, we

celebrated and farewelled Chief Executive Steven Roth as he embarked on a new adventure to the United Kingdom as Executive Director of Scottish Ballet. We also farewelled Board Directors Carolyn Kidd (as she returns to her home country New Zealand), and Heather Zampatti, whom we congratulate her on her recent appointment as Chair of Lotterywest.

Principal Dancer Sergey Pevnev has retired from the stage to head his own ballet school, Pevnev Ballet Academy.

Demi-Soloist Yusuke Hikichi has also returned to his home in Japan. Corps de Ballet member Victoria Maughan has retired to focus full-time on her business, while Corps de Ballet member Chloe Einicke has left to pursue a career in Europe. We congratulate Jessica Allison-Walker and Genevieve O’Keeffe on the completion of their Young Artists Scholarships. We wish them well as they pursue their careers in the eastern states and overseas respectively.

We also farewelled Technical Director Barry Hudson, Production Coordinator Eugene Hallen and

Production Stage Manager Louise Wardle who moved to Macau for a wonderful new stage management opportunity. Acting Marketing Manager Cassandra Kirkpatrick (née Williamson) has left us as she moves to the US with her new husband, while Education Officer Rebecca Sneddon has left to pursue opportunities in Europe.

We wish all our friends and colleagues well in their future endeavours.

We were delighted to see that Ivan King OAM, currently Archivist for the Museum of Performing Arts at His Majesty’s Theatre, was recognised with an Order of Australia Medal for his extraordinary services over many years to the performing arts

as a historian and archivist. Ivan is a legend on the Perth Theatre scene, appearing in plays and musicals throughout Australia and New Zealand before spending two years working in the regional theatres of Great Britain. He returned to his

home town in the 70s to continue a stage career that embraced acting, writing and directing in Perth’s major theatres and theatre-restaurants. We offer Ivan our heartfelt congratulations from all at WAB.

In the interim, we welcome Jan Stewart PSM as our Acting Chief Executive and take this opportunity to congratulate her on her recent award of an Honorary Degree of Doctor of Letters from the University of Western Australia for her outstanding contribution to the community and the arts throughout the years.

We also welcome Sandy Anghie and Margit Mansfield as our two newest Board Directors. Congratulations to Alessio Scognamiglio and Reika Sato on their promotions to Demi-Soloist,

and we welcome Soloist Gakuro Matsuri and Corps de Ballet Chihiro Nomura to our ranks.

We congratulate former Young Artists Ashleigh Bennett, Jesse Holmes and Carina Roberts on their promotions to Corps de Ballet. Welcome to new Young Artists Nikki Blain (supported by Wesfarmers Arts), Tristian Gross and Heather Maclachlan (supported by patrons of the 2015 Black & White Ball), Lola Howard and Courtney Radford (supported by Simon Lee Foundation) and Ari Thompson (supported by Patricia Gates).

We welcome a number of new members to various sections of our administrative and production teams - Ashley Cole as Technical Director, Neil Webster as Production Coordinator, Katy Malacari as Production Stage Manager, Suzanne Beecroft to the role of Acting Marketing Manager, and Penny Dolling as Development and Events Coordinator. Congratulations go to Leanne Beer on her promotion to Partnerships Executive. We also have two new Wardrobe Assistants, Louise Inman and Erin Minervini.

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B U I L D I N G T H E N U T C R A C K E R

I mainly worked with Charles on the costume designs. We looked at each of their sketches, and talked about various points, such as what fabric would be used for each part of the costume, and how each costume might be made – the construction methods. There are many ways that a costume can be put together, so it is important that we agreed on how that would occur.

We had a great trip, and had lots of fun whilst also achieving a huge amount of work. While Phil was mainly working on the set design, Charles and I spent long days searching for material and collecting samples. Melbourne has a great range of wholesalers, and this was a fantastic trip not just for The Nutcracker, but for other WAB productions where we might need to make or update existing costumes. By the end of the week we had actually bought and ordered a number of fabrics that we were happy with.

I had already put together a bunch of fabric samples before Charles arrived, and he also brought some samples from England. We went through the samples and how they might work for each costume and also considered the cost of each fabric, especially for those sourced internationally. We spent one afternoon shopping in Perth and sourced some of the fabrics locally, which was great to be able to do.

A toile is a test-garment, which we make from calico. We make a toile for every costume, which enables us to construct each costume on a test-basis and to demonstrate the method that will be used. From the toile we can then look at the lines and shapes that are created, the fullness of skirts and the overall look of each costume. Ideally we will have some idea of which dancer a toile might be made for (so we can get the sizing as correct as possible), however, that is often not possible.

We have been busy starting the Flower costumes, which have taken a huge amount of time. It takes approximately 50 hours to make a complete costume, so the wardrobe team have been hard at work with layers of tulle, in varying shades of pink!

Yes! This year we have another full time wardrobe assistant in our team, and we will also employ a number of casual wardrobe staff throughout the year including a milliner and a tailor. There are so many costumes to make, and each requires such detail. That being said, Charles and Phil have fabulous designs for us, and we are really excited to be working with such creative talent.

If you would like to be a part of The Nutcracker journey, please visit our website and click on Support/Individual Giving, or contact our Philanthropy team on 08 9214 0703.

W H AT D I D Y O U W O R K O N W I T H C H A R L E S A N D P H I L?

I U N D E R S TA N D Y O U W E N T T O M E L B O U R N E , H O W D I D T H AT G O ?

H O W D I D Y O U S E L E C T T H E F A B R I C S ?

W H AT I S A T O I L E ?

H AV E Y O U M A D E A N Y C O S T U M E S Y E T ?

W I L L Y O U N E E D E X T R A H E L P ?

CATHERINE HENWOODP h i l a n t h r o p y M a n a g e r

ballet that embodies the spirit of Christmas will

be reborn this year, with a sparkling new version of The Nutcracker. To achieve his vision for this special project, Artistic Director Aurélien Scannella has engaged UK-based design partners Charles Cusick Smith and Phil R Daniels, who have created ballet and theatre productions for leading companies around the world. These two amazingly creative men have already visited Perth for planning meetings with WAB’s Production Team in preparation for the building of new sets and costumes. We spoke with Lyndell Darch, Head of Wardrobe about their recent visit to Australia.

ADid you know that it takes 50 hours to make a tutu?

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The Nutcracker Campione are a unique circle of philanthropists who are helping to create sparkling costumes and majestic scenery that will breathe new life into this cherished fairy-tale. By joining this group of foundation investors, your name will forever be associated with West Australian Ballet’s signature Nutcracker ballet.

P A T R O N I N P R O F I L E

reg and Vivienne were first introduced to West Australian Ballet almost

six years ago through the invitation of a close friend of Vivienne’s. At that time the company was based at His Majesty’s Theatre.

Having studied ballet as a young girl, Vivienne often comments on how impressed she is with the wide variety of repertoire in West Australian Ballet’s programming; from the gorgeous costumes in classic productions such as La Sylphide and Giselle, to the raw and dynamic talent on show at Genesis. Both Greg and Vivienne agree West Australian Ballet has taken them on an inspirational journey during the years they have been involved.

As philanthropists over many years, Greg and Vivienne have enjoyed the opportunity to support the company and watch its growth. Greg has been particularly impressed with the management and the calibre of the Board. This strong leadership and talent has inspired him as an “investor”, and he speaks with pride about the development of the company, from the move to our home in Maylands to expanded performance seasons and number of dancers.

When meeting with Greg and Vivienne, one is struck by their enormous sense of civic responsibility as they speak about their love of Perth, their desire for balance within the community, and the wonderful way in which the city has grown over time.

Both are incredibly busy people, Greg as a commercial developer with Windsor Knight, and Vivienne with the Department of Planning.

One might think that they are on opposite sides of a team, however their partnership is cemented not only in their love of this city, but in other unexpected areas such as their farm, the veggie garden and of course ballet. Both cherish their time at the farm, where they not only grow their own fruit and vegetables, but also have a herd of geese that have become a part of their extended family!

In the early mornings when many of us are still slumbering, Greg can be found out on the quiet roads. An avid cycler, he enjoys all angles of this sport from the hard climbs and long distances to the more social side.

Vivienne also enjoys the social elements of being involved with the ballet - as a member of the Special Events Committee and the former Friends of West Australian Ballet, she has greatly valued being a part of the “ballet family” and spending time with new-found friends.

Greg and Vivienne are lead members of the Nutcracker Campione team that are helping to bring The Nutcracker to reality in November 2016. We thank them for their fabulous support of this production, and of West Australian Ballet.

G R E G P E A R C E & V I V I E N N E P A N I Z Z A

CATHERINE HENWOOD

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P h i l a n t h r o p y M a n a g e rPhotograph by Tony Currie

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A N N U A L G I V I N G

S C E N E & B E S E E N

Patron, Private Giving

Mrs Alexandra Burt

Major Benefactors

Bendat Family Foundation

Angela Bennett

Minderoo Foundation

Michael J.M. Wright

Bravura Circle

$10,000+

Tim Bult & Lisa Church

Alex & Julian Burt

Marilyn Burton

Gena Culley

The Feilman Foundation

Wright Burt Foundation

Charles & Patricia Galluccio

Ann & Robert Edwardes

Eve Howell

Kennerlys

Jane & Jock Morrison

Rella Consultants

Dorothy & Allan Smith

David Wallace & Jamelia Gubgub

Wesfarmers Arts

Windsor Knight Pty Ltd

Mary Ann Wright

Anonymous (1)

Director’s Circle

$5,000+

Susy Bogle

Vaughan & Libby Burt

Bux Family Foundation

John & Gay Cruickshank

Roger & Christine Davies

Patricia Gates

Rob & Sue Gillett

The Robert Kimpton Family

John Langoulant AO

Kay Lee & Richard Murphy

Marylyn New

Peggy & Mladen Ninkov

Mark & Ingrid Puzey

David & Rosalind Smith

Smith-Gander Family

The Stan Perron Charitable Trust

Richard Tarala & Lyn Beazley AO

Beth Townsend

Simon & Alison Turner

Fay & Peter White

Anonymous (1)

Choreographers’ Circle

$2,000+

Sandy & Michael Anghie

Terry & Elizabeth Allen

Helen Ansell

Neil Archibald & Alan R. Dodge AM

Tony & Diana Beck

Tony & Mary Beeley

Sally Burton

Ian & Rosana Cochrane

Rachelle Doyle

Gill Holly

Dr Keith Holt

Jim & Freda Irenic

Kevin Jackson

Paul Jones & Clair Medhurst

Lance Kerr

Pamela-Jayne & Anthony Kinder

Rosalind Lilley

Dennis & Margaretha

Maltz and Mary Cheng

Margit Mansfield

Greg & Cathy Meyerowitz

Dr Andrew Miles & Ms Carleen Gaby

Paul Naughton

Sharon Smedley

Clair & John Stanley

Jan & Alan Stewart

Robyn Tamke

Lawrie Tremaine

M & H Tuite

Juerg & Elisabeth Weber

Olive Wheeler-Brennan

Jim & Gill Williams

Anonymous (1)

Leading Artists’ Circle

$1,000+

Robert Aitken

Monique Atlas & Kim Hawkins

Allan Barbarich

Matthew J.C. Blampey

Peter & Stella Blaxell

Christine & Kevin Cass-Ryall

Helen Cook

Lesley & Peter Davies

Michael & Wendy Davis

Mark & Yvette Dawson

Mario D’Orazio

Adam Durell

Bev East

Lorraine Ellard

Mr Carl Freedman & Mr Robert Cappellin

Kay Giorgetta

Rod Gonzales

Scott Griffin

CJ Halvorson

Dorothea Hansen-Knarhoi

Lyn & Andrew Harding

Warwick Hemsley

Helen Hollingshead

Nicky & Laurence Iffla

Gillian & Stewart Johnson

Dr Robin Kirk & Sarah Gallinagh

Stephanie & John Kobelke

Jacqui & Peter Macliver

C & J Martin

The Hon. Sheila McHale

Dr Ken Michael AC

Tony & Gillian Milne

Lynn Murray

Callum Neil

Leanne O'Malley

Linda Panizza

Rosemary Pratt

Debra Reinecke & Stuart Le May

H.E the Hon. Kerry Sanderson AO

Satterley Property Group Pty Ltd

Glenice Shephard

Joy & John Shepherd

Dr Peter Simpson OAM

Ian & Helen Smith OAM

Kate Sommerville

Penelope Thompson Design

Rodney & Penelope Thompson

Rosemary & Neil Tomkinson

Alexandra Welch

Heather Zampatti

Anonymous (4)

Artists’ Circle $500+

Bradley Andrews

Peggy Barker

Shirley Barraclough

B. Barrett-Lennard

John Barrington

Robert Branchi

Rachel Breidahl

C & K Brownlie

Marie Leah Cicchini

Carol Conley

Kim & Valerie Cottrell

Victoria Cousins

J. Fairweather

Tracey Feakes

Martyn Flahive

Friends of the Gallery

Friends of His Majesty's Theatre

Barry & Frieda Gibson

Pippa Green

Deidre Greenfeld

Ken & Jane Hammond

Karen Heagney

Catherine & Will Henwood

Peter Hodge

H.K.M.

Nicholas Kailis

Lauren Kemp

Carolyn Kidd

Francis Landels

Megan Lowe

Reinhardt Matisons

Gaye & John McMath

Dr Karen McQuillan

In Loving Memory of

Anna Mercer

Susan Merritt

Gregory Mogan

Preben & Amy Nielsen

Pamela Platt

Steven Roth

Jayne & Jon Smeulders

Dr Louise Smyth

Denise Stransky

Helyn Verry-Baker

Siobhan Vincent & Associates

M. Wallace

Diana Warnock AM

Joy Wearne

Margaret Whitter

Janet Williams

Karen Wilson

Anonymous (9)

Friends Circle $75+

171 Supporters

Kira Bousloff Bequest Circle

West Australian Ballet recognises those who have chosen to support the future of ballet through our planned giving programme.

In memory of Colleen Clifford & Terry Ashton-Wood

Ella Fry Bequest

Andrew & Del McGuiness

David & Rosalind Smith

The Estate of Clive Wannell

Olive Wheeler-Brennan

Freddi Wilkinson

Anonymous (4)

West Australian Ballet gratefully acknowledges the generous support of our donors, who play a vital role in bringing exceptional performances to our Western Australian communities.

In recognition of gifts received between 1 March 2015 and 29 February 2016

All photographs by Tony CurrieThe Houston Family at the opening night of Cinderella

Friends & supporters at The Summer Soirée

Sandy delasalle-Scannella, matthew lehmann, Brooke Widdison-Jacobs, michael Collins, Jayne Smeulders & Aurélien Scannella at the opening night of Cinderella

Ian Kortlang, Claire montgomery & Patricia Gates

Steven roth, Alex & Julian Burt at the opening night of Five by Night: Ballet at the Quarry

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West Australian Ballet Centre

134 Whatley Crescent, Maylands WA 6051 PO Box 604, Maylands WA 6931

T (08) 9214 0707 F (08) 9481 0710 info@waballet.com.au

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