Principles of Graphic Design

Shape/ Container RelationshipThe size and visual weight of a design element can help

convey the meaning of your message. Packaging is important Most people are affected by the shape of the container

(page or monitor holding the visual element). Fold a page vertically- it is perceived to be elegant, slim

and pricy Fold the page horizontally- is perceived squat and cheap

Items position on a page also conveys unconscious messages

Graphic designers are often asked to rework product into different containers.

This principle will be evident because the physical shape of the design adds value or meaning

Ex. A heart shaped Valentine’s Day Card. A design that uses a unique shape instead of the standard square

or rectangle.

Balance

Balance refers to the arrangement of shapes, illustrations and text on

a page.The idea is to arrange elements within a layout so they

create a harmonious composition. 3 types:

Formal BalanceThe placement of visual effects with

equal distribution of visual weight on the left and right side of the imaginary center vertical axis.

Left and right side are mirror images

Used to give appearance of solidity, tradition,reliability and other dependable ideals

Formal BalanceExample 1:

Example 2:

Informal (Asymmetrical)Balance More common than Formal Balance Does not rely on centered effect Left and right sides of page do not

need to mirror each other Elements counterbalance each other Gives appearance of modern,

trendy, energetic, free-spirited, fresh, casual and smart

Examples of Informal Balance

Example 1:

Example 2:

Radial Balance Variation on formal

balance Arrangement of visual

elements around a central point

Promotes concept of equal partnership, teamwork and unity

Least used Think of spokes of a

wheel

BALANCE

BALANCE- Rule of Thirds Most designs can be made more

interesting by visually dividing the page into thirds vertically and/or horizontally and placing the most important elements within those thirds.

In photographic composition this is often achieved by dividing the page into thirds both vertically and horizontally and placing your most important elements at one or more of the four intersections of those lines

WHAT???

Examples

BALANCE-Visual Center Placing important elements or the

focal point of the design within the visual center is another design trick.

The visual center is slightly to the right of and above the actual center of a page.

Balance- Visual Center

Grids and Balance Constructing the underlying structure of

a piece is complicated, but essential for most designs.

Most balanced designs (and even unbalanced ones) rely on a grid. Grid- invisible structure (visible while

working in page layout program) helps ensure that all elements are placed in the right location to achieve balance as well as to help with continuity and consistency of design.

Grids

White Space This principle is similar to

Negative/Positive space It differs in that it focuses on creating

white space, or on the absence of text and graphics.

It breaks up text and graphics. It provides visual breathing room for the

eye. Add white space to make a page less

cramped, confusing, or overwhelming.

See what I mean?

Z Pattern People generally move across a printed

page from left to right Eye starts at the upper-left corner, travels

across to the top-right corner, moves diagonally to the lower-left corner and then moves across again to finish at the bottom lower-right corner.

Creates visual interest Should have some heavy element at the

bottom right of layout to stop viewer’s eye

“Z” Pattern

Rhythm Visual Rhythm helps to set the tone, pace

and progression from start to finish Repeating the shape, size and value of

elements in a layout can set the mood for a piece and reinforces the overall tone

People look at larger elements first Larger elements have a slower rhythm Smaller elements have a faster rhythm People look at darker elements before

lighter ones People look at unusual shapes before

conventional ones

Rhythm Example

Contrast Contrast occurs when two elements are

different. The greater the difference the greater

the contrast. The key to working with contrast is to

make sure the differences are obvious. Four common methods of creating

contrast are by using differences in size, color, and type.

Contrast Example

Alignment Alignment is the placement of text and

graphics so they line up on the page. Use alignment to: create order organize page elements group items create visual connections

Types Horizontal Vertical Edge- aligns along top,bottom,left or right edges Center Visual or Optical- may not be precisely aligned

but appear aligned to the eye

Alignment Example

Proximity/ Unity The law of proximity states that objects near

each other tend to be seen as a unit. It is important to keep this law in mind when

designing print and web based materials. One should always focus on how the intended

audience will interpret the graphics you use. This is especially important in cases when an

image plays a vital role in the ability to interpret the message behind it.

Usually, designs that depict proximity have borders or other elements that make all the separate elements of a design appear as one.

Proximity/Unity

Principles ListMake sure that you find examples of each of the following

principles. Shape Container/Relationship Formal Balance Informal balance Radial Rule of Thirds Visual Center Grids White Space Rhythm Contrast Alignment Proximity/Unity