ramsay cornish auctioneers & valuers
TRANSCRIPT
Ramsay Cornish Auctioneers & Valuers
The Decorative House: Antiques & Interiors Auction
Antique & Decorators auction
Started 31 Oct 2020 11:00 GMT
15-17 Jane Street
Edinburgh
Scotland
EH6 5HE
United Kingdom
Lot Description
1
A Chinese portiere or door hanging, c. 1900, worked in polychrome silk and gilt threads on cotton and felt, the top panel decorated with
phoenix and blossom against a red ground within a border of scrolls and flowers against a blue ground, the shaped pelmet worked with
mask, dragons, precious object ...[more]
2A Chinese pottery figure of a sage, modelled standing holding a peach, in a glaze of Sancai type, mounted on a wooden base as a table
lamp. Height excluding fitting 30cm
3A Chinese soapstone carving of an Immortal, portrayed with scroll and pen, on an integral rock-work base; together with a smaller green
hardstone figure, depicted in scrolling robes, a sword at his side, on an integral rock-work base (2). 27.5cm and 21.5cm
4A Chinese green-glazed roof or ridge tile, modelled as a mandarin duck, pierced with twin holes, probably a terminal element. 12.5cm by
16cm
5A Chinese porcelain Imari bowl, fluted, decorated with radiating vertical bands of flowerheads to the well and exterior amidst flowering
boughs, double ring mark to base (broken and re-glued). Diameter 22.5cm
6A Chinese porcelain flask form vase, possibly Republic period, the heavily potted body painted with fruiting and flowering peach
branches, underglaze blue powder flask mark to the base. Height 31cm
7A Chinese porcelain bowl, possibly Republic period, painted to the exterior with lotus and blossoming boughs, the well with peaches,
with iron red calligraphic mark. Diameter 19.25cm
8A group of Chinese jade and hardstone carvings comprising: a pomegranate with spinach jade leaves; a bunch of grapes; and a potted
ornamental fruiting tree. (3) 9.5cm, 7.5cm and 12.5cm
9A Japanese bronze group of an elephant being attacked by two tigers, Meiji period, c. 1900, the elephant with upraised trunk, mounted
with ivory tusks, calligraphic signature to the underside. Height 22cm, length 31cm
10
A pair of Japanese Satsuma pottery vases, Meiji period, c. 1900, of twin-handled baluster form, 3each painted with panels of courtly
ladies in a garden against a blue ground gilt-decorated with flowers and foliage, with zoomorphic handles and each with red and gilt seal
mark to base, on hardwood sta ...[more]
11
A Japanese Satsuma pottery pot pourri, Meiji period, c. 1900, of cylindrical form, painted with panels of a mother and children in a
blossom-filled garden, against a blue ground gilt-decorated with flowers and foliage, with elephant head handles and domed pierced
cover, red and gilt seal mark to bas ...[more]
12A Japanese Ginbari cloisonne enamel and embossed foil vase, early 20th century, of shouldered baluster form, monochrome decorated
in cherry red with a dragon and lily pads against a stippled ground, the base rim stamped "Made in Japan". Height 25cm
13
A large gilt-bronze and cloisonne enamel figure of Amitayus (Amitabha) Buddha, 20th century, probably Tibetan, modelled seated on a
throne framed by a leaf-shaped mandorla and carrying a vase with the elixir of life, elaborately enamelled with polychrome flowers and
foliage against a turquoise groun ...[more]
14
A group of 18th/19th century Chinese "cargo" wares comprising: a Nanking Cargo tea bowl and saucer, painted with pine trees,
Christie's lot labels (rim chips to saucer); and a Tek Sing Cargo "rabbit" bowl, the broad rim with cartouches and trellis work, a pickle
dish and a floral-painted dish, each ...[more]
15 A pair of Chinese cloisonne flask or bottle vases, c. 1900, each decorated with a dragon against a pale blue ground. Height 30cm
16
A set of three Chinese porcelain tea bowls and saucers, the bowls polychrome painted with figural and floral panels and highlighted with
gilding, the saucers with a figure group beside a pavilion within a border of floral reserves, each with underglaze blue six character mark
of Kangxi type. Saucers ...[more]
17
A pair of striking Kutani porcelain vases, Meiji period, c. 1900, each of baluster form with elephant handles, each finely painted in
enamels with a golden pheasant in a blossoming lakeside landscape with chrysanthemums and lotus within gilt and red bands, each
with red calligraphic lotus-shaped mar ...[more]
18A pair of large Satsuma vases, Meiji period, c. 1900, each of baluster form, lavishly decorated in gilt and polychrome enamels with
cartouches enclosing deities, courtly figures and flowers, all against a mid-blue ground, unmarked. 40cm
19A pair of Chinese brass models of standing peacocks, each with wings outstretched, mounted on a stepped ebonised wooden circular
base (each formerly with tail feathers). Height overall 23cm
20A large Japanese bronze crane candlestick, the bird holding a water lily sprig with candle holder and modelled standing on a lily pad
applied with turtle and frog. Height 52cm
21A Chinese patinated bronze vase, of Gu shape, with baluster body, applied with the figure of a peasant working his crop opposed by a
lion dog, chased with decorative shaped panels, on a circular waisted foot. Height 19.5cm
22A Chinese bronze censer, of circular bellied form, the cover mounted with a kylin finial, the body with upscrolled tri-form handles, the
body engraved with decorative panels, on mask and paw feet. Height 22cm
23A Chinese biscuit model of a recumbent Buddhist lion dog, the vessel with cover modelled as it's pup, glazed in green, yellow and
turquoise, unmarked (a/f). Length 17cm
24 A large Wemyss pottery Eva vase painted with pink cabbage roses, painted mark "Wemyss" (small rim chip to foot). 29.5cm
25An early 19th century Staffordshire pearlware chestnut basket, of shaped rectangular form, with reticulated sides, the base printed with
a Willow pattern. Width across handles 24.5cm
26A Coalport Indian Tree pattern cabaret service for our, c. 1880, the teapot, covered cream and sucrier in Oriental style, with scalloped
cups and on a twin-handled tray, blue printed mark. Tray width across handles 45cm
27
Manner of E.A. Taylor (1874-1951), two Glasgow style stained and leaded glass panels, c. 1900/1910, the first modelled with the figure
of a Dutch girl within a border of stylised roses and leaves, the second with similar stylised roses and leaves and Art Nouveau form
leading. (2) 77cm by 66cm and 79 ...[more]
28A pair of 19th century porcelain figures of a boy and girl, in 18th century style, she a shepherdess, a lamb in her arms, he with a rat on
his left hand, a cage by his left, each with red Derby style mark (losses). 17.5cm
29A blue and white faience tazza, 18th century, possibly Rouen, the circular dish painted to the centre with a vase of flowers and fruit
within a border of flowers, foliage and c-scrolls, on a domed circular foot. 6cm by 27.5cm
30A 1950's novelty table lamp, modelled as a tropical fish amidst coral, in a yellow crackle glaze, mounted on an ebonised wooden plinth.
Overall excluding fitting 28.5cm by 27cm
31 An 18th century glass tazza, the circular dish with broad folded rim on a baluster stem and circular slightly domed foot. 12cm by 31cm
32 A large 19th century amethyst glass pharmacy bottle, with red-lined gilt label "Tr:Cinch.Co", lacking stopper. 32cm
33 A large silver mercury glass "Witch's" ball. Diameter c. 30cm
34A group of late 19th century clear glass pharmacy jars each with red and gilt label, twelve of larger size together with a pair of smaller
jars. Tallest 23cm
35
A group of three stoneware teapots, c. 1800, two in feldspathic white of shaped octagonal form, possibly Castleford, each moulded in
relief with panels including one with Britannia and a Muse beside an obelisk bearing the legend "HOWE" and "NELSON" opposed by
another depicting trophies of war and in ...[more]
36A pair of Staffordshire pearlware figures, c. 1810, Elijah and the Widow (of Zarepath), each modelled seated on a named base (multiple
losses). 26.5cm and 25cm
37A Staffordshire pearlware figure of Diana, early 19th century, modelled standing, her left handing removing an arrow from her quiver, on
a square base (a/f). 30cm
38A Murano glass Carnival figure, c. 1950's/60's, modelled as a lady in tricorn hat, in clear and black glass with gold aventurine inclusions,
on a domed base. 31cm
39A Chelsea leaf dish, c. 1755-60, with puce veining and green enamelled rim, painted to the well with butterflies and a caterpillar, red
anchor mark (a/f). 28cm
40
A Chamberlain's Worcester armorial cup and saucer, c. 1815/20, Baden shape, the coat of arms with stag and mounted female warrior,
gilt Greek Key borders, unmarked (stapled repairs to the saucer); together with a Derby cup and saucer with Mansfield (Billingsley)
decorated mark to the base, the cup f ...[more]
41
A 19th century Staffordshire political reform mug, transfer printed with "The real Cabinet of Friendship" opposed by "Every one helped
his Neighbour" (a/f); together with a pottery jug, probably Don, of baluster form, printed and painted with birds, a butterfly and floral
sprays, printed "Genuine Op ...[more]
42
A Delft plate, third quarter 18th century, possibly Dublin or Delftfield, painted to the well with a bird in flight by bamboo and a fence;
together with a Chinese blue and white porcelain plate, 18th century, of similar design (Chinese plate broken and re-glued) (2) 22cm
and 22.75cm
43
A Pratt Ware "Fox and Goose" jug, c. 1790, moulded and polychrome painted with a scene from the traditional folk song, "Then old
mother Slipper Slopper jump'd out of bed / And out of the window she popt her head / Crying, " Oh ! John, John ! the grey goose is dead
/ And the fox is over the down, oh! ...[more]
44
A creamware bowl, possibly Scottish, early 19th century, painted to the well, rim and exterior with bluebells (hairline cracks); together
with a Scottish transfer-printed jug, Annfield, third quarter 19th century, decorated with exotic birds in the Thionville pattern, printed mark
to base. (2) First ...[more]
45 A Victorian half-pint glass tumbler acid etched "Mary Ann Charlton / 1887" and with a fern verso. 11.75cm
46
A Newhall porcelain coffee pot, c. 1790, of baluster form, painted with floral sprigs in pattern no. 171, Height 25cm. Provenance: ex
Phillips, lot 325, sale no. 30807, 15th September 1999, with Roger Pomfret Collection label and Witherick Collection label; together with
a pearlware blue and white ...[more]
47A rare West Pans porcelain coffee pot, c. 1765-75, of pear shape, lobed, painted in "Littler's" blue with white-glazed panels, the domed
cover lacking it's knop (repaired, cracked). 19cm
48A Longton Hall porcelain "Strawberry Leaf" plate, c. 1755-60, enamel painted to the well with floral sprays and a butterfly in the manner
of the "Trembly Rose Painter", within a rim moulded and painted with fruiting strawberry vine. Diameter 22.5cm
49
A Scottish pearlware commemorative plate, probably R&G Gordon, Prestonpans, moulded to the well with a named portrait bust of
Queen Caroline within a border of crowns, Prince of Wales feathers and national flowers, painted in pink/purple lustre and coloured
enamels, unmarked (hairline crack). Di ...[more]
50
A Minton bisque figure of Hannah More, c. 1835, modelled by George Cocker. 16.5cm Note: Hannah More (1745-1833) was a
prominent writer and philanthropist particularly remembered for her involvement in the anti-slavery movement of the late 18th/early 19th
century. As an abolitionist she moved in circ ...[more]
51
A Scottish pottery flask and cover, early 20th century, possibly Methven Pottery Fife, spherical with elongated neck, the domed cover
with pointed knop, the neck painted with sky blue bands, the body sponged with a floral and foliate band, unmarked. Height 32cm. Note:
Catherine Blair produced flasks ...[more]
52Catherine Blair for Mak' Merry Studio, a Scottish pottery bowl and cover, early 20th century, the cover with flattened knop, decorated
with fruit and flowers, signed "Mak Merry" in Catherine Blair's hand. 9cm by 13cm
53
Catherine Blair for Mak' Merry Studio, two Scottish pottery salts or mustards, early 20th century, each circular raised on a circular foot,
one painted with white flowers against a blue and purple ground, the other with garden flowers against a blue/green ground, each
signed Mak Merry in Catherine B ...[more]
54
A pair of German porcelain figural table lamps, probably Volkstedt, c. 1920, modelled as a lady and gentleman in 18th century costume,
she with a lace-trimmed dress, he in a bicorn hat, mounted on gilt-metal bases, before gilt-metal bocage stems with foliate candle cups,
underglaze blue factory mark ...[more]
55A large Bohemian blue flash glass scent bottle, late 19th century, with silver-plated hinged mount (damage to cover); together with an
amber flash glass scent of similar date. (2) 24cm and 15cm
56An Austrian pottery half figure of a girl, Ernst Wahliss Vienna, c. 1900, in the Art Nouveau taste, modelled holding floral sprigs on an
integral shaped gilt base, impressed, stamped and inscribed marks. Height 37cm
57
An Edwardian Aynsley dessert service, c. 1905-10, each piece centred by a gilt roundel, the rims with sprigs and swags of pink and
yellow roses within gilt-decorated cobalt blue borders, comprising twelve plates, a comport, a pair of fan-shaped serving dishes and a
pair of shaped square serving dish ...[more]
58A late 19th/early 20th century Dresden porcelain coffee pot, of hexagonal form, with bud-moulded handle, painted with puce floral
sprays and highlighted with gilt Rococo scrolls, gilt-painted factory mark. 19cm
59 A Royal Copenhagen porcelain group, the goatherd, no. 694, painted and printed marks. 23cm
60A Wemyss yellow iris pattern vase, c. 1900, Grosvenor shape, impressed mark "Wemyss Ware" and printed Thomas Goode retailer's
mark. Height 20cm
61
A Scottish pottery flask and cover, early 20th century, spherical with elongated neck, the domed cover with pointed knop, the neck
painted with a striped band, the body sponged with fruit and flowers, all against a mottled yellow ground, the base bearing the
monogram of Annie Cochrane Young and date ...[more]
62Paola Bologna for Lenci, the Madonna at prayer, modelled in a yellow dress with polka dot veil, painted marks, dated 12.11.(19)32,
impressed designer name. 21cm
63
A 19th century parian group, Ariadne and the Leopard, after a John Bell model, on an integral oval plinth, impressed numerals to the
base; together with a 19th century parian group of a girl in a feather-trimmed hat, her dog at her feet, on an integral oval plinth (2).
Heights 24cm and 29cm
64A pair of Minton parian figures of Pandora and Psyche, c. 1850-70, after designs by A. Carrier-Belleuse, the first opening a casket, the
second filling an oil lamp (damage to Psyche), each with impressed marks including "ermine" mark. 45cm
65A 19th century Bohemian gilt and enamel painted glass vase, of elongated baluster form, painted with an oval cartouche centred by a
bust of a girl in a diadem, against a leaf and scroll ground on clear glass. Height 40.5cm
66A 19th century parian figure of a standing cleric, in his right hand a scroll, his left resting upon a bible, signed John Bell, probably Minton,
incised marks to the base including possible date 12/47. Height 35cm
67An Appleton half-plate field camera with a Thornton Pickard shutter; together with an F18 brass lens; two Beck symmetrical lenses; an
E. Suter lens; and an unmarked F/8 lens; and a Koilos shutter for a large format camera, c. 1900
68 A Rolleiflex Standard K2 6x6 camera, cased.
69 A Gossen Starlite light meter, cased
70 A Metz 54 MZ-4i Standard flash gun; together with an Ohnar Zoom Reverser (2)
71
A group of lenses etc comprising: a Minolta MD 35mm 4/2.8; a Minolta MD75-200mm F/4.5; a Tamron 28-200mm F/3.8-5.6 Adaptall
Aspherical (71A) with a Minolta MD adapter ; a Jessop Auto Teleconverter MC (for Minolta MD); and a Minolta Auto 280px TTL
dedicated flash (a group)
72 A Leica sliding lens - Universal Magnifier 5 X (slide viewer)
73A Leica SF20 Flash (for R&M mount), with instruction booklet; together with a lens adapter marked Leitz Wetzlar Germany, in a Leica
case (2)
74 A Leica M7 0.72 body, boxed, with instructions, guarantee etc
75 A Leica 135mm F 3.4 Apo-Telyt lens in a soft carry case
76 A Leica 35mm F2 Summicron -M ASPH lens in silver finish, in soft carry case, boxed
77 A Leica 90mm F2 Summicron -M lens, in a soft carry case
78 A Leica 50mm F2 Summicron-M lens, in a soft carry case
79 A Leica Universal Polarisation filter and mounts, in a soft carry case
80 A Leica R6.2 camera body, with manual focus/exposure 35mm, with light meter, boxed
81 A Leica Extender-R 2x (lens extender), in a carry bag
82 A Leica 60mm Macro-Elmarit-R F 2.8 lens
83 A Leica 35-70mm Vario Elmar-R F4 Macro lens, in a soft carry case
84 A Leica 90mm F2 Summicron-R lens, in a soft carry case
85 A Leica 70-210mm F4 Vario-Elmar-R lens (lens hood dented) in a soft carry case
86 A Leica 35mm F2 Summicron-R lens, boxed
87 A Leica 180mm Elmarit-R F2.8 lens
88 A hickory shafted golf club, c. 1900, signed "D.M. Patrick, Special". Length 116cm
89
An Aesthetic movement copper ewer, third quarter 19th century, in the manner of Christopher Dresser, of spherical form with flared rim
and loop handle, finely engraved in the Chinese taste with bird and dragon. Height 18.5cm Note: in 1862 Dresser produced a similar
composition with a dragon in his " ...[more]
90Taxidermy: a pair of white barn owls (Tyto Alba), c. 1900, modelled perched on a tree stump in an ebonsied, gilt-highlighted glazed
case. Case overall 54cm by 60cm by 25cm
91
A group of Russian lacquer comprising: a snuff box decorated with a troika drawn by three horses, gilt Mctepa signature; a snuff box
decorated with a winter village scene, gilt signature and marks to the base; and a page turner decorated with a courting couple and wolf
hound. (3) First 2.5cm by 6.5c ...[more]
92 A 19th century gilt-metal mounted agate snuff box, oval, the mounts with engraved wavy bands. Width 6.5cm
93
Two 19th century papier mache snuff boxes: the first, circular, the cover decorated with a family in early 19th century dress, a dog at his
master's feet; the second, Continental, rectangular, the cover decorated with monks flirting with a tavern maid. (2) 8cm diameter and
8.75cm width
94 An Anglo-Indian ivory and sandalwood Sadeli ware card case, c. 1900, of characteristic form with geometric decoration. 9cm by 5.75cm
95A carved ivory notecase, c. 1900, the cover in relief with dragonflies and a floral spray, highlighted with gilding and with Rococo style
border, of book form opening to a pair of white metal sprung retainers and with white metal clasp. 12cm by 17.5cm
96 A 19th century ivory-mounted obelisk form treen desk thermometer, with stepped base. Height 16.5cm
97
A pair of late 19th century mother-of-pearl mounted painted porcelain opera glasses, probably French, decorated with courting children
in 18th century costume, mounted in white metal and with mother-of-pearl eye pieces (damage to porcelain on one barrel), unmarked.
Width 10.25cm
98A handsome boxwood-lined rosewood tea caddy, second quarter, 19th century, of bombe sarcophagus form, the interior with a pair of
fitted hinged covered compartments flanking a mixing well, with lion mask ring handles and raised on ball feet. 20cm by 33cm by 17.5cm
99
A 19th century Tunbridge Ware dome-top box, the hinged cover decorated with a spray of roses, the body with a floral and foliate band,
with paper-lined interior; together with a book-form treen box, the "cover" decorated with a pair of birds perched on a branch, the
"pages" with marbled decoration a ...[more]
100 An early 20th century tin advertising sign for "Gilbert Rae's High Class Aerated Waters, Dunfermline". 71cm by 50cm
101A double-sided painted wooden sign "Obscene Language / and Whistling / Strictly Prohibited" to each side, gilt letters on a black
ground. 61cm by 127cm
102 A carved and painted half block salmon (losses), with suspension loop. Length 55cm
103 A painted wooden novelty stationery rack, of two divisions, decorated with monkeys against a black ground. 18cm by 28cm by 9cm
104A 19th century bronze corkscrew, of Thomason type, with turned bone handle (lacking brush), the barrel applied with a Royal Coat of
Arms. Closed 19cm
105 A late 19th century iron and metal fish-form weather vane, with pointed sphere terminal. Length 42cm
106A French inlaid tortoiseshell necessaire, c. 1880, of shaped rectangular form, the cover inlaid in yellow metal (possibly gold) with an
elaborate cartouche, opening to a fitted interior with gilt-metal scissors, thistle, needle case etc. Length 10.5cm
107A pair of French gilt-metal and mother-of-pearl mounted telescopic opera glasses, with detachable handle, marked to the eyepieces with
retailer, J.H. Steward, London, in a leather and silk pouch. Length including handle 16cm
108 An Aboriginal war boomerang, carved to one side with a sinuous snake-like design. Length 74cm
109
A George V Grant of Arms, on a vellum scroll, with attached wax seal in a gilt-metal case, to Arthur Ebenezer Reid of Glasgow, 1912 by
the Lord Lyon King of Arms, in its gilt-tooled red morocco case; together with an associated George VI assignation of arms, on vellum
with with three attached wax se ...[more]
110 A World War I trench art artillery shell casing overlaid in copper with Islamic decoration and calligraphy. 36cm
111
Scottish banknotes: The Royal Bank of Scotland, One Guinea, dated 4th Nov. 1826 and stamped "Forged"; together with The British
Linen Company, One Pound, dated 2nd Nov. 1876, stamped "Forged", the first framed in card, the second stuck down on card. (2) First
12.5cm by 14.5cm
112 A Royal Mint 1995 gold proof Two Pounds coin, cased with certificate no. 1492.
113 A United Kingdom 2002 gold proof sovereign, cased with certificat no. 07062
114Hume, David, "Commentaries on the Law of Scotland....", published in two volumes, printed for Bell & Bradfute, Edinburgh 1797, 4vo, 2
volumes in contemporary calf.
115
•Katharine (Kate) Cameron R.S.W., R.E. (Scottish, 1874-1965), The Kingdom of Fife, etching, signed in pencil lower left, Calton Gallery
Edinburgh exhibition label verso, dated December 1983, framed. Plate 10cm by 22.5cm NOTE: this lot may be subject to Artist's Resale
Right
116
John Clerk of Eldin (Scottish, 1728-1812), "The hill of Arthur's Seat and Town of Edinburgh from Loch End", etching, monogrammed and
dated 1774 in the plate, framed. Plate 146mm by 380mm. Note: Clerk was a prominent Scottish Enlightenment amateur artist. He was
the brother-in-law of Robert Adam and ...[more]
117From Speculum Romanae Maginficentiae (The Mirror of Roman Magnificence), The Colum of Dilius and Obelisque Fountain, published
by Antonio Lafreri, Rome 1575, engraving, framed. Plate c. 46cm by 31cm
118 "Dorward Caps" a 1920's/30's advertising lithograph, printed by George Waterston & Sons Ltd, Edinburgh, framed. 36.5cm by 56.5cm
119 John Clerk of Eldin (Scottish, 1728-1812), "Leith from the West", etching c. 1775, framed. Plate c. 85mm by 255mm
120 After Cathinca Amyot, "Tit-Bits" an advertising chromo-lithograph for Pears' Soap, framed. Image 63cm by 44cm
121•Paul Furneaux R.S.A. (Scottish, b. 1962), Tree Vision, silk screen, signed and titled in pencil, ed. 4/5, framed. 27cm by 24.5cm NOTE:
this lot may be subject to Artist's Resale Right
122
•Graham Clarke (British, Contemporary), "Nethercott", etching and aquating, signed and inscribed in pencil, ed. 181/300, framed, with
Morpurgo, Michael "Miss Wirtles Revenge" (containing illustration of the subject lot), certificate of authenticity and Christie's
Contemporary Art certificate (4). 54 ...[more]
123
After Giacomo Gastaldi "Schonladia Nova", an engraved map of the Baltic, Scandinavia and Iceland, pub. Venice 1548, with hand
colouring, framed. Plate c. 13.3cm by 17cm. Note: Gastaldi is considered one of the most important Italian mapmakers of the 16th
century. This map probably formed part of Pto ...[more]
124An early 19th century needlework sampler, worked in polychrome threads with alphabet, urns of flowers, peacocks and a Regency
Gothick building, further worked with a religious motto, in a rosewood frame. 40cm by 42cm
125 John Burton (British, fl. c. 1950/60), "Clouds and Shadows, Whitby", signed lower left, oil on board, with label verso. 59cm by 70cm
126 James McNaught (Scottish, Contemporary), "The Cuillin from Ord, Skye", signed lower right, watercolour, framed. 20.5cm by 32.5cm
127Italian School, 19th Century, A View of the Grand Canal, Venice, watercolour on ivory panel, signed lower left "A. Canletto" (sic), in a
gilt-metal frame. 10cm by 13.75cm
128Edward Duncan R.W.S. (1803-1882), "Staffa", signed with a monogram lower right, watercolour, McEwan Gallery, Ballater label verso,
framed. 6cm by 17cm
129Yervand Nahapetian (Iranian, 1916-2006), "Isfahan", interior of the Charbargh School, signed lower left, titled and dated 1961,
watercolour, framed. 44.5cm by 57.5cm
130•George Melvin Rennie (Scottish, 1874-1953), A Highland Burn, signed, oil on canvas, framed. 39.5cm by 60cm NOTE: this lot may be
subject to Artist's Resale Righ
131
•Alexander Goudie R.P, R.G.I. (Scottish, 1933-2004), A French Ploughman, signed pencil lower right, pen on paper, framed. 21.5cm by
55cm Note: drawn on two sheets of paper - another drawing of what appears to be a cityscape can be seen on the reverse of the
sheets. NOTE: may be subject to Artist's R ...[more]
132
English School, 19th century, a portrait miniature of Pope Pius VII (reigned 1800-1823), portrayed seated in contemplative prayer,
watercolour en grisaille, oval, unframed, with a card (from the original backing to the frame) inscribed "Pius the 7th / Pope......died at
Rome / painted by my Dear Eliz ...[more]
133 A set of four 19th century painted paper panels of pendant fruit, each in a distressed cream-painted frame. Each 86cm by 19.5cm (4)
134 British School, early 20th century, Study of a Man in a Bowler Hat, unsigned, oil on board, unframed. 21.5cm by 18cm
135
Edmund Thornton Crawford R.S.A. (Scottish 1806-1885) and others, an album of primarily pencil sketches, nines signed by Crawford,
others unsigned, various landscape and marine subjects, together with a group of others by various hands and a number of prints,
approximately 34 drawings, sizes from c. ...[more]
136Mughal School, probably 18th century, miniature portrait of a standing warrior, with helmet, shield and horned animal head staff,
watercolour on paper with gilt highlights, inscribed lower right and verso, in an embossed parcel-gilt frame. 14.75cm by 9.5cm
137 Indian School, A Tiger Hunt, 19th century, in the Mughal style, watercolour on paper, framed. 13.5cm by 7.5cm
138Early 20th Century School, The Dance, in the Fauve manner, oil on board, unsigned, the obverse with a still life of fruit, indistinctly
inscribed lower right, unframed. 25cm by 31.5cm
139•John Houston R.S.A., R.S.W., S.S.A. (Scottish, 1930-2008), Garden Under Hills, signed lower left, oil on canvas, Aitken Dott & Son,
Scottish Gallery exhibition label verso dated 1968, framed. 24cm by 34cm NOTE: this lot may be subject to Artist's Resale Right
140William Alfred Gibson (Scottish, 1866-1931), A Flooded River Bank, signed lower left and dated 1890, oil on canvas, framed. 60cm by
90cm
141 After Sir Henry Raeburn (1756-1823), Margaritta MacDonald, Mrs Robert Scott Moncrieff, oil on canvas, framed. 49.5cm by 39.5cm
142 Scottish School, early 19th century, Portrait of a Young Man in a Blue Coat, unsigned, oil on panel, unframed. 19.5cm by 16.5cm
143 English School, 19th Century, A Boy Chorister, in red gown and lace collar, unsigned, oil on canvas, framed. 35.5cm by 29.5cm
144 English School, late 17th Century, Portrait of a Gentleman with Long Dark Hair, oil on canvas, framed. 53cm by 42cm
145Manner of Kees van Dongen (Dutch 1877-1968), At a Cafe Table, signed lower left, oil on board, Durand-Ruel Paris paper label verso,
framed. 34cm by 29.5cm
14619th Century Naive School, The Murder of Lord Darnley, oil on tin, later fitted with a clock face, mounted on a wooden panel. 68cm by
52cm
147English School, c. 1850, Portrait of a Young Lady in a Lace-Trimmed Black Dress, quarter-length depicted against a stone wall, oil on
canvas, in a gilt-composition frame. 58cm by 48cm
148Italian School, 17th Century, Study of a Man, Crouching, an object, possibly a dagger hilt, in his right hand, oil on canvas, oval (probably
a fragment of a larger work, in a 19th century gilt-composition frame. 25.5cm by 21cm
149•Geoffrey Roper (British, b. 1942), "Vic Baths, Nottingham", oil, attributed and titled verso, framed. 23cm by 27cm NOTE: this lot may be
subject to Artist's Resale Right
150•Attributed to Geoffrey Roper (British, b. 1942), Northern Industrial Scene, oil on board, framed. 21.5cm by 27.5cm NOTE: this lot may
be subject to Artist's Resale Right
151•Geoffrey Roper (British, b. 1942), The Welder, oil, framed, titled and attributed verso. 21cm by 16.5cm NOTE: this lot may be subject to
Artist's Resale Right
152 Manner of Sir Henry Raeburn, An Edinburgh Advocate, seated at his desk, oil on canvas, framed. 75cm by 62cm
153•Albert Arratoon Runciman Cummings (b. 1936), Centaur Hunting, oil on canvas, signed lower left, framed. 18cm by 28cm NOTE: this
lot may be subject to Artist's Resale Right
154•Moira Beaty (Scottish 1922-2015), "Market, Evening", signed lower right, oil on board, framed. 20.5cm by 15.5cm NOTE: this lot may
be subject to Artist's Resale Right
155 Continental School, early 19th century, Jacob Blessing the Sons of Joseph, oil on canvas, unframed. 75cm by 91cm
156
•Sheila Macnab MacMillan D.A., P.A.I. (Scottish, 1928-2018), Gaucin (Andalusia), unsigned, oil on board, titled in pencil verso and
dated 17/09/07, authentication label verso signed by Fiona Taylor (executor), framed. 39.5cm by 48cm NOTE: this lot may be subject to
Artist's Resale Right
157
•Sheila Macnab MacMillan D.A., P.A.I. (Scottish, 1928-2018), St. Florent (Corsica) from Rubbish Dump, unsigned, oil on board, titled in
pencil verso and dated 17th September '06, authentication label verso signed by Fiona Taylor (executor), framed. 39.5cm by 45cm
NOTE: this lot may be subject to Art ...[more]
158
•Sheila Macnab MacMillan D.A., P.A.I. (Scottish, 1928-2018), Oletta (Corsica), unsigned, oil on board, titled in pencil verso and dated
12.09.06, authentication label verso signed by Fiona Taylor (executor), framed. 39.5cm by 44.5cm NOTE: this lot may be subject to
Artist's Resale Right
159
•Sheila Macnab MacMillan D.A., P.A.I. (Scottish, 1928-2018), Ventheuil (France), unsigned, oil on board, titled in pencil verso and dated
1989, authentication label verso signed by Fiona Taylor (executor), framed. 39.5cm by 49.5cm NOTE: this lot may be subject to Artist's
Resale Right
160Continental School, portrait of a boy in 18th century gala uniform, possibly Austrian, unsigned, oil on board, in a gilt-composition frame.
Diameter 29cm.
161David Farquharson A.R.A.,A.R.S.A.,R.S.W., R.O.I. (Scottish, 1840-1907), "Noonday Rest, Isle of Arran", signed lower left and titled
lower right, oil on canvas, framed under glass. 55cm by 90cm
162Robert Gemmell Hutchison R.B.A., R.O.I., R.S.A., R.S.W. (Scottish, 1860-1936), Harvest Days, oil on canvas, unsigned, framed.
43.5cm by 59cm Provenance: with Daniel Shackleton, 74 Thistle Street, Edinburgh, Exhibition no. 17, April 27th 1971
163•Catriona Campbell (Scottish b. 1940), Circus Cossack, signed lower right, oil on board, framed. 28cm by 28cm NOTE: this lot may be
subject to Artist's Resale Right
164•Gino Salviati (Italian 1911-1998), Riva degli Schiavoni (Venice), signed and inscribed lower right, watercolour, framed. 48cm by 58cm
NOTE: this lot may be subject to Artist's Resale Right
165William Ferguson Jnr. (Scottish, fl. 1884-1917), A Seaside Village, signed lower left and dated 1903, oil on canvas, framed. 20cm by
30cm
166•Elizabeth McAllister Young (Scottish, fl. 1940-80), Fetteresso Church, Stonehaven, signed lower right and dated (19)68, oil on board,
Royal Scottish Academy Exhibition 1968 label verso, framed. 18.5cm by 24cm NOTE: this lot may be subject to Artist's Resale Right
167 James Miller R.S.A., R.S.W. (Scottish, 1893-1987), The Ruin, Skye, watercolour, framed. 28cm by 38cm
168•William Cadenhead (Scottish, 1934-2005), Beinn Bhan, signed and dated (19)82, oil on board, The Scottish Gallery label verso,
Nov./Dec. 1983, framed. 18cm by 22cm NOTE: this lot may be subject to Artist's Resale Right
169 Myles Birket Foster (1825-1899), Children Bringing in the Catch, monogrammed lower left, watercolour, framed. 24cm by 29cm
170William Snodgrass Bryce (Scottish, fl. 1887-1944), A West Coast Castle (possibly Portencross), signed lower left, oil on canvas, framed.
29.5cm by 39.5cm
171•Kenneth Field Balmain S.S.A. (Scottish, 1890-1952), Aberlady from the Glebe Field, signed lower right, oil on panel, Forrest McKay
Edinburgh gallery label verso, framed. 25cm by 32cm NOTE: this lot may be subject to Artist's Resale Right
172•Enid Foote Watts (Scottish, 1924-2003), Huts above the River Cart, signed and dated 1995, oil on board, Hanover Fine Arts Edinburgh
gallery label verso, framed. 14.5cm square NOTE: this lot may be subject to Artist's Resale Right
173•Enid Foote Watts (Scottish, 1924-2003), Group of Trees, signed and indistinctly dated, oil on board, framed. 16cm by 15.5cm NOTE:
this lot may be subject to Artist's Resale Right
174•Perpetua Pope (Scottish, 1916-2013), Autumn - East Lothian, signed lower right, pastel, Scottish Gallery Edinburgh label verso,
framed. 14.5cm by 21.5cm NOTE: this lot may be subject to Artist's Resale Right
175James Holland (British, 1799-1870), Vicenza, titled in pencil, attributed on gallery label verso, The Little Gallery, 5 Kensington Church
Walk, London W8, framed. 18.5cm by 11.5cm
176•Donald M. Shearer (Scottish, 1925-2017), Silver Birch, signed lower right, oil on board, framed. 41cm by 73cm NOTE: this lot may be
subject to Artist's Resale Right
177•Jane Soeder (Scottish, b. 1934), Edinburgh Castle, signed lower left, oil on board, Open Eye Gallery Edinburgh label verso dated 1986,
framed. 19cm by 24cm NOTE: this lot may be subject to Artist's Resale Right
178•Jane Soeder (Scottish, b. 1934), Magnolia, signed lower left and dated (19)86, oil on board, titled, signed and dated verso, framed.
15cm by 17.5cm NOTE: this lot may be subject to Artist's Resale Right
179James Poole (British, 1804-1886), A Rest in the Mountains, signed lower right and dated 1831, oil on canvas, in a gilt-composition
frame. 40cm by 55cm
180•Edith Simon (German/British 1917-2003), "Matthew", a posthumous portrait 1991, scalpel painting, signed lower centre, framed under
glass. 93cm square NOTE: this lot may be subject to Artist's Resale Right
181•John Cleal (South African/British 1929-2007), Aberbanc, Ceredigion, signed pencil lower left, watercolour, framed. 53cm by 35cm
NOTE: this lot may be subject to Artist's Resale Right
182
•Ian Fleming R.S.A., R.S.W., R.G.I., L.L.D (Scottish 1906-1990), An Upset Child, signed in pencil and inscribed "To D.S. from Ian
Fleming", crayon on paper, framed. 20cm by 24.5cm Note: Best known as an etcher and engraver, Fleming had trained at the Glasgow
School of Art becoming a lecturer and ult ...[more]
183David Farquharson A.R.A., A.R.S.A., R.S.W., R.O.I. (Scottish, 1840-1907), A Highland Spate, signed lower right and dated (18)89, oil
on canvas, in a gilt-composition frame. 39.5cm by 59.5cm
184 English School, c. 1930, The Balloon, ink, pencil and wash, unsigned, probably a book illustration, framed. 35.5cm by 24cm
185•James Palmer (British, b. 1917), "Flower Piece", signed lower right, oil on board, titled and dated 1990 verso, framed. 54cm by 60cm
NOTE: this lot may be subject to Artist's Resale Right
186•Donald Provan (Scottish, b. 1964), Seven Whitefish on Grey, oil on laminated MDF, signed verso and dated 2003, gallery label, framed.
28cm by 52cm. Provenance: with the Open Eye Gallery Edinburgh 2003 NOTE: this lot may be subject to Artist's Resale Right
187•Tom Watt (Scottish, b. 1951), Mid-Day Light and Shade (Venice), signed lower right, oil on board, framed. 81.5cm by 71.5cm NOTE:
this lot may be subject to Artist's Resale Right
188Edward Hargitt (Scottish, 1835-1895), Drovers on a Highland Path, signed lower right and dated 1871, oil on panel, in a gilt-composition
frame. 19cm by 29.5cm
189 Dutch School, A Burgomaster and his Wife, oil on panel, framed. 15cm square
190French School, late 18th century, a portrait miniature of an infant, oval, watercolour on ivory, indistinctly inbscribed verso, in an ebonised
frame. 6cm by 4.5cm
191 Robert McGregor R.S.A. (Scottish, 1847-1922), Girl at a Chaff Cutter, signed lower left, oil on panel, framed. 41.5cm by 30cm
192An Austrian cold-painted bronze model of a bird, c. 1900, probably a warbler, with yellow throat and white breast, unsigned. Height
7.5cm
193 An 18th century painted gessoed terracotta creche figure of the Christ Child, possibly Neapolitan (multiple repairs/losses). 28cm
194A large painted copper figural panel in high relief, 19th century, of a putto, emblematic of Autumn, holding corn sheaves, probably part of
an internal decorative scheme. 75cm by 31.5cm
195 Jakob Gruber (Austrian 1864-1915), Girl with a Cat, gilt-bronze, signed, on a rouge marble base. Height overall 11.25cm
196 After the Antique, a patinated bronze desk bust of Ajax or Menelaus, on an integral waisted socle. 17cm
197 After the Antique, a patinated bronze desk bust of Athena, on an integral socle. 21cm
198A 19th century parcel-gilt patinated metal or bronze group of two seated bull dogs, probably French, one wearing a cape, the other a
collar, mounted on a bone plaque (originally a mount). Excluding plaque 5cm by 10cm
199A cased pair of Edwardian silver seal-top serving spoons, Thomas Bradbury & Sons, London 1907, in 17th century style, the terminals
engraved with spurious dates. Length 18.5cm, total 4.8 troy ounces
200An Edwardian Adam Revival silver tea caddy, William Harrison Walter, Birmingham 1906, oval, with hinged shaped knop to the pull-off
cover, the body decorated with ribbon-tied swags. Height excluding knop 7.5cm, 2.5 troy ounces
201
A small collection of Edwardian silver and white metal zoomorphic pin cushions, comprising: a swan, Birmingham 1908; an elephant,
Birmingham 1906; a pig, Birmingham 1907; a chick, Chester 1908; a frog, marks indistinct; and a small swan in white metal (five in
silver) (6). Elephant length 58mm
202 A set of five early Victorian Scottish silver mustard spoons, Kings pattern, Glasgow 1848, maker's mark DB. (5) Total 3.3 troy ounces
203A pair of George IV Scottish silver table spoons, Kings pattern, William Hannay, Glasgow 1826, engraved with a monogram. 23cm, 4.3
troy ounces
204
A group of four 19th century Scottish silver sauce ladles comprising: a pair, Alexander Coghill, Glasgow 1848, fiddle pattern; Andrew
Wilkie, Edinburgh 1832, fiddle pattern, engraved with a monogram; the fourth with oval bowl, Mackay & Chisholm, Edinburgh 1873,
Kings pattern. (4) Total 5.8 troy ...[more]
205A Danish silver cake slice, Carl M. Cohr, Copenhagen 1960, the handle with acorn and leaf terminal, in Carl Antonsen, Odense
(Denmark) cardboard box. Length 18.75cm, 1.6 troy ounces
206
Asprey & Co., a late Victorian silver cased double-blade penknife, Charles & George Asprey, London 1899, with planished case, the
steel blades stamped "Asprey"; together with a George VI silver penknife, William Needham, Sheffield 1946, with double steel blades
and engine-turned case engrave ...[more]
207A Scottish silver-mounted (unmarked) horn snuff mull, 19th century, the hinged domed cover inset with an agate cabochon under glass,
engraved to the border "James Turnbull 1869". Length 8.5cm
208A late 19th century silver-plate and glass vase, the conical glass vessel in a tripod stand, the reeded uprights with griffin terminals and
paw feet, on a shaped stand with scroll feet, stamped marks. Height overall 40cm
209A matched pair of Victorian silver cauldron salts, EM, Sheffield 1856 and Martin Hall & Co., 1861, each chased with Rococo style
cartouches enclosing floral sprays and engraved with a monogram and date. Diameter 7.5cm, total 5.5 troy ounces
210A Russian silver beaker, 84 standard, Moscow, 1892, assayer's mark and maker's mark "OM", engraved with oval panels enclosing city
views and with a date and monogram. 6cm, 1.7 troy ounces
211A George V silver coffee pot, Edward Barnard & Sons Ltd., London 1916, in early 18th century style, of pear shape, the domed hinged
cover with urn finial, with fruitwood scroll handle and on stepped circular foot. 17.5cm, 10 troy ounces gross
212A late Victorian silver rose bowl, Atkin Brothers, Sheffield 1894, with shell-cast rim, half-gadrooned body and on a stepped domed
circular foot. Diameter 14cm, 10.3 troy ounces
213An Edwardian silver sweetmeat bowl, Fenton Brothers, Sheffield 1906, chased with Rococo scrolls and flowers, on a stepped circular
foot. Diameter 10.5cm, 3.4 troy ounces
214Garrard & Co., a silver figure of an 18th century Highland officer in feather bonnet, London 1971, modelled standing on a square base,
mounted on a stepped ebonised wooden plinth with white metal presentation plaque (not engraved). Figure 15.5cm, height overall 25cm
215A Chinese silver cigarette case, c. 1910, chased to each side in relief with dragons amidst clouds, the cover centred by a shield
engraved with a monogram "P.C.", gilt interior, unmarked. 8.5cm by 6cm, 2.2 troy ounces
216An Indian white metal cream and sugar bowl, c. 1900, each finely chased with flowers and foliage, the jug with cobra handle, unmarked.
Length of jug across handle 13.5cm, total 8.2 troy ounces
217A Danish 800 standard silver cigarette box, Copenhagen 1939, assayer's mark for Jens Sigsgaard, of plain rectangular form, with
presenation inscription to the underside of the hinged cover. 5.3cm, 18.5cm by 13.6cm, gross 19.7 troy ounces
218A George V silver epergne, Birmingham 1913, the central trumpet with wavy rim within three removable smaller trumpets, on a weighted
domed circular base. Height 30.5cm
219A cased set of George V silver miniature tankards, Adie Brothers, Birmingham 1933, each of baluster form, with scroll handle (6) Total
weight 5.4 troy ounces
220 A George III silver soup ladle, possibly Richard Crossley, London 1785, Old English pattern, unengraved. Length 33cm, 5.9 troy ounces
221An Aynsley silver-mounted coffee service, James Dixon & Son, Sheffield 1919, the six cans and saucers in pin with a gilt Greek Key
border, the cups in pierced silver sleeves with scroll handles (one cup and one saucer damaged and repaired). (6)
222
A George III silver cake basket, London 1813 (maker's mark indistinct), of shaped navette form, the border pierced with trellis panels
flanking a pair of scrolling foliate panels centred by ribbon-tied wheatsheaves, within a reeded rim, the shaped pointed swing handle
also reeded, on an oval pedesta ...[more]
223An Edwardian 15ct gold peridot and seed pearl pendant, of oval form, centred by three pear-cut peridots in a leaf formation, on a
tracelink chain with four baroque seed pearl spacers. Pendant excluding bale 36mm
224A ruby and diamond five-stone ring, early 20th century, scroll-claw set with three graduated round-cut rubies spaced by a pair of round
brilliant-cut diamonds, on engraved shoulders and a tapering 18ct gold band. Total diamond weight c. 0.45 carats, ring size O/P
225A ruby pendant in the Art Nouveau taste, of open wirework, claw-set with two round-cut rubies and further set with flowerhead and
leaves, on a fancy link chain with barrel clasp (unmarked). Length of pendant including bale 46mm, length of chain 43cm
226A Chinese carved jade pendant, of tapering form, decorated with fruit, on a fine 9ct white gold tracelink chain with cylindrical spacers.
Pendant excluding bale 38mm, chain 43cm
227An early 20th century three stone diamond ring, the graduated round brilliant-cut stones claw set on an 18ct white gold and platinum
band. Central stone c. 0.33 carats, total carat weight c. 0.80 carats, ring size P
228A five stone diamond ring, the graduated round brilliant-cut stones claw set on a yellow gold band (indistinctly marked). Total carat
weight c. 0.30 carats, ring size P
229A diamond and sapphire brooch, of hoop form, mounted with bands of three round brilliant-cut diamonds spaced by three round-cut
sapphires, set in 18ct white gold. Diameter 37mm
230 Hermes, a Tournis Tresse plaited leather bracelet, with palladium plated hardware, in original box.
231A George VI 18ct gold cigarette case, W.H. Manton Ltd, Birmingham 1941, of rectangular form, engine-turned. 1.5cm by 8cm by 6.5cm,
162 grams
232A late 19th century single stone emerald ring, the square-cut stone on pierced shoulders worked as leaves, on a tapering yellow metal
band (unmarked), in a fitted box. Emerald c. 4mm square, ring size Q
233A late Victorian 9ct gold fancy link Albert watch chain, of double ropetwist strands with chased shaped spacers, terminating in a tassel,
with T-bar and lobster clasp. Length 25.5cm, 14.7 grams
234A striking vintage diamond and cultured pearl brooch, of spray design, set in 14ct white gold with baguette and round brilliant-cut
diamonds and mounted with an 8mm cultured pearl, with suspension loop. 46mm by 41mm
235 A 9ct gold mounted cultured pearl necklace, composed of twin graduated strands, on a foliate-engraved 9ct gold clasp. 49cm
236 A 9ct gold fancy link bracelet, composed of lozenge-form links, on a heart padlock clasp, with safety chain. Length 19cm, 18 grams
237A 9ct gold hinged bangle set with turquoise and seed pearls, c. 1900, the front with a line of alternating turquoise and seed pearl beads,
with safety chain. 58mm, 7.9 grams
238A 14ct gold pendant set with colourless stones, the seven stone cluster within a circular gold mount, pierced and with stylised heart
motifs, on a tracelink chain. Diameter of pendant 32mm, length of chain 68cm, gross 16 grams
239A late Victorian citrine brooch, the large oval-cut stone within a beaded mount, on a foliate-scroll engraved bar, with safety chain,
unmarked. Length 51mm, citrine 16mm by 12mm
240A 9ct gold hinged bangle set with emeralds and seed pearls, the leaf and scroll openwork mount claw-set with round-cut emeralds and
seed pearls, with safety chain. Width 58mm, gross 13 grams
241A 9ct gold brooch pendant, set with an amethyst and seed pearls, the oval-cut stone claw-set in a floral-scroll frame set with bands of
seed pearls, stamped mark. 32mm by 26mm, gross 4.3 grams
242
A diamond, opal and seed pearl brooch pendant, centred by a claw-set brilliant-cut diamond on a pierced circular frame set with four
pear-cut opals flanked by gold leaves set with seed pearls, in 9ct yellow gold, on a ropetwist chain with barrel clasp. Diameter of
brooch/pendant 24mm, length of chai ...[more]
243
A late Victorian diamond and opal set 9ct gold hinged bangle, the central square plaque with a circular opal within a band of diamond
points, on tapering gold bead-set shoulders, and a reeded tapering band, stamped mark, with safety chain. Width 56mm, gross 9.8
grams
244
A 9ct gold and seed pearl necklace with brooch en suite, the necklace of five graduated elements modelled as vine leaves suspending
bunches of seed pearl "grapes", on a tracelink chain, the brooch as grapes and leaves; together with a pair of yellow metal and seed
pearl earrings of similar design, ...[more]
245An Edwardian 9ct gold "buckle" bangle, the hinged front with buckle motif on engraved scrollwork, engraved to the interior ""J.J.H.
25/12/09", with safety chain. Internal width 60mm, 11 grams
246
An opal, diamond and seed pearl brooch/pendant, c. 1900, the central heart-shaped opal within a conforming band of old brilliant-cut
diamonds within a frame set with alternating round brilliant-cut diamonds and seed pearls (one pearl lacking), the bale diamond-set and
with brooch fitting verso, unma ...[more]
247An emerald and diamond mounted single strand cultured pearl necklace, the graduated strand on an 18ct white gold clasp centred by a
millegrain-set square cut emerald flanked by paired diamond points. Length 41cm
248A substantial late Victorian silver cuff bangle, hinged, hollow, engraved with foliate scrollwork, the other half engraved "M. Stobo from
Eliza", in its original fitted case. Internal width 58mm, 1.3 troy ounces
249An opal brooch, the large oval opal within a gold wirework frame indistinctly stamped "18ct", with pendant loop fitting. Overall 29mm by
34mm, opal 17mm by 25mm
250A sapphire and diamond five stone ring, c. 1900, the three graduated round-cut sapphires spaced by a pair of old brilliant-cut diamonds,
in an open claw setting on a tapering 18ct gold band. Ring size P
251A three stone diamond ring, early 20th century, the three graduated round brilliant-cut stones on an 18ct yellow gold band. Central stone
c. 0.5 carats, total diamond weight c. 1 carat, ring size M/N
252
An opal, diamond and demantoid garnet bar brooch, c. 1900, centred by an opal cabochon within four millegrain-set round-cut garnets
the bar set with a pair of similarly set diamond points and with triple diamond point terminals, in unmarked yellow metal, in a fitted case.
Length 41mm
253A 9ct gold bracelet set with specimen semi-precious stone cabochons, the twelve stones including obsidian, amethyst, carnelian,
tourmaline, peridot etc all claw-set between yellow gold demilune bars. Length 17.25cm, gross weight 62 grams
254A late Victorian five-stone diamond ring, the graduated round brilliants each in a box setting on a tapering 18ct yellow gold band. Ring
size O/P
255An early 20th century single stone diamond ring, the round brilliant-cut stone weighing approx. 1.5 carats, claw-set on shoulders
mounted to each side with three diamond points, on an unmarked white metal band. Ring size O
256 An Edwardian 15ct gold peridot and seed pearl brooch/pendant
257A late Victorian diamond and ruby-set gold bangle, in 9ct gold hallmarked for Birmingham 1898, hinged, set with three ruby points
spaced by a pair of diamond points between ropetwist bands. Diameter 60mm, weight 10 grams
258
An Edwardian diamond and aquamarine pendant, claw-set to the centre with an oval-cut aquamarine and further suspending a claw-set
pear-cut aquamarine drop, the frame millegrain-set throughout with round and vari-cut brilliants, in unmarked white metal, on an
unmarked tracelink chain. Length of penda ...[more]
259An opal and diamond ring, the three graduated oval-cut opals spaced by two pairs of round brilliant-cut diamonds, all claw-set on a
tapering yellow metal band. Total diamond weight c. 0.25 carats, ring size N
260A striking blue topaz dress ring, the large emerald-cut stone mounted in yellow metal, indistinct mark to the band. Stone 18mm by
12mm, ring size N.
261A sapphire and diamond full hoop eternity ring, set with alternating bands of three calibre-cut sapphires and three millegrain set diamond
points, in (unmarked) white metal. Ring size P
262 An unusual Edwardian 18ct gold brooch, centred by a violin between seed-pearl set lyres, stamped marks. Length 35mm, 3.1 grams
263A five stone diamond ring, early 20th century, claw-set with a graduated row of round brilliant-cut stones, on a tapering (unmarked) white
metal band, central stone c. 0.33 carats, total carat weight c. 1 carat. Ring size M
264 A 9ct gold horseshoe link bracelet, c. 1900, each horseshoe joined by chains, stamped mark. Length 17cm, 12 grams
265
A long strand of graduated "butterscotch" amber beads, c. 1920, of shaped oval form, forty-one beads with glass spacers, on a 9ct gold
barrel clasp (string broken); together with a shorter strand of smaller graduated "butterscotch" amber beads, forty-two beads, without
clasp. Larger strand: largest ...[more]
266An Edwardian 9ct gold hinged bangle, of tapering form, engraved to the front with floral scrollwork, hallmarked for Birmingham 1906.
Width 57mm, 4 grams
267 A coral-set 14ct gold bracelet, of circular links, each set with three claw-set coral beads, stamped mark. 18cm, gross 18.5 grams
268A seed pearl set yellow metal hinged bangle, early 20th century, unmarked, mounted with a horseshoe on a curblink band, with safety
chain. Width 58mm, 8.4 grams
269A striking vintage aquamarine brooch, the emerald-cut stone claw set between two yellow metal sprays (unmarked), probably converted
from a cocktail ring. Stone: 20mm by 16mm, brooch length overall 10.5cm
270A yellow metal fancy link guard chain, late 19th century, unmarked, composed of pierced bars spaced by double curblinks, with a lobster
clasp. Length of chain 144cm, 26 grams
271
An Italian 19th century Grand Tour lava cameo bracelet, of seven panels, each oval carved in relief with the bust of a God or Goddess,
inscribed verso with the name in Italian of each deity including Mercury, Apollo and Diana, mounted in (unmarked) yellow metal. Length
18cm, each panel c. 26mm by 21 ...[more]
272
A 19th century Lancashire longcase clock, John Bell, Burnley, the painted arch dial decorated with pink roses in the spandrels beneath
a sun/moon arch with vignettes of a paddle steamer and an Alpine scene, eight-day movement, within a hood with swan-neck pediment,
the door flanked by baluster turne ...[more]
273A Continental oak wall clock in the Secessionist taste, c. 1900, the oak dial with enamel Roman numerals within a case decorated with
square geometric inlays beneath a shaped crest with pierced foliate design, eight day movement striking on a gong. 64cm by 51cm
274
A George III Scottish black japanned tavern clock, late 18th century, the painted 22.5" wooden dial with Roman numerals and Arabic
outer dial, above a trunk with Chinoiserie decoration of pavilions signed "David Norrie, Leith" above the door, single weight driven
movement with weight, loss to dial f ...[more]
275
A Scottish mahogany cased longcase clock, early 19th century, Robert Macara, Dunfermline, the painted arch dial decorated with
figures to the spandrels, the arch with a couple seated before a country house, , eight day movement, the hood with a swan neck
pediment centred by a brass eagle-topped sphe ...[more]
276An Omega lady's 9ct gold wristwatch on a 9ct gold bracelet strap, the circular silvered dial with Arabic and baton numerals, on a
chainlink strap, in its original box further stamped Hamilton & Inches Edinburgh. Diameter of dial 19mm, gross weight 29 grams
277
A late Victorian 18ct gold full hunter pocket watch, the three quarter plate keyless wind lever movement signed Edwin Flinn, London, the
white enamel dial with Roman numerals, the dust cover with presentation engraving "Mary Stobo 7th February 1893", in a fitted
morocco case. Diameter of case 40mm, ...[more]
278
A vintage Hamilton 10k gold-filled gentleman's wristwatch, 1950's, the cushion-shaped silvered and champagne dial with Arabic
numerals and subsidiary seconds dial, the case engraved to the rear with presentation inscription dated 1958, on a yellow metal
bracelet strap. Case 27mm by 21mm
279
A rare nautical G.M. Balance, c. 1900, Stanley of London, for the S.S. Ayrshire, in a mahogany fitted case with ivorine scale with brass
mounts inscribed "Water in Boilers" and "Anchors and Cables" verso, beneath a spirit level and an ivorine plaque "Heights above Top of
Keel at Different Positions ...[more]
280
A George III Scottish oak cased longcase clock, Norman Macpherson, Edinburgh, late 18th century, the brass arched dial signed in the
arch, the chapter ring within foliate-scroll cast spandrels, within a hood with swan-neck pediment and fluted columns, eight-day
movement, over a trunk with shaped doo ...[more]
281A French brass carriage clock, c. 1900, the white enamel dial with Roman numerals within a plain case with bevelled plates and raised
on bun feet, eight day movement, with key, in its original fitted morocco carrying case. Height including handle 12.75cm
282
A George III Scottish satinwood inlaid mahogany longcase clock, John Mill, Montrose, the painted arch dial decorated with floral sprays
and bird in the arch, eight day movement, within a hood with swan-neck pediment flanking a brass eagle, the door flanked by brass
mounted columns over a trunk with ...[more]
283
An early 20th century Chinoiserie lacquered mantel clock, the cream dial painted with an Oriental figure, with silvered chapter ring and
retailer J. Ogden & Sons, London & Harrogate, Elliott keyless wind movement, within a brass-mounted case decorated with figures,
bridge and pavilions again ...[more]
284An Arts & Crafts copper and wrought-iron stick stand, c. 1900, the tapering hammered copper rear panel chased with a stylised floral
motif within an iron frame over a shaped copper drip tray, on splayed legs with folded feet. 93cm by 39cm
285A Continental marquetry hanging corner cupboard, c. 1800, bowfronted, the four graduated open shelves with beaded rims over a pair
of cupboard doors each inlaid with birds perched on boughs. Height c. 100cm, width c. 45cm
286
A pair of late 19th century Scottish stoneware snuff or tobacco jars, mounted as table lamps, salt-glazed of waisted cylindrical form, one
bearing label "Rappee", the other "Smoking Mix", with tole-ware covers fitted for electricity, stamped maker's mark for the Port Dundas
Pottery Co., Glasgow. Hei ...[more]
287 A black japanned tole-ware six-bottle wine rack, 19th century, with fixed carrying handle, gilt-highlighted. 39cm by 31cm
288
Two tole-ware tea canisters, of characteristic form, one painted with Oriental figures under a palm tree against a red ground, the other
with a dancing figure in feathered headdress beside an exotic bird perched on a flowering bough, against a buff ground. First 40cm by
27cm diameter, the other 38.5 ...[more]
289A 19th century parcel-gilt copper floorstanding altar candlestick, in Baroque style, with tapering leaf-cast baluster standard on a tri-form
base with a figural and two fish-scale panels, raised on paw feet. Height to drip pan 90cm
290An 18th/19th century carved and painted wooden Corinthian column, converted to a table lamp, with gilt capital over a painted faux lapis
or marble column, on a stepped square base. Height to top of "candle" 104cm
291A 19th century painted tole-ware tray, of cartouche shape, decorated with a floral wreath including roses and honeysuckle, against a
black ground within gilt-highlighted green faux-marble and black bands to the rim. 62cm by 81cm
292 A black japanned metal canister, of cylindrical form, painted with a panel of Oriental calligraphy in red and gilt. 39cm by 23cm
293A painted cast-iron table lamp modelled as three griffins on a triform platform base issuing a brass rod lamp fitting. Height excluding
shade 37cm
294A Robert Thompson of Kilburn "Mouseman" 3' oak coffee table, c. 1990, the rectangular adzed top raised on faceted baluster trestles,
with carved mouse signature. 45cm by 93cm by 37cm
295A brass table lamp formed from a Victorian swept sword hilt, with crowned cypher and sharkskin grip, raised on an a circular base with
three feet modelled as spurs. Height excluding fitting 29cm
296A 19th century giltwood and gesso mirror with Masonic emblems, the pedimented crest with scrolling foliage and centred by a coat of
arms applied with set squares, that motif repeated below on the frame, the glass flanked by columns topped by spheres. 76cm by 56cm
297A Victorian mahogany toilet mirror, the oval plate within a cushion moulded frame between scroll carved uprights, on a serpentine
platform, raised on flattened bun feet. 66cm by 53cm
298A Chinese carved hardwood vase or jardiniere stand, the circular top carved with a dragon within a Greek Key border, above a pierced
apron, on cabriole legs terminating in scroll feet. 51cm by 38cm
299A handsome 19th century mahogany butler's tray on stand, the rectangular tray of characteristic form with stepped gallery and cut-out
handles, the folding stand with block carving and fitted with canvas straps. Height 93cm, width 75cm, depth 51cm
300 Robert Thompson of Kilburn, a pair of Mouseman adzed oak bookends, with carved mouse signatures. Height 15.5cm
301A Queen Anne Revival tortoiseshell-veneered wall mirror, c. 1920, the shaped rectangular bevelled plate enclosed within a conforming
frame. 93cm by 55cm
302
A giltwood mirror, the frame composed of 18th century and later period elements, the rectangular bevelled glass plate within a
conforming frame elaborately carved with female mask and putti surmount, the sides with figures of caryatid type over garlands and
scrolls, the base centred by a mask betwee ...[more]
303
A large 19th century walnut framed needlework firescreen, the 17th/18th century style verdure panel worked with goats in a wooded
landscape, within a frame with scroll-carved surmount, raised on downscrolled baluster trestle legs joined by a baluster-turned stretcher.
117cm by 63cm
304A cast polished bronze or brass novelty table lamp, modelled with a standing bear on a stepped circular plinth raised on bun feet. Height
overall 26.5cm
305
A pair of Arts & Crafts ebonised chairs, c. 1900, each ladder back above a formerly caned seat, raised on tapering turned legs united by
stretchers, each stamped "B13" to the seat rail. Note: the front seat rail of one chair is inscribed "E Rolls 13 Brook St", presumably the
owner's details and ...[more]
306Bruce Talbert (1839-81), a set of six oak side chairs, c. 1880, each with carved and turned rectangular backs and tapering front legs (6).
83.5cm by 45cm by 50cm
307A pair of Edwardian mahogany side chairs in George II style, each with shell-carved crest rail over an entwined splat, the stuffed-over
seat raised on cabriole legs terminating in pointed pad feet.
308A George III style walnut framed library chair with upholstered ox-blood leather panel back and seat, with brass studded border, raised
on C scroll carved tapered supports and pad feet (h.99cm x 55cm x 48cm)
309A 19th century oak horseshoe desk chair, the crest rail continuing to downswept arms flanking a dished panel seat, raised on turned
legs. 80cm by 62cm by 60cm
310A contemporary composition sofa, possibly Roche Bobois, in the style of a Hans Hopfer Mah Jong sofa, of four sections including one
corner section with an ottoman/footstool en suite, in multi-fabrics. Each section 87cm wide, depth 100cm
311 A Soho Home "Dozy" sofa in mink mohair velvet. 85cm by 180cm by 100cm
312A set of three Regency style mahogany nesting tables, each with rectangular dished top, raised on bamboo-turned legs supported on
trestle feet. Largest 61cm by 48cm by 36cm
313A late 19th century oak coat, hat and stick stand, the central baluster-turned standard issuing six scroll-carved hooks above a ring stick
holder, raised on a tripod base with downscrolled feet enclosing a circular wooden drip tray. Height 183cm
314A large ottoman or centre stool, the rectangular seat upholstered in an Aubusson style floral needlework, raised on turned mahogany
legs moving on brass castors. 36cm by 150cm by 90cm
315A brass fender in the Art Nouveau taste, c. 1890, the curved rail with spheres, whiplash elements and foliate motifs. Externally 130cm by
26cm, internally 114cm by 18cm
316A small oak coffer, c. 1700, the three panel hinged top above a twin-panelled case, the stiles continuing to feet. 62cm by 104cm by
50cm
317A George III mahogany chest of drawers, the rectangular top with moulded edge above two short and three long graduated drawers with
period bale handles, raised on bracket feet. 94cm by 98cm by 53cm
318An early 19th century satinwood crossbanded mahogany cellarette, of square form, the hinged caddy top opening to nine bottle
divisions, on a base with square section tapering legs terminating in castors. 72cm by 36cm by 36cm
319A George II walnut chest of drawers, mid 18th century, the crossbanded quarter-veneered top over two short and two long crossbanded
drawers, raised on ogee bracket feet (distressed, losses). 74cm by 80cm by 49cm
320A George III style mahogany framed wing chair, late 19th century, with loose-cushioned seat, raised on cabriole legs joined by turned
stretchers, on pad feet. 113cm by 94cm by 81cm
321
An oak elm open armchair in late 17th/early 18th century style, composed of some period elements, with foliate and scroll carved crest
rail over three vertical splats between turned uprights, the upholstered seat between outscrolled arms, raised on block and baluster legs,
joined by turned stretcher ...[more]
322A small Edwardian drawing room armchair, with rectangular upholstered back above a stuffed over seat between upholstered arms,
raised on square section mahogany legs moving on castors, upholstered in a navy linen. 84cm by 63cm by 60cm
323A small upholstered club chair, early 20th century, with outscrolled arms flanking a loose-cushioned seat, raised on square section
mahogany legs moving on castors, upholstered in a rust velvet. 79cm by 76cm by 77cm
324
A handsome George III joined oak combination cupboard and settle or "Bacon Settle", c. 1760, with moulded cornice above a projecting
three panel top fitted to the reverse with a pair of cupboard doors, the six panel back with cupboard behind fitted with a single six-panel
door, over a box seat betw ...[more]
325A Chinese marble-inset hardwood vase or jardiniere stand, c. 1900, the circular top with beaded rim over a floral carved pierced apron,
on cabriole legs joined by an X-form stretcher. 49cm by 47cm diameter
326A George III string-inlaid and crossbanded mahogany toilet mirror, early 19th century, the oval plate between scrolled uprights, on a
serpentine platform fitted with three drawers. 59cm by 40cm by 23cm
327 A mahogany collector's chest, of five graduated drawers beneath a rectangular top with moulded edge. 60cm by 44cm by 36cm
328A Victorian mahogany library table, the rectangular top with rounded corners above a plain apron fitted to each end with two frieze
drawers (pulls replaced on two), raised, on tapering turned baluster legs moving on castors. 71cm by 167cm by 113cm
329A 19th century Gothic Revival carved oak ecclesiastical throne chair, carved to the crest rail arms and sides with quatrefoil and other
medieval motifs, with pierced curved stretcher and loose seat and back cushions. 103cm by 81cm by 60cm
330A walnut open armchair in George II style, early 20th century, with shaped cartouche back above an upholstered seat in a period style
tapestry fabric between outscrolled arms, on scroll carved cabriole legs terminating in pad feet. 90cm by 76cm by 50cm
331Bramin Mobler, a Danish teak sideboard, the long rectangular top above a central bank of four drawers flanked by cupboards each with
a sliding door, raised on tubular tapering legs. 79cm by 224cm by 45cm
332A Moorish brass tray table, the circular top with Islamic script and decoration, raised on a folding stand with reeded legs and X-form
stretcher. 58cm by 60cm diameter
333
A large Whytock & Reid, Edinburgh mahogany wind-out dining table, early 20th century, the top with demilune ends enclosing four
leaves and one half leaf, above a concave apron and raised on relief-carved cabriole legs terminating in shaped paw feet. 74cm by
145cm by 360cm (extended)
334A large mid-19th century mahogany campaign stool, rectangular, the lift-off top (probably formerly caned) on a stand with boldly turned
baluster legs with gilt-brass caps and iron wheel castors. 42cm by 63cm by 122cm
335A set of six George III mahogany dining chairs, including two carvers, each with foliate carved crest rail and pierced splat above a drop
in seat and raised on square section legs joined by stretchers. (6)
336A small early George III mahogany chest of drawers, the rectangular top with moulded edge above three long graduated drawers, raised
on bracket feet. 90cm by 84cm by 50cm
337 A large Chinese parcel-gilt ebonised wooden panel, carved with calligraphy. 238cm by 25cm
338David Booth and Judith Ledeboer for Gordon Russell Ltd, a 1950's "Helix" sideboard, with incised geometric decoration and brass pulls,
raised on tapering square section legs. 84cm by 122cm by 46cm
339A George III mahogany tray top commode nightstand, of characteristic form, with single drawer over a pull-out commode disguised as
two drawers. 76cm by 57cm by 47cm
340An early Victorian mahogany framed scroll-end sofa, the carved serpentine back above a stuffed over seat flanked by outswept arms,
on cabriole legs moving on castors. 97cm by 230cm by 64cm
341A Regency amboyna tripod table, the circular top with beaded rim on a concave tapering standard over a conforming triform platform
base raised on paw feet. 74cm by 70cm diameter
342A giltwood side table in mid-18th century style, the rectangular parquetry top above a pierced foliate scroll-carved apron, raised on leaf-
carved cabriole legs terminating in leaf-carved sabots. 80cm by 127cm by 67cm
343An early 19th century oak country open armchair, with shaped horizontal splat above a plank seat between outswept arm, on square
section legs joined by stretchers (cut-down). 97cm by 60cm by 46cm
344A blue-painted folding card table, c. 1920-30, the square velvet-inset top within a frame painted and gilt-highlighted with playing cards,
cocktail glasses and horseshoes, the legs with gilt leaf detail. 69cm by 76cm square
345A George III mahogany three tier dumbwaiter, the graduated tiers joined by a turned baluster standard, raised on a hipped tripod base
terminating in pointed pad feet (a/f). 110cm by 56cm (widest)
346A 1940's oak pedestal desk by Abbess, the rectangular top with inset writing surface over a recess with frieze drawer flanked by banks
of drawers with offset metal bar handles, on a recessed block base. 77cm by 167cm by 91cm
347A pair of 1940's oak bedside cabinets by Abbess, each with rectangular top with rounded corners over a recess above a cupboard door
on a recessed block base. Each 73cm by 54cm by 44cm
348A 1940's oak writing table by Abbess, the rectangular top with inset writing surface, raised on shaped block trestles. 76cm by 167cm by
91cm
349A 1950's small painted wardrobe by Lebus Link, with metal decorative star decoration, raised on tapering metal legs. 158cm by 84cm by
42cm
350 A pair of 1970's Guzzini acrylic mushroom shades, in brown/beige, with white metal mounts. 22cm by 31cm
351
A Victorian mahogany pedestal desk, third quarter of the 19th century, the superstructure with twin banks of three drawers joined by
open galleried shelves above a hinged writing slope between leather-inset writing surfaces, over three frieze drawers above a recess
flanked by twin banks of drawers, ...[more]
352A George III mahogany washstand, the rectangular fold-out top opening to a fitted interior with lift-up mirror, above a tambour door over
a commode drawer, raised on bracket feet. 82cm by 48cm by 45cm (closed)
353
An unusual oak and carved panel wardrobe, incorporating a set of nine Chinese relief carved hardwood panels, four figural depicting
Immortals and other figures, each signed, the remainder with pavilions, dragons etc in landscapes, mounted in three wardrobe doors
under a moulded cornice. 199cm by 135 ...[more]
354An Arts & Crafts open bookcase, the top shelf with pierced gallery over three further shelves and a pair of panelled cupboard doors, on
trestle feet. 134cm by 56cm by 24cm
355A Louis XVI style brass-mounted mahogany work table, the rectangular crossbanded hinged top opening to a fitted well above two long
drawers, raised on square section tapering legs moving on castors. 76cm by 71cm by 38cm
356A 19th century glazed mahogany bookcase cabinet, with moulded cornice above a pair of astragal glazed doors enclosing adjustable
shelves, raised on bracket feet. 210cm by 130cm by 58cm
357
An Arts & Crafts oak side table in the manner of Edwin Lutyens, of refectory table form, the solid two plank top raised on turned legs
with projecting dowel joints and joined by stretchers. 82cm by 137cm by 60cm Note: Lutyens used projecting dowels on numerous
architectural commissions as well a ...[more]
358An 18th century style elm kitchen dresser and rack, the superstructure with central open shelves flanked by glazed cupboard doors, the
base with three frieze drawers over three cupboard doors, on a block base. 226cm by 168cm by 60cm
359A walnut chest of drawers on stand in 18th century style, the rectangular top over three long graduated drawers, the stand with cabriole
legs terminating in pad feet. 88cm by 74cm by 38cm
360A small George III ebonised string inlaid mahogany chest of drawers, the rectangular crossbanded top over two short and two long
drawers, raised on bracket feet. 93cm by 86cm by 45cm
361A brass Corinthian columnar standard lamp, the fluted column on a stepped square base supported on paw feet. Height inc. fitting
143cm
362 A large late 19th century pine artist's easel, of characteristic form, adjustable, fitted with two drawers. 243cm by 78cm by 75cm
363A large pine kitchen dresser and rack, the superstructure with moulded cornice above glazed sliding doors enclosing shelves, the base
with four frieze drawers above sliding cupboard doors beside open shelves, raised on a block base. 220cm by 213cm by 48cm
364
A George III satinwood crossbanded and inlaid mahogany Pembroke table, c. 1800, of characteristic form, the top centred by an oval
patera, the bowfronted drawer and opposing apron each flanked by inlaid urns, raised on inlaid square section tapering legs moving on
castors. 70cm by 89cm by 56cm (clos ...[more]
365
An unusual 19th century mahogany commercial chest of drawers, the rectangular top with backboard above eight short drawers each
gilt lettered with the name(s) of British cities including London, Cardiff, Liverpool etc, each drawer with turned pull. 96cm by 98cm by
44cm
366 A painted iron campana form garden urn. 62cm by 48cm
367A 19th century painted wirework garden or conservatory planter, oval, centred by an umbrella form upright for suspension, with trellis
sides, raised on a scrolling metal quadfoil legs. 124cm by 98cm by 60cm
368 A carved stone trough planter, cylindrical. 32cm by 38cm
369A Tabriz style carpet, the centre medallion enclosed within a scalloped radiating medallion with multiple flowerhead border (patches of
general wear) (290cm x 215cm)
370A Turkoman rug, the centre panel with three rows of diamonds, with running dog style borders, enclosed within a multiple flowerhead
border and geometric border, red field (326cm x 240cm)
371A pair of Kelim flat woven rugs, the central panel with seven rows of boteh enclosed within a stylised boteh multiple border, on a blue
field. Each c. 390cm by 190cm
372An Iranian Kashan fine hand knotted wool carpet, the central shaped medallion with lotus flower and radiating lotus flower and leaf
border and multiple scrolling poppy, cornflower and lotus flower borders, on a red field. c. 405cm by 305cm