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Rap Music

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1980s- Run DMC, Chuck D

promote socio-political empowerment

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1982

1986

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“a heartless criminal, fulfilling his own

destructive prophecy . . .” (Jeffries 78).

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Fear turned into fascination 

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“70% of the consumers of Hip Hop culture and music

are white and the majority of corporate backing of the

Hip Hop industry is from white-owned corporations”

(Rebollo-Gil and Moras).

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“bottom line” . . . money

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black violence

aggression

misogyny

materialism

far-right WhiteSupremacists

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“African Americans and WorkPlace Discrimination”

European-American Journals 

Unemployment Rates

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post-racial

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Works Cited

"Arizona Local News - Phoenix Arizona News - Phoenix Breaking

News - Azcentral.com." Azcentral . Gannett Satellite InformationNetwork, n.d. Web. 4 Dec. 2015.

Fernandes, Lily, and Nora Hadi Q Alsaeed. "African Americansand WorkPlace Discrimination." European Journal of English Languageand Literature Studies 2.2 (2014): 56-76. European-American Journals .July 2014. Web. Dec. 2015.

Jeffries, Michael P. Thug Life: Race, Gender, and the Meaning ofHip-hop . Chicago: U of Chicago, 2011. Print.

Rebollo-Gil, Guillermo, and Amanda Moras. "Black Women andBlack Men in Hip Hop Music: Misogyny, Violence and the Negotiationof (White-Owned) Space." Journal of Popular Culture  45.1 (2012):

118-32. SPORTDiscus with Full Text . Web. 9 Nov. 2015.

Rolling Stone . Rolling Stone L.L.C., n.d. Web. 4 Dec. 2015.