NOTE FROM THE EDITOR

In orchestral music, there are many editorial markings that are open for interpretation. In an effort to maintain consistency and clarity you may find some of these markings in this piece. In general, markings for fingerings, bowing patterns, and other items will only be marked with their initial appearance. For a more detailed explanation of our editorial markings, please download the free PDF at www.alfred.com/stringeditorial.

xextended position

-shift

A , [ , Nhigh or low fingerings

,

bow lift/reset≥ ≥ or ≤ ≤

hooked bowings

I hope you will find these explanations to be helpful. Best wishes with all of your musical endeavors!

Chris M. BernotasDirector of String Publications

Whether or not you have the Harry Potter: Wizards Unite augmented reality game on your mobile device, you’re sure to recognize the iconic music used in the Harry Potter franchise. Five diverse excerpts from the game are included in this medley. Wands at the ready? Let the magic begin!

PROGRAM NOTESDrawing heavily upon the inspiration and creative genius that is the Wizarding World of J. K. Rowling, Harry Potter: Wizards Unite, the augmented-reality mobile game, allows participants to interact on a personal, real-time level as they travel within a hidden universe around them that they never knew existed until now.

Players combat Fantastic Beasts, brew potions, find magical artifacts, and cast life-changing spells along with well-known characters from the franchise. But whether or not you have the game app on your mobile device, the music heard throughout (including the five titles in this arrangement) is familiar to everyone who has experienced the Harry Potter films. So, my wizarding friends, wands at the ready! Here we go!

Grade 2½

Selections from the real-world augmented reality mobile game

Harry Potter: Wizards UniteFeaturing Hedwig’s Theme, Profile: Selfie Avatar, Fawkes the Phoenix,

Care of Magical Creatures Encounter, and Victory Fanfare

Composed by John Williams except “Care of Magical Creatures Encounter”

Composed by Nicholas Hooper

Arranged by Douglas E. Wagner

Please note: Our band and orchestra music is collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order.

INTERMEDIATE STRING ORCHESTRA

INSTRUMENTATION

1 Full Score 8 Violin I 8 Violin II 5 Violin III (Viola &) 5 Viola 5 Cello 5 String Bass 2 Percussion

(Mark Tree/Triangle/Suspended Cymbal)

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NOTES TO THE CONDUCTORScored for overall accessibility, players will encounter few technical problems as they practice and rehearse their way through this title. Most of the arrangement is set in D major, with a few essential chromatics in several places.

Each of the five excerpts has its own inherent style, requiring a slightly different approach to effective performance, from the light, mystical “Hedwig’s Theme,” to the invigoratingly triumphant “Victory Fanfare.”

Some fun staging options may present themselves. Players could have hats, wands, or other Potter paraphernalia on the floor next to their chairs to display just before they perform this arrangement. Also, the conductor could be presented with a wand to conduct with from the narrator, or better yet, from an appropriately costumed character who magically appears on stage (with appropriate lighting and perhaps special effects).

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ã

##

##

##

##

##

4

3

4

3

4

3

4

3

4

3

4

3Percussion(Mark Tree/Triangle/Suspended Cymbal)

I

String Bass

II

Viola(Violin III)

Violins

Cello

œ

≤

Œ

Œ

Œ

Œ

Œ

With mystery (Œ = 126)“Hedwig’s Theme” - Composed by John Williams

P

.œ

≥

J

œ œ

.˙

≥

.˙

≥

∑

∑

1

.O

p

p

Mark Tree

p

˙

œ

.˙

.˙

∑

∑

2

.O

.˙

.˙

.˙

∑

∑

3

.O~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~

~~~~~~~~

~~~~~ ~~~~~~~~~~~~~~~~

&

&

B

?

?

ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

.˙

.˙

.˙

∑

∑

4

.O

.œJ

œ œ

.˙

.˙

∑

∑

5

.O

˙b œn

˙n œ#

˙b œn

∑

∑

6

.O

1

2

2

.˙

Œ Œ

œ

≤

˙N Œ

∑

∑

7

.O

3

˙ œ

.˙

.˙

≤

∑

∑

8

.O

2

~~~~ ~~~~

~~~~

~~~~ ~~~~~~~~~~~~~~~~ ~~~

~~~~~~

~~~~~~

~ ~~~~~~~~~~~~~~~~~ ~~~~~~

~~~~~~

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Harry Potter: Wizards UniteFeaturing Hedwig’s Theme; Profile: Selfie Avatar; Fawkes the Phoenix;

Care of Magical Creatures Encounter; and Victory Fanfare

Duration - 3:30

© 2002-2011 WARNER-BARHAM MUSIC LLC (BMI)All Rights (Excluding Print) Administered by SONGS OF UNIVERSAL (BMI)

Exclusive Worldwide Print Rights Administered by ALFRED MUSIC This Arrangement © 2020 WARNER-BARHAM MUSIC LLC (BMI)

All Rights Reserved including Public Performance

Composed by John Williamsexcept “Care of Magical Creatures Encounter”

Composed by Nicholas HooperArranged by Douglas E. Wagner

Selections from the real-world augmented reality mobile game

FULL SCORE

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&

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ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

.œ

≥

J

œ œ

.˙

≥

.˙

≥

.˙≥

∑

9

.O

9

p

˙

œ

.˙

.˙

.˙

∑

10

.O

˙ œb

.˙n

.˙

.˙

∑

11

.O

F

P

P

P

2˙

œb

.˙b

.˙n

.˙

∑

12

.O

2 4

1

.œ

J

œ œn

.˙N

.˙

.˙

∑

13

.O

rit.1

1

~~~~~~~~~~~~~~~

~~~ ~~~~~~~~~~~~~~ ~~~

~~~~~~

~~~~~ ~~~~~~~~~~~~~~ ~~~

~~~~~~

~~~~~~

&

&

B

?

?

ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

˙n

œ

.˙

.˙

.˙#

∑

14

.O

x4

.˙

Œ Œ

œ

≤

Œ Œ œ

≤

.˙

∑

15

¿

Œ Œ

1

˙

J

œ ‰

˙

j

œ‰

˙

J

œ ‰

˙

J

œ

‰

∑

16

∑

,

∑

Œ

˙

≥

Œ œ

≥

œ

.˙

≥

∑

17

∑

a tempo

∑

Œ

˙

Œ œœ

.˙

∑

18

∑~~~

~ ~~~~~~

~~~~~~

~~

4

48055S

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&

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?

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ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

∑

Œ

˙

Œ œœ

.˙

∑

19

∑

Œ ‰

.œ

≤

Œ

˙

Œ œœ

.˙

∑

20

∑

.œ

≥ j

œ œ

Œ

˙

≥

Œ œ

≥

œ

.˙

≥

∑

21

∑

“Profile: Selfie Avatar” - Composed by John Williams 21

.œ

J

œ œ

∑

Œœ œ

.˙

∑

22

∑

˙ œ

.˙

≤

Œ œ œ

.˙

∑

23

∑

&

&

B

?

?

ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

.˙

Œ

œœ

Œ ˙

≥

.˙

∑

24

∑

.˙

.˙

œ˙

.˙

∑

25

∑

,

.ϳ

J

œ œ

Œ ˙

≥

Œ

ϳ

œ

.˙

≥

∑

26

Œ ±

P

Triangle

.œ

J

œ œ

œ˙

˙ œ

.˙

∑

27

Œ ±

.œ

J

œ œ

.˙

˙ œ

.˙

∑

28

Œ ±

5

48055S

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##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

.˙

.˙

œœ

œ

.˙

∑

29

Œ ±

.˙

.˙

œ˙

.˙

∑

30

∑

,

.ϳ

J

œ œ

.œ

≥

j

œ œ

.˙

≥

.˙

≥

.˙≥

31

∑

31 4

P

.œ

J

œ œ

.œ

j

œ œ

.˙

.˙

.˙

32

∑

.œ

J

œ œ

.œ

j

œ œ

.˙

.˙

.˙

33

∑

f

f

f

f

f

&

&

B

?

?

ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

.œJ

œ œ

.œ

j

œ œ

.˙

.˙

.˙

34

∑

.œ

j

œ œ

.œ

j

œ œ

.˙

.˙

.˙

35

∑

.œJ

œ œ

.œ

j

œ œ

.˙

.˙

.˙

36

∑

.œ

J

œ œ

.œ

j

œ œ

.˙

.˙

.˙

37

∑

x2

6

48055S

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##

##

##

##

##

8

6

8

6

8

6

8

6

8

6

8

6Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

.˙

.˙

Œ Œœ

≥

.˙

.˙

38

∑

P

4

.˙

.˙

œ˙

.˙

.˙

39

∑

P

P

P

P

œ

‰

.œ

œ Œ Œ

œŒ Œ

œ Œ Œ

œŒ Œ

40

∑

rit.

p

.˙

≥

Œ Œ

œ

≤

Œ Œ œ

≤

Œ˙≥

Œ

˙≥

41

∑

p

p

p

p

3

.˙

U

.˙

U

.˙

U

.˙U

.˙U

42

.±

U

p

&

&

B

?

?

ã

##

##

##

##

##

8

6

8

6

8

6

8

6

8

6

8

6Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

Œ . ‰

œ

≤

œ

Œ . ‰

œ

≤

œ

∑

.˙

≤

∑

43

∑

A bit quicker, freely (Œ˘ = 60)“Fawkes the Phoenix” - Composed by John Williams

F

F

F

43

.œ

≥

.œ

.œ

≥

.œ

.œ

≥

.œ

.ϳ

.œ#

.˙

≥

44

∑

F

F

x2

œ

j

œ.œ

œ

j

œ.œ

.œ .œ

.œ.œ

.˙

45

∑

4

4

1 x2

.œ

.œ

.˙

.˙

.˙

.˙

46

∑

.œ.œ

.˙

.˙

.˙

.˙

47

∑

7

48055S

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&

B

?

?

ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

œ œ œ.œ

.œ.œ

.œ .œ

.œ.œ

.œ.œ

48

∑

3

.œ Œ .

.œœ œ œ

.œ œ œ œ

.œ .œ

.œ .œ

49

∑

4

∑

œ œœ

.œ

œ œ œ .œ

.œ .œ

.œ .œ

50

∑

4

‰œ≥

œ œ œ œ>

œ œœ œ

.˙

.˙

.˙

.˙

51

∑

4

∑

‰

œ

≥

œ œ œ œ

>

œ œœ œ

.˙

.˙

.˙

52

∑

,

,

x2

&

&

B

?

?

ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

.œ

≥

.œ

.œ

≥

.œ

.œ

≥

.œ

.ϳ

.œ#

.˙

≥

53

‰ — ‰ —

53

F

œ

j

œ.œ

œ

j

œ.œ

.œ .œ

.œ.œ

.˙

54

‰ — ‰ —

1

.œ

.œ

.œ

.œ

.˙

.˙

.˙

55

∑

.œ.œ

.œ.œ

.˙

.˙

.˙

56

∑

8

48055S

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ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

œ œ œ œj

œ

.œ .œ-

.œ .œ-

.œ .œ

.œ .œ

57

∑

x4

œ œœ œ

œ œ

.œ .œ-

.œ .œ-

.œ.œ

.œ .œ

58

∑

œ j

œ

œœ

œ

œ

j

œœ

j

œ

œj

œ .œ

.œ .œ

.œ.œ

59

∑

4

3

œ œœ

.œ œ œ

œ œœ

.œ œ œ

.œ .œ

.œ.œ

.œ.œ

60

∑

&

&

B

?

?

ã

##

##

##

##

##

4

4

4

4

4

4

4

4

4

4

4

4Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

œ œ

œ.œ

œ œ œ .œ

.œ .œ

.œ.œ

.œ .œ

61

Œ . .—

4

.˙

.˙

.˙

.˙

.˙

62

.±

x2

œ

≥j

œ.œ œ œ

.œ

≥

.œ

.œ

≥

.œ

.œ

≥

.œ

.ϳ

.œ

63

∑

rit.

P

P

P

P

P

.œ œ œ.œ

.œ œ œ .œ

.œŒ

j

œ

.œ Œ

J

œ

.œ

ΠJ

œ

64

.— .—

P

1

.˙U

.˙

U

.˙

U

.˙U

.˙

U

65

.±

U

"

"

"

"

"

"

9

48055S

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&

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ã

##

##

##

##

##

4

4

4

4

4

4

4

4

4

4

4

4Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

œ.

≥

œ.

Œœ#.

≥

Œ

œ.

≥

Œœn.

Œ œ.

≥

Œ œ.

Œ.œ

≥

œJ

œn‰

J

œ‰

œ.

≥

Œ œ.

≥

‰J

œ.≤

66

∑

“Care of Magical Creatures Encounter” - Composed by Nicholas Hooper

Playfully with a swing feel (Π= 104)66

f

,

,

Œœ.

≥

œn.

Œ

Œ

œ.

≥

œ.

Œ

Œ œ.

≥

œ.

Œ

Œ.œa

œœn

Œ

œ.

Œ Œ œ-

67

∑

,

1Œ

œa.

Œœn.

Œ

œ.

Œ

œ.

Œ œ.

Œ œ.

Œ.œa

≥

œJ

œn‰

œ

œ.

Œ œ.

Œ

68

∑

j

œa.

‰ Œ Ó

j

œ.

‰ Œ Ó

j

œ.

‰ Œ Ó

J

œa.

‰ Œ Ó

J

œ.

‰J

œ.

‰ .œ J

œ.

69

∑

F

&

&

B

?

?

ã

##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

Œ.œ

≥

œ

j

œn‰

j

œ‰

Πj

œ.

≥

‰ j

œ.

‰ j

œ.

‰

Œ

j

œ.

≥

‰

J

œ.

‰

J

œ.

‰

˙≥

˙#

œ

≥

Œ œ Œ

70

±

F

F

F

F

F

x2

Œ.œa

œ

j

œn‰ Œ

Πj

œ.

≤

‰ j

œ.

‰ j

œ.

‰

Œ

j

œ.

≤

‰

J

œ.

‰

J

œ.

‰

˙ œ#

J

œ.

‰

œŒ œ Œ

71

±

∑

Œ.œ

. œ.

j

œn.

‰j

œ.

‰

Œ

j

œ.

‰

J

œ.

‰

J

œ.

‰

˙≤

œ#

J

œ.

‰

œŒ œ Œ

72

±

.œ

>≥

œn .œ œb .œ œb .œ œn

Œ

œ

≤

œb œn œn

Œœ

≤

œb œn œn

Œ œ

≤

œb œn œn

˙ ˙

73

∑

4

1 1

1 2 3

10

48055S

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##

##

##

##

##

8

6

8

6

8

6

8

6

8

6

8

6Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

œaŒ Ó

Œ.œa

≥

œ

j

œn‰

œ

Œ œ.

≥

Œ œ.

Œœa.≥

Œœn.

œ

≥

Œ œ Œ

74

∑

3

3

Œ

.ϳ

œJ

œn

‰ J

œ

‰

Œ.œa

œ

j

œn‰

j

œ‰

Œ œ.

Œ œ.

Œœa.

Œœn.

œŒ œ Œ

75

∑

Œ

.œa≥

œJ

œn

‰ J

œ

‰

Œ.œa

œ

j

œn‰

j

œ‰

Œ œ.

Œ œ.

Œœa.

Œœn.

œŒ œ Œ

76

∑

.˙a

Œ

.˙aŒ

.˙ Œ

.˙aŒ

Œœ.≤

œ-

≥

Œ

77

∑

"

"

"

"

"

"

&

&

B

?

?

ã

##

##

##

##

##

8

6

8

6

8

6

8

6

8

6

8

6

4

3

4

3

4

3

4

3

4

3

4

3Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

∑

∑

∑

œ

≥

œ œ# œ œœ

.˙

≥

78

.Oæ

Building (Œ˘ = 104)Building (Œ˘ = 104)

P

P

Suspended Cymbal (w/mallets)

P

x21

œ#

≥

œ œ œ œœ

œ#

≥

œ œ œ œœ

Œ .œ

≤

œ œ

œ œœ# œ œ

œ

.˙

79

.Oæ

F

F

F

11

1 1

œ

≥

œ œ

.˙

≥

.˙

≥

.˙≥

.˙

≥

80

.O

Triumphantly (Œ = 104)“Victory Fanfare” - Composed by John Williams

80

f

f

f

f

f

f

4

3

œ œ

œ

.˙

.˙

.˙

.˙

81

∑

11

48055S

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&

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##

##

##

##

##

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

œ>

œ

œ

.˙

.˙

.˙

.˙

82

∑

œ ˙

.˙

.˙

.˙

.˙

83

∑

œ.≥

œ. œ

>

œ

œ.

≥

œ.

œ

>œ

œ.

≥

œ.

œ

>

œ

œ.

œ.

œ>

œ

œ.

œ.

œ>

œ

84

∑

-4

œ.

œ. œ

>

œ

œ.

œ.

œ

>œ

œ.

œ.

œ

>

œ

œ.

œ.

œ>

œ

œ.

œ.

œ>

œ

85

∑

œ.

œ. œ

>œ

œ.

œ.

œ

>

œ

œ.

œ.

œ

>

œ

œ.

œ.

œ>

œ

œ.

œ.

œ>

œ

86

∑

&

&

B

?

?

ã

##

##

##

##

##

nnb

nnb

nnb

nnb

nnb

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

J

œ‰

˙

j

œ

‰

˙

j

œ ‰ ˙

J

œ‰

˙

J

œ‰

˙

87

∑

4

-1

œN

≥

œN œ

.˙N

≥

.˙

≥

.˙N≥

.˙N≥

88

∑

88

œ œA

œ

.˙

.˙A

.˙

.˙

89

∑

œ>

œœ

.˙

.˙

.˙

.˙

90

∑

œ ˙

.˙

.˙

.˙

.˙

91

∑

12

48055S

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se

&

&

B

?

?

ã

b

b

b

b

b

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

œ

œ

.≥

œ

œ

. œ

œ

>

œ

œ

œ.

œ.

œ

>

œ

œ.

œ.

œ

>

œ

œ.

œ.

œ>

œ

œ.

œ.

œ>

œ

92

∑

div.

œ

œ

.œ

œ

. œ

œ

>

œ

œ

œ.

œ.

œ

>

œ

œ.

œ.

œ

>

œ

œ.

œ.

œ>

œ

œ.

œ.

œ>

œ

93

∑

œ

œ

.œ

œ

. œ

œ

>œ

œ

œ.

œ.

œ

>

œ

œ.

œ.

œ

>

œ

œ.

œ.

œ>

œ

œ.

œ.

œ>

œ

94

∑

J

œ

œ‰

˙

˙

j

œ

‰

˙

j

œ ‰ ˙

J

œ‰

˙

J

œ

‰

˙

95

∑

-1

-1

&

&

B

?

?

ã

b

b

b

b

b

Perc.

I

Str. Bass

II

Vla.(Vln. III)

Vlns.

Cello

∑

.œ

≥

œb .œ‰

œb

≥.œb

‰

œb≥ .œ

‰

∑

96

∑

rit.

4

4

∑

œ ˙

œ ˙

œb ˙

œb ˙

97

∑

p

p

p

p

-1

-1

.œ

≤ j

œb œ

.˙

.˙

.˙

.˙

98

.O

Much slower

P

Mark Tree

p

4

˙

œ

.˙

.˙

.˙

.˙

99

.O

( ≥ )

( ≥ )

( ≥ )

( ≥ )

.˙

U

.˙

U

.˙

U

.˙U

.˙U

100

.O

U

~~~~~~

~~~~~~

~~~~

~~~~

~~~~

~~~~~~~~~~~~~~~

13

48055S

Prev

iew

Only

Lega

l Use

Req

uire

s Pu

rcha

se