shara j tech file
DESCRIPTION
Industry Brief project tech file for Sophie Hallette laceTRANSCRIPT
SHARA JOHNSON
FDD GROUP A Technical File
Sophie Hallette lace
Pic ‘n’ Mix
SLASH AND SPREAD WITH COLLAR EXERCISE
SKIRT FLARE
Divide skirt
into 12
equal parts
2cm apart
and cut
into them
to the top
and spread
the bottom
4cm apart
between
each strip
SLASH AND SPREAD
TRACE OFF
Trace off new flared piece and separate the skirt in half with a line for the top skirt and under skirt.
FOLD OUT DART
Put
pattern on
the stand
to see if as
much flare
as desired
is there.
Apply the
same
routine for
adding
flare to
the back.
SKIRT FACING Trace off 3cm facing for top skirt and under skirt.
However I was informed by a technician that facing were not necessary for a circle skirt and that it was just best to hem it.
FRONT AND BACK, TOP AND UNDER SKIRT
BODICE Putting in new dart positions
SLASH AND SPREAD FOR NEW DART
Front Back
SLEEVE For raglan sleeve (almost), move centre
notch on sleeve head 1cm towards the front
of sleeve. Then on the front bodice take off
1cm and add it onto the back
SLEEVE SHAPE
Draw on sleeve
shape onto the
back, trace the
shape off and then
close the back
shoulder dart .
Draw sleeve shape
onto the front,
making sure both
the front and back
line up and then
trace of pieces.
SLASH AND SPREAD
Cut out traced of pieces and lay them on top of new sleeve shape and slash and spread ends of them so they fit smoothly on the sleeve armhole line.
LAYING NE PIECES ON SLEEVE
When both new pieces are laid n top of the sleeve they should create a triangular shape / dart at the top
SLEEVE CUFF AND OPENING
To get the
sleeve
opening,
fold sleeve
in half, and
then fold the
back of
sleeve to the
half way
point, and
that is where
the sleeve
opening
should be,
the sleeve
opening is
usually
about 8cm
but for this
design it is
15cm with a
0.75cm strip
for binding
either side
SLEEVE CUFF To do
sleeve cuff draw a horizontal line on both sides of original sleeve line (length 4,5cm) on each side to give a 9cm cuff in length.
CUFF PATTERN Trace off
cuff and
measure in
2,5cm to
create
placket for
button, add
two tucks to
accommodat
e for dart
SLEEVE , BACK AND FRONT BODICE, AND
CUFF
Pattern
ready for
sampling
SLEEVE OPENING BINDING
Draw a line about 35cm on either side add 0.75cm and then 0.5cm seam allowance. Put pattern piece on the bias to give a slight stretch and press in 0.5cm
BIAS BINDING OPENING STITCHING
Stitch binding 0.5cm and then halfway stitch into the very corner of the binding, but leave
0.5cm from the corner of the sleeve, the lift foot with needle in fabric, turn fabric and continue
stiching. Fold fabric and stitch binding on right side to neaten, fold and stitch the corner in a
triangular shape.
STICTING LACE Using zigzag
stitch carefully
stitch on lace
SAMPLE OF SLEEVE AND BODICE
After doing this sample, I’m happy with the two front darts on the front bodice and how it
sits. However I do not like the lace attachment above the cuff, I feel that it looks very granny-
ish and should be placed in a different way. Also the back does not fit and is gaping, after
talking to my tutor I later realised it was because the dart was incorrect and needs correcting.
Front
side
Back
SLEEVE ALERATION
After looking at my first sample I decide I
didn’t like the dart on the sample (too bulky)
so I turned the dart into a seam and thought
that I could insert the lace with the
scalloped edge into it which would much
more interesting than lace around the cuff.
INSERTING LACE AND PIPING
To insert lace and
piping on first
then lace , then
other side of
sleeve then with
an invisible zip
stitch and cut
around scalloped
edge. I think the
scalloped edge
looks very
effective against
the sleeve.
However one edge
of the sleeve is
longer than the
other, so I need to
recheck my
pattern to see if its
incorrect or if it
just the way I held
the fabric.
However although
I like this, I will
not be using this
fabric for my final
design, it frays
waaaay to much
and does n’t give a
nice neat finish.
2ND SAMPLE OF SLEEVE AND LACE INSERT
I’m very happy with the outcome of the sample, I
corrected the back dart so it fit much better, I very
much prefer the lace being placed in this way as a
pose to the other method, love the scalloped edge
and piping and I think I will stick with this for my
final design, but change the sleeve fabric. ,
COLLAR
For the collar I used the method
learned in class by putting the
collar on in paper, drawing on the
design and then slashing and
spreading it. When I got the shape
I wanted I then laid it out flat on
to paper and drew how far I
wanted it to go into the bodice
and drew on the other bodice
seam lines.
1ST SAMPLE
This sample gives the
general idea of the collar,
however it is to thin and the
gap is to big and will not
stand up the way I would
like, the fabric I would use
would have to have a slight
stiffness to it.
Also the way I’ve bagged it
out is wrong, I tried to
attach the collar first and
then fold the edges of the
outside and middle in and
then stitch…it didn’t work.
Next time I will bag the
collar out before I attach it
COLLAR INTERROGATION
I have made an alteration on
the front of the collar by
extending the end 1,5cm so
that it can be sewn and folded
properly without ending at a
point
front alteration Back
2ND COLLAR PATTERN AND SAMPLE This collar pattern
worked out much better on the sample, because I had made it 1cm wider reducing the size of the gap by 1cm. And altered the front, and should work much better than the old one. New collar Old collar
COLLAR CONSTRUCTION 2ND SAMPLE
I started by stitching the shape in the middle first and clipping it all the way around to release tension on the fabric and then bagged it out and pressed it. I then stitched bagged out the edge from inside and pulled it through.
I am very happy with the shape of the collar now, it looks smooth, it looks wide enough and is bagged out enough, how ever whether its stands up depends on the interfacing and fabric.
COLLAR SAMPLE WITH VERY THICK
INTERFACING
I thought that this interfacing would work as it was very stiff, but it made the collar extremely difficult to sew and I wasn’t able to bag it out properly and caused a lot of bunching, thinner interfacing would be much more appropriate.
3RD COLLAR SAMPLE
This collar sample is much
better, because the
interfacing is just right,
however this fabric (satin
acetate) has a tendency to
singe or melt slightly
under to much heat and
also frays very easily, and
because I need to stretch
and pull this fabric quite a
lot to bag it out properly I
am not going to use it for
the collar on the final
design.
TOILE CONSTRUCTION
After drawing on the seam lines for the
front at and back bodice panels, I traced
them off and began cutting out the skirt
and the bodice pieces.
FRONT BODICE
1. Cut out and
mount lace on
fabric
Polka dot panel
Blue strip ,
darts.
BACK AND FRONT BODICE Over all I’m happy
with the fit and seam lines in the bodice.
Front Back
ADDING SKIRT Zip insertion
Tucks and gather
TOILE OUTCOME
Overall I am happy with outcome of this toile, however there are adjustments and improvements that need to made to the final design.
IMPROVEMENTS TO BE MADE ON DESIGN The strip is
bunching and next time needs to be cut as a straight strip instead of a curved one and then clipped inside for it to lie flat.
The collar needs bagging out properly with accuracy to reduce bunching
Make sure skirt and bodice side seams match.
MORE IMPROVEMENTS.
The centre back seams
when the zip is put in
need to match up or
the whole thing will
look off. The zip also
needs to be longer, it is
on 17’’ which isnt long
enough to get over the
shoulders or hips
properly so next time I
will be using a 22’’ zip
make sure that the
binding is on the
outside and not on the
inside (silly mistake).
FINAL DESIGN CONSTRUCTION
Due to some of the fabrics I wanted to use felt quite flimsy, I decided to mount them against a white cotton to give the bodice a little more thickness
BODICE
Sew darts, sew blue strip straight piece to polka dot
panel, snip corner to relieve fabric tension and press
TOP SKIRT AND UNDER SKIRT
Cut out
top and
underskir
t front
and back ,
stitch side
seams and
press
ADDING GATHER To do gather I
put the
machine on the
largest stitch
and did 2
running
stitches
stopping
halfway into
the skirt so
that when I
gathered I
would do it
from both sides
of the skirts to
get and equal
amount.
GATHER AND STITCHING SKIRT TO BODICE
Gather skirt to 64cm and stitch to bodice, I didn’t put any tucks in the skirts , a
technician told me I didn’t need to put them in if the skirt was being gathered
INSERTING ZIP AND BLUE STRIP
For blue strip
cut straight
piece 4cm wide
fold in half
press, fold in
half again and
press
Back
INSERTING ZIP
Stitch 1cm in and fold out for a smooth corner, using invisible
zip foot insert zip. Using left/ right food finish seam, but clip
the blue top skirt so that you can sew the seam separately and
isn't trapped in the seam with the under skirt.
LINING AND FACING
I chose these
colours for the
lining because I
wanted the
inside to
resemble
liqourice
GATHERING NET (8 METRES)
ATTACHING LINING TO NET
I’m pleased with the outcome of the lining
and happy with colour choice
COLLAR
I wanted to trap lace in the gap which I think wouldve looked interesting but I quickly disregarded that idea because I realised it would’ve been near impossible to bag it out.
Also instead of doing a belt as was on the original design, I have decided not to do one, I feel that there is already enough going on with the dress, and so I have taken the black and pink stripes from the waist and transferred them to the neck which I think will look better
USING RIGHT FOOT TO STICH END OF ZIP AND
BACK
INSERTING LACE INTO SLEEVE
I measured 5cm from the scalloped edge for the sleeves. I decided to use 2
different fabrics for the arms due to me making a mistake of cutting the pair
wrong and not having enough fabric – so I’ve improvised – I love it!
FINAL OUTCOME
ITS BARBIE!!!!!
I Call it Sherbet v
Liquorice
‘Pic n Mix’!
front Back
EVALUATION
Overall I am very pleased with the out come of this dress, it was a lot of work and I realise now that I should’ve started earlier but I am still pleased.
There are a few things I need to still improve e.g I did forget to over lock one seam on the arm and the bias binding on one of the sleeves is a little weird due to me rushing. I also think that the cuffs and zip at the back could’ve been resolved a little more as it is not sitting as perfectly as I would like. I’m happy with the fabric choices and I think it embodies my theme, my muse Niki minaj as well as my lace very well, I think I’ve been true to myself and done lace in an unexpected way, and pushed myself in terms of silhouette and producing a design which has lot of detail and mixed the colours well, I definitely think that this was because I bought my fabric first and then designed around it instead of doing it the other way round and it helped a lot. Long live my Sherbet dress!
DYEING THE LACE FLAMINGO PINK!
DYEING LACE AND PIPING
I put the dye in with 6 litres of water but I’m
realising that I should’ve left the dye more
concentrated to get it more pink. However I
am happy with the outcome of the lace. I had
to leave both the lace and piping in overnight
to get the oink I wanted. The green elastic
would not dye, however I like the contrast.
Before
After
LACE AND PIPING SAMPLES