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Page 1: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

TOCP-6883

Page 2: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

1 The Best 4 09”

2 What's Love Got To Do With It 3’49"

3 I Can't Stand The Rain 3 42”

4 I Don't Wanna Lose You 4’18”

5 Nutbush City Limits (The 90's Version) 3’43”

6 Let's Stay Together 3’38”

7 Private Dancer 4 00”

8 We Don't Need Another Hero (Thunderdome)4’i5”

9 Better Be Good To Me 3 38”

10 River Deep - Mountain High 3 38”

11 Steamy Windows 4 03”

12 Typical Male 4’15”

13 It Takes Two (Duet With Rod Stewart) 4'12”

14 Addicted to Love (Live) 5’03”

15 Be Tender With Me Baby 416”

16 I Want You Near Me 3’52”

17 Way Of The World 4’24”

18 Love Thing 4’28”

Executive Producer: Roger Davies

0 1991 The Copyright in This

Compilation is Owned By Capitol

Records lnc.0 1991 Capitol Records Inc.

rt m'rr„ 91 *10*30 STEREO MADE IN JAPAN m

3,000 R (B«flStt2,913R)

TO

CP

-6883

h—

Page 3: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

The Best 4 09" -tf-'KT.h

What's Love Got To Do With It 3 49

I Can't Stand The Rain 3 42" nizttfcnr

I Don't Wanna Lose You 4'18" ^•SbS-^-Jb-X-n.-

Nutbush City Limits(The 90's Version) 3'43" X"J^X"J'yzi-2/r-r • (90's ^7—Vb »

Let's Stay Together 3 38 b^-xx-r-s-5^1f-

Private Dancer 4 00"

We Don't Need Another Hero(Thunderdome) 4 1 MSKDL-P-

Better Be Good To Me 3 38 fotcItzCDtOZ

River Deep-Mountain High 3 38 'j?7—y^-y-yoyyy-ju

Steamy Windows 4 03" —o^yv-ox

Typical Male 4 15"

It Takes Two(Duet With Rod Stewart) 4'12" • x-fOX • So—

Addicted To Love (Live) 5 03 T'x-f^xoS • So • (x'f *X)

Be Tender With Me Baby 4 16" bf- • x> ?-• O4X • 5—ah'tf-

I Want You Near Me 3 52 rbS-P-——7-5—

Way Of The World 4 24 ^i-r-7r^*+f*9-jbs

Love Thing 4 28 1

Page 4: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens
Page 5: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

1 The Best (H. Knight / M. Chapman)

Published by Colgems-EMI

Music Inc. o/b/o itself and

Knighty-Knight Music/Mike Chapman Publishing

Enterprises, (Admin, by All

Nations Music) (ASCAP)

Produced by: Dan Hartman

and Tina Turner

Arranged by: Tina Turner

Recorded by: Chris Lord-Alge

Rhythm Guitar: James Ralston

Rhythm Guitar: Gene Black

Acoustic Guitar and

Keyboards: Dan Hartman

Power Theme Guitar: Pat Thrall

Keyboards and Bass Pulse:

Phil Ashley

Additional Theme Keyboards

and Strings: Elliot Lewis

Additional Bridge Keyboards:

Phillipe Saisse

Sax Solo: Edgar Winter

Bass: T.M. Stevens

Drums: Art Wood

Backing Vocals:

Lance Ellington, Tessa Niles

and Dan Hartman

Lance Ellington appears

courtesy of A&M Records

2. What's Love Got To Do

With It

(T. Britten / G. Lyle)

Published by Myaxe Music Ltd.

Admin, by WB Music

Corp./Irving Music, Inc.

(PRS/ASCAP/BMI)

Produced by: Terry Britten

Engineered and Mixed by:

John Hudson Recorded at: Mayfair Studios,

London Keyboards:

Nick Glennie-Smith,

Billy Livsey Drums: Graham Jarvis

Percussion: Simon Morton

Guitar: Terry Britten

Backing Vocals: Tessa Niles

and Terry Britten

3. I Can't Stand The Rain

(Peebles / Bryant / Miller)

Published by Irving Music, Inc.

(BMI)

Produced by: Terry Britten

Engineered and Mixed by:

John Hudson

Recorded at: Mayfair Studios

Keyboards:

Nick Glennie-Smith

Drums: Graham Broad

Guitar: Terry Britten

4. I Don't Wanna Lose You

(A. Hammond / G. Lyle)

Published by Albert Hammond

Music Adm. by WB Music

Corp./Almo Music Corp.

(ASCAP)

Produced by: Roger Davies,

Graham Lyle and

Albert Hammond Recorded by: Tommy Vicari

and Mike Ging Guitar: James Ralston

Guitar: Gene Black

Keyboards, Strings:

Nick Glennie-Smith

Keyboards: Casey Young

Shaker: Albert Hammond

Sax Solo: Gary Barnacle

Synth Bass: Greg Mathieson

Drums: Geoff Dugmore

Backing Vocals: Graham Lyle,

Tina Turner, Albert Hammond

and Holly Knight

5 Nutbush City Limits

(The 90's Version)

(Tina Turner)

Published by EMI Unart

Catalog Inc./EMI Blackwood

Music Inc. (BMI)

Produced and Mixed by:

C.J. Mackintosh and

Dave Dorrell Engineered by: Robin Hancock

Recorded at: Sarm and

Larrabee Studios

Mixed at: Sarm West, London

Guitar: Phil Palmer

Keyboards: Richard Cottle

Trumpet: John Thirkell

Sax: Andy Hamilton

Horns: Steve Hamilton

Percussion: Steve Sedelnick

Backing Vocals: Tessa Niles

Programming and Additional

Instrumentation by:

C.J. Mackintosh

6. Let's Stay Together

(Green / Mitchell / Jackson)

Published by Irving Music,

Inc./AI Green Music, Inc. (BMI)

Produced and Arranged by:

Martyn Ware and Greg Walsh

Engineered by: Greg Walsh

and Walter Samuel

Recorded at: Abbey Road and

CBS Studios, London

Piano and Synthesizer:

Nick Plytas

Guitar: Ray Russell

Percussion: Frank Riccocti

Sax: Gary Barnacle

Fairlights-CMI Programming:

Greg Walsh Linn Drum Programming:

Martyn Ware

Backing Vocals: Glenn Gregory

and Martyn Ware

7. Private Dancer

(Mark Knopfler)

Published by Almo Music

Corp. (ASCAP)

Produced by: Carter

Recorded at: Wessex and

Good Earth Studios, England

Remixed by: Humberto Gatica

Drums: Terry Williams

Keyboards: Alan Clark

Guitar: Hal Lindes

Bass: John lllsley

Sax: Mel Collins

Percussion: Julian Diggle

and Carter

Guitar Solo: Jeff Beck

Jeff Beck appears courtesy of

Epic Records

8 We Don't Need Another

Hero (Thunderdome)

(T. Britten / G. Lyle)

Published by Myaxe Music Ltd.

Admin, by WB Music

Corp./Almo Music Corp.

(PRS/ASCAP)

From the Warner Bros, motion

picture "Mad Max, Beyond

Thunderdome"

Produced by: Terry Britten

Engineered and Mixed by: John Hudson at

Mayfair Studios

Assistant Engineer: Mike Ging

Guitars and Bass Guitar:

Terry Britten

Keyboards:

Nick Glennie-Smith

Sax: Timmy Cappello

Drums and Percussion:

Charlie Morgan and

Graham Broad

Kings House School Choir

9 Better Be Good To Me

(Knight / Chinn / Chapman)

Published by BMG Songs, Inc.

(ASCAP)

Produced by: Rupert Hine

Recorded at: Farmyard

in England

Bass, Keyboards, Percussion

Programming: Rupert Hine

Guitar: Jamie West-Oram

Acoustic Drums: Trevor Morais

Background Vocals:

Tina Turner, Cy Curnin and

Rupert Hine

Jamie West-Oram and

Cy Cumin appear courtesy of

Impact Records

10. River Deep -

Mountain High

(Spector / Barry / Greenwich)

Published by Mother Bertha

Music, Inc. (Admin, by Abkco

Music, Inc.) and Trio Music Co.,

Inc. (BMI)

Produced by: Phil Spector

Engineered by: Larry Levine

Recorded at: Gold Star

Recorders, Hollywood

Sax: James Horn

Sax: Plas Johnson

Fender Bass: Carol Kaye

Guitar: Barney Kessel

Piano: Lawrence Knechtel

Drums and Band Leader:

Earl Palmer

Guitar: Donald Peake

Piano: Harold Battiste

Drums: James Gordon

Upright Bass:

James E. Bond, Jr.

Percussion: Frank Capp

Trumpet: Roy.V. Caton

Percussion: Gene Estes

Other Instruments:

Robert Gerstlauer and

John Ewing

"River Deep - Mountain High"

re-mastered and equalised by

Phil Spector especially for

this release

11 Steamy Windows

(Tony Joe White)

Published by Tennessee

Swamp Fox Music Company

(Administered by EMI April

Music Inc.) (ASCAP)

Produced by: Dan Hartman

Recorded by: Chris Lord-Alge

Lead and Rhythm Guitar, Synth

Bass and Harmonica:

Tony Joe White

Electric Piano and Organ:

Dan Hartman

Rhythm Guitar: Eddie Martinez

Crunch Note, Slide and Power

Chord Guitar: Neil Taylor

Page 6: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

Horn Section: Jeff Bova

Sax Section: Gary Barnacle

Bass: Carmine Rojas

Drums: J.T. Lewis

Tony Joe White appears

courtesy Remark Records

12. Typical Male

O’. Britten / G. Lyle)

Published by Myaxe Music Ltd.

Admin, by WB Music

Corp.Almo Music Inc

(PRS/ASCAP).

Produced by: Terry Britten

Recorded and Mixed by:

John Hudson at

Mayfair Studios

Tina's Vocals Recorded at:

Studio Grande Armee, Paris

Assistant Engineer: Mike Ging

Ambisonics Surround Sound

Courtesy of Richard Elen

Guitar, Bass, Vocal Backing:

Terry Britten

Drums: Phil Collins

Keyboards:

Nick Glennie-Smith

Sax Solo: Timmy Cappello

Vocal Backing: Tessa Niles

Phil Collins appears courtesy

of Atlantic Recording

Corporation, Nth America and

Virgin Records Limited,

Rest of World

13. It Takes Two

(Duet With Rod Stewart)

(S. Moy / W. Stevenson)

Published by Stone Agate

Music (BMI)

Produced by: Rod Stewart and

Bernard Edwards

Guitars: Jeff Golub

Keyboards: Chuck Kentis

Bass Guitar: Bernard Edwards

Drums: Rave Calmer

Sax Solo: Jimmy Roberts

Rod Stewart appears courtesy

of Warner Bros. Records

14 Addicted to Love (Live)

(Robert Palmer)

Published by Bungalow Music

N.V. (Adm. by Ackee Music,

Inc.) (ASCAP)

Recorded live in London, 1987

Produced and Recorded by:

John Hudson

Additional Production by:

Chris Lord-Alge

Remixed by: Chris Lord-Alge

Drums: Jack Bruno

Bass: Bob Feit

Guitars: James Ralston,

Laurie Wisefield and

Gene Black

Keyboards: Don Snow and

Alan Clark

Sax: Gary Barnacle

Sax Solo: Timmy Cappello

Percussion: Steve Scales

15. Be Tender With Me Baby

(H. Knight/A. Hammond)

Published by Colgems-EMI

Music Inc. o/b/o itself and

Knighty-Knight Music / Albert

Hammond Music Adm. by WB

Music Corp. (ASCAP)

Produced by: Dan Hartman

Recorded by: Chris Lord-Alge

Rhythm Guitar: James Ralston

Power Guitar and Lead Guitar

Solo: Gene Black

Acoustic Guitar: Dan Hartman

Additional Lead Guitar Fills:

Pat Thrall Organ, Synth and Strings:

Phil Ashley

Additional Keyboards:

Phillipe Saisse

Bass: T.M. Stevens

Drums: Art Wood

Backing Vocals: Tessa Niles

16 I Want You Near Me

(T. Britten / G. Lyle)

Published by Myaxe Music Ltd.

Admin, by WB Music

Corp./Irving Music, Inc.

(PRS/ASCAP/BMI)

Produced by: Terry Britten at

Larrabee Studios, Los Angeles

Engineered by:

Robin Hancock and Mike Ging

Mixed by: John Hudson at

Mayfair Studios

Guitars, Bass, and Drum Programming: Terry Britten

Keyboards: Nick Glennie-Smith

Sax: Timmy Cappello

Backing Vocals: Tessa Niles

and Terry Britten

17 Way Of The World

(A. Hammond / G. Lyle)

Published by Albert Hammond

Music Admin, by WB Music

Corp./ Irving Music

lnc.(ASCAP/BMI)

Produced by: Chris Lord-Alge,

Albert Hammond, Graham Lyle

and Roger Davies

Engineered and Mixed by:

Chris Lord-Alge Recorded at: A & M Studios,

Los Angeles

Drums: Jack Bruno

Bass: Bob Feit

Piano: Kenny Moore

Keyboards: Ollie Marland and

Nick Glennie-Smith

Sax Solo: Timmy Cappello

Guitars: Gene Black and

James Ralston

Backing Vocals:

Timmy Cappello and

Tina Turner

18 Love Thing

(H. Knight/A. Hammond)

Published by Colgems-EMI

Music Inc. o/b/o itself and

Knighty-Knight Music/Albert

Hammond Music Admin, by

WB Music Corp. (ASCAP)

Produced by: Chris Lord-Alge,

Tina Turner and Roger Davies

Engineered and Mixed by:

Chris Lord-Alge

Recorded at: A & M Studios,

Los Angeles

Mixed at: Image Studios,

Los Angeles

Assistant Engineer:

Talley Sherwood at

Image Studios

Drums: Jack Bruno

Bass: Bob Feit

Guitar: James Ralston

Lead Guitar: Gene Black

For fan club information:

Tina c/o Mailman, 4708 Vesper Ave,

Sherman Oaks, CA91403

U.S.A.

© 1991 The Copyright in This

Compilation is Owned By Capitol

Records Inc. © 1991 Capitol Records Inc. Bruce Weber

Tina's clothes designed by:

Azzedine AlaTa, Paris

Tina wears fake furs

The Girls: Jenni Bolton,

Rhonda Graam,

Jules Frankham, and

Mel Dykes Art Direction: Tommy Steele

Design: Glenn Sakamoto /

Stan Evenson Design

Mastered at Capitol Records

by: Wally Traugott

Management:

Roger Davies

Management, Inc.

Piano: Kenny Moore

Keyboards: Ollie Marland Sax, Organ and Tambourine:

Timmy Cappello

Backing Vocals:

Timmy Cappello

Executive Producer:

Roger Davies

Front and Back Cover

Photography: Herb Ritts

Roger Davies - President

Lindsay Scott - Vice President

Deborah Sandvik -

Office Manager, London

Lynda Angus -

Office Manager, USA

Audrey Eden - Assistant

Page 7: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

MESSAGE FOR JAPANESE FANS:

Looking back on my career since “Private Dancer” I have so many wonderful memories-far too many to recall at once. My dream was always to pack the big football stadiums with fans and have a number one record. I performed in front of huge crowds with the Rolling Stones,Rod Stewart and David Bowie, but doing it on my own was a special thrill. Of course, “What’s Love Got To Do With It” not only topped the charts, but also won four Grammys.

When it came to compiling this album we thought it might be fun to put on some new songs-some “future hits”.Actually,“Nutbush City Limits” is a new version of an old favorite from the early 1970s, with a fresh dance twist. I think it works great. There are three totally new songs and my favorite is “Love Thing”-real rock and roll!

And the future? Well, I’ll be making more records and pursuing an acting career. Tina Turner

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Page 8: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

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Page 9: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

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Page 10: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

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[SEPTEMBER 09.1991 : MASAHARU Y0SHI0KA)

“AN EARLY BIRD NOTE”

14

The Best

I call you I need you My heart’s on fire You come to me come to me Wild and wired Oh you come to me Give me everything I need Give me a lifetime of promises And a world of dreams Sprinkling this love like You know what it means Oh and it can’t be wrong Take my heart and make it strong baby You’re simply the best Better than all the rest Better than anyone Anyone I ever met A shot from your heart I hang on every word you say Don’t tear us apart Baby I would rather be dead In your heart I see the start Of every night and every day In your eyes I get lost I get washed away Just as long as I’m here In your arms I could be In no better place You’re simply the best Better than all the rest Better than anyone Anyone I ever met Oh a shot from your heart I hang on every word you say Don’t tear apart Baby I would rather be dead Each time you leave me

I start losing control You’re walking away With my heart and my soul I can feel you even when I’m alone Oh baby don’t let go You’re the best Better than all the rest Better than anyone Anyone I ever met Oh a shot from your heart I hang on every word you say Don’t tear us apart no Baby I would rather be dead Still the best

What's Love Got To Do With It

You must understand Though the touch of your hand Makes my pulse react That it’s only the thrill Of boy meeting girl Opposites attract

It’s physical Only logical You must try to ignore That it means more than that

*Oh what’s love got to do with it What’s love but second hand emotions What’s love got to do with it Who needs a heart When a heart can be broken What’s love but sweet old-fashioned notions

It may seem to you That I’m acting confused 15

Page 11: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

16

When you’re close to me If I tend to look dazed I’ve read it someplace I’ve got cause to be There’s a name for it There’s a phrase that fits But whatever the reason You do it for me

* Repeat

I’ve been taking a new direction But I have to say I’ve been thinking about my own protection It scares me to feel this way

What’s love got to do with it What’s love but a sweet old-fashioned notion What’s love got to do with it Who needs a heart When a heart can be broken

I Can't Stand The Rain

I can’t stand the rain Against my window Bringing back sweet memories I can’t stand the rain Against my window Because he’s not here with me

Hey window pain Do you remember How sweet it used to be When we were together Everything was so grand Now that we’ve parted There’s only one sound

That I just can’t stand

I can’t stand the rain Against my window Bringing back sweet memories I can’t stand the rain

I Don't Wanna Lose You

Women of a certain age They learn to rely And judge all his responses Having played the mating game She’s doesn’t waste time ’Cause all that she wants is Really honest emotion Ones he can’t help but show Though I hardly know your name I know about love and I know I don’t wanna lose you I don’t even wanna say goodbye I just wanna hold on To this true love true love Women who have made mistakes Are a little afraid They don’t like taking chances She will play the waiting game She’s never impressed by the manly advances I know I’ve only just met you Maybe I should know better But when you look at me that way There’s something inside that’s so right I don’t wanna lose you I don’t even wanna say goodbye I just wanna hold on To this true love true love I don’t wanna lose you And I always wanna feel this way

’Cause everytime I’m with you I feel true love true love true love Tell me you’re real You’re not pretending Let’s make a deal ’Cause my heart’s depending on you I don’t wanna lose you I don’t even wanna say goodbye I just wanna hold on To this true love true love I don’t wanna lose you And I always wanna feel this way ’Cause everytime I’m with you I feel your true love true love I don’t wanna lose you I don’t even wanna say goodbye I just wanna hold on To this true love true love I don’t wanna lose you And I always want to feel this way ’Cause everytime I’m with you I feel your true love true love

Nutbush City Limits

A church house gin house A school house out house On highway number nineteen The people keep the city clean They call it Nutbush oh Nutbush Call it Nutbush city limits

Twenty-five was the speed limit Motorcycle not allowed in it You go t’the store on Friday You go to church on Sunday They call it

Nutbush oh Nutbush Call it Nutbush city limits

You go t’the fields on weekdays And have a picnic on Labor Day You go to town on Saturday But go to church ev’ry Sunday They call it Nutbush oh Nutbush Call it Nutbush city limits

No whiskey for sale You can’t cop no bail Salt pork and molasses Is all you get in jail They call it Nutbush oh Nutbush Call it Nutbush city limits

Little old town in Tennessee That’s called a quiet little old community A one-horse town you have to watch What you’re puttin’ down in old Nutbush They call it Nutbush oh Nutbush Call it Nutbush city limits

Let's Stay Together

Let me say since Since we’ve been together Loving you forever Is all I need Let me be the one you come running to I’ll never be untrue Oh baby

* Let’s stay together 17

Page 12: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

Loving you whether Whether times are good or bad Happy or sad

l-l’m so in love with you Whatever you want me to do Is alright with me

Let me be the one you come running to I’ll never be untrue Oh baby

* Repeat

Why oh tell me why do people break up And run around and make up I just came to see You’d never do that to me Would ya baby Being around you is all I see Oh baby

Private Dancer

Well the men come in these places And the men are all the same You don’t look at their faces And you don’t ask their names You don’t think of them as human You don’t think of them at all You keep your mind on the money Keeping your eyes to the wall

*l’m your private dancer A dancer for money I’ll do what you want me to do I’m your private dancer A dancer for money And any old music will do

I want to make a million dollars I want to live out by the sea Have a husband and some children Yeah I guess I want a family All the men come in these places And the men are all the same You don’t look at their faces And you don’t ask their names

* Repeat twice

We Don't Need Another Hero

Out in the ruins Out from the wreckage Can’t they decide to stay this time We are the children Last generation We are the ones they left behind Now I wonder when we are ever gonna change Living under the fear ’Til nothing else remains

*We don’t need another hero We don’t need to know the way home All we want is life beyond the Thunderdome

Looking for something We can rely on Got to be something better out there Love and compassion Our day is coming All else are castles built in the air And I wonder when we are ever gonna change Living under the fear ’Til nothing else remains

* * All the children say

We don’t need another here We don’t need to know the way home All we want is life beyond the Thunderdome

But did you think I’d just accept you blind faith Oh sure babe anything to please you

So what do we do with our lives We leave all this alone Will our stories shine like a light Or is this all done Is it all or nothing

* Repeat * * Repeat

Better Be Good To Me

A prisoner of your love Entangled in your web Hot whispers in the night I’m captured by your spell captured Oh yes I’m touched by this show of emotion Should I be fractured By your lack of devotion Should I should I

Oh you better be good to me That’s how it’s got to be now ’Cause I don’t have no use For what you loosely call the truth Oh you better be good to me Yes you better be good to me

And I think it’s only right That we don’t meet at night We stand face to face And you present your case And I know you keep telling me That you love me And I really do want to believe

Oh you better be good to me That’s how it’s got to be now ’Cause I don’t have the time For your over-loaded lines Yes you better be good to me Yes you better be good to me

And I really don’t see Why it’s so hard to be Good to me And I don’t understand What’s your plan That you can’t Be good to me What I can’t feel I surely cannot see why can’t you Be good to me If it is not real I do not wish to see Why can’t you Be good to me Why can’t you Be good to me

River Deep-Mountain High

When I was a little girl I had a rag doll Only doll I’ve ever owned Now I love you just the way I loved that rag doll But only now my love has grown And it gets stronger In every way 19

Page 13: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

And it gets deeper Let me say That it gets higher Day by day Ooh I love you my oh my Yeah river deep mountain high Yeah yeah yeah If I lost you would I cry Oh I love you baby Baby baby When you were a young boy Did you have a puppy That always followed you around Well I’m gonna be as faithful as that puppy No I’ll never let you down ’Cause it flows Farther Like a river falls And it get bigger baby And heaven knows And it gets sweeter baby As it grows Ooh I love you my oh my Yeah river deep mountain high Yeah yeah yeah If I lost you would I cry Oh I love you baby Baby baby baby I love you baby As the flower loves the spring And I could love you baby Like a robin loves to sing And I love you baby Like a schoolboy likes parents And I love you baby River deep mountain high Oh baby baby Baby baby baby

20 Oh I love you my oh my

River deep mountain high Yeah yeah yeah If I lost you would I cry Lord I love you baby Baby baby baby

Steamy Windows

I was thinking about parking the other night We was out on a back road Me and my woman was just gettin’ right Our systems on overload The radio blasting in the front seat Turning out the music fine We was snuggled up in the back seat Making up for lost time

Steamy windows-zero visibility Steamy windows-coming from the body heat

You can wine and dine a woman all night With good intentions But there’s something About competition on a back road Breaks down the defenses

Steamy windows-ain’t nobody can see Steamy windows-coming from the body heat

There’s a sound outside the front door And I know it’s just the wind But it makes her snuggle up Just a little bit closer And it starts things happening again

Steamy windows-zero visibility Steamy windows-coming from the body heat Steamy windows-steamy windows

Typical Male

Tell me lawyer what to do I think I’m failin’ in love with you Defend me from the way I feel Won’t you give me some advice On how to handle my private life I’m sure that we can make it work

I confess I’m a fool for a man With a clever mind But your intellect ain’t no match For this heart of mine

* All I want is a little reaction Just enough to tip the scales I’m just using my female attraction On a typical male on a typical male

Your sense of justice ill embrace But your defense don’t help my case I’m deep in trouble with the law Something about authority Seems to bring out the bad in me Hey lawyer, gotta catch me when I fall

Oh they say that you match your wits With the best of them But I know when I’m close you’re just Like the rest of them

* Repeat twice

So put your books aside Loosen off the suit and tie Open up your heart and let me in Open up your heart and let me in

* Repeat

It Takes Two

One can have a dream baby Two can make the dream so real One can talk about living love Two can see how it really feels One can wish upon a star Two can make a wish come true One can stand alone in the dark Two can make the light shine through

* It takes two baby it takes two baby Just me and you You know it takes two

One can have a broken heart Livin’ in misery Two can really ease the pain That’s a perfect remedy One can be alone in a bar Like an island here all alone Tow can make just any place Seem just like being at home

* Repeat 3 times

One can go out to the movies Looking for a special treat Two can make that scene in the movies Something really kinda neat And one can take a walk in the moonlight Thinking that it’s really nice But two lovers walking hand and hand Is like adding just a pinch of spice

* Repeat twice 21

Page 14: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

Addicted To Love

The lights are on but you’re not home Your mind is not your own Your body sweats your body shakes Another kiss is what it takes You can’t eat you can’t sleep There’s no doubt you’re in deep Your throat is tight you can’t breathe Another kiss is all you need Oh you like to think That you’re immune to the stuff oh yeah It’s closer to the truth You know you’re gonna have to face it You’re addicted to love You might as well face it You’re addicted to love

You see the signs but you can’t read You’re running at a different speed Your heart beats at double time Another kiss And you’ll be mind one track mind You can’t be saved another Young love is all you crave And if the sun left you You don’t mind it feels blue Oh you like to think That you’re immune to the stuff oh yeah It’s closer to the truth You know you’re gonna have to face it You’re addicted to love Gonna have to face it you’re addicted to love Might as well face it you’re addicted to love Might as well face it you’re addicted to love Might as well face it you’re addicted to love Might as well face it you’re addicted to love

22 Might as well face it

Might as well face it Might as well face it Might as well face it You’re addicted to love

Your lights are on but you’re not home Your mind is not your own Your body sweats your body shakes Another kiss is what it takes You can’t eat you can’t sleep There’s no doubt you’re in deep Your throat is tight you can’t breathe Another kiss is all you need Oh you like to think That you’re in need of the stuff It’s closer to the truth You know you’re gonna have to face It you might as well face it You’re addicted to love You might as well face it You’re addicted to love Might as well face it Might as well face it you’re addicted to love Might as well face it Might as well face it Might as well face it Might as well face it You might as well face it You’re addicted to love

Be Tender With Me Baby

You got the right to tell me It’s all over It’s isn’t like me to be Begging you Don’t let go, don’t let go Just stay with me another day

When I’m not myself Please understand me I’m so confused I don’t know what to do But don’t give up Don’t give up It just may take a little time Be tender with me baby I’m so afraid you’ll go away Be tender with me baby always I know that you’ve been patient With my weakness And that you hate to see me cry But I know yes I know It doesn’t have to be this way But I’m so lonely I could die Be tender with me baby I’m so afraid you’ll go away Be tender with me baby always Why does my heart keep on longing Why do I feel like I do I hope you see this is not really me This is just a phase that I’m going through Be tender with me baby Be tender with me baby I’m so afraid you’ll go away Be tender with me baby For always always Be tender with me baby I’m so afraid you’ll go away Be tender with me baby Always for always always

I Want You Near Me

Should you stay should you go Hmm you’re beginning to see I blow hot I blow cold Oo it’s just the devil in me

You got to understand I am In love with a beautiful man So if you’re feeling insecure You’ve really got no cause to be

I want you near me Don’t you turn away Just got used to having you around I want you near me Come on here and stay Don’t let me down

You’re so good with your hands To help me with a hook or zip Indispensable that’s what you are Hmm for the occasional kiss I’m only playing games with you I can’t be nice without being cruel I know it’s unfair but I make the rules

* I want you near me Don’t you run away Just got used to having you around I want you near me Come on here and stay Don’t let me down Don’t let me down

All I want I’ve decided Is your attention Undivided

* Repeat

23

Page 15: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

Way Of The World

Baby I need a hand to hold tonight And one bright star to remind me How dear is this life Baby I’ve never known anyone like you There’s something very special about you I can’t imagine living without you

* It’s the way of the world and it’s motion And no ocean can keep us apart When the moment is right And you’re holding me tight You capture the beat of my heart In my heart there’s a fire that’s burning And there isn’t a thing I can do I’m resigned to the fact That there’s no turning back And I’ll never regret loving you

Baby I will go anywhere you lead As long as you’re there beside me Baby that’s all I need Hold me hold me and never let me go I’m always gonna care about you I never want to be without you

* Repeat

You’re everything I believe in Don’t ever lose the feeling Don’t ever lose the feeling, no

* Repeat

Love Thing

Saw you there so confused I knew that I could make my move now Treading softly I walked over to you We talked about this thing called love Saw your eyes open wide And I knew your heart was in it Let me take you there Let me take you there tonight

*Get on board get on my love thing Let me drive you wild Let me show you I wanna hear you sing So get on my love thing right now

Close your eyes follow me I’ll show you a world you’ve never been to Take a ride in my love machine And I won’t do anything you can’t get into What I got is what you need And you won’t do a thing about it Let me take you there Let me take you there tonight

* Repeat

I never want you to go I always want you to stay So c’mon baby c’mon now, c’mon now, c’mon

Saw your eyes open wide And I knew your heart was in it Let me take you there Let me take you there tonight

24

* Repeat

|co| CP32-5598

Page 16: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

STEREO

MADE IN JAPAN m

Page 17: Simply The Best...Phil Ashley Additional Theme Keyboards and Keyboards:Strings: Elliot Lewis Additional Bridge Keyboards: Phillipe Saisse Sax Guitar:Solo: Edgar Winter Bass: T.M. Stevens

bes

t

1. The Best

2 What's Love Got To Do With It

3. I Can't Stand The Rain 4 I Don't Wanna Lose You

5. Nutbush City Limits (The 90's Version)

6 Let's Stay Together 7 Private Dancer

8 We Don't Need Another Hero (Thunderdome)

9 Better Be Good To Me

10 River Deep ■ Mountain High

TOCP-6883 C2-97916

STEREO

(ZayutoC

ALL RIGHTS OF THE MANUFACTURER

AND OF THE OWNER OF THE

RECORDED WORK ARE RESERVED

UNAUTHORIZED PUBLIC

PERFORMANCE, BROADCASTING

AND COPYING OF THE RECORD PROHIBITED.

MFD. BY TOSHIBA-EMI LTD. IN JAPAN

©1991 The Copyright in This

Compilation is Owned By Capitol

Records Inc © 1991 Capitol Records Inc.

11 Steamy Windows 12 Typical Male

13. It Takes Two (Duet With Rod Stewart)

14 Addicted to Love (Live)

15 Be Tender With Me Baby 16 I Want You Near Me

17 Way Of The World

18 Love Thing