sliders_2x07_-_in_dino_veritas_(1996_02_22)

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EXEC. PRODUCER: Jacob Epstein PROD. #K08013 EXEC. PRODUCER: Tracy Torme' Prod. Draft 2/22/96 (FR) EXEC. P RODUCER: Alan Barnette SUPV. PRODUCER: Tony B lake SUPV. PRODUCER: Paul Jackson  PRODUCER : Jon Po vill  PRODUCER : Mychelle Deschamps  CO. PRODUCER : George Grieve "In Dino Veritas" Written by Steve Brown

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8/20/2019 Sliders_2x07_-_In_Dino_Veritas_(1996_02_22)

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EXEC. PRODUCER: Jacob Epstein PROD. #K08013EXEC. PRODUCER: Tracy Torme' Prod. Draft 2/22/96 (FR)EXEC. PRODUCER: Alan BarnetteSUPV. PRODUCER: Tony BlakeSUPV. PRODUCER: Paul Jackson  PRODUCER: Jon Povill

  PRODUCER: Mychelle Deschamps  CO. PRODUCER: George Grieve

"In Dino Veritas"

Written

by

Steve Brown

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TEASER

FADE IN:

EXT. GOLDEN GATE PARK - DAY - QUINN1 1

 moving through the park to meet Arturo.

QUINN(in greeting)

Professor.

ARTUROMr. Mallory. How was your weekend?

QUINNI never realized how many lies aperson tells in the course of aday.

ARTUROOne of the more interesting worlds we've landed on. One, however, Iam not eager to revisit.

Oddly, both men wear distinctive black metallic chokers,although neither makes reference to it..

QUINNThe others are cutting it kind ofclose, aren't they?

ARTURO(off the timer)Not to worry. We still have a few minutes.

(then)Here comes Rembrandt now --

ANGLE - A CONVERTIBLE

pulls in at the curb. Rembrandt's in the passenger seat.(He wears a choker.) Beside him, in the driver's seat, anattractive woman (also wearing a choker), her hair held downunder a scarf --

WOMANI guess this is it, then.

REMBRANDTI guess so.

(tender; sincere)You're an amazing woman, Angelica.  (MORE)

(CONTINUED)

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REMBRANDT (cont'd)(then, wiping a tear ortwo)

It breaks my heart to say"good-bye".

(wince of pain)I mean -- if it wasn't for mysituation, I'd be thinking ofsettling down, right here, withyou.

He winces again as a small jolt of electricity courses hisbody --

REMBRANDTI'm not gonna get away with any ofthis, am I?

ANGELICA 

It's sweet of you to try to lie to me, but if you keep it up, thatcollar's gonna electrocute you.

(then)"A" for effort, though.

She kisses him one last time.

ANGLE - QUINN AND ARTURO

looking on --

ARTURO

(re: the timer)Counting down... in a few short minutes we'll be on our way.

(then)And none too soon, I might add.

QUINNNo argument from me.

(then)Smartest thing we ever did wassplit up for the week.

As Rembrandt approaches --

REMBRANDTIt's one thing to have openness ina relationship --

(then)But these lie detector collars makeall my best sweet talk just aboutimpossible.  (MORE)

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 2.

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REMBRANDT (cont'd)(then)

I'm amazed' that girl is stillspeaking to me.

WADE (O.S.)Guys --

WADE'S

hustling towards them.

WADEWe got problems. Big time.

ARTURODid you bring the wire cutters, asI asked you?

WADENo time, Professor.

(then)C'mon -- Let's get out of here.

QUINNWhat happened?

And as they move off urgently, deeper into the park --

CUT TO:

EXT. STREET - A NEWS VAN2 2

screeches to a stop. A camera man and a sound guy scrambleout, in pursuit of their leader, none other than --

GERALDO RIVERA 

he's dressed for street safari. (He also wears a choker.)

GERALDOMove it. C'mon -- we're gonna missthe shot --

As the news crew hustles after him --CUT TO:

EXT. GOLDEN GATE PARK - WADE3 3

explaining --

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 3.

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WADE-- I met him at this dumb artopening. With this crazy collaron, there wasn't any way to lie.The guy asks so many questions,

pretty soon he wormed the wholestory out of me.

QUINNYou told Geraldo Rivera aboutsliding?

WADEWhat was I supposed to do? Lie andget zapped in front of two hundredand fifty art patrons?

REMBRANDTWhat's the worst that can happen?

He goes on T.V. and tells the worldabout us? We'll be long gone bythen.

GERALDO (O.S.)Over there --

QUINNUh oh --

Sliders react --

GERALDO AND NEWS CREW

coming up over the rise --

ARTURO(sour)

Wonderful.

As now, playing for the news cameras --

GERALDO(offering hand]

Quinn Mallory, boy genius.(to Arturo)

And you must be the illustrious

Professor Arturo and "Crying Man"Brown --

(then)Hope it's okay, I've come to watchthe slide. Wade told me all aboutit.

(then)Sounds pretty incredible.

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 4.

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ARTUROFour... three... two... one --

Arturo's activated the gate, under --

GERALDOMy God! It's fabulous.(to news guy)

Are you getting this?

The news guy is too astonished to respond --

GERALDO(to Quinn)

Anything to say to the people ofAmerica before you go?

QUINNNo comment.

And he slides. Arturo's next --

WADEYou have no shame at all, do you?

GERALDO(cheerful)

None whatsoever.

Wade jumps --

REMBRANDT

So long, man. I hope in this world... there really was somethingin Al Capone's vault.

Chuckling gleefully, Rembrandt slides.

GERALDO(to camera man)

I'm going in!

Off the cameraman's astonishment --

GERALDO(grabs the mini-cam)

This is my ticket back to primetime, Eddie.

(then)Call the station -- I'm bringingback the mother of all exclusives!

He takes a deep breath, psyches himself up. Leaps into theroaring void and the gate closes behind him.

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 5.

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Off the camerman --

SMASH CUT TO:

END OF TEASER

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 6.

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ACT ONE

FADE IN:

EXT. FOREST - NEW WORLD - THE SLIDERS4 4

tumble one-by-one down onto -- an enormous crater in theearth. At first you'd think a meteor'd hit, but now wesee --

AN EGG

about double the size of a beachball --

ARTUROGood God!

GERALDO (O.S.)

Look out --!And as the intrepid news gatherer comes blasting out of the worm hole, flailing his arms and legs as he lands almost ontop of Wade, sending her sprawling -- --

GERALDOWhoa! What a ride.

(then, to Wade)You okay, sweetheart?

Wade is pulling herself up. And now we see a viscous ichordribbling all down her fingers. Geraldo's momentum shovedher into the enormous egg, and she's left a little hole the

size of her fist in the shell.

WADEOhmiGod -- Look what you did.

REMBRANDT(to Geraldo)

What the hell are you doing here, man? Are you crazy?

GERALDOI may host talk shows but my rootsare still in investigativejournalism. I plan to cover thestory of the slide, then tell the world about it on pay-per-view.

QUINNOh yeah? And how do you plan to dothat?

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 7.

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GERALDOWhat are you talking about?

WADEWe can't control the slide. We

have no way of knowing where we'regoing, so there's no way of sendingyou back.

GERALD0(to Wade)

You never told me that.

WADEWell, who thought you were coming with us for a world exclusive?

QUINN(reacts)

Guys --

All stop. Something from a distance (though not a greatdistance) --

AN OTHERWORLDLY ROAR (0.S.)

It's a sound we've never heard in nature --

REMBRANDTWhat the hell is that?

Quinn clambers up the bank of the nest to see --

REVERSE ANGLE:

ALLOSARUS POV - QUINN

as seen from a tree-top height. The image may be stylized(perhaps black and white, perhaps fish-eye). The otherSliders move into range -- and now we see the broken egg --and as the Allosarus roars in anguish --

REVERSE ANGLE:

EXT. NEST - SLIDERS5 5

react, panicked --

WADEOhmiGod! It thinks we broke itsegg!

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 8.

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QUINNTake off!

WADEWhere!?

As they clamber over the side of the nest, all but Geraldo who's taping the advancing horror with a mini-cam --

GERALDOUn-freaking real!

REMBRANDTYou trying to get yourself killed, man?

(then)Come on!

ALLOSARUS' - POV - GERALDO AND REMBRANDT

scramble off into the undergrowth.

ANOTHER ROAR (0.S.)

punctuates the action as we --

CUT TO:

EXT. FOREST - THE SLIDERS6 6

and Geraldo are running pell mell in and among the trees of

 what (if they had time to stop and examine it) they wouldrealize is an ancient first growth forest.

WADE, ARTURO

are in the lead.

ARTURODon't look back! Keep running!

QUINN, REMBRANDT, GERALDO

as they struggle through the undergrowth. From the sound of

the creature, the thunder of it's footsteps, it's clear weare dealing not just with an angry adversary, but a fast onealso.

QUINN(indicates)

Up ahead!

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 9.

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ANGLE - A HILL

rocky and overgrown. About three quarters of the way up --

A CAVE MOUTH

clearly visible --

QUINNA cave. We've got to get up there!

REMBRANDTWhat if there's more of them upthere?

QUINNIf there are, they've got to besmaller. I'll take my chances.

ARTURO

 meanwhile makes the mistake of looking back over hisshoulder -- doesn't see the heavy rocks right in his pathand he stumbles --

ARTURODamn!

QUINN

sees what happened --

QUINN(to the others)

Keep going!

As he starts to navigate down the treacherous hillsidetowards his fallen friend --

ARTURO(in pain)

It's my ankle.

As now --

THE ALLOSARUSa full-frontal enormous dinosaur comes crashing out of theforest towards them --

QUINNCan you walk?

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 10.

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ARTURO(trying to)

Damnit.

QUINN

Rembrandt --! Hurry!

Rembrandt's skittered down the slippery slope-face toassist, and together they haul Arturo up the hill. Whatneither of the three realize in the course of the noblerescue is --

THE TIMER

has tumbled out of Arturo's pocket. It's lying there on theground where he fell.

CUT TO:

INT. CAVE MOUTH - QUINN, REMBRANDT7 7

assisting Arturo to safety. The adit is only three or-fourfeet high, meaning an adult has to stoop to get inside.

REMBRANDTAlmost there.

POV - THROUGH MINICAM

the foregoing. Geraldo's videotaping the rescue --

GERALDO (O.S.)This is incredible.

(then)An extraordinary display of heroismthat make this particular reporterproud to be an American --

REMBRANDTPut that damn thing down and helpus!

Geraldo does so --

WADEYou all right, Professor?

ARTUROOw ow ow...

Quinn helps him to a sitting position --

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 11.

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QUINNI think he really did something tohimself here.

WADE

He's bleeding!

ARTUROI'm fine.

Wince. The collar goes off.

REMBRANDTWell, this world's one for theannals, that's for sure.

GERALD0(as he tapes)

 -- following a hair's breadthescape -- and apparently safe forthe moment -- the Sliders takerefuge in what appears to be asmall out-cropping of rock --

QUINNShut the video recorder off, man.

(then)Now.

Geraldo does so --

REMBRANDT

Damn. Geraldo Rivera is the fifthSlider.(closes eyes)

When will this nightmare ever end.

QUINNHow much time before we Slide outof here Professor?

Arturo feels his pockets. The expression on his face tellsthem the bad news even before he says --

ARTUROIt's not here.

WADEThat's not funny, Professor.

ARTUROI'm not joking: Who has the timer?

Blank faces --

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 12.

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QUINNYou must have dropped it when youfell.

REMBRANDT

Out there? With that... thing?

QUINNGuys. Cool heads.

(then)Someone's got to go get it -- No way I'm spending the rest of mylife in this place --

GERALDO(to Wade)

What's he talking about?

WADEWithout the timer we won't be ableto slide out of here.

(then)And we have no idea how long wehave before the next slide.

GERALD0(as it registers)

Seriously?

QUINNI'm going out there.

WADEQuinn -- you can't.

QUINNNo choice. There might only be minutes till the next slide. Wehave to have that timer.

No one has an alternative --

ARTUROGood luck, my boy.

(then)I wish I could be of some

assistance.

Wince. The collar zaps him --

ARTURODammit, I didn't say I wanted to bekilled!

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 13.

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QUINNIt's okay. I know what you'retrying to say.

As he goes --

ARTURO(to Wade)

Damn these blasted truth collars!Man was never meant to be deprivedof the right to little white lies.

WADEDon't look at me -- You were theone who said not to remove them.

ARTUROBecause it was a felony on that world!

ANGLE - CAVE MOUTH - QUINN, GERALDO, REMBRANDT

lik e paratroopers about to take the plunge --

REMBRANDTI don't see him.

QUINNHere goes nothing.

REMBRANDTBe careful.

QUINN

exits the cave, heads off down the hill. Geraldo'sreplacing his battery pack.

REMBRANDTAre you crazy?

GERALDOI'm a journalist.

(then)Go tend to your friend.

And off he goes, out after Quinn.

CUT TO:

INT. CAVE - WADE8 8

tends to Arturo's ankle.

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 14.

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WADEI'm gonna see if there's anything we can use to make a fire.

Goes --

REMBRANDT

approaches Arturo.

REMBRANDTHow're you feeling?

ARTUROIt still hurts like hell.

REMBRANDTUnbelievable, huh?

ARTUROLet's not panic.

(then)The odds are very much in ourfavor. As long as we retrieve thetimer, we'll be fine.

WADE

 meanwhile's moved to the back wall of the cave. Reacts --

WADEGuys?

Rembrandt, Arturo turn, see what she sees --

A STACK OF WOOD

nearby, what looks to be lizard pelts lined up like Persianrugs.

WADE(to the approachingRembrandt)

There are people here.

Off which, shocking realization --

CUT TO:

EXT. FOREST - QUINN9 9

dogged by the newsman --

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 15.

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GERALDOWith Quinn Mallory, the brilliantyoung inventor, as we make our waydownhill in search of the missingtimer.

Quinn turns to him, facing the camera and making a "you'vegotta be kidding" face.

GERALDONo, this is not Disneyland. This, my friends, is the real thing. Aprimeval jungle forest where eventhe insects are the size of aclenched fist!

QUINNBoy, you really lay it on thick,don't you.

Geraldo turns off the camera and talks to Quinn as theyounger man scours the jungle floor for the timer...

GERALDOGive it to me straight - if youfind this device of yours, you cansend me home, right?

(knowing smile)You were just trying to scare me with that line in the cave --

QUINN

(reacts) -- Shut up for a second!(tense pause)

Did you hear that?

The two men hold perfectly still - the ground is tremblingnow, the nearby jungle being thrown into chaos by a rapidlyapproaching animal.

ALLOSARUS'S POV - THROUGH DENSE FOLIAGE

breaks through the trees --

TWO MEN

The one with the mustache is holding a metal device. As the men start to run --

GERALDO

trips, his camera goes flying.

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 16.

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GERALDONo !

ANGLE - QUINN

horrified --

QUINNGeraldo!

The newsman's screams penetrate the jungle and --

CUT TO:

INT. CAVE - THE SLIDERS -10 10

settled in --

REMBRANDT'S

 making a fire --

REMBRANDT(he's got matches)

Thank God for my handy Sliders'kit --

(then)Never know when you're gonna need abook of matches.

WADE

Who do you think these people are,Professor?

ARTUROIt's puzzling. On our earth, manand dinosaur lived millions ofyears apart.

(then)Since sliding is never time travel,the question is not what is mandoing here... but what is adinosaur doing in the twilight ofthe twentieth century?

WADEWasn't a comet supposed to haveraised a dust cloud that killed allthe dinosaurs? Maybe it missed theearth here.

#K0183 "In Dino Veritas" - 2/22/96 - Production draft 17.

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ARTUROConceivable.

(then)It would be interesting to know what form human kind has taken with

the dinosaur the dominant species.

REMBRANDT(reacts)

Uh... Guys?

WADEWhat's wrong?

The other Sliders follow his eye line --

A HOLE IN' THE CAVE ROOF

and peering down at them, an enormous, yellow eyeball.

ARTUROGood God!

WADEGo away!

She's got a rock, throws it, trying to frighten the monsteraway.

WADEI said get out of here!

Rembrandt's on his feet now, brandishing a burning branch --

A VOICE (O.S.)Put that down!

All turn --

A YOUNG WOMAN

dressed in jeans and forest service parka, complete withAmerican flag sewn on the shoulder --

THE RANGERAre you trying to blind her?

(off them)Haven't you done enough damagealready?

Off the Sliders, we --

FADE OUT.

END OF ACT ONE

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ACT TWO

FADE IN:

INT. THE CAVE - DAY (IMMEDIATELY AFTER) - THE SLIDERS11 11

have recovered from their shock and surprise enough toask...

WADEWho're you?

THE RANGER(showing badge)

National Wildlife Preserve Ranger.(then)

Your turn.

ARTUROWe, uhhh... I am ProfessorMaximilian Arturo. This is Mr.Brown and Ms. Welles.

THE RANGERPursuant to Federal Statutes113-slash-24B and C, you are allthree under arrest.

REMBRANDTArrest? For what?

THE RANGER

Trespassing on a RestrictedPreserve. Destruction of aProtected Species, otherwise knownas Poaching.

WADEPoaching?

REMBRANDTThis is a... wildlife preserve?All of San Francisco?

THE RANGERSan Francisco National Dinosaur

Preserve and Spotted Owl Sanctuary,if you give a damn.

ARTUROOf course! If dinosaurs somehowsurvived, obviously they'd be anendangered species by now...

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WADEOK... First of all, we're notpoachers. But, more important, we've got a couple of friends outthere...

THE RANGERNot anymore you don't. I saw theremains of two men at the bottom ofthe hill.

(then)One's in the clearing, another oneabout five hundred yards furtherin...

WADE( f e a r i n g the worst)

Oh God...

ARTUROTwo men? Excuse me, Ranger,but... is it possible to...describe them?

THE RANGERWith what's left down there?You're lucky I can even tell youthey were human beings.

Wade's stricken with grief --

ARTURO

All right, let's not panic.Wade moves directly to...

EXT. THE MOUTH OF THE CAVE - DAY12 12

Fearing the worst, she calls out.

WADEQuinn!

Rembrandt comes up behind her --

WADEI'm going out there, Rembrandt.

She starts to go, but Rembrandt grabs her.

REMBRANDTNo, you're not.

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WADELet go of me...

REMBRANDTListen to me. It's suicide. That

dinosaur is out there...

WADEThe Ranger got through. And ifQuinn's alive, I can't leave himout there by himself...

REMBRANDTCourage, sweetheart. Q-ball'sproven his resourcefulness before.

(then)If he is alive, maybe he's just waiting for it to get dark.Wade, still distressed, allows

herself to be convinced --

CUT TO:

INT. THE CAVE - DAY - THE RANGER13 13

is watching Arturo massage his ankle.

ARTUROI hurt it trying to escape from that T-Rex out there.

THE RANGERT-Rex? That's an Allosarus. Whatkind of poachers are you?

Wade and Rembrandt return --

WADEWhy do you keep saying that? We'renot poachers.

THE RANGERRight. You're not poachers. Yousomehow didn't notice the postedsigns. Or the electrified fence.

And then you had a pleasant littlestroll of, oh, another hundred miles or so, after which yousomehow tripped into that nest andbroke her egg by accident...

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ARTUROMadame, we have a story to tellyou. I admit beforehand, it willbe difficult to believe...

THE RANGERSave it for trial. An arrest teamhas already been dispatched fromthe Ranger Station in San Jose.They'll be here day after tomorrowto trek you out of here... ifthey can get you past thatderanged, grief-stricken Allosarus.

She starts to turn away. Rembrandt steps forward to takeher arm, to try to plead their case...

REMBRANDTLady, will you just listen --?

... Except his hand goes right through her arm.

Rembrandt and the others react, amazed.

REMBRANDTWhat the hell?

THE RANGERWhat-did you think? A real personcould get past that Allosarus outthere?

WADEYou're not real?

THE RANGEROf course I'm real... a real personin San Jose. But I sent myhologram to monitor you until thearrest team arrives.

ARTUROMadame -- As hard as it is tobelieve, we are scientists. We'vediscovered a way to... slide fromone parallel dimension to another.

We are here by accident. On most worlds, dinosaurs are extinct andthis area, right here, is a majorcity.  (MORE)

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ARTURO (cont'd)We'll be leaving this world, but we've got to find out if our friendis still alive and retrieve atiming device that I dropped,

probably right at the bottom of thehill...

Throughout this recitation, the Ranger just stares at him,contemptuous.

THE RANGERVery inventive.

WADEIf we can prove what we're saying,about being Sliders, would you helpus find our friend and get thetimer?

(off her)This thing around my neck. Haveyou ever seen one of them before?

THE RANGERYeah. In a Frederick's ofHollywood catalogue.

WADEIt's not a joke. It's a liedetector from the last world we were on. Anytime I lie, it sendsan electrical shock through mybody. You know your world hasnothing like that, right?

THE RANGERWhat's the point?

The Ranger looks at her like she's crazy. Wade gives aquick glance around at the other Sliders, then plunges rightin.

WADEI'm an animal poacher out to hurtthe dinosaurs.

(wince)

I cracked the dinosaur egg onpurpose!

Another wince. Rembrandt tries to stop her.

REMBRANDTWade, stop! She doesn't believeyou.

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WADE(continuing)

I was born on this Earth.

A pretty good-sized shock racks Wade. The Ranger is

unimpressed.

THE RANGERLady, all this proves is you knowhow to wince and twitch.

WADEWhy won't you believe us? We'rehuman beings. You can't reallycare more for those... monstersout there...

ARTUROMiss Welles...

WADE...than you do

people, canyou? Don't youhave a spark ofcompassion?

THE RANGERListen to me. Those "monsters"aren't the ones trying to eradicatean entire species. People are.Those "monsters" don't kill peopleand sell their penile bones to theChinese as an aphrodisiac.

(then)Do I care more about dinosaurs thanyou? Damn right I do.

ARTUROGood job, Miss Welles. Thatcertainly seems to have brought herover to our side.

REMBRANDTLeave her alone, Professor...

WADEKnock it off, Rembrandt.

(starting to lose it, on

the edge of hysteria)I'm so tired of you guys always worrying about "Little Wade."I'm fine, OK?

REMBRANDTGuys. C'mon -- we're losing it.

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WADEI don't want to die here,Rembrandt!

(then)I want Quinn back and I want to

slide out of here!

ARTUROMiss Welles, it's already gettingdark. We've got to stay calm...

(then)Listen to me -- if Quinn is alive,he'll find his way back here afterdark... we have every reason to behopeful.

(he gets zapped;frustrated and angry)

And I say we should try not tolet our emotions get out of hand

until we get these godforsaken... millstones off our necks...

WADEThat's it. I'm going out there.

THE RANGERNo one's going anywhere!

REMBRANDTYou're a hologram, lady. Go tohell.

(then)I'll go --

Rembrandt turns to the Ranger.

REMBRANDTWhere are the bodies you saw?

THE RANGERWhy? So you can destroy evidence?

REMBRANDTI need to identify our friend.

THE RANGER

What's to identify? Who else couldbe down there?

REMBRANDT(starts to tell her)

Never mind. You wouldn't believethat either.

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He starts to go, but Wade stops him.

WADEI'm coming, too.

REMBRANDTNo. Besides, I'm faster thanyou...

ARTUROMiss Welles, listen to me. Iappreciate it seems as if we'recondescending to you. But we'vealready established that two isnot safer than one.

Arturo and Rembrandt share a look.

ARTURONothing is going to happen to Mr.Brown.

(wince)He and Mr. Mallory will both beback very shortly.

(wince)With the timer. And then weshall escape...

(meaning the Ranger)...this overzealous harridan.

THE RANGERNot a chance. I may be a hologram,

but I can follow you anywhere.That's my job... and I'm good atit.

The three Sliders look among themselves, all of thempicturing her face when the vortex appears.

THE RANGERWhat's so funny?

ARTUROWe know a bit more than you doabout your ability to follow us.

(to Rembrandt)

If you're not back in half-an-hour,bad ankle or no, I'm coming afteryou.

WADEWe're coming after you.

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REMBRANDTDeal.

And he goes to...

EXT. THE MOUTH OF THE CAVE - NIGHT - REMBRANDT14 14

draws a deep breath and begins his descent.

CUT TO:

INT. THE CAVE - NIGHT - ARTURO AND WADE15 15

are by the fire. The Ranger stands opposite.

THE RANGER

How's the ankle?

ARTUROStiffening up, I'm afraid.

(then)Maybe if we could collect some morefirewood. It's getting cold.

Wade starts to do so, as --

ARTUROI don't pretend to fearlessness,Miss Welles.

WADEI thought you just said everything was gonna be fine.

ARTUROI could set a more stoic example without this collar around my neck.

(then)Ironic, isn't it -- in the face ofperhaps our gravest danger, to bestripped of the comforts ofplatitude and self-deception --

Off which --

CUT TO:

EXT. HILLSIDE - REMBRANDT16 16

 makes his way cautiously, stealthily, much lower down thehill, moving from outcropping to outcropping.

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The FOREST SOUNDS ahead of him are terrifying; the truesymphony of Nature, red of tooth and fang:

A LONELY WOOLY MAMMOTH (0.S.)

 moans in search of a mate.

SABER-TOOTH TIGERS (O.S.)

ravage a Brontosaurus carcass.

A PTERODACTYL

squawks (O.S.) as it struggles to free its spindly legs fromthe sucking sump of a tar pit.

It's safe to say this is one of the least favorite timesRembrandt has ever spent in his entire life. As he nears

the tree line...REMBRANDT

(softly, but firmly)Q-ball?

As he approaches --

GERALDO'S MINICAM

and a tell-tale article of the newshound's clothing --

REMBRANDT

stoops down to pick these up --

REMBRANDTOh, man --

He pockets the remains and heads on --

CUT TO:

INT. THE CAVE - NIGHT - WADE17 17

tries to relieve the tension.

WADEI keep thinking of the first tine I met Quinn...  (MORE)

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WADE (cont'd)He'd just started at the computerstore and he kept calling me"Ma'am" -- I'd known him a couple weeks, he gives me a lift home --

and there's my dog in the middle ofthe street in this incredibledogfight with a Pitbull.

(then)He broke up the fight -- both dogsbit the hell out of him.

(then)He stayed with me at the vets the whole time. He saved my dog.

(a smile)We've spent the last year and ahalf with him, traveling to allthese different worlds.

(then)

I'd give my life for him.

ARTUROWe all would.

(neither of them getszapped)

The first time I saw him, hestood up in a lecture and asked mea very impertinent question. I was annoyed at him.

(a moment, then...)It was only a week later I suddenlyrealized he was quite possiblycorrect. And then I was

extremely annoyed at him.(a smile)

You cannot imagine how excited I was to find a student with a mindas subtle as his.

(then...)I'm certain he is all right, MissWelles. I can feel it.

And there's no ZAP this time.

THE RANGER'S

been listening throughout. She's obviously a littleunsettled. What kind of poachers are these?

CUT TO:

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EXT. THE FOREST - NIGHT - REMBRANDT18 18

stops. Looks back over his shoulder --

ANGLE - THE FOREST

trees. Darkness closing in. He's lost.

REMBRANDT(under his breath)

She said the body was just at thebottom of the hill someplace.

He turns around, starts back the way he thinks he came.

A SNAP

of a tree branch. The whoo whoo of an owl. Suddenly --

REMBRANDTUh oh --

He senses something right in back of him. Somethinghuge. He doesn't even turn to look. He simply freezes,right where he is. Because...

THE ALLOSARUS

is right behind him. But can it see him in the dark? Thebeast certainly senses something: she even sniffs,trying to catch a whiff of her prey. And slowly swings her massive head down, toward Rembrandt.

It takes every ounce of Rembrandt's courage not to break andrun.

Especially as the hot, smelly odor of dinosaur breathassails him, so close as to be overpowering.

But, just at the moment when it seems impossible that thedinosaur could possibly miss him...

A GUNSHOT (0.S.)

The dinosaur roars in pain and bewilderment.

CUT TO:

INT. THE CAVE - NIGHT - WADE, ARTURO19 19

react, as does The Ranger.

CUT TO:

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EXT. FOREST - THE ALLOSARUS20 20

reacts much more strongly, though, jerking its head away,TRUMPETING ITS DISPLEASURE. ANOTHER GUNSHOT! A THIRD!

EXT. THE MOUTH OF THE CAVE - NIGHT - WADE21 21

is scrambling down the hill.

WADERembrandt!

Meanwhile...

EXT. THE FOREST - THE ALLOSARUS22 22

 wheels about, SNARLING AND ROARING, then lumbers off in

search of this newest outrage.REMBRANDT

is petrified with fear, reacts now as --

WADE

comes scrambling down the hill.

REMBRANDTGo, girl. Get out of here!

As they start scrambling to get out of there --

WADEWhat were those gunshots?!

REMBRANDTI'm not sticking around to findout.

And as they take off out of there --

DISSOLVE TO:

INT. THE CAVE - NIGHT - WADE AND REMBRANDT23 23

scrabble through the adit and into the flickering light ofthe cave --

ARTURO, THE RANGER

await then, grim-faced.

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REMBRANDT(to Arturo)

Almost finished me, man. I wasabout five feet away.

Something in Arturo's face makes Rembrandt turn and lookpast him.

A RUGGED, GOOD-LOOKING HAN

Standing further inside the cave. And holding an elephantrifle trained on them.

POACHERYou owe me.

Off the Sliders' reactions --

FADE OUT.

END OF ACT TWO

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ACT THREE

FADE IN:

INT. THE CAVE - NIGHT - A FEW MINUTES LATER - WADE24 24

puts the finishing touches on a splint (using materialextracted from the stranger's large rucksack) for Arturo'sleg.

THE POACHER'S

gun's still trained on them, as he gives instruction --

POACHERTake the belt and use it as atourniquet. That should holdhim --

(as Wade does...)Loosen and tighten it every coupl'a minutes. It'll keep the swellingdown.

REMBRANDTI want to thank you for saving mylife, man. That was you, wasn'tit?

POACHERYeah, well, you looked like youcould use a little help.

(then)

Relax, Ranger. All I did vas put acouple pock marks in your preciousAllosarus.

THE RANGERYou better damn well hope that'sall you did.

POACHEROr what?

WADEOhmiGod -- this is your cave, isn'tit? Those are all your dinosaur

hides back there.

THE RANGERThis man's responsible for killingdozens -- if not hundreds -- ofsome of the most endangeredcreatures on the planet.

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POACHERYeah, well your little "endangeredspecies" took a chunk out of mybackside, too.

(then)

They killed my partner yesterday.

REMBRANDTWhat?

POACHERWe tangled with a herd ofvelociraptors.

(then)If it makes your buddies back atthe Department of Interior feel anybetter, the final score was homosapiens six, raptors one.

THE RANGERSix? You killed sixvelociraptors?

POACHERAnd they killed my back-up and left me stuck here with a bunch ofrotting skins. So don't go all weepy for the little greenbastards, okay?

After a pause --

POACHERWhich presents us with a certainopportunity --

(then)The Enqlishman's leg needs medicalattention -- A couple days in thiscave, and he's gonna risk losingit.

(indicates)Back there's another opening.It'll let us out near the river bed-- I got a canoe stashed backthere. We can paddle your friendto the way-station at Burlingame.

(then)Help me haul my goods out of here,I'll get you off this preserve.

WADEWhat do you mean "goods"?

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THE RANGER-- He means dinosaur organs. Hidesand body parts. The merepossession of which --

POACHER-- I mean Raptor endocrine glandsto help speed burn healing.Stegosaur lymph nodes for cancer,research, not to mention over ahundred pounds of sinew for heartsurgery --

THE RANGERWhat you really mean is Stegosaursex organs for the Chinese to grindup as aphrodisiacs!

POACHER

Hey, a man's got a right to alittle profit. I never said I wasa saint.

THE RANGER(to Sliders)

I have to warn you that anycooperation with this man willresult in severe penalties, up toand including twenty five yearsincarceration in a federalpenitentiary.

Under which, the Poacher's been rummaging his rucksack. TheRanger knows what's coming, begins a desperate plea --

THE RANGERHelp me.

(then)Your cooperation can only help yourchances with The Magistrate.

POACHERDon't Forget to promise them thehelicopter airlift.

The Sliders look to the Ranger -- will she?

THE RANGERIt's not impossible.

POACHERIt's a lie. They'll never bring inthe chopper... Disrupts the matinghabits of their gorgeous lizards.

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THE RANGERThat's not true --

(then)Damn you!

Too late --

THE POACHER'S

extracted a small, timer-sized device from the rucksack.Activates it and --

THE RANGER HOLOGRAM

breaks up into static and white light --

THE RANGERNo --!

REMBRANDTHow'd you do that?

POACHERYour basic jamming signal.

(then)Only way to deal with these damnholograms --

(then)So -- we got a deal or don't we?

Off the Sliders --

TIME CUT TO:

INT. CAVE - LATER - REMBRANDT AND WADE25 25

huddle up beside Arturo.

THE POACHER

stands at the cave mouth, looking out.

REMBRANDTWhat are we gonna do, guys?

(then)I don't think this fellow's gonnabe real happy if we say no.

WADEHow do you feel, Professor?

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ARTUROSomewhat better. Either that orI'm just running on adrenaline.

WADE

(off Arturo's face)He's flushed, Rembrandt.(feels Arturo's head)

I think he's fighting an infection.

ARTUROI'm fine. I assure you.

(wince)I'm just sitting too close to thefire.

Winces again. Rembrandt and Wade look on with realconcern --

THE POACHER'S

overheard the whispering --

POACHERWhat are you talking about backthere?

REMBRANDTNothing. We're just checking onour friend.

POACHER

Ought'a be coning up on midnight.(then)You people might want to get somesleep.

REMBRANDT(sotto; to the other)

Now or never, guys. What are wegonna do?

ARTUROOn the one hand, there is a murderous dinosaur standing betweenus and our timer.

(then)On the other, sanctuary, assuming we can believe what this man issaying.

REMBRANDTAnd assuming you're gonna be ableto walk on that ankle.

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WADEI'm not leaving here until we knowfor sure about Quinn.

REMBRANDT

I'm with her, man.

ARTUROPrinciple is one thing, Mr. Brown.

(then)Who will be the one to tell ourfriend?

WADE

throws herself into the breach --

WADE(to Poacher)

Look -- we've been talking aboutit.

(then)We're gonna take our chances here.

(off the Poacher'sglowering silence

Our friend may still be outthere -- and we've dropped a pieceof equipment.

REMBRANDTIt's our way out of here.

POACHERLet me make it real simple --(cocks the elephant gun)

Think again.(then)

I've got over a million dollars worth of dinosaur parts in thiscave, and I'm not leaving it herefor the Forest Service --

(then)We clear on that?

ARTUROExtremely, sir.

POACHERMr. Brown --

(off Rembrandt)Take watch.

(then)Let's get some sleep.  (more)

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POACHER (cont'd)(then)

Long day ahead.

ARTURO

(to Rembrandt)Certainly, sir.

POACHERBy the way -- in case any of youget any enterprising ideas --

(indicates)The only other way out'a here isthat passage.

(then)I'm lying right here between youand it.

As he settles in --

POACHER(off his rifle)

This here's a hair trigger.(then)

And I'm probably the lightestsleeper you people have ever seen.

As the Sliders consider this --

DISSOLVE TO:

EXT. FOREST - NIGHT - A FULL MOON26 26

The sounds of nocturnal jungle species as --

A PTERODACTYL

 wings flapping slowly as a manta ray soars above thetreetops in search of prey, silhouetted by the moon.

INT. THE CAVE - NIGHT (LATER) - ARTUR0 AND REMBRANDT27 27

sleeping --

WADE

 moves to the sleeping Poacher. Gingerly, so as not toawaken him. She Liberates the jammer --

ARTURO(whisper)

Miss Welles --

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Wade signals -- shh! She hits the controls. The gizmoblinks once or twice but where the Ranger disappeared -- noone --

WADE

Where is she?

ARTUROShe must have gone --

WADE(a moment to consider it)

I'm going out there.

ARTUROMiss Welles, no!

WADEQuiet. You'll wake the Poacher!

ARTUROMr. Brown!

Rembrandt stirs, doesn't wake.

WADERembrandt took a shot. Now it's myturn.

(then)Don't worry. I know what I'mdoing.

She doesn't even bother commenting on the inevitable wince,but moves for the cave exit. Off Arturo --

CUT TO:

EXT. THE HILL - NIGHT - WADE28 28

 makes her way stealthily through the darkness and down thehill.

She jumps at a sudden movement very close by -- but it'sjust a BIRD fluttering away, probably a spotted owl.

As she stops to recover from the bird scare, she hears newRUSTLINGS from another direction, whirls to look but seesnothing. She pushes herself onward, further down the hill.

ANGLE - THE TIMER

under it's shroud of leaves, red lights blinking. Wade walks right past it, not fifteen feet away --

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WADE

stops, near what appears to be a small clearing. Did shehear something?

WADE(a whisper)Quinn --?

Suddenly --

A HAND

grabs her, clamped over her mouth. Wade screams, andalthough the sound is muffled, it's too loud to be safe.

POACHER(a hiss)

Shut up!(then)

You trying to get us both killed?

WADELet me go!

POACHERThe hell I will --

WADEMy friend is out here somewhere.

POACHER

He's dead, lady. And you will be,too, if you keep this up.

So saying, he picks Wade up and slings her over hisshoulder. As now --

BRANCHES

snapping. The ground shakes.

POACHERUh, oh --

REVERSE ANGLE:

ALLOSARUS' POV - WADE AND THE POACHER

up ahead --

REVERSE ANGLE:

POV - THROUGH ROCKY CREVICE

Something or someone watches as --

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EXT. FOREST - POACHER29 29

puts Wade down. Shouldering his rifle --

POACHERRun!

ALLOSARUS' POV - WADE, THE POACHER

easy pickings, like a Denny's Super-slam breakfast. ThePoacher tries to fire his rifle, but it jams!

WADE

is pinned. Nowhere to run when suddenly --

ALLOSAUR POV - A BLUR

of movement, coming towards Wade and the Poacher.

QUINN

bursts into the open, with a rock.

QUINNHere, you son-of-a-bitch!

WADEQuinn --?1

ALLOSARUS' POV - QUINN

a third element, and in the moment of surprise --

THE POACHER

finally clears and fires his rifle.

QUINN

in the confusion, rushes to Wade --

QUINNLet's go --!

THE ALLOSARUS

rears back, as the Poacher's bullet rips into her shoulder.Turns now, on her primary antagonist as --

QUINN AND WADE

scrabble up the hill to safety. Suddenly --

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A REPTILIAN BELLOW (0.S.)

followed by another gunshot, and a scream of human agony --

Off Wade and Quinn, the score just became Allosarus 1,

Poacher 0.

FADE OUT.

END OF ACT THREE

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ACT FOUR

INT. THE CAVE - NIGHT (A SHORT TIME LATER) - REMBRANDT30 30

(chokerless) rifles the Poacher's rucksack, looking for

anything that might help them escape. Some of therucksack's contents are strewn on the floor of the cave.Meanwhile Quinn, his choker also off, uses a screwdriver toremove Arturo's.

QUINN-- There was this low outcropping.I squeezed myself in there wherethe dinosaur couldn't get me...

REMBRANDTDamn, you had us worried.

(then)The Ranger said she saw two bodiesout there.

WADE(solemn)

And now there are three.

Arturo's choker pops open and he removes it.

ARTUROI never doubted you'd make it, myboy.

(then)God, it's great to be free of this

contraption.REMBRANDT

I second that. I'll never hold theunvarnished truth in quite the samehigh regard again.

Wade is still in shock over her near escape.

WADEHe went out to protect me.

(then)I feel so responsible.

REMBRANDTYeah, well, better him than us.

(then)He had a gun to our heads,remember?

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ARTURONevertheless, he held true to hiscreed. He was loyal to hisspecies, even when it came topeople he despised --

QUINNI'm sorry he's dead, but... holdstill... we're still here, and we've got to get the timer -- andpray we haven't missed the slide.

(to Rembrandt)Find anything in there?

REMBRANDTNothing to hold off a dinosaur.

Wade's collar is off --

REMBRANDTI feel kind'a ghoulish rifling adead man's belongings.

QUINNI doubt if he'd have had anytrouble going through yours...

Just then, the Sliders' attention is drawn by...

THE RANGER

 walking in from the cave entrance, rather than just

 materializing.

ARTUROLook who's back.

WADEWhere've you been?

THE RANGERTrying to get them to authorize ahelicopter.

(then)Who's he?

WADEHis name is Quinn. He's the one we were looking for.

ARTUROWhat about the helicopter?

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THE RANGERI'm afraid not. Archaeopterys are mating.

(then)It's just not a high enough

priority.

ARTURO(sarc)

Of course. We die here so therecan be baby Archaeopterys.

A discouraged Look among the Sliders. Then. ..

THE RANGERI found your Timer. It's where yousaid, at the base of the hill, butit's almost completely hidden byleaves. The readout says you have

a little less than an hour and ahalf left.

REMBRANDTThank God!

QUINNWhat about the Allosarus?

THE RANGERShe's a patient hunter. She can wait you out for days.

QUINNAll this equipment. This guy musthave something that can help us.

As he empties the contents of the rucksack on the floor --

THE RANGERThose bottles...

Meaning a small packet of vials, each corked with adifferent colored stopper. Wade picks one up.

WADEWhat are they?

THE RANGERAttractants and repellents. Arethey labeled?

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WADEJust different colored corks.

(reacting to a rancid whiff)

This's gotta be a repellent...

ARTURO(a different bottle)

It could not possibly smell any worse than this.

(to the Ranger)Which is which?

THE RANGERIf I could smell, I could tell you.

REMBRANDT(discouraged)

That's kind of something we

 wouldn't want to guess wrong on, would we?

Meanwhile, Quinn has been examining the rest of thecontents.

QUINN(holding then up)

Flares. And a rope with agrappling hook.

(looks up at the hole inthe ceiling)

Maybe we still have a shot here.

Off Quinn --

CUT TO:

INT. CAVE - THE GRAPPLING HOOK - QUINN31 31

tosses it and the attached rope up towards the hole -- Ithits rock about a foot off the mark, and clatters back downto the ground.

QUINNDamn.

ARTUROAgain. You can do it.

Quinn re-groups and throws. This time...

THE HOOK

goes up and through the hole in the ceiling of the cave.

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REMBRANDTAll right!

ARTUROGood man!

QUINN

tugs at the other end of the rope, until... The grapplinghook catches itself on something solid outside the hole inthe roof.

Quinn gives a strong yank, then puts his full weight on therope. It holds. Then he turns to Wade:

QUINNYou gonna be okay?

WADEI was a varsity gymnast in highschool. Don't worry about me.You've got the dangerous part.

Quinn then helps strap the rucksack onto Wade's back as sheprepares to climb the rope.

ARTUROGood luck, my dear.

WADENo sweat.

Wade smiles her thanks for the confidence. One last look upand she begins a hand-over-hand climb, shinnying expertly upthe rope. Even with the rucksack on her back, it only takes

a moment or two until she gets up to...

EXT. HOLE IN THE CAVE32 32

It's barely wide enough for Wade to fit through. She pushesthe rucksack through first.

One more effort using all her upper body strength... andshe's got her head and shoulders into the opening. Now she maneuvers in the tight space to bring her left hand outsidealso, giving her enough purchase to squeeze her entire selfout through the hole.

EXT. FOREST - NIGHT - WADE33 33

Ignoring tine CHEERS OF THE SLIDERS below her, she takes aquick moment to catch her breath.

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ANGLE - THE FOREST

It's a beautiful, clear night. No sign of the Allosarusanywhere. She opens the rucksack, retrieves the propellantgun and a flare.

Finally, she looks down through the hole into...

WADE'S POV - THE SLIDERS

below.

WADE(to Quinn)

Ready when you are.

INT. CAVE - QUINN34 34

positions himself at the adit of the cave. The Rangerfollows along with him.

QUINNAll set?

And, one after the other, they both stoop and head out...

EXT. THE MOUTH OF THE CAVE - QUINN, THE RANGER35 35

start their way stealthily down the hill.

EXT. ROOF OF CAVE - WADE36 36

readies the propellant gun, all the while trying to keep aneye out for...

ANGLE - QUINN AND THE RANGER

 who just come trudging into her view on the slope of thehill below her.

CUT TO:

EXT. FOREST - QUINN37 37

stops about three quarters of the way down, asks softly:

QUINNWhich way?

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THE RANGERInside the tree line.

QUINNI don't hear the dinosaur.

REMBRANDTDon't worry about it -- she's outthere.

Quinn nods acceptance of the fact, then, ducking low,scuttles for the next outcropping.

INTERCUT :

INT. THE CAVE - ARTURO38 38

is in pain. Calls over anxiously --ARTURO

See anything?

REMBRANDT(from the cave mouth)

Yeah -- they're almost at thebottom of the hill.

EXT. FOREST - THE TIMER39 39

semi-obscured by leaves and debris. But it certainly looks

as if the Ranger reported accurately, that its digitalreadout does indeed indicate 1:04:32 and counting down.l:O4:31.. . l:O4:3O...

To the sharp-eyed observer, however, it might appear thatthat 1 looks a little unusual...

PAN UP TO:

QUINN AND THE RANGER

headed straight for it --

Just as they near the tree line, however...ALLOSARUS' POV - QUINN AND THE RANGER

below. A roar (0.S.) and --

QUINNWade! Now!

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EXT. CAVE ROOF - WADE40 40

springs into action. She FIRES THE FLARE directly toward...

THE ALLOSARUS

The brilliant flare crosses immediately in front of thedinosaur's face, causing it to rear back and BELLOW INSURPRISE AND CONFUSION.

QUINN AND THE RANGER

take advantage of the dinosaur's confusion.

THE TIMER

continues to count down as --

ALLOSARUS' POV - QUINN AND THE RANGER

same fifteen feet below, scurrying across the forest floor.A second flare, however, sends all to glaring nightblindness again.

THE RANGER(pointing to the timer)

Over there.

EXT. THE FOREST - THE TIMER41 41

lies in its leafy bed, awaiting Quinn's hand and as he grabsit we reveal that the "1" in l:02:19 is really a digital 0

 with the left line and two horizontal lines obscured! Inreality, the Timer reads only O:O2:18... O:O2:17....

QUINN

horror on his face.

QUINNTwo minutes!

(turns and calls)Wade! It's not an hour! We havetwo minutes to slide!

CUT TO:

INT. THE CAVE - NIGHT - ARTURO AND REMBRANDT42 42

react.

REMBRANDTHe have to go. Now!

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ARTUROHelp me up!

And with characteristic nobility, Arturo rises to his feet.With Rembrandt's support, begins to hobble --

EXT. CAVE TOP - WADE43 43

grabbing the rucksack in her free hand and throwing herselfdown the rock slope as fast as she can --

EXT. FOREST - QUINN44 44

clambering up the hillside as fast as he can --

EXT. HILLSIDE - ARTURO AND REMBRANDT45 45

as they stumble down the hill, Arturo is leaning heavily onRembrandt as they come.

Arturo slips, pulling Rembrandt down with him. TheProfessor is having trouble getting up again.

ARTUROGo on! You can get there! Ican't!

REMBRANDTI'm not leaving here without you,

you hear me? Get up, damnyou! Get up!

Rembrandt pulls Arturo to his feet, and they start again.Meanwhile, Wade stops her pell-mell descent down the otherpart of the hill...

Just long enough to shoot off her final flare. Then shethrows down the propellant gun and, still carrying therucksack, runs like hell again.

In the light of the flare..

QUINNsees Arturo and Rembrandt hobbling, but coming on quickly.Looking down at the Timer again, he turns....

And fires up the Vortex. As it materializes..

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QUINN(to Arturo and Rembrandt)

Go! Go!

REMBRANDT

What about Wade?

QUINNI'll wait for her. Now go!

He all but pushes Arturo into the wormhole. One last lookback, and Rembrandt follows him.

THE RANGERHow much time does this...

QUINNAnother twenty seconds.

As now --

ALLOSARUS' POV - WADE

barreling down the hill. To one side, there is thisshimmering, frightening, mysterious Vortex...

Looking away from that, there is something else that catchesher attention: this obscure moving form... Wade... headedstraight for her.

EXT. FOREST - QUINN46 46

senses what's about to happen.

QUINNWade! The repellents!

WADE

faced with the terrifying possibility of a confrontation withan angry four ton, fifteen-foot carnivore.

She slams it as hard as she can against a tree, BREAKING THECONTAINERS INSIDE. Then she hurls the rucksack as far as

she can in the direction of the dinosaur.ALLOSARUS' POV - WADE

jerks up, almost even rears back, her nostrils wrinkling,GROWLING IN BEWILDERMENT. Her head following her nose,obviously assaulted by an olfactory onslaught unlike anyshe's ever experienced before.

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QUINN

is aware chat the vortex is starting to sputter.

QUINN

Wade! Now!

THE RANGERIt's closing!

QUINNHurry!

WADE

begins her last fifty yard dash, directly in front of theconfused beast.

ALLOSARUS'S POV - WADEa blur streaking directly in front of her. She has one lastchance to avenge herself. And she stoops to take it...

WADE

reaches the decaying vortex...

QUINNGo! Go!

... and leaps directly into the Vortex.

QUINN

turns to follow her, just as --

THE ALLOSARUS' ARM

cones sweeping down, smacking him on the back so hard itsends him flying into --

THE WORMHOLE - QUINN

hurtling through the brilliant kaleidoscopic colors fromdimension to dimension until --

CUT TO:

EXT. GOLDEN GATE PARK - DAWN47 47

is just beginning to peek over the horizon end through thebordering trees when...

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QUINN

is unceremoniously deposited onto the rolling green lawn ofa much-more-recognizable San Francisco.

WADE(overjoyed)We made it!

REMBRANDTThank you, Lord...

ARTUROMr. Mallory! Are you alright?

Wade and Rembrandt help Quinn stagger to his feet, obviouslystill woozy from the blow he received in the last world.

QUINNI... I think so.

(then)Unbelievable!

But the vortex has one last surprise. Just as it sputtersits last gasp of existence...

It vomits out one last souvenir of their adventure...

THE SEVERED ARM OF THE ALLOSARUS

still steaming from where it was cut off when the wormholeat the other end closed down about it.

It lands... KA-CHUNK... on the lawn of Golden Gate Park,directly in front of our four Sliders. And off theirreactions we --

FADE OUT.

THE END

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