song of orpheus for to the director preview

13
Jazz Gateway Series TO THE DIRECTOR This even eighth fusion piece is built on the Phrygian mode. According to myth, Orpheus himself taught music to King Midas. I hope your group has “the golden touch” with this chart as well. Horns should make sure to balance the melody and countermelody. The trombones and lower saxophones have the melody going into measure 25, then the trumpets have the melody at measure 26 (same in measures 48-52.) Be careful of the accents in the saxophones in measures 49-54, and keep it legato in measures 55-56. There’s a big point of arrival in measure 60, leading into the solo section. The solo section at measure 65 is open for any soloist, with solo sheets provided in all keys which includes a sample written solo and scales that can be used to encourage young players to create their own solo. I encourage soloists to explore improvising on the D Phrygian (concert) mode: D Eb F G A Bb C D (the notes of the Bb scale, but rooted on the 3rd note, D.) This mode works for every chord in the solos, so no wrong notes are possible. Listen carefully to the rhythm section and the background lines for the good “target” notes. The underlying sixteenths turn up the heat for the solo section, which should build into the shout chorus at measure 73. A strong solo statement from the drums sets up a return to the opening theme. Harmonic tension in the coda builds up to a bombastic finish. For the rhythm section, there are several “plateaus” in this piece to be aware of: the opening subdued groove (measures 1-32), a stronger version (measures 33-65, peaking at measure 60), the sixteenth-note drive of the solo section (drums may opt to switch from cross-stick to snare for the second soloist) and the fireworks of measures 73-84. SoloMate recordings are available at kendormusic.com for new Kendor and Doug Beach releases. This innovative resource lets students prac- tice their solos by downloading professionally-recorded rhythm section accompaniment tracks. A full recording of this chart can be downloaded at www.kendormusic.com. KENDOR MUSIC PRESENTS Song Of Orpheus featuring Kendor Konvertible instrumentation style: even eighth fusion duration 4:05 Mike Dana INSTRUMENTATION Full Score C Solo Sheet Eb Solo Sheet Bb Solo Sheet F Solo Sheet C Bass Clef Solo Sheet Flute (opt.) Bb Clarinet (opt.) *1st Eb Alto Sax *2nd Eb Alto Sax *1st Bb Tenor Sax 2nd Bb Tenor Sax Eb Baritone Sax *1st Bb Trumpet *2nd Bb Trumpet 3rd Bb Trumpet 4th Bb Trumpet Horn In F (opt.) *1st Trombone 2nd Trombone 3rd Trombone 4th Trombone Tuba (opt.) Vibes (opt.) Guitar Guitar Chord Chart *Piano *Bass *Drums EXTRA SCORES & PARTS AVAILABLE MIKE DANA Composer and educator Mike Dana maintains a busy schedule of teaching, con- ducting, and performing throughout the U.S., Asia, the Middle East, and Europe. His compositions for jazz ensemble are performed throughout the world, by groups at all levels. In 2018 Mike was named California Jazz Educator of the Year, and inducted into the California Alliance for Jazz Hall of Fame. This chart playable by fewer than the standard number of instruments; * above indicates essential parts. FOR PREVIEW ONLY REPRODUCTION PROHIBITED KendorMusic.com

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Page 1: Song Of Orpheus FOR TO THE DIRECTOR PREVIEW

Jazz

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sTO THE DIRECTOR

This even eighth fusion piece is built on the Phrygian mode. Accordingto myth, Orpheus himself taught music to King Midas. I hope yourgroup has “the golden touch” with this chart as well.

Horns should make sure to balance the melody and countermelody.The trombones and lower saxophones have the melody going intomeasure 25, then the trumpets have the melody at measure 26 (samein measures 48-52.) Be careful of the accents in the saxophones inmeasures 49-54, and keep it legato in measures 55-56. There’s a bigpoint of arrival in measure 60, leading into the solo section.

The solo section at measure 65 is open for any soloist, with solo sheetsprovided in all keys which includes a sample written solo and scalesthat can be used to encourage young players to create their own solo. I encourage soloists to explore improvising on the D Phrygian (concert)mode: D Eb F G A Bb C D (the notes of the Bb scale, but rooted on the3rd note, D.) This mode works for every chord in the solos, so no wrongnotes are possible. Listen carefully to the rhythm section and the background lines for the good “target” notes. The underlying sixteenthsturn up the heat for the solo section, which should build into the shoutchorus at measure 73. A strong solo statement from the drums sets upa return to the opening theme. Harmonic tension in the coda builds upto a bombastic finish.

For the rhythm section, there are several “plateaus” in this piece to beaware of: the opening subdued groove (measures 1-32), a stronger version (measures 33-65, peaking at measure 60), the sixteenth-notedrive of the solo section (drums may opt to switch from cross-stick tosnare for the second soloist) and the fireworks of measures 73-84.

SoloMate recordings are available at kendormusic.com for new Kendorand Doug Beach releases. This innovative resource lets students prac-tice their solos by downloading professionally-recorded rhythm sectionaccompaniment tracks. A full recording of this chart can be downloadedat www.kendormusic.com.

K E N D O R M U S I C P R E S E N T S

Song Of Orpheusfeaturing Kendor Konvertible instrumentation

style: even eighth fusionduration 4:05

Mike DanaINSTRUMENTATION

Full ScoreC Solo SheetEb Solo SheetBb Solo SheetF Solo Sheet

C Bass Clef Solo SheetFlute (opt.)

Bb Clarinet (opt.)*1st Eb Alto Sax*2nd Eb Alto Sax*1st Bb Tenor Sax2nd Bb Tenor SaxEb Baritone Sax *1st Bb Trumpet*2nd Bb Trumpet3rd Bb Trumpet4th Bb TrumpetHorn In F (opt.)*1st Trombone2nd Trombone3rd Trombone4th TromboneTuba (opt.)Vibes (opt.)Guitar

Guitar Chord Chart*Piano *Bass*Drums

EXTRA SCORES & PARTS AVAILABLE

MIKE DANA

Composer and educator Mike Dana maintains a busy schedule of teaching, con-ducting, and performing throughout the U.S., Asia, the Middle East, and Europe.His compositions for jazz ensemble are performed throughout the world, bygroups at all levels. In 2018 Mike was named California Jazz Educator of theYear, and inducted into the California Alliance for Jazz Hall of Fame.

This chart playable by fewer than the standard number of instruments;* above indicates essential parts.

FOR PREVIEW

ONLY

REPRODUCTION PROHIBITED

KendorMusic.com

Page 2: Song Of Orpheus FOR TO THE DIRECTOR PREVIEW

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Song Of Orpheus Mike DanaFULL SCORE

COPYRIGHT © 2020 BY KENDOR MUSIC, INC. (SESAC), DELEVAN NY 14042 U.S.A

ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED - MADE IN U.S.A.

duration 4:05

KENDOR PRESENTS

*1st E b Alto Sax

*2nd E b Alto Sax

*1st B b Tenor Sax

2nd B b Tenor Sax

E b Baritone Sax

*1st B b Trumpet

*2nd B b Trumpet

3rd B b Trumpet

4th B b Trumpet

*1st Trombone

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[9]

*1st E b Alto Sax

*2nd E b Alto Sax

*1st B b Tenor Sax

2nd B b Tenor Sax

E b Baritone Sax

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3rd B b Trumpet

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Song Of Orpheus - 2

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[17]

*1st E b Alto Sax

*2nd E b Alto Sax

*1st B b Tenor Sax

2nd B b Tenor Sax

E b Baritone Sax

*1st B b Trumpet

*2nd B b Trumpet

3rd B b Trumpet

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Song Of Orpheus - 3

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[25]

*1st E b Alto Sax

*2nd E b Alto Sax

*1st B b Tenor Sax

2nd B b Tenor Sax

E b Baritone Sax

*1st B b Trumpet

*2nd B b Trumpet

3rd B b Trumpet

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Song Of Orpheus - 4

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[33]

*1st E b Alto Sax

*2nd E b Alto Sax

*1st B b Tenor Sax

2nd B b Tenor Sax

E b Baritone Sax

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*2nd B b Trumpet

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[41]

*1st E b Alto Sax

*2nd E b Alto Sax

*1st B b Tenor Sax

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[49]

*1st E b Alto Sax

*2nd E b Alto Sax

*1st B b Tenor Sax

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[57]

*1st E b Alto Sax

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[73]

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[81]

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*2nd E b Alto Sax

*1st B b Tenor Sax

2nd B b Tenor Sax

E b Baritone Sax

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