so...you want to start a drama team

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  • 8/14/2019 So...You Want to Start a Drama Team

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    SoYouWan

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    Dramatic

    Ministry

    Basics

    HowareYougoingtoreachagenerationtha

    thearswiththeireyesandthinkswiththeirhearts?RaviZ

    acharias

    By:RayDeckIII

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    GettingStarted

    Drama,asanart-form,ispracticedinmanypublican

    dprivateschoolsacrossthecountry

    .Inthoseplaces,thereasonfordoingdrama

    isnothingnobler

    thanentertainmentorculturalenric

    hment.Thosearetwoperfectlylegitimatemotivationsforgettingintotheatre.In

    fact,thatshowIgotstarted,butIwouldassumethat

    ifyouarereadingthiseBook,youaremotivatedbyahighercalling.

    AsabelieverinJe

    susChrist,mywholelifeisencompa

    ssedwithagreatsenseofthankfulnessforwhathehasdoneforme.Hetookmy

    placeonthecrossofCalvary,andsetmefreefrombo

    ndagetosin.Mybodyisthetemple

    oftheHolyGhost.(ICorinthians6:19)

    Ihadawatershedmomentinmyspirituallife,whenI

    realizedthatGodmademeexactly

    howhewantedme.Mypersonality,

    myskills,

    myabilities,myp

    hysicalcharacteristicswereallapartofmeforareason.Godwantsme

    tobethisway!Hecreatedmetobe

    adrama

    coach.Pleaseun

    derstand,Iamn

    ottalkingaboutmycharacter.Heisstillrefiningmeto

    bemorelikeHimself,buttheabilitiesthatI

    have(andtheina

    bilities)aremineforareason.Itwas

    anincrediblyfreeingrealization,bu

    titalsobeggedaninterestingquestion:What

    doesGodwantwithadramacoach?

    TheanswerthatIhavefoundisthattheartformsIknowbestareexcellentmethodsofcommunication.AsaChristian,mymessageis

    theGospelando

    therprinciplesclearlycontainedinscripture.Dramaissimplyavoiceth

    atallowsmetoshoutthatmessageinmore

    placesandwithm

    oreeffectivenessthanIwouldbeabletowithoutit.Godmademethis

    way,sothatIcouldbeaninstrumentinHis

    handstoproclaim

    Hismessageofsalvation.

    Ifdramahasbecomemoretoyouthanjustacelebrationofbeauty,cultureandhumanna

    ture,thenyouareintherightplace.

    Ihopeto

    walkyouthrough

    thestartupprocessforaministryin

    thedramaticarts,sothatyoutooc

    anusetheabilitiesGodhasgivenyoutopro-

    claimH

    isgoodne

    ws.

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    SoYouWan

    ttoStartaDramaTeam?

    GettingStarted

    Beforewegetsta

    rted,letsgetonethingstraight:

    Dramawillnever,EVERreplacepreachingandteachingoftheWordof

    God.

    Dramawillnever,EVERreplacepreachingandteachingoftheWordof

    God.

    Dramawillnever,EVERreplacepreachingandteachingoftheWordof

    God.

    Dramawillnever,EVERreplacepreachingandteachingoftheWordof

    God.

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    SoYouWan

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    SoYouWan

    ttoStartaDramaTeam?

    GettingStarted

    Inhisbook,

    CanM

    anLiveWithoutGod,RaviZacharia

    steachesthattherearethreestagesofanyphilosophy.

    Thefirst,and

    mostobvious,istheInstructionSta

    ge

    InstructionSta

    ge

    InstructionSta

    ge

    InstructionSta

    geTheclassroom,wherecollegep

    rofessorsandscholarsarguethefin

    erpoints

    ofthought.

    ThesecondistheIllustrationStage

    IllustrationStage

    IllustrationStage

    IllustrationStage--Theartistdemonstratingwhathebelieves,orwh

    athethinkshisculturevalues.

    Finally,theApplicationStage

    ApplicationStage

    ApplicationStage

    ApplicationStageAroundthedinningroomt

    able,howaphilosophyisactuallyputintopractice.

    PreachingandteachingconstitutetheInstructionStageofChristianphilosophy.Weformulateourbeliefsinstudy,andthen

    commu-

    nicatethemi

    nitia

    llyfromt

    hepulpit.Thatwillnever(a

    ndshouldnever)bereplacedbyan

    yvariationofthedramaticarts.How

    ever,we

    oftentrytogodirectlyfromt

    heinstructionofpreachingintotheapplication.Observe>Interpret>Applyisaneffectivemethod

    forinflu-

    encingspiritualchange,butifitstrueweshouldbeillustrationsofitinart-workaswell.A

    mericanyouthpiecetogethertheirw

    orldview

    fromY

    ellowcard,

    CarrieUnderwood,MelGibsonandt

    heWachowskiBrothersbecausethe

    yidentifymorereadilywiththatthatmodeof

    communication.W

    ecelebrateintheartswhatwevalu

    einouthearts.Thisiswherewe,as

    artists,comeintoplay.

    Illustration:ADramaaboutPurity

    InstructionStage:PreachingaboutPurity

    ApplicationStage:LivingPure

    ly

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    SoYouWan

    ttoStartaDramaTeam?

    ...ju

    stima

    gine

    Okay,now

    thatw

    eknow

    the

    whatand

    the

    why,lets

    talkaboutthewhereand

    thehow.

    Most

    drama

    ministries

    spring

    up

    because

    ofa

    needforillustrat

    edtruth,

    notbecause

    a

    group

    a

    talented

    people

    band

    together.

    Sometimesadramaministryisbornbecausethe,

    Eastercantatathisyearhasareadinginit,

    andIw

    ouldjustloveityoucouldhelpme

    bytakingiton.soundfamiliar?

    Yourdramaminis

    trycanbemuchbiggerthanthecan

    tata.

    I

    neverh

    ave

    ,

    Ineverh

    ave

    ,

    Ineverh

    ave

    ,

    Ineverh

    ave

    ,d

    oesnot

    mean

    youne

    vercou

    ld

    youne

    vercou

    ld

    youne

    vercou

    ld

    youne

    vercou

    ld

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    SoYouWan

    ttoStartaDramaTeam?

    ...ju

    stima

    gine

    Lookaroundyou.

    Doyouseeanyministriesthatcould

    benefitfromt

    hedramaticarts?

    ChildrensCh

    urch

    ChildrensCh

    urch

    ChildrensCh

    urch

    ChildrensCh

    urchItsmucheasierforchildren

    tounderstandiftheyareshownas

    opposedtojusttold.Whydoyouthinkyour

    SundayS

    choolteacherusedflannelgraph?

    YouthGroup

    YouthGroup

    YouthGroup

    YouthGroup

    Tomanystudents,theWordofGodhasbecomedullandboring.Show

    themh

    owaliveitreallyis.

    TheScripture

    Reading

    TheScripture

    Reading

    TheScripture

    Reading

    TheScripture

    ReadingDoesyourchurchdoaresponsivereading?Doessomeone

    readthepassageonSundaymorningbefore

    thePastorspeaks?Whycantthatreadingbe

    deliveredwithskillandcreativity?M

    akethescripturejumpoffthepage

    andinto

    peoples

    hearts.

    Evangelisticrally

    Evangelisticrally

    Evangelisticrally

    EvangelisticrallyDramaisanextremelypowerfultoolwhenitcomestocommunicatingthegospel.Youcansay,Jesusdiedfor

    yoursins

    .oryoucanshowthemw

    hatthatm

    eans.

    Prison/NursingHomeMinistry

    Prison/NursingHomeMinistry

    Prison/NursingHomeMinistry

    Prison/NursingHomeMinistryInaplacenearly

    devoidofartandculture,dramacan

    beextremelypowerful.

    Preaching

    Preaching

    Preaching

    Preaching

    Dramawillneverreplacepreaching,true,butitcansurelyintroducea

    message,orprovideanillustration.

    Askyour

    Pastorwhathewouldthinkofhavingadramateama

    ctoutoneofhisillustrations

    .

    Theskyisthelim

    itwhenitcomestoopportunities.A

    llittakesisoneproactiveperson.U

    nderstandthatnotmanypeopleare

    goingto

    comeaskingyou,especiallyifyouarestartingfromsc

    ratch.Offeryourservicesregularly.Veryfewpeoplewillturndownadramateam,

    theyjustdontkn

    owtoaskforone.IwouldlovetohearhowGodisusingyouandyourtea

    m:[email protected].

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    Actors

    Actorsareaprettymajorcomponentof

    anydramateamt

    osaytheleast.

    Letsbehonest,noactors

    =nodramateam.

    Mostlikely,youh

    aveoneortwohightalentpeoplein

    mind.Dontmakethemistakeofju

    dgingon

    facevalue.Some

    ofthebestactorsthatIhaveeverc

    oachedwereactuallyverysoftspok

    en.Dont

    countanyoneou

    t.Withalittlecoachingandencou

    ragement,almostanyonecanact.

    Itwould

    probablybeprudent,however,toholdsomeformo

    fa

    udition.

    Idontlikeauditions.Mostly,Ijustdonotlikebeing

    forcedtomakecuts.Howeveryouc

    hooseselectyouractors.Itrusttha

    tyouwill

    neverbeguiltyof

    communicatingthatdrama=minist

    ry.Itdoesnot.

    Dramacanbeaministry,butwhenapersondoesnotmakeyourdramateami

    tdoesno

    tmeanthat

    theyareincapab

    leofservingtheLord.Takeextrem

    ecarenottocommunicatethat,eveninadver-

    tently.

    WordofL

    ifeBibleInstitute

    Drama

    Team

    07-08

    WordofLifeBibleInstitute

    DramaTeam0

    6-07

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    ttoStartaDramaTeam?

    Actors

    Inthesecularthe

    atreworld,theenvironmentisextrem

    elycut-throat.Itsgetahead,atan

    ycost.Themannerinwhichyouha

    ndleyour

    teamf

    romauditio

    ndaywilldeterminewhetherornot

    thisun-Godlymindsetleaksintoyourdramaprogram.Somesteps:

    Earlypublicity,andexposureasaperformancem

    inistry(emphasisontheministry

    emphasisontheministry

    emphasisontheministry

    emphasisontheministry)w

    illhelptopreventthepopularitycon

    testthat

    couldres

    ult,especiallyifyourteami

    smadeu

    pofstudents.

    Whenyoustarttogetwindofsuchattitudes,sq

    uashthemquickly

    Whenyoustarttogetwindofsuchattitudes,sq

    uashthemquickly

    Whenyoustarttogetwindofsuchattitudes,sq

    uashthemquickly

    Whenyoustarttogetwindofsuchattitudes,sq

    uashthemquickly.Notallowingwro

    ngattitudestogrowwillmakeyour

    expecta-

    tionsclear.MyteamshavecometoknowwhattoexpectwhenIsaytooneofthem,Letsgoforawalk.Awalkar

    oundthe

    theatrew

    ithcoach,meansamotivecheck.

    Valuepeople

    overproductions

    Valuepeople

    overproductions

    Valuepeople

    overproductions

    Valuepeople

    overproductions.Itcanreallyhurttopracticesuchaphilosophywhent

    hetwohaveconflictingneeds.Ifyou

    sacrifice

    yourdram

    aticproductionforthebenefitofth

    epeopleinvolved,Godwillbeglorified.

    Formulateapolicy

    Formulateapolicy

    Formulateapolicy

    Formulateapolicythatanyactor,regardlessofta

    lentorage,willberemovedfromth

    estageassoonasitbecomesclear

    thatthey

    areactin

    gforpersonalgloryratherthantom

    inistertotheheartsofpeople.Suchaperspectivechangeissurprisinglyeasyto

    identify.

    Makeyourop

    inionandpolicyknown

    Makeyourop

    inionandpolicyknown

    Makeyourop

    inionandpolicyknown

    Makeyourop

    inionandpolicyknownupfront.i.e.

    atauditions.

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    SoYouWan

    ttoStartaDramaTeam?

    Au

    ditions

    Thenutsandbolt

    softheauditionsshouldbesimple.

    Beginbyhavingtheactorintroducethem

    selves.Thiswillgiveyouagauge

    ofthepersonspotentialforacting.

    Theywill

    neverbe

    coachedalevelofnaturalizationbeyondwhattheycanattainbythemse

    lvesoutofcharacter.

    Improvisationisextremelyhelpful.Dosom

    ethingfun(andmostlypointless)tohelpthemr

    elax.Letthems

    eetha

    tyouare

    havingfu

    n.Itwillrelievesomeofthetension

    thatisnaturallyassociatedwithaud

    itioning,andtheywillhaveabettera

    uditionif

    theycan

    relax.TherearedozensofImprovg

    amesthatworkgreatinauditions.T

    hinkthroughWhosLineisitAnyway?Props,

    soundef

    fects,scenesfroma

    hatallgood.

    Usesomekindofcoldreadinganexcerp

    tofdialoguewithnobackgroundor

    chancetoprepare.Placingapoten

    tialteam

    member

    onthestagenexttoanexperienced

    actorwillhelpyougaugehowwellth

    atpersoncandevelopastagechem

    istry.

    Finally,

    runa

    teachabilitydrill.Givetheactor

    adifferentpiecetointerpretashortmonologueworksbest.Havethem

    deliverit

    withnopreparation.Aftertheyhavefumbledthroughitonce,givethema

    little

    bitofcritiqueandhavethemr

    ead

    itagain.

    Judgeho

    wreadilytheyrespondtoyourinstru

    ctions.

    Whenmakingselections,Iama

    lwaysmoreconcerne

    dwithteachabilitythantalent.Ifanactor(orpotentialactor)takescritiquewell

    andlearnsfromwhatItellhim,hewillprobablysurpassthetalentedactorwhoisunwillingtolearnanythingnew.Remem

    berthat,

    Godopposesthe

    proudandgivesgracetothehumble.(James4:6)

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    SoYouWan

    ttoStartaDramaTeam?

    Material

    Onceyouhaveactors,youaregoingtoneedmaterial.Thereareliterallythousandsofs

    criptsavailableontheinternetand

    manyof

    themf

    orfree.Wh

    enyouaresearchingfordramamaterialjustremembertheoldadage:yougetwhatyoupayfor.Probably,ifitsfree

    thereisaverygo

    odreasonwhy.Thatsnottosaytha

    tyouaregoingtohavetopayforanyqualitymaterialthatyoumayget,well

    almost.

    Youaregoingto

    havetoidentifywhatkindof

    styleyouareinterestedindoing.Somewritersofministrydramahavesp

    ecialized

    incomedy,butif

    youarenotinterested

    insuchanapproachthenthosesourcesaregoingtobeworthlessto

    you.The

    materialthatwillfityourgroup

    thebestwillbethematerialthatyouwriteyourself.

    Look

    for

    MaterialHere:

    Look

    for

    MaterialHere:

    Look

    for

    MaterialHere:

    Look

    for

    MaterialHere:

    WillowCreek

    TheSkitGuys

    ThePreachin

    gThespianc

    ouldntresist

    HelpinW

    ritin

    gYo

    urO

    wn:

    HelpinW

    ritin

    gYo

    urO

    wn:

    HelpinW

    ritin

    gYo

    urO

    wn:

    HelpinW

    ritin

    gYo

    urO

    wn:

    TheArtof

    Dramatic

    Writin

    gby:

    LajosEgri

    Plot

    by:

    AnsenD

    ibell

    Software

    byDram

    atica

    The

    Preaching

    The

    spian

    again

    couldnthelp

    it

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    ttoStartaDramaTeam?

    Material

    AgreatplacetostartisthescripturereadingsegmentofyourchurchsSundaymorningser-

    vice.

    Getintouchwithyourpastor.Askhim

    ifyoucanhandlethe

    scripturereading.

    Startbyreadingwithappr

    opriateinflection.(likeanaudioBible)

    Branchoutbyaugmenting

    thereadingwithinstrumentalmusicinthebackground.

    Trydoingareadingincos

    tumeorhavesomeactorsmimeth

    esectionasitisread.

    Thinkaboutusingsoundeffectsthunder,acrowd,ironsh

    arpensiron,etc

    expandyourcreativity.Whatcanyoucomeupwith?

    BesuretokeepyourPastoruptospeedwithwhatyouintendtodo.Dontsurprise

    him

    withsomethingmore

    elaboratethanhewasexpecting.(

    itsneveragoodideato

    surprisethePastor)

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    Material

    Fromt

    hatpoint,starttryingtoapplythosescripturepassagestoreallifesituations.Eventually,plotlinesandstoryideaswillstartto

    springoutoftheprinciplesofscripture.Dontbetemptedtogotheotherway(fromp

    lotto

    scripture).Biblealwayscomesfirst.Working

    froms

    torytoscripturecanhavedisastrouseffects.Thefirststeptowritingatraditional,plot-basedscriptistoidentifywha

    tspecific

    principleyouarebuildingfrom.Thisprinciple,yoursta

    rtingpoint,iscalledthepremise.

    Thepremisewillthennaturallycreateapurposestat

    ementforyou.Purposeiswhatyou

    desiretocommunicate.Plotissimp

    lyoneof

    manymethodsth

    atweusetodoso.Startingatplotfirstandthenworkingbackwardstob

    eliefsystemc

    anresultinthewriter

    imposing

    theirownwillontheWordofGod.Thatisaverydangerousgametoplay.Writingdrama,justlikepreachingorteachingshould

    beginat

    theWordofGodandthenworkoutintoanintendedm

    essage,plot,charactersandeventu

    allyspecificlines.

    Keepinmindtha

    teveryelementisacommunication

    device.Anexperiencedplaywrightd

    oesnotwasteanything.Lines,costume,set,

    lights,audio,vide

    o,andmakeupareallatyourdispos

    al.Thinkthroughhowspecificeleme

    ntscanbecommunicative.

    Coloredlighting:bluecanindicateasorrowfulscenewhileredusuallymeansanger,hatredorp

    assion

    Usemakeuptoageorscaracharacterwithadarkand

    sortedpast.

    Costumesgoa

    longwayincommunicatingage.Howdoesathirtyyear-olddressdifferentlythan

    athirteenyearold?

    Achattycharactershouldhavetwiceasmanylinesasthemorereservedones.Letthemd

    rivethescene,eveniftheyarentthelead.

    Video(ifyouhavethatluxury)cantakeyouraudiencea

    worldaway.Takeatrip,visualizeadrea

    m,orcreateatime-lapse.Itsallpossiblewiththe

    helpofvideo.

    Ire

    gu

    larly

    write

    ab

    out

    writi

    ngte

    ch

    niq

    ueat:

    Th

    eP

    reac

    hin

    gT

    hesp

    ian

    .

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    Material

    Igotintowriting

    becauseofthegreatvoidofqualityinChristiandrama.Themajority

    ofscriptsthatIencounteredwere

    painfully

    straightforward,u

    nrealisticallyblack&white.Thegoodguyquotedscripture,andthebadguydidntbelieveintheBible.Inalm

    ostevery

    case,thecharacterswerearchetypicalandstatic;thedialoguewasblandandfake.Iset

    outtowritedramaticmaterialthat

    wasboth

    realisticandimpactful.Itisimportanttostrikeabala

    ncebetweenrealisma

    ndblatancy.Weneedtobeblatantwithourmess

    age,and

    yetmaintainarealisticfeelwiththecharactersandp

    lot.Whenyousetouttowritedrama,youmustbeawarethatthereisa

    learning

    curve.Dontlose

    heartafteryourfirstfewattempts.

    Learnfromyourmistakes.Whatelementsdidntlookorsoundquiteright?Why?

    Judgeaudien

    cereactions.Whatsectionsandlineswereimpactful?Didtheylaughat

    yourjokes?Didtheylaughatsomethingthat

    didnotin

    tendtobefunny?

    Listentoyouractors.

    Theywillfeeluncomfortabl

    edeliveringunrealisticlines.Dontb

    eafraidtomakechangeswhenthe

    ytellyou

    thataninterchangeisawkward.

    Ofcourse,thema

    terialthatIhavewrittenisavailable

    toyou.Iamh

    appytolendyoumyexperienceandabilities.Themeasure

    towhich

    youwouldlikeme

    involvedinyourstart-uporwritingp

    rocessisuptoyou.Remember,this

    ishowImakealiving.

    Ifyouareinterestedinobtaininganyofmyscriptsorcontractingmeormyteamt

    owrites

    omethingnewforyou,Icanbecont

    actedvia

    email:raydeck@w

    ol.org.oryouguessedit,atThePreachingThespian.

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    ttoStartaDramaTeam?

    Rehearsal

    Afteryouhaveac

    tors,scriptsandagigortwo,allth

    atremainsispractice.Pleasedont

    makethemistakeofassumingthatyoucanstepontothestageanddoaneffectivejob

    withoutrehearsal.Thatisnotwise.Whileyoumightgetluckyandsneakbyonce,theroad

    toexcellencethe

    dramaticartsispavedwithhourso

    frehearsal.Theexactamountofre-

    hearsaltimethat

    youwillneedforeachpiecevariesbasedonyouramountofexperience

    asadirector,the

    ageandskilllevelofyouractorsan

    dthedifficultyofthepiece.Icoach

    twodramateams

    atthecollegelevelandwespenda

    boutfourhoursofrehearsaltimefor

    everytenminutesofstandardstagedialogue.Ifyou

    havehighschoolageactorsitwill

    takelonger.Wea

    lsotakequiteabitlongeronmime

    orchoreography.Ifoneofthosetwo

    elementsisincluded,thetimegoesuptosomething

    likeanhourforeveryminuteofper-

    formancetime.

    DontconfuseIm

    provisationwithNoPractice.Im

    provisaskillwhichrequireseven

    moretimeanden

    ergythantraditionaltheatre.Tobeabletocreateascriptwhilestanding

    onthestagerequ

    iresmanyhoursofpreparationand

    drillwork.Somepeoplearenaturally

    talentedatImprov,butevenprofessionalImprovisers

    rehearse.

    Somepeopleinourfieldhavesaidthatcreativitysprin

    gsfroms

    pontaneity.Theymakethis

    statement,inmostcases,toarguethatthelessyou

    practice,themorecreativeyourac-

    torswillbeonsta

    ge.Icouldnotdisagreemorestrongly.Whilemanytimescreativitydoes

    comeinthehea

    tofthemoment,italsocomesin

    theplanning/preparing/rehearsing

    phase.Spontaneitycanspringoutofplanningmorereadilythanoutofalackofprepara-

    tion.Awellorgan

    izedplanandahealthyamountof

    rehearsaltimelendsitselftoconfi-

    denceintheacto

    r.Whilethereissuchathingasover-rehearsing,rarelydoesitbecome

    afactor.

    Critiqueismylovelangua

    ge.

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    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    Rehearsal

    Themajorprincip

    lethatItrytofollowwhenrehearsingistoaddelementsslowly.Startwithasimplestage,comfortableattire&sur-

    roundings.Slowly

    workuptoaperformanceenvironm

    ent.Forexample:

    Startwithasimple

    Startwithasimple

    Startwithasimple

    Startwithasimpleset,scriptsallowed,nomakeup,costumes,microphonesorau

    dience.

    Graduallyaddelements

    Graduallyaddelements

    Graduallyaddelements

    Graduallyaddelementstothesetastheacto

    rsgetcomfortable.

    Getthea

    ctorsoffbook

    Getthea

    ctorsoffbook

    Getthea

    ctorsoffbook

    Getthea

    ctorsoffbookasquicklyaspossible.Thesoonertheyputtheirscript

    down,themorenaturalthescenew

    illlookin

    theend.

    Onceallofthesetisinplace,startworkingw

    iththemicrophones

    microphones

    microphones

    microphones.

    Makeup

    &costumes

    Makeup

    &costumes

    Makeup

    &costumes

    Makeup

    &costumescomenext.

    Addanylightingeffectslast

    Addanylightingeffectslast

    Addanylightingeffectslast

    Addanylightingeffectslast.Actingunderstagelightscanbehardtogetusedto.

    Finally,w

    henalltheotherpiecesareinplace,haveyourteamp

    erformf

    orasmalleraudience

    performf

    orasmalleraudience

    performf

    orasmalleraudience

    performf

    orasmalleraudiencetobreaksomeofthe

    nervous-

    nessbeforeputtingthemo

    nabigstage.

    Naturally,someo

    fthesestepscanbeskippedorcondensedifyouarepressedfortimeorareworkingonapiecethatdoesnotinvolve

    someoftheseele

    ments.

    Finally,keeppray

    eraregularpartofyourrehearsaltime.Teachyouractorstorelyonthe

    strengthoftheLord,ratherthanontheirown

    talentsandabilities.Prayerispowerful.Ifyoubelieve

    that,thenteachitthroughyouprac

    ticetime.Iunderstandthatrehears

    altimeis

    valuable;butund

    erstand,evenifeveryotherelement

    isinitsproperplaceandproportion,ifGodisnotinit

    Rehearsaltechniqueisacommontopicon:ThePreac

    hingThespian.

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    16/17

    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    FinalWo

    rds

    Iwouldliketolea

    veyouwithafewwordsofcaution.Inaministrysuchasthedramatic

    arts,itcanbeextremelyeasytolosesightof

    twothings:

    1.

    Whywedodramaticministry.

    2.

    Theneedsoftheindividual.

    Whendeadlinesarelooming,andrehearsalsarefastandharditcanbeveryeasytoget

    caughtupintherushofitallandf

    orgetthe

    Godwhohasplacedushere.Itcanbeeasytomaketheswitchfromm

    inistrytoperforma

    nce.Thedifferenceisonlyinmotivation.Min-

    istryisaboutGod

    Performanceisaboutme.Itisvery

    possibletostartoutonaprojectwiththegoalofglorifyingGodandgetderailed

    whentheaccoladesandpraisefromo

    thersstartsh

    oweringdownaroundyou.Dramaisaverypublicministry,whichbringswithit

    plentyofopportunityforswellingegosandsinfulhearts.Please,dontfallintothattrap.

    Itcanalsobeeas

    ytoforgetthatthepeopleworkingf

    oryouareinneedofspiritualgrowth

    too.Westeponthestagesothatthehearts

    ofthepeoplewill

    bechanged,butIhaveseenthemessagesportrayedindramaaffectthe

    veryactorswhowereresponsibleto

    commu-

    nicatethem.Dontforgettheactors.Theyneedtogrowtoo.

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    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    SoYouWan

    ttoStartaDramaTeam?

    Abou

    ttheA

    uthor

    RayDeckisanactor,dramatistandplaywright.

    Hehasbeen

    activelyinvolved

    in

    creativearts

    ministry

    forten

    years.His

    experiences

    have

    rangedinvarietyfrom

    theconventionaltothe

    non-traditiona

    l,froms

    mallskitstoBroadwaystyle

    musicalprodu

    ctions.Inhiscareerhehaswritten

    orco-written

    overthirtyskitsandfiveministry

    plays.Hecurrentlycoachestwotravelingdrama

    ministryteamsfromW

    ordofLifeBibleInstitutein

    SchroonLake,NY.

    ItisRayspe

    rsonalmissiontoequipandem-

    powerotherChristiansseekingtousetheme-

    diumo

    fdramatocommunicatetheWordofGod

    andthemessageofthegospel.

    HecanbereachedviaEmail:[email protected].

    HeBlogsat::

    LanguageRev

    olution

    ThePreaching

    Thespian

    MinistryLIVE