so...you want to start a drama team
TRANSCRIPT
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Dramatic
Ministry
Basics
HowareYougoingtoreachagenerationtha
thearswiththeireyesandthinkswiththeirhearts?RaviZ
acharias
By:RayDeckIII
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GettingStarted
Drama,asanart-form,ispracticedinmanypublican
dprivateschoolsacrossthecountry
.Inthoseplaces,thereasonfordoingdrama
isnothingnobler
thanentertainmentorculturalenric
hment.Thosearetwoperfectlylegitimatemotivationsforgettingintotheatre.In
fact,thatshowIgotstarted,butIwouldassumethat
ifyouarereadingthiseBook,youaremotivatedbyahighercalling.
AsabelieverinJe
susChrist,mywholelifeisencompa
ssedwithagreatsenseofthankfulnessforwhathehasdoneforme.Hetookmy
placeonthecrossofCalvary,andsetmefreefrombo
ndagetosin.Mybodyisthetemple
oftheHolyGhost.(ICorinthians6:19)
Ihadawatershedmomentinmyspirituallife,whenI
realizedthatGodmademeexactly
howhewantedme.Mypersonality,
myskills,
myabilities,myp
hysicalcharacteristicswereallapartofmeforareason.Godwantsme
tobethisway!Hecreatedmetobe
adrama
coach.Pleaseun
derstand,Iamn
ottalkingaboutmycharacter.Heisstillrefiningmeto
bemorelikeHimself,buttheabilitiesthatI
have(andtheina
bilities)aremineforareason.Itwas
anincrediblyfreeingrealization,bu
titalsobeggedaninterestingquestion:What
doesGodwantwithadramacoach?
TheanswerthatIhavefoundisthattheartformsIknowbestareexcellentmethodsofcommunication.AsaChristian,mymessageis
theGospelando
therprinciplesclearlycontainedinscripture.Dramaissimplyavoiceth
atallowsmetoshoutthatmessageinmore
placesandwithm
oreeffectivenessthanIwouldbeabletowithoutit.Godmademethis
way,sothatIcouldbeaninstrumentinHis
handstoproclaim
Hismessageofsalvation.
Ifdramahasbecomemoretoyouthanjustacelebrationofbeauty,cultureandhumanna
ture,thenyouareintherightplace.
Ihopeto
walkyouthrough
thestartupprocessforaministryin
thedramaticarts,sothatyoutooc
anusetheabilitiesGodhasgivenyoutopro-
claimH
isgoodne
ws.
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GettingStarted
Beforewegetsta
rted,letsgetonethingstraight:
Dramawillnever,EVERreplacepreachingandteachingoftheWordof
God.
Dramawillnever,EVERreplacepreachingandteachingoftheWordof
God.
Dramawillnever,EVERreplacepreachingandteachingoftheWordof
God.
Dramawillnever,EVERreplacepreachingandteachingoftheWordof
God.
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GettingStarted
Inhisbook,
CanM
anLiveWithoutGod,RaviZacharia
steachesthattherearethreestagesofanyphilosophy.
Thefirst,and
mostobvious,istheInstructionSta
ge
InstructionSta
ge
InstructionSta
ge
InstructionSta
geTheclassroom,wherecollegep
rofessorsandscholarsarguethefin
erpoints
ofthought.
ThesecondistheIllustrationStage
IllustrationStage
IllustrationStage
IllustrationStage--Theartistdemonstratingwhathebelieves,orwh
athethinkshisculturevalues.
Finally,theApplicationStage
ApplicationStage
ApplicationStage
ApplicationStageAroundthedinningroomt
able,howaphilosophyisactuallyputintopractice.
PreachingandteachingconstitutetheInstructionStageofChristianphilosophy.Weformulateourbeliefsinstudy,andthen
commu-
nicatethemi
nitia
llyfromt
hepulpit.Thatwillnever(a
ndshouldnever)bereplacedbyan
yvariationofthedramaticarts.How
ever,we
oftentrytogodirectlyfromt
heinstructionofpreachingintotheapplication.Observe>Interpret>Applyisaneffectivemethod
forinflu-
encingspiritualchange,butifitstrueweshouldbeillustrationsofitinart-workaswell.A
mericanyouthpiecetogethertheirw
orldview
fromY
ellowcard,
CarrieUnderwood,MelGibsonandt
heWachowskiBrothersbecausethe
yidentifymorereadilywiththatthatmodeof
communication.W
ecelebrateintheartswhatwevalu
einouthearts.Thisiswherewe,as
artists,comeintoplay.
Illustration:ADramaaboutPurity
InstructionStage:PreachingaboutPurity
ApplicationStage:LivingPure
ly
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...ju
stima
gine
Okay,now
thatw
eknow
the
whatand
the
why,lets
talkaboutthewhereand
thehow.
Most
drama
ministries
spring
up
because
ofa
needforillustrat
edtruth,
notbecause
a
group
a
talented
people
band
together.
Sometimesadramaministryisbornbecausethe,
Eastercantatathisyearhasareadinginit,
andIw
ouldjustloveityoucouldhelpme
bytakingiton.soundfamiliar?
Yourdramaminis
trycanbemuchbiggerthanthecan
tata.
I
neverh
ave
,
Ineverh
ave
,
Ineverh
ave
,
Ineverh
ave
,d
oesnot
mean
youne
vercou
ld
youne
vercou
ld
youne
vercou
ld
youne
vercou
ld
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...ju
stima
gine
Lookaroundyou.
Doyouseeanyministriesthatcould
benefitfromt
hedramaticarts?
ChildrensCh
urch
ChildrensCh
urch
ChildrensCh
urch
ChildrensCh
urchItsmucheasierforchildren
tounderstandiftheyareshownas
opposedtojusttold.Whydoyouthinkyour
SundayS
choolteacherusedflannelgraph?
YouthGroup
YouthGroup
YouthGroup
YouthGroup
Tomanystudents,theWordofGodhasbecomedullandboring.Show
themh
owaliveitreallyis.
TheScripture
Reading
TheScripture
Reading
TheScripture
Reading
TheScripture
ReadingDoesyourchurchdoaresponsivereading?Doessomeone
readthepassageonSundaymorningbefore
thePastorspeaks?Whycantthatreadingbe
deliveredwithskillandcreativity?M
akethescripturejumpoffthepage
andinto
peoples
hearts.
Evangelisticrally
Evangelisticrally
Evangelisticrally
EvangelisticrallyDramaisanextremelypowerfultoolwhenitcomestocommunicatingthegospel.Youcansay,Jesusdiedfor
yoursins
.oryoucanshowthemw
hatthatm
eans.
Prison/NursingHomeMinistry
Prison/NursingHomeMinistry
Prison/NursingHomeMinistry
Prison/NursingHomeMinistryInaplacenearly
devoidofartandculture,dramacan
beextremelypowerful.
Preaching
Preaching
Preaching
Preaching
Dramawillneverreplacepreaching,true,butitcansurelyintroducea
message,orprovideanillustration.
Askyour
Pastorwhathewouldthinkofhavingadramateama
ctoutoneofhisillustrations
.
Theskyisthelim
itwhenitcomestoopportunities.A
llittakesisoneproactiveperson.U
nderstandthatnotmanypeopleare
goingto
comeaskingyou,especiallyifyouarestartingfromsc
ratch.Offeryourservicesregularly.Veryfewpeoplewillturndownadramateam,
theyjustdontkn
owtoaskforone.IwouldlovetohearhowGodisusingyouandyourtea
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Actors
Actorsareaprettymajorcomponentof
anydramateamt
osaytheleast.
Letsbehonest,noactors
=nodramateam.
Mostlikely,youh
aveoneortwohightalentpeoplein
mind.Dontmakethemistakeofju
dgingon
facevalue.Some
ofthebestactorsthatIhaveeverc
oachedwereactuallyverysoftspok
en.Dont
countanyoneou
t.Withalittlecoachingandencou
ragement,almostanyonecanact.
Itwould
probablybeprudent,however,toholdsomeformo
fa
udition.
Idontlikeauditions.Mostly,Ijustdonotlikebeing
forcedtomakecuts.Howeveryouc
hooseselectyouractors.Itrusttha
tyouwill
neverbeguiltyof
communicatingthatdrama=minist
ry.Itdoesnot.
Dramacanbeaministry,butwhenapersondoesnotmakeyourdramateami
tdoesno
tmeanthat
theyareincapab
leofservingtheLord.Takeextrem
ecarenottocommunicatethat,eveninadver-
tently.
WordofL
ifeBibleInstitute
Drama
Team
07-08
WordofLifeBibleInstitute
DramaTeam0
6-07
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Actors
Inthesecularthe
atreworld,theenvironmentisextrem
elycut-throat.Itsgetahead,atan
ycost.Themannerinwhichyouha
ndleyour
teamf
romauditio
ndaywilldeterminewhetherornot
thisun-Godlymindsetleaksintoyourdramaprogram.Somesteps:
Earlypublicity,andexposureasaperformancem
inistry(emphasisontheministry
emphasisontheministry
emphasisontheministry
emphasisontheministry)w
illhelptopreventthepopularitycon
testthat
couldres
ult,especiallyifyourteami
smadeu
pofstudents.
Whenyoustarttogetwindofsuchattitudes,sq
uashthemquickly
Whenyoustarttogetwindofsuchattitudes,sq
uashthemquickly
Whenyoustarttogetwindofsuchattitudes,sq
uashthemquickly
Whenyoustarttogetwindofsuchattitudes,sq
uashthemquickly.Notallowingwro
ngattitudestogrowwillmakeyour
expecta-
tionsclear.MyteamshavecometoknowwhattoexpectwhenIsaytooneofthem,Letsgoforawalk.Awalkar
oundthe
theatrew
ithcoach,meansamotivecheck.
Valuepeople
overproductions
Valuepeople
overproductions
Valuepeople
overproductions
Valuepeople
overproductions.Itcanreallyhurttopracticesuchaphilosophywhent
hetwohaveconflictingneeds.Ifyou
sacrifice
yourdram
aticproductionforthebenefitofth
epeopleinvolved,Godwillbeglorified.
Formulateapolicy
Formulateapolicy
Formulateapolicy
Formulateapolicythatanyactor,regardlessofta
lentorage,willberemovedfromth
estageassoonasitbecomesclear
thatthey
areactin
gforpersonalgloryratherthantom
inistertotheheartsofpeople.Suchaperspectivechangeissurprisinglyeasyto
identify.
Makeyourop
inionandpolicyknown
Makeyourop
inionandpolicyknown
Makeyourop
inionandpolicyknown
Makeyourop
inionandpolicyknownupfront.i.e.
atauditions.
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Au
ditions
Thenutsandbolt
softheauditionsshouldbesimple.
Beginbyhavingtheactorintroducethem
selves.Thiswillgiveyouagauge
ofthepersonspotentialforacting.
Theywill
neverbe
coachedalevelofnaturalizationbeyondwhattheycanattainbythemse
lvesoutofcharacter.
Improvisationisextremelyhelpful.Dosom
ethingfun(andmostlypointless)tohelpthemr
elax.Letthems
eetha
tyouare
havingfu
n.Itwillrelievesomeofthetension
thatisnaturallyassociatedwithaud
itioning,andtheywillhaveabettera
uditionif
theycan
relax.TherearedozensofImprovg
amesthatworkgreatinauditions.T
hinkthroughWhosLineisitAnyway?Props,
soundef
fects,scenesfroma
hatallgood.
Usesomekindofcoldreadinganexcerp
tofdialoguewithnobackgroundor
chancetoprepare.Placingapoten
tialteam
member
onthestagenexttoanexperienced
actorwillhelpyougaugehowwellth
atpersoncandevelopastagechem
istry.
Finally,
runa
teachabilitydrill.Givetheactor
adifferentpiecetointerpretashortmonologueworksbest.Havethem
deliverit
withnopreparation.Aftertheyhavefumbledthroughitonce,givethema
little
bitofcritiqueandhavethemr
ead
itagain.
Judgeho
wreadilytheyrespondtoyourinstru
ctions.
Whenmakingselections,Iama
lwaysmoreconcerne
dwithteachabilitythantalent.Ifanactor(orpotentialactor)takescritiquewell
andlearnsfromwhatItellhim,hewillprobablysurpassthetalentedactorwhoisunwillingtolearnanythingnew.Remem
berthat,
Godopposesthe
proudandgivesgracetothehumble.(James4:6)
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Material
Onceyouhaveactors,youaregoingtoneedmaterial.Thereareliterallythousandsofs
criptsavailableontheinternetand
manyof
themf
orfree.Wh
enyouaresearchingfordramamaterialjustremembertheoldadage:yougetwhatyoupayfor.Probably,ifitsfree
thereisaverygo
odreasonwhy.Thatsnottosaytha
tyouaregoingtohavetopayforanyqualitymaterialthatyoumayget,well
almost.
Youaregoingto
havetoidentifywhatkindof
styleyouareinterestedindoing.Somewritersofministrydramahavesp
ecialized
incomedy,butif
youarenotinterested
insuchanapproachthenthosesourcesaregoingtobeworthlessto
you.The
materialthatwillfityourgroup
thebestwillbethematerialthatyouwriteyourself.
Look
for
MaterialHere:
Look
for
MaterialHere:
Look
for
MaterialHere:
Look
for
MaterialHere:
WillowCreek
TheSkitGuys
ThePreachin
gThespianc
ouldntresist
HelpinW
ritin
gYo
urO
wn:
HelpinW
ritin
gYo
urO
wn:
HelpinW
ritin
gYo
urO
wn:
HelpinW
ritin
gYo
urO
wn:
TheArtof
Dramatic
Writin
gby:
LajosEgri
Plot
by:
AnsenD
ibell
Software
byDram
atica
The
Preaching
The
spian
again
couldnthelp
it
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Material
AgreatplacetostartisthescripturereadingsegmentofyourchurchsSundaymorningser-
vice.
Getintouchwithyourpastor.Askhim
ifyoucanhandlethe
scripturereading.
Startbyreadingwithappr
opriateinflection.(likeanaudioBible)
Branchoutbyaugmenting
thereadingwithinstrumentalmusicinthebackground.
Trydoingareadingincos
tumeorhavesomeactorsmimeth
esectionasitisread.
Thinkaboutusingsoundeffectsthunder,acrowd,ironsh
arpensiron,etc
expandyourcreativity.Whatcanyoucomeupwith?
BesuretokeepyourPastoruptospeedwithwhatyouintendtodo.Dontsurprise
him
withsomethingmore
elaboratethanhewasexpecting.(
itsneveragoodideato
surprisethePastor)
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Material
Fromt
hatpoint,starttryingtoapplythosescripturepassagestoreallifesituations.Eventually,plotlinesandstoryideaswillstartto
springoutoftheprinciplesofscripture.Dontbetemptedtogotheotherway(fromp
lotto
scripture).Biblealwayscomesfirst.Working
froms
torytoscripturecanhavedisastrouseffects.Thefirststeptowritingatraditional,plot-basedscriptistoidentifywha
tspecific
principleyouarebuildingfrom.Thisprinciple,yoursta
rtingpoint,iscalledthepremise.
Thepremisewillthennaturallycreateapurposestat
ementforyou.Purposeiswhatyou
desiretocommunicate.Plotissimp
lyoneof
manymethodsth
atweusetodoso.Startingatplotfirstandthenworkingbackwardstob
eliefsystemc
anresultinthewriter
imposing
theirownwillontheWordofGod.Thatisaverydangerousgametoplay.Writingdrama,justlikepreachingorteachingshould
beginat
theWordofGodandthenworkoutintoanintendedm
essage,plot,charactersandeventu
allyspecificlines.
Keepinmindtha
teveryelementisacommunication
device.Anexperiencedplaywrightd
oesnotwasteanything.Lines,costume,set,
lights,audio,vide
o,andmakeupareallatyourdispos
al.Thinkthroughhowspecificeleme
ntscanbecommunicative.
Coloredlighting:bluecanindicateasorrowfulscenewhileredusuallymeansanger,hatredorp
assion
Usemakeuptoageorscaracharacterwithadarkand
sortedpast.
Costumesgoa
longwayincommunicatingage.Howdoesathirtyyear-olddressdifferentlythan
athirteenyearold?
Achattycharactershouldhavetwiceasmanylinesasthemorereservedones.Letthemd
rivethescene,eveniftheyarentthelead.
Video(ifyouhavethatluxury)cantakeyouraudiencea
worldaway.Takeatrip,visualizeadrea
m,orcreateatime-lapse.Itsallpossiblewiththe
helpofvideo.
Ire
gu
larly
write
ab
out
writi
ngte
ch
niq
ueat:
Th
eP
reac
hin
gT
hesp
ian
.
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Material
Igotintowriting
becauseofthegreatvoidofqualityinChristiandrama.Themajority
ofscriptsthatIencounteredwere
painfully
straightforward,u
nrealisticallyblack&white.Thegoodguyquotedscripture,andthebadguydidntbelieveintheBible.Inalm
ostevery
case,thecharacterswerearchetypicalandstatic;thedialoguewasblandandfake.Iset
outtowritedramaticmaterialthat
wasboth
realisticandimpactful.Itisimportanttostrikeabala
ncebetweenrealisma
ndblatancy.Weneedtobeblatantwithourmess
age,and
yetmaintainarealisticfeelwiththecharactersandp
lot.Whenyousetouttowritedrama,youmustbeawarethatthereisa
learning
curve.Dontlose
heartafteryourfirstfewattempts.
Learnfromyourmistakes.Whatelementsdidntlookorsoundquiteright?Why?
Judgeaudien
cereactions.Whatsectionsandlineswereimpactful?Didtheylaughat
yourjokes?Didtheylaughatsomethingthat
didnotin
tendtobefunny?
Listentoyouractors.
Theywillfeeluncomfortabl
edeliveringunrealisticlines.Dontb
eafraidtomakechangeswhenthe
ytellyou
thataninterchangeisawkward.
Ofcourse,thema
terialthatIhavewrittenisavailable
toyou.Iamh
appytolendyoumyexperienceandabilities.Themeasure
towhich
youwouldlikeme
involvedinyourstart-uporwritingp
rocessisuptoyou.Remember,this
ishowImakealiving.
Ifyouareinterestedinobtaininganyofmyscriptsorcontractingmeormyteamt
owrites
omethingnewforyou,Icanbecont
actedvia
email:raydeck@w
ol.org.oryouguessedit,atThePreachingThespian.
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Rehearsal
Afteryouhaveac
tors,scriptsandagigortwo,allth
atremainsispractice.Pleasedont
makethemistakeofassumingthatyoucanstepontothestageanddoaneffectivejob
withoutrehearsal.Thatisnotwise.Whileyoumightgetluckyandsneakbyonce,theroad
toexcellencethe
dramaticartsispavedwithhourso
frehearsal.Theexactamountofre-
hearsaltimethat
youwillneedforeachpiecevariesbasedonyouramountofexperience
asadirector,the
ageandskilllevelofyouractorsan
dthedifficultyofthepiece.Icoach
twodramateams
atthecollegelevelandwespenda
boutfourhoursofrehearsaltimefor
everytenminutesofstandardstagedialogue.Ifyou
havehighschoolageactorsitwill
takelonger.Wea
lsotakequiteabitlongeronmime
orchoreography.Ifoneofthosetwo
elementsisincluded,thetimegoesuptosomething
likeanhourforeveryminuteofper-
formancetime.
DontconfuseIm
provisationwithNoPractice.Im
provisaskillwhichrequireseven
moretimeanden
ergythantraditionaltheatre.Tobeabletocreateascriptwhilestanding
onthestagerequ
iresmanyhoursofpreparationand
drillwork.Somepeoplearenaturally
talentedatImprov,butevenprofessionalImprovisers
rehearse.
Somepeopleinourfieldhavesaidthatcreativitysprin
gsfroms
pontaneity.Theymakethis
statement,inmostcases,toarguethatthelessyou
practice,themorecreativeyourac-
torswillbeonsta
ge.Icouldnotdisagreemorestrongly.Whilemanytimescreativitydoes
comeinthehea
tofthemoment,italsocomesin
theplanning/preparing/rehearsing
phase.Spontaneitycanspringoutofplanningmorereadilythanoutofalackofprepara-
tion.Awellorgan
izedplanandahealthyamountof
rehearsaltimelendsitselftoconfi-
denceintheacto
r.Whilethereissuchathingasover-rehearsing,rarelydoesitbecome
afactor.
Critiqueismylovelangua
ge.
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Rehearsal
Themajorprincip
lethatItrytofollowwhenrehearsingistoaddelementsslowly.Startwithasimplestage,comfortableattire&sur-
roundings.Slowly
workuptoaperformanceenvironm
ent.Forexample:
Startwithasimple
Startwithasimple
Startwithasimple
Startwithasimpleset,scriptsallowed,nomakeup,costumes,microphonesorau
dience.
Graduallyaddelements
Graduallyaddelements
Graduallyaddelements
Graduallyaddelementstothesetastheacto
rsgetcomfortable.
Getthea
ctorsoffbook
Getthea
ctorsoffbook
Getthea
ctorsoffbook
Getthea
ctorsoffbookasquicklyaspossible.Thesoonertheyputtheirscript
down,themorenaturalthescenew
illlookin
theend.
Onceallofthesetisinplace,startworkingw
iththemicrophones
microphones
microphones
microphones.
Makeup
&costumes
Makeup
&costumes
Makeup
&costumes
Makeup
&costumescomenext.
Addanylightingeffectslast
Addanylightingeffectslast
Addanylightingeffectslast
Addanylightingeffectslast.Actingunderstagelightscanbehardtogetusedto.
Finally,w
henalltheotherpiecesareinplace,haveyourteamp
erformf
orasmalleraudience
performf
orasmalleraudience
performf
orasmalleraudience
performf
orasmalleraudiencetobreaksomeofthe
nervous-
nessbeforeputtingthemo
nabigstage.
Naturally,someo
fthesestepscanbeskippedorcondensedifyouarepressedfortimeorareworkingonapiecethatdoesnotinvolve
someoftheseele
ments.
Finally,keeppray
eraregularpartofyourrehearsaltime.Teachyouractorstorelyonthe
strengthoftheLord,ratherthanontheirown
talentsandabilities.Prayerispowerful.Ifyoubelieve
that,thenteachitthroughyouprac
ticetime.Iunderstandthatrehears
altimeis
valuable;butund
erstand,evenifeveryotherelement
isinitsproperplaceandproportion,ifGodisnotinit
Rehearsaltechniqueisacommontopicon:ThePreac
hingThespian.
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8/14/2019 So...You Want to Start a Drama Team
16/17
SoYouWan
ttoStartaDramaTeam?
SoYouWan
ttoStartaDramaTeam?
SoYouWan
ttoStartaDramaTeam?
SoYouWan
ttoStartaDramaTeam?
FinalWo
rds
Iwouldliketolea
veyouwithafewwordsofcaution.Inaministrysuchasthedramatic
arts,itcanbeextremelyeasytolosesightof
twothings:
1.
Whywedodramaticministry.
2.
Theneedsoftheindividual.
Whendeadlinesarelooming,andrehearsalsarefastandharditcanbeveryeasytoget
caughtupintherushofitallandf
orgetthe
Godwhohasplacedushere.Itcanbeeasytomaketheswitchfromm
inistrytoperforma
nce.Thedifferenceisonlyinmotivation.Min-
istryisaboutGod
Performanceisaboutme.Itisvery
possibletostartoutonaprojectwiththegoalofglorifyingGodandgetderailed
whentheaccoladesandpraisefromo
thersstartsh
oweringdownaroundyou.Dramaisaverypublicministry,whichbringswithit
plentyofopportunityforswellingegosandsinfulhearts.Please,dontfallintothattrap.
Itcanalsobeeas
ytoforgetthatthepeopleworkingf
oryouareinneedofspiritualgrowth
too.Westeponthestagesothatthehearts
ofthepeoplewill
bechanged,butIhaveseenthemessagesportrayedindramaaffectthe
veryactorswhowereresponsibleto
commu-
nicatethem.Dontforgettheactors.Theyneedtogrowtoo.
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8/14/2019 So...You Want to Start a Drama Team
17/17
SoYouWan
ttoStartaDramaTeam?
SoYouWan
ttoStartaDramaTeam?
SoYouWan
ttoStartaDramaTeam?
SoYouWan
ttoStartaDramaTeam?
Abou
ttheA
uthor
RayDeckisanactor,dramatistandplaywright.
Hehasbeen
activelyinvolved
in
creativearts
ministry
forten
years.His
experiences
have
rangedinvarietyfrom
theconventionaltothe
non-traditiona
l,froms
mallskitstoBroadwaystyle
musicalprodu
ctions.Inhiscareerhehaswritten
orco-written
overthirtyskitsandfiveministry
plays.Hecurrentlycoachestwotravelingdrama
ministryteamsfromW
ordofLifeBibleInstitutein
SchroonLake,NY.
ItisRayspe
rsonalmissiontoequipandem-
powerotherChristiansseekingtousetheme-
diumo
fdramatocommunicatetheWordofGod
andthemessageofthegospel.
HecanbereachedviaEmail:[email protected].
HeBlogsat::
LanguageRev
olution
ThePreaching
Thespian
MinistryLIVE