specificity of light and the interior space
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THE SPECIFICITY OF LIGHT WITHIN THE INTERIOR SPACE
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HANS HOLBEIN THE YOUNGER
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EGON SCHIELE
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EDWARD HOPPER
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FILM NOIR
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DIR: WONG KAR-WAI
DP: CHRISTOPHER
DOYLE
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DIR:COEN BROTHERS
DP: ROGER DEAKINS
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ARNOLD NEWMAN
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ARNOLD NEWMAN: BEHIND THE IMAGE
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CINDY SHERMAN
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ERWIN OLAF
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PAOLA KUDACKI
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WILLY VANDERPERRE
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GREGORY CREWDSON
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ESTHER TEICHMANN
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ELEANOR CARUCCI
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LARRY SULTAN
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DOMINIK GIGLER
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WENDY McMURDO
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DINU LI
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KIRAN MASTER
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HANNAH STARKEY
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MICHELLE SANK
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PHILIP LORCA diCORCIA
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PHILIP TOLEDANO
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DAVID LYNCH: BLUE VELVET
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FILL-IN FLASH
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WHILST ALL CAMERAS CAN BE USED FOR THIS TECHNIQUE, CAMERAS WITH LEAF SHUTTERS
HAVE GREATER VERSITILITY MAMIYA RZ HASSELBLAD WISTA ALL USE LEAF SHUTTERS
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HAVE GREATER VERSITILITY MAMIYA 7, RZ; HASSELBLAD; WISTA ALL USE LEAF SHUTTERS
CAMERAS WITH FOCAL PLANE SHUTTERS ARE RESTRICTED TO THEIR MAX FLASH SYNCSPEED
USING A LIGHTMETER (ON SUNSHINE MODE) TAKE AN INCIDENT READING OF THE AMBIENT
LIGHT WITHIN THE ENVIRONMENT
ESTABLISH THE DEPTH OF FIELD YOU WISH TO SHOOT AT THIS READING OF APERTURE &
SHUTTER SPEED IS COPIED TO THE CAMERA
USING THE LIGHTMETER (ON FLASH MODE), WITH A SHUTTER SPEED SET TO 250TH, TAKE A
READING OF THE FLASHTHE POWER OF THE FLASH MUST BE BETWEEN 2 AND 3 F-STOPS LESS THAN THE AMBIENT
F-STOPS - WHERE THE POWER OF THE FLASH IS TO BRIGHT USE NEUTRAL DENSITY & / OR
HALF TOUGH SPUN.
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