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emc notes inc. Teacher Manual Step - by - Step Classroom Music II 7

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Page 1: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

emc notes inc

Teacher Manual

Step-by-Step Classroom Music II

7

Dear Educator

Thank you for taking the time to peruse Step-by-Step Classroom Music This grade music curriculum has been created for a classroom teacher to deliver a General Music program Step-by-Step Classroom Music teacher resources contain full lesson plans with clearly specified curriculum expectations at top of each lesson The music lesson plans give extra explanation and teacher notes and have blackline masters and tests for students In grade 1 the fundamentals of music are taught and in each successive year they are reviewed and built upon If you have found us via this pdf document we encourage you to visit the website wwwemcnotescom to look at our other music curriculum products in this series and to view our SMART board music lessons and the new online music composi tion application This sample contains links to audio in mp3 format To access this click on the text that reads ldquoPlay trackhelliprdquo and the mp3 track will open in another window If you have any questions or problems viewing or listening to the audio email paulmauroemcnotescom

Yours truly

The emc notes inc team

emc notes incpetermauroemcnotescom

Tel 905-575-4449 Toll free 1-877-246-1763 | Fax 1-866-551-53821119 Fennell St E PO Box 61507 Hamilton Ontario Canada L8T 5A1

wwwemcnotescom

Limited reproduction permission The author grants permission to individual teachers who have purchased this book to reproduce the activity sheets and fill-in charts as needed for use with their own students

Reproduction for an entire school or school district or for commercial use is prohibited

Design and Layout by Paul Mauro

Step-by-Step Classroom Music II Grade 7 is published and exclusively distributed by

emc notes inc1119 Fennel St E PO Box 61507Hamilton Ontario Canada L8T 5A1

For sales and copyright inquiries please contact emc notes inc

Phone 9055754449Toll-free 18772461763Fax 1-866-551-5382or e-mail salesemcnotescom

Additional products can be found at

wwwemcnotescom

Step-by-Step Classroom Music II Grade 7 by Vincent J Rinaldo PhD

We acknowledge the financial support of the Government of Canada through the Canada Book Fund for our publishing activities

978-1-897491-52-2

All rights reserved Printed in Canada

Copyright copy 2010 by emc notes inc

Table of Contents

Lesson one Brief HisTory of THe BLues 1

Teacher Note The Blues 3

Lesson Two famous BLues arTisTs of THe 20TH CenTury 4

Performer Assignment Worksheet 6

Lesson THree GuiTar PerformanCe CriTique 7

Guitarist Critique Worksheet 9

Lesson four THe Grand sTaff review 10

Grand Staff Teacher Note 12 Grand Staff Worksheet 13 Grand Staff Worksheet Answer Sheet 14

Lesson five major Triads 15

C-F-G Major Scale Card 18 C-F-G Major Triad Card 19 C-F-G Major Triad Worksheet 20 C-F-G Major Triad Answer Sheet 21

Lesson six Triad PosiTions and major CHord voiCinG 22

C - F - G Root Position Card 24 C - F - G First Inverted Position Card 25 C - F - G Second Inverted Position Card 26 C - F - G Position Worksheet 27 C - F - G Position Answer Sheet 28

Lesson seven form and THe 12-Bar BLues wiTH major CHords 29

C Major Scale with Degrees Card 32 12-Bar Blues Pattern Card 33 12-Bar Blues Worksheet 34 12-Bar Blues Answer Sheet 35

Lesson eiGHT minor Triads 36

A-D-E Minor Scale Card 39 A-D-E Minor Triad Card 40 A-D-E Minor Triad Worksheet 41 A-D-E Minor Triad Answer Sheet 42

Lesson nine Triad PosiTions and minor CHord voiCinG 43

A ndash D ndash E Minor Root Position Card 46 A ndash D ndash E Minor First Inverted Position Card 47 A ndash D ndash E Minor Second Inverted Position Card 48 A ndash D ndash E Minor Position Worksheet 49 A ndash D ndash E Minor Position Answer Sheet 50

Lesson Ten form and THe 12-Bar minor BLues 51

A Minor Scale with Degrees Card 54 12-Bar Blues Pattern Card 55 12-Bar Blues Worksheet 56 12-Bar Blues Answer Sheet 57

Table of Contents

Lesson eLeven sHarP Key siGnaTures and THe CirCLe of fifTHs 58

Teacher Note Sharp Key Signatures 61 Sharp Key Signatures Pattern Card 62 C G D A E B F C Scale Card 63 Circle of Fifths Card 64 Circle of Fifths Worksheet 1 65 Circle of Fifths Worksheet 2 66 Circle of Fifths Answer Sheet 1 67 Circle of Fifths Answer Sheet 2 68

Lesson TweLve fLaT Key siGnaTures and THe CirCLe of fourTHs 69 Teacher Note Flat Key Signature 71 C F Bb Eb Ab Db Gb Cb Scale Card 72 Flat Key Signatures Pattern Card 73 Circle of Fourths Card 74 Circle of Fourths Worksheet 1 75 Circle of Fourths Worksheet 2 76 Circle of Fourths Answer Sheet 1 77 Circle of Fourths Answer Sheet 2 78

Lesson THirTeen C BLues sCaLe 79

The Blues Scale Note 80 C Major Scale Card 81 C Minor Scales Card 82 C Blues Scale Card 83 C Blues Worksheet 84 C Blues Worksheet Answer sheet 85

Lesson fourTeen ComPosiTion usinG THe C BLues sCaLe over a major ProGression 86

Commercial Lyric Sheet 89 C Blues Scoring Sheet 90 C Blues Backing Track Score 91

Lesson fifTeen ComPosiTion meLody over a minor ProGression 92

C Blues Scoring Sheet 95 C Blues Backing Track Score 96

Lesson sixTeen G BLues sCaLe 97

G Major Scale Card 99 G Minor Scales Card 100 G Blues Scale Card 101 G Blues Worksheet 102 G Blues Worksheet Answer sheet 103

Lesson sevenTeen ComPosiTion usinG THe G BLues sCaLe over a major ProGression 104

G Blues Scoring Sheet 106 G Blues Backing Track Score 107

Lesson eiGHTeen ComPosiTion a CLass sonG 108

Musical elements Review Sheet 111 Class Song Lyric Sheet 112 Class Song Rhythm Scoring Sheet 113 Class Song Melody Scoring Sheet 114

Table of Contents

Lesson nineTeen sTax reCords aTLanTiC reCords and moTown 115

Stax Atlantic and Motown Assignment Worksheet 117

end noTes 119

iv

Cd Track List

Track 1 I Heard the Voice of Jesus SayTrack 2 C Major Blues Progression 1Track 3 C Major Blues Progression 2Track 4 C Major Blues Progression 3Track 5 C Major Blues Progression 4Track 6 C Major Blues Progression 5Track 7 C Minor Blues Progression 1Track 8 C Minor Blues Progression 2Track 9 C Minor Blues Progression 3Track 10 C Minor Blues Progression 4Track 11 C Minor Blues Progression 5Track 12 G Major Blues Progression 1Track 13 G Major Blues Progression 2Track 14 G Major Blues Progression 3Track 15 G Major Blues Progression 4Track 16 G Major Blues Progression 5

108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 2: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

Dear Educator

Thank you for taking the time to peruse Step-by-Step Classroom Music This grade music curriculum has been created for a classroom teacher to deliver a General Music program Step-by-Step Classroom Music teacher resources contain full lesson plans with clearly specified curriculum expectations at top of each lesson The music lesson plans give extra explanation and teacher notes and have blackline masters and tests for students In grade 1 the fundamentals of music are taught and in each successive year they are reviewed and built upon If you have found us via this pdf document we encourage you to visit the website wwwemcnotescom to look at our other music curriculum products in this series and to view our SMART board music lessons and the new online music composi tion application This sample contains links to audio in mp3 format To access this click on the text that reads ldquoPlay trackhelliprdquo and the mp3 track will open in another window If you have any questions or problems viewing or listening to the audio email paulmauroemcnotescom

Yours truly

The emc notes inc team

emc notes incpetermauroemcnotescom

Tel 905-575-4449 Toll free 1-877-246-1763 | Fax 1-866-551-53821119 Fennell St E PO Box 61507 Hamilton Ontario Canada L8T 5A1

wwwemcnotescom

Limited reproduction permission The author grants permission to individual teachers who have purchased this book to reproduce the activity sheets and fill-in charts as needed for use with their own students

Reproduction for an entire school or school district or for commercial use is prohibited

Design and Layout by Paul Mauro

Step-by-Step Classroom Music II Grade 7 is published and exclusively distributed by

emc notes inc1119 Fennel St E PO Box 61507Hamilton Ontario Canada L8T 5A1

For sales and copyright inquiries please contact emc notes inc

Phone 9055754449Toll-free 18772461763Fax 1-866-551-5382or e-mail salesemcnotescom

Additional products can be found at

wwwemcnotescom

Step-by-Step Classroom Music II Grade 7 by Vincent J Rinaldo PhD

We acknowledge the financial support of the Government of Canada through the Canada Book Fund for our publishing activities

978-1-897491-52-2

All rights reserved Printed in Canada

Copyright copy 2010 by emc notes inc

Table of Contents

Lesson one Brief HisTory of THe BLues 1

Teacher Note The Blues 3

Lesson Two famous BLues arTisTs of THe 20TH CenTury 4

Performer Assignment Worksheet 6

Lesson THree GuiTar PerformanCe CriTique 7

Guitarist Critique Worksheet 9

Lesson four THe Grand sTaff review 10

Grand Staff Teacher Note 12 Grand Staff Worksheet 13 Grand Staff Worksheet Answer Sheet 14

Lesson five major Triads 15

C-F-G Major Scale Card 18 C-F-G Major Triad Card 19 C-F-G Major Triad Worksheet 20 C-F-G Major Triad Answer Sheet 21

Lesson six Triad PosiTions and major CHord voiCinG 22

C - F - G Root Position Card 24 C - F - G First Inverted Position Card 25 C - F - G Second Inverted Position Card 26 C - F - G Position Worksheet 27 C - F - G Position Answer Sheet 28

Lesson seven form and THe 12-Bar BLues wiTH major CHords 29

C Major Scale with Degrees Card 32 12-Bar Blues Pattern Card 33 12-Bar Blues Worksheet 34 12-Bar Blues Answer Sheet 35

Lesson eiGHT minor Triads 36

A-D-E Minor Scale Card 39 A-D-E Minor Triad Card 40 A-D-E Minor Triad Worksheet 41 A-D-E Minor Triad Answer Sheet 42

Lesson nine Triad PosiTions and minor CHord voiCinG 43

A ndash D ndash E Minor Root Position Card 46 A ndash D ndash E Minor First Inverted Position Card 47 A ndash D ndash E Minor Second Inverted Position Card 48 A ndash D ndash E Minor Position Worksheet 49 A ndash D ndash E Minor Position Answer Sheet 50

Lesson Ten form and THe 12-Bar minor BLues 51

A Minor Scale with Degrees Card 54 12-Bar Blues Pattern Card 55 12-Bar Blues Worksheet 56 12-Bar Blues Answer Sheet 57

Table of Contents

Lesson eLeven sHarP Key siGnaTures and THe CirCLe of fifTHs 58

Teacher Note Sharp Key Signatures 61 Sharp Key Signatures Pattern Card 62 C G D A E B F C Scale Card 63 Circle of Fifths Card 64 Circle of Fifths Worksheet 1 65 Circle of Fifths Worksheet 2 66 Circle of Fifths Answer Sheet 1 67 Circle of Fifths Answer Sheet 2 68

Lesson TweLve fLaT Key siGnaTures and THe CirCLe of fourTHs 69 Teacher Note Flat Key Signature 71 C F Bb Eb Ab Db Gb Cb Scale Card 72 Flat Key Signatures Pattern Card 73 Circle of Fourths Card 74 Circle of Fourths Worksheet 1 75 Circle of Fourths Worksheet 2 76 Circle of Fourths Answer Sheet 1 77 Circle of Fourths Answer Sheet 2 78

Lesson THirTeen C BLues sCaLe 79

The Blues Scale Note 80 C Major Scale Card 81 C Minor Scales Card 82 C Blues Scale Card 83 C Blues Worksheet 84 C Blues Worksheet Answer sheet 85

Lesson fourTeen ComPosiTion usinG THe C BLues sCaLe over a major ProGression 86

Commercial Lyric Sheet 89 C Blues Scoring Sheet 90 C Blues Backing Track Score 91

Lesson fifTeen ComPosiTion meLody over a minor ProGression 92

C Blues Scoring Sheet 95 C Blues Backing Track Score 96

Lesson sixTeen G BLues sCaLe 97

G Major Scale Card 99 G Minor Scales Card 100 G Blues Scale Card 101 G Blues Worksheet 102 G Blues Worksheet Answer sheet 103

Lesson sevenTeen ComPosiTion usinG THe G BLues sCaLe over a major ProGression 104

G Blues Scoring Sheet 106 G Blues Backing Track Score 107

Lesson eiGHTeen ComPosiTion a CLass sonG 108

Musical elements Review Sheet 111 Class Song Lyric Sheet 112 Class Song Rhythm Scoring Sheet 113 Class Song Melody Scoring Sheet 114

Table of Contents

Lesson nineTeen sTax reCords aTLanTiC reCords and moTown 115

Stax Atlantic and Motown Assignment Worksheet 117

end noTes 119

iv

Cd Track List

Track 1 I Heard the Voice of Jesus SayTrack 2 C Major Blues Progression 1Track 3 C Major Blues Progression 2Track 4 C Major Blues Progression 3Track 5 C Major Blues Progression 4Track 6 C Major Blues Progression 5Track 7 C Minor Blues Progression 1Track 8 C Minor Blues Progression 2Track 9 C Minor Blues Progression 3Track 10 C Minor Blues Progression 4Track 11 C Minor Blues Progression 5Track 12 G Major Blues Progression 1Track 13 G Major Blues Progression 2Track 14 G Major Blues Progression 3Track 15 G Major Blues Progression 4Track 16 G Major Blues Progression 5

108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 3: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

Limited reproduction permission The author grants permission to individual teachers who have purchased this book to reproduce the activity sheets and fill-in charts as needed for use with their own students

Reproduction for an entire school or school district or for commercial use is prohibited

Design and Layout by Paul Mauro

Step-by-Step Classroom Music II Grade 7 is published and exclusively distributed by

emc notes inc1119 Fennel St E PO Box 61507Hamilton Ontario Canada L8T 5A1

For sales and copyright inquiries please contact emc notes inc

Phone 9055754449Toll-free 18772461763Fax 1-866-551-5382or e-mail salesemcnotescom

Additional products can be found at

wwwemcnotescom

Step-by-Step Classroom Music II Grade 7 by Vincent J Rinaldo PhD

We acknowledge the financial support of the Government of Canada through the Canada Book Fund for our publishing activities

978-1-897491-52-2

All rights reserved Printed in Canada

Copyright copy 2010 by emc notes inc

Table of Contents

Lesson one Brief HisTory of THe BLues 1

Teacher Note The Blues 3

Lesson Two famous BLues arTisTs of THe 20TH CenTury 4

Performer Assignment Worksheet 6

Lesson THree GuiTar PerformanCe CriTique 7

Guitarist Critique Worksheet 9

Lesson four THe Grand sTaff review 10

Grand Staff Teacher Note 12 Grand Staff Worksheet 13 Grand Staff Worksheet Answer Sheet 14

Lesson five major Triads 15

C-F-G Major Scale Card 18 C-F-G Major Triad Card 19 C-F-G Major Triad Worksheet 20 C-F-G Major Triad Answer Sheet 21

Lesson six Triad PosiTions and major CHord voiCinG 22

C - F - G Root Position Card 24 C - F - G First Inverted Position Card 25 C - F - G Second Inverted Position Card 26 C - F - G Position Worksheet 27 C - F - G Position Answer Sheet 28

Lesson seven form and THe 12-Bar BLues wiTH major CHords 29

C Major Scale with Degrees Card 32 12-Bar Blues Pattern Card 33 12-Bar Blues Worksheet 34 12-Bar Blues Answer Sheet 35

Lesson eiGHT minor Triads 36

A-D-E Minor Scale Card 39 A-D-E Minor Triad Card 40 A-D-E Minor Triad Worksheet 41 A-D-E Minor Triad Answer Sheet 42

Lesson nine Triad PosiTions and minor CHord voiCinG 43

A ndash D ndash E Minor Root Position Card 46 A ndash D ndash E Minor First Inverted Position Card 47 A ndash D ndash E Minor Second Inverted Position Card 48 A ndash D ndash E Minor Position Worksheet 49 A ndash D ndash E Minor Position Answer Sheet 50

Lesson Ten form and THe 12-Bar minor BLues 51

A Minor Scale with Degrees Card 54 12-Bar Blues Pattern Card 55 12-Bar Blues Worksheet 56 12-Bar Blues Answer Sheet 57

Table of Contents

Lesson eLeven sHarP Key siGnaTures and THe CirCLe of fifTHs 58

Teacher Note Sharp Key Signatures 61 Sharp Key Signatures Pattern Card 62 C G D A E B F C Scale Card 63 Circle of Fifths Card 64 Circle of Fifths Worksheet 1 65 Circle of Fifths Worksheet 2 66 Circle of Fifths Answer Sheet 1 67 Circle of Fifths Answer Sheet 2 68

Lesson TweLve fLaT Key siGnaTures and THe CirCLe of fourTHs 69 Teacher Note Flat Key Signature 71 C F Bb Eb Ab Db Gb Cb Scale Card 72 Flat Key Signatures Pattern Card 73 Circle of Fourths Card 74 Circle of Fourths Worksheet 1 75 Circle of Fourths Worksheet 2 76 Circle of Fourths Answer Sheet 1 77 Circle of Fourths Answer Sheet 2 78

Lesson THirTeen C BLues sCaLe 79

The Blues Scale Note 80 C Major Scale Card 81 C Minor Scales Card 82 C Blues Scale Card 83 C Blues Worksheet 84 C Blues Worksheet Answer sheet 85

Lesson fourTeen ComPosiTion usinG THe C BLues sCaLe over a major ProGression 86

Commercial Lyric Sheet 89 C Blues Scoring Sheet 90 C Blues Backing Track Score 91

Lesson fifTeen ComPosiTion meLody over a minor ProGression 92

C Blues Scoring Sheet 95 C Blues Backing Track Score 96

Lesson sixTeen G BLues sCaLe 97

G Major Scale Card 99 G Minor Scales Card 100 G Blues Scale Card 101 G Blues Worksheet 102 G Blues Worksheet Answer sheet 103

Lesson sevenTeen ComPosiTion usinG THe G BLues sCaLe over a major ProGression 104

G Blues Scoring Sheet 106 G Blues Backing Track Score 107

Lesson eiGHTeen ComPosiTion a CLass sonG 108

Musical elements Review Sheet 111 Class Song Lyric Sheet 112 Class Song Rhythm Scoring Sheet 113 Class Song Melody Scoring Sheet 114

Table of Contents

Lesson nineTeen sTax reCords aTLanTiC reCords and moTown 115

Stax Atlantic and Motown Assignment Worksheet 117

end noTes 119

iv

Cd Track List

Track 1 I Heard the Voice of Jesus SayTrack 2 C Major Blues Progression 1Track 3 C Major Blues Progression 2Track 4 C Major Blues Progression 3Track 5 C Major Blues Progression 4Track 6 C Major Blues Progression 5Track 7 C Minor Blues Progression 1Track 8 C Minor Blues Progression 2Track 9 C Minor Blues Progression 3Track 10 C Minor Blues Progression 4Track 11 C Minor Blues Progression 5Track 12 G Major Blues Progression 1Track 13 G Major Blues Progression 2Track 14 G Major Blues Progression 3Track 15 G Major Blues Progression 4Track 16 G Major Blues Progression 5

108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 4: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

Table of Contents

Lesson one Brief HisTory of THe BLues 1

Teacher Note The Blues 3

Lesson Two famous BLues arTisTs of THe 20TH CenTury 4

Performer Assignment Worksheet 6

Lesson THree GuiTar PerformanCe CriTique 7

Guitarist Critique Worksheet 9

Lesson four THe Grand sTaff review 10

Grand Staff Teacher Note 12 Grand Staff Worksheet 13 Grand Staff Worksheet Answer Sheet 14

Lesson five major Triads 15

C-F-G Major Scale Card 18 C-F-G Major Triad Card 19 C-F-G Major Triad Worksheet 20 C-F-G Major Triad Answer Sheet 21

Lesson six Triad PosiTions and major CHord voiCinG 22

C - F - G Root Position Card 24 C - F - G First Inverted Position Card 25 C - F - G Second Inverted Position Card 26 C - F - G Position Worksheet 27 C - F - G Position Answer Sheet 28

Lesson seven form and THe 12-Bar BLues wiTH major CHords 29

C Major Scale with Degrees Card 32 12-Bar Blues Pattern Card 33 12-Bar Blues Worksheet 34 12-Bar Blues Answer Sheet 35

Lesson eiGHT minor Triads 36

A-D-E Minor Scale Card 39 A-D-E Minor Triad Card 40 A-D-E Minor Triad Worksheet 41 A-D-E Minor Triad Answer Sheet 42

Lesson nine Triad PosiTions and minor CHord voiCinG 43

A ndash D ndash E Minor Root Position Card 46 A ndash D ndash E Minor First Inverted Position Card 47 A ndash D ndash E Minor Second Inverted Position Card 48 A ndash D ndash E Minor Position Worksheet 49 A ndash D ndash E Minor Position Answer Sheet 50

Lesson Ten form and THe 12-Bar minor BLues 51

A Minor Scale with Degrees Card 54 12-Bar Blues Pattern Card 55 12-Bar Blues Worksheet 56 12-Bar Blues Answer Sheet 57

Table of Contents

Lesson eLeven sHarP Key siGnaTures and THe CirCLe of fifTHs 58

Teacher Note Sharp Key Signatures 61 Sharp Key Signatures Pattern Card 62 C G D A E B F C Scale Card 63 Circle of Fifths Card 64 Circle of Fifths Worksheet 1 65 Circle of Fifths Worksheet 2 66 Circle of Fifths Answer Sheet 1 67 Circle of Fifths Answer Sheet 2 68

Lesson TweLve fLaT Key siGnaTures and THe CirCLe of fourTHs 69 Teacher Note Flat Key Signature 71 C F Bb Eb Ab Db Gb Cb Scale Card 72 Flat Key Signatures Pattern Card 73 Circle of Fourths Card 74 Circle of Fourths Worksheet 1 75 Circle of Fourths Worksheet 2 76 Circle of Fourths Answer Sheet 1 77 Circle of Fourths Answer Sheet 2 78

Lesson THirTeen C BLues sCaLe 79

The Blues Scale Note 80 C Major Scale Card 81 C Minor Scales Card 82 C Blues Scale Card 83 C Blues Worksheet 84 C Blues Worksheet Answer sheet 85

Lesson fourTeen ComPosiTion usinG THe C BLues sCaLe over a major ProGression 86

Commercial Lyric Sheet 89 C Blues Scoring Sheet 90 C Blues Backing Track Score 91

Lesson fifTeen ComPosiTion meLody over a minor ProGression 92

C Blues Scoring Sheet 95 C Blues Backing Track Score 96

Lesson sixTeen G BLues sCaLe 97

G Major Scale Card 99 G Minor Scales Card 100 G Blues Scale Card 101 G Blues Worksheet 102 G Blues Worksheet Answer sheet 103

Lesson sevenTeen ComPosiTion usinG THe G BLues sCaLe over a major ProGression 104

G Blues Scoring Sheet 106 G Blues Backing Track Score 107

Lesson eiGHTeen ComPosiTion a CLass sonG 108

Musical elements Review Sheet 111 Class Song Lyric Sheet 112 Class Song Rhythm Scoring Sheet 113 Class Song Melody Scoring Sheet 114

Table of Contents

Lesson nineTeen sTax reCords aTLanTiC reCords and moTown 115

Stax Atlantic and Motown Assignment Worksheet 117

end noTes 119

iv

Cd Track List

Track 1 I Heard the Voice of Jesus SayTrack 2 C Major Blues Progression 1Track 3 C Major Blues Progression 2Track 4 C Major Blues Progression 3Track 5 C Major Blues Progression 4Track 6 C Major Blues Progression 5Track 7 C Minor Blues Progression 1Track 8 C Minor Blues Progression 2Track 9 C Minor Blues Progression 3Track 10 C Minor Blues Progression 4Track 11 C Minor Blues Progression 5Track 12 G Major Blues Progression 1Track 13 G Major Blues Progression 2Track 14 G Major Blues Progression 3Track 15 G Major Blues Progression 4Track 16 G Major Blues Progression 5

108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 5: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

Table of Contents

Lesson eLeven sHarP Key siGnaTures and THe CirCLe of fifTHs 58

Teacher Note Sharp Key Signatures 61 Sharp Key Signatures Pattern Card 62 C G D A E B F C Scale Card 63 Circle of Fifths Card 64 Circle of Fifths Worksheet 1 65 Circle of Fifths Worksheet 2 66 Circle of Fifths Answer Sheet 1 67 Circle of Fifths Answer Sheet 2 68

Lesson TweLve fLaT Key siGnaTures and THe CirCLe of fourTHs 69 Teacher Note Flat Key Signature 71 C F Bb Eb Ab Db Gb Cb Scale Card 72 Flat Key Signatures Pattern Card 73 Circle of Fourths Card 74 Circle of Fourths Worksheet 1 75 Circle of Fourths Worksheet 2 76 Circle of Fourths Answer Sheet 1 77 Circle of Fourths Answer Sheet 2 78

Lesson THirTeen C BLues sCaLe 79

The Blues Scale Note 80 C Major Scale Card 81 C Minor Scales Card 82 C Blues Scale Card 83 C Blues Worksheet 84 C Blues Worksheet Answer sheet 85

Lesson fourTeen ComPosiTion usinG THe C BLues sCaLe over a major ProGression 86

Commercial Lyric Sheet 89 C Blues Scoring Sheet 90 C Blues Backing Track Score 91

Lesson fifTeen ComPosiTion meLody over a minor ProGression 92

C Blues Scoring Sheet 95 C Blues Backing Track Score 96

Lesson sixTeen G BLues sCaLe 97

G Major Scale Card 99 G Minor Scales Card 100 G Blues Scale Card 101 G Blues Worksheet 102 G Blues Worksheet Answer sheet 103

Lesson sevenTeen ComPosiTion usinG THe G BLues sCaLe over a major ProGression 104

G Blues Scoring Sheet 106 G Blues Backing Track Score 107

Lesson eiGHTeen ComPosiTion a CLass sonG 108

Musical elements Review Sheet 111 Class Song Lyric Sheet 112 Class Song Rhythm Scoring Sheet 113 Class Song Melody Scoring Sheet 114

Table of Contents

Lesson nineTeen sTax reCords aTLanTiC reCords and moTown 115

Stax Atlantic and Motown Assignment Worksheet 117

end noTes 119

iv

Cd Track List

Track 1 I Heard the Voice of Jesus SayTrack 2 C Major Blues Progression 1Track 3 C Major Blues Progression 2Track 4 C Major Blues Progression 3Track 5 C Major Blues Progression 4Track 6 C Major Blues Progression 5Track 7 C Minor Blues Progression 1Track 8 C Minor Blues Progression 2Track 9 C Minor Blues Progression 3Track 10 C Minor Blues Progression 4Track 11 C Minor Blues Progression 5Track 12 G Major Blues Progression 1Track 13 G Major Blues Progression 2Track 14 G Major Blues Progression 3Track 15 G Major Blues Progression 4Track 16 G Major Blues Progression 5

108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 6: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

Table of Contents

Lesson nineTeen sTax reCords aTLanTiC reCords and moTown 115

Stax Atlantic and Motown Assignment Worksheet 117

end noTes 119

iv

Cd Track List

Track 1 I Heard the Voice of Jesus SayTrack 2 C Major Blues Progression 1Track 3 C Major Blues Progression 2Track 4 C Major Blues Progression 3Track 5 C Major Blues Progression 4Track 6 C Major Blues Progression 5Track 7 C Minor Blues Progression 1Track 8 C Minor Blues Progression 2Track 9 C Minor Blues Progression 3Track 10 C Minor Blues Progression 4Track 11 C Minor Blues Progression 5Track 12 G Major Blues Progression 1Track 13 G Major Blues Progression 2Track 14 G Major Blues Progression 3Track 15 G Major Blues Progression 4Track 16 G Major Blues Progression 5

108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 7: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

iv

Cd Track List

Track 1 I Heard the Voice of Jesus SayTrack 2 C Major Blues Progression 1Track 3 C Major Blues Progression 2Track 4 C Major Blues Progression 3Track 5 C Major Blues Progression 4Track 6 C Major Blues Progression 5Track 7 C Minor Blues Progression 1Track 8 C Minor Blues Progression 2Track 9 C Minor Blues Progression 3Track 10 C Minor Blues Progression 4Track 11 C Minor Blues Progression 5Track 12 G Major Blues Progression 1Track 13 G Major Blues Progression 2Track 14 G Major Blues Progression 3Track 15 G Major Blues Progression 4Track 16 G Major Blues Progression 5

108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

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musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

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Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

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Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

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Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

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108

Lesson eighteen

ToPiC Composition a Class Song

CurriCuLum exPeCTaTions

Students will C11 Sing andor play in tune from musical notation unison music and music in two

or more parts from diverse cultures styles and historical periods C12 Apply the elements of music when singing andor playing composing and arranging music using them for specific effects and clear purposes C13 Create musical compositions in a variety of forms for specific purposes and

audiences C14 Use the tools and techniques of musicianship in musical performances C15 Demonstrate an understanding of standard and other musical notation through

performance and composition

oBjeCTive By the end of the lesson students will compose a song using the G blues scale and the 12-bar blues pattern (Please note that this lesson may require five periods to complete)

maTeriaLs Musical elements Review Sheet Class Song Lyric Sheet Class Song Rhythm Scoring Sheet Class Song Melody Scoring Sheet Pitched instruments or vocals

Lesson raTionaLe

To date students have been provided the opportunity to score and perform songs in a number of keys using major minor pentatonic and blues scales Students have also been introduced to 8-bar and 12-bar progressions using the first fourth and fifth chords This lesson is a culminating activity that requires students to utilize what they have learned by composing a class song (Please note that this lesson may require 6 periods to complete)

suGGesTed Lesson sequenCe

1 This lesson has been constructed in six parts The timelines provided are merely suggestions and may be altered as needed Each part is structured for one 40 minute period however additional time may be given as required

2 Review musical elements with the Students (See Musical elements Review Sheet)

3 Review the major scale pattern

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Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

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109

Lesson eighteen

4 Review the pentatonic scale

5 Review the blues scale

6 Explain to the students that they will be using a scale of their choice to compose a class song

7 Brainstorm and list on the board a variety of ideas that could be used for a class song

8 Divide the students into groups of four and distribute a copy of the Class Song Lyric Sheet to each group

9 Have the students complete the lyrics to the class song

Part 210 Have students create a rhythm track for their song The rhythm may be an ostinato or

complete rhythm pattern

11 Have the students score their rhythm track using stick notation

Part 312 Have the students create a melody for their song Students should include appropriate

markings in accord with the musical elements reviewed in class Students may compose their melodies in the oral tradition or they may notate them using pitch mapping or stan-dard notation

Part 413 Once completed have the students rehearse their compositions using recorders

pitched percussion instruments or vocals

Part 514 Have the students perform their compositions for the class

C Eb E F Gb G Bb C

C Blues Scale Card

Piano

C d e G a C

C Pentatonic

Root second third fifth sixth eighth

Root flat third third fourth flat fifth fifth flat seventh eighth

44

110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

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110

Copyright copy 2010 emc notes inc

Part 615 Have the students select one of the songs and write newspaper critique The critique

should be focused on the lyrical content and the musical appeal of the song Students should not critique their own work but instead that of a classmate The critiques should be shared with the composers who could be provided an opportunity to respond explaining why they chose certain lyrics or a particular melody

assessmenT sTraTeGies

Ensure the lyrics of the song are appropriate Ensure the melody line created by the students is based on one of the above mentioned scale types Ensure the class song is accurately scored and performed by all members of the group

Lesson eighteen

111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

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111

Copyright copy 2010 emc notes inc

musical elements review sheet

rhythmSyncopation A syncopated rhythm is a rhythm that emphasizes a beat or division of a beat that is not normally emphasized In short what syncopation does is disrupt the

natural rhythmic flow of the music Although it is the consistency of the time signature that makes the musical pattern easy to follow it is syncopation that adds interest to the music taking away what could otherwise become boring

Polyrhythms Polyrhythms occur when two or more different rhythms are played at the same time

Rhythmic Ostinato A rhythmic ostinato pattern is a repetitive rhythm pattern that is heard throughout a piece of music This can be a one measure pattern or an entire phrase

articulationLegato Legato is a musical term that means played smoothly without any separation

between notes

Staccato Staccato is a musical term that means the opposite of legato Staccato re-quires that successive notes are played in shortened or detached fashion

dynamics a piano (p) soft b mezzo piano () medium soft

c mezzo forte () medium loud

d forte () loud

e sforzando () forced or accented and loud

f crescendo (lt) gradually get louder

g decrescendo (gt) gradually get softer

Texture

Monophony Monophonic music is based on a single melody line without an accompani-ment

Homophony Homophonic music resembles monophonic music in that it has a single melody line but with accompaniment

Polyphony Polyphonic music consists of several melody lines played at the same time

112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

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112

Copyright copy 2010 emc notes inc

Class song Lyric sheet

To assist you in creating the lyrics for you commercial respond to the following questions a What is the name of your song b What is the main idea of your song c List three strong characteristics of your class d List three reasons why your class is one that should be rememberedUsing some of the information above create your lyrics below (Be sure that they fit with the progression)

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 13: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

113

Copyright copy 2010 emc notes inc

Class song rhythm scoring sheet

Class Rhythm Score I I I I

IV IV I I

V IV I I

114

Copyright copy 2010 emc notes inc

Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I

Page 14: Step by - EMC Notes 7 StepII Sample Lesson.pdf · Lesson nineTeen: sTax reCords, aTLanTiC reCords, and moTown.....115 Stax, Atlantic, and Motown Assignment Worksheet

114

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Class song melody scoring sheet

Class Song Scoring Sheet

I I I I

IV IV I I

V IV I I