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TALASANGGUNIAN Allport, G. W. (1954). The Nature of Prejudice. Reading, MA: Addison-Wesley. Antonio, A. (2006). “Performing the Female Mafistofeles.” BA Thesis. University of the Philippines Diliman. Adler, S. (1988). The Technique of Acting. Toronto: Bantam Books. Barranger, M. (1995). Theater: A way of Seeing 4 th edition. Belmont, Calif: Wadsworth. Barton, R. (2006). Acting on Stage 4 th edition. Thomson Wadsworth. Benedetti, R. (1999). The Actor in You: Sixteen Simple Steps to Understuding the Art of Acting. USA: Allyn and Bacon. Bennett, N. & Dunne, E. (1989). Implementing cooperative group work in classrooms. Exeter: University of Exeter School of Education. Brown, R. (1988). Group processes: Dynamics within and between groups . Oxford: Basil Blackwell. Carlton C. (1987). The Art of Acting: From Basic Exercises toMulti- dimensional Performance. Colorado: Meriwether Publishing Ltd. Cohen, R. (2002). Advanced Acting: Style, Character, and Performance. Boston: MCgraw-Hill. Cohen, E. G. (1980). “Design and redesign of the desegregated school: Problems of status, power, and conflict.” In Desegregation: Past, present, and future. W. G. Stephan and J. R. Feagin (eds.). New York: Plenum Press. Cohen, P. A. & Kulik, J. A. (1981). Synthesis of research on the

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Page 1: TALASANGGUNIAN

TALASANGGUNIAN

Allport, G. W. (1954). The Nature of Prejudice. Reading, MA: Addison-Wesley.

Antonio, A. (2006). “Performing the Female Mafistofeles.” BA Thesis. University of the Philippines Diliman.

Adler, S. (1988). The Technique of Acting. Toronto: Bantam Books.

Barranger, M. (1995). Theater: A way of Seeing 4th edition. Belmont, Calif: Wadsworth.

Barton, R. (2006). Acting on Stage 4th edition. Thomson Wadsworth.

Benedetti, R. (1999). The Actor in You: Sixteen Simple Steps to Understuding the Art of Acting. USA: Allyn and Bacon.

Bennett, N. & Dunne, E. (1989). Implementing cooperative group work in classrooms. Exeter: University of Exeter School of Education.

Brown, R. (1988). Group processes: Dynamics within and between groups. Oxford: Basil Blackwell.

Carlton C. (1987). The Art of Acting: From Basic Exercises toMulti-dimensional Performance. Colorado: Meriwether Publishing Ltd.

Cohen, R. (2002). Advanced Acting: Style, Character, and Performance. Boston: MCgraw-Hill.

Cohen, E. G. (1980). “Design and redesign of the desegregated school: Problems of status, power, and conflict.” In Desegregation: Past, present, and future. W. G. Stephan and J. R. Feagin (eds.). New York: Plenum Press.

Cohen, P. A. & Kulik, J. A. (1981). Synthesis of research on the effects of tutoring. Research Information Service, 39, 227-229.

Cordero, D Tanya. (2001). “Some Problems Encountered in Creating the Character of the Housemaid in the play, ‘The Merry Wives of Manila’ by Severino Montano.” BA Thesis. University of the Philippines Diliman.

Curt S. (1937). World History of Dance. New York: WW. Norton Coysong.

Dansereau, D. F. (1985). “Learning strategy research.” In Thinking and learning skills: Relating instruction to basic research. J. Segel, S. Chipman, and R. Glaser (eds.). Hillsdale, NJ: Erlbaum.

Page 2: TALASANGGUNIAN

Dennis, A. (1995). The Articulate Body: The Physical Training of the Actor. New York: Brance Book Publishing.

Goldfarg, A. and Edwin Wilson. (2002). Living Theater: A History 2nd Edition. New York: Garland.

Haygen, U. (1960). Jason Robards: The Method as Instinct.

Hartnolt, Phyllis. (ed.). (1983). The oxford Compassion to the theater. 4th ed. London, Oxford University Press.

Mitter, S. (1992). Systems of Rehearsal. USA and Canada: Chapman and Hall.

Moore, S. (1960). The Stanislavski’s System. New York: The Viking Press.

Romero, M. (2007). “Ako, Dito, Ngayon: Sa Aming mga Naglalakad ng Nakayapak.” BA Thesis. University of the Philippines Diliman.

Selden, S. (1941). The Stage n Action. New York: Appleton-Century Corp. Inc.

Stanislavski, K. (1963). Stanislavski’s Handbook. New York: Theater Artsm Inc.

___________. (1963). Stanislavski’s Legacy. New York: Theatre Arts Inc.

Spolin, V. (1963). Improvisational for the Theater: A Handbook of Teaching and Directing Techniques. USA: Northwestern University Press.

Strasberg, L. (1964). “Working with Luis Material.” Interview by R. Schechner. In The Drama Review. Fall Issue.

Sta. Maria, C. (2001). Acting.

Zinder D. (2002). Body, Voice Imagination: A Training fot the Actor. New York London: Theater Arts Book.