the bebop equation brenden lowe step 1 - bebop equation ...bebop+equation/pe.pdf · the bebop...
TRANSCRIPT
& 44 Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
&5
Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
&9
Ï Î îD-7 Ï Î î
G 7
Ï Î îCmaj7
Ï Î îCmaj7
&13
Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
&17
Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
&21
Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
&25
Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
Step 1 - Bebop Equation Practice Brenden Lowe
©JazzPianoSchool 2017
The Bebop Equation
1. Practice Connecting The Chord Tones Given Below With Improvisation Using Any Rhythms2. Continuing Practicing In Different Keys By Selecting The Chord Tones Yourself
#1 - Metronome RH Alone#2 - Back Up Track RH Alone#3 - Track RH & LH Comping
&
?
44
44î . Ïb Ïn
Key Of C
·
Ï Ï Ï Ï Ïb Ïn
w
D-7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
&
?
Ï Ïb Ïn Ï Ïb Ïn
6
w
G7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
Cmaj7
&
?
Ï Ïb Ïn Ï Ïb Ïn
11w
Ï Ïb Ïn Ï Ïb Ïn
w
Ï Ï Ï Ï Î
w
Step 2 - Half Step Below Approaches PracticeBrenden Lowe
© Jazzpianoschoool.com
The Bebop Equation
Practice The Half Step Below Approach To All Major 251's With Anticipation
FingeringWhite To Black - 23Black To White - 23 Or 21
&
?
b
b
î . Ïb ÏnKey Of F
16
·
Ï Ï Ï Ï Ïb Ïn
w
G-7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
&
?
b
b
Ï Ïb Ïn Ï Ïb Ïn
21
w
C7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
Fmaj7
&
?
b
b
Ï Ïb Ïn Ï Ïb Ïn
26
w
Ï Ïb Ïn Ï Ïb Ïn
w
Ï Ï Ï Ï Î
w
&
?
bb
bb
î . Ïb Ïn
Key Of Bb
31
·Ï Ï Ï Ï Ïb Ïn
w
C-7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
2 Step 2 - Half Step Below Approaches Practice
&
?
bb
bb
Ï Ïb Ïn Ï Ïb Ïn
36
w
F7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
Ï Ïb Ïn Ï Ï Ïw
Ï Ïb Ïn Ï Ïb Ïn
w
Bbmaj7
&
?
bb
bb
Ï Ïb Ïn Ï Ïb Ïn
41
w
Ï Ïb Ïn Ï Ïb Ïn
w
Ï Ï Ï Ï Î
w
&
?
bbb
bbb
î . Ïn Ï
Key Of Eb
46
·
Ï Ï Ï Ï Ïn Ï
w
F-7
Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
&
?
bbb
bbb
Ï Ïb Ïn Ï Ïn Ï
51
w
Bb7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïb Ïn
w
Ï Ïn Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ïn Ï
w
Ebmaj7
3Step 2 - Half Step Below Approaches Practice
&
?
bbb
bbb
Ï Ïb Ïn Ï Ïb Ïn
56w
Ï Ïn Ï Ï Ïb Ïn
w
Ï Ï Ï Ï Î
w
&
?
bbbb
bbbb
î .Ïn Ï
Key Of Ab
61
·Ï Ï Ï Ï Ïn Ï
w
Bb-7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
&
?
bbbb
bbbb
Ï Ïb Ïn Ï Ïn Ï
66
w
Eb7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïb Ïn
w
Ï Ïn Ï Ï Ï Ïw
Ï Ïn Ï Ï Ïn Ï
w
Abmaj7
&
?
bbbb
bbbb
Ï Ïb Ïn Ï Ïb Ïn
71
w
Ï Ïn Ï Ï Ïn Ï
w
Ï Ï Ï Ï Î
w
4 Step 2 - Half Step Below Approaches Practice
&
?
bbbbb
bbbbb
î . Ïn Ï
Key Of Db minor
76
·
Ï Ï Ï Ï Ïn Ï
w
Eb-7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
&
?
bbbbb
bbbbb
Ï Ïn Ï Ï Ïn Ï
81
w
Ab7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
Ï Ïn Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
Dbmaj7
&
?
bbbbb
bbbbb
Ï Ïn Ï Ï Ï Ï
86w
Ï Ïn Ï Ï Ïn Ï
w
Ï Ï Ï Ï Î
w
&
?
bbbbbb
bbbbbb
î . Ïn ÏKey Of Gb minor
91
·
Ï Ï Ï Ï Ïn Ï
w
Ab-7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
5Step 2 - Half Step Below Approaches Practice
&
?
bbbbbb
bbbbbb
Ï Ïn Ï Ï Ïn Ï
96
w
Db7 Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
Ï Ïn Ï Ï Ï Ï
w
Ï Ïn Ï Ï Ïn Ï
w
Gbmaj7
&
?
bbbbbb
bbbbbb
Ï Ïn Ï Ï Ï Ï
101
w
Ï Ïn Ï Ï Ïn Ï
w
Ï Ï Ï Ï Î
w
&
?
#####
#####
î . Ïn Ï#
Key Of B
106
·Ï Ï Ï Ï Ïn Ï#
w
C#-7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï# Ï Ï Ï
w
Ï Ïn Ï# Ï Ïn Ï#
w
&
?
#####
#####
Ï Ïn Ï# Ï Ïn Ï#
111
w
F#7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï# Ï Ïn Ï#
w
Ï Ïn Ï# Ï Ï Ïw
Ï Ïn Ï# Ï Ïn Ï#
w
Bmaj7
6 Step 2 - Half Step Below Approaches Practice
&
?
#####
#####
Ï Ïn Ï# Ï Ïn Ï#
116
w
Ï Ïn Ï# Ï Ïn Ï#
w
Ï Ï Ï Ï Î
w
&
?
####
####
î . Ïn Ï#
Key Of E
121
·
Ï Ï Ï Ï Ïn Ï#
w
F#-7Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï# Ï Ï Ï
w
Ï Ïn Ï# Ï Ïb Ïn
w
&
?
####
####
Ï Ïn Ï# Ï Ïn Ï#
126
w
B7
Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï# Ï Ïn Ï#
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïn Ï# Ï Ïb Ïn
w
Emaj7
&
?
####
####
Ï Ïn Ï# Ï Ïn Ï#
131w
Ï Ïb Ïn Ï Ïn Ï#
w
Ï Ï Ï Ï Î
w
7Step 2 - Half Step Below Approaches Practice
&
?
###
###
î . Ïb Ïn
Key Of A
136
·Ï Ï Ï Ï Ïn Ï#
w
B-7
Ï Ï Ï Ï Ï Ï
w
Ï Ïn Ï# Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
&
?
###
###Ï Ïn Ï# Ï Ïb Ïn
141
w
E 7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ïn Ï#
w
Ï Ïb Ïn Ï Ï Ïw
Ï Ïn Ï# Ï Ïb Ïn
w
Amaj7
&
?
###
###Ï Ïn Ï# Ï Ïn Ï#
146
w
Ï Ïb Ïn Ï Ïn Ï#
w
Ï Ï Ï Ï Î
w
&
?
##
##
î . Ïb Ïn
Key Of D
151
·
Ï Ï Ï Ï Ïb Ïn
w
E-7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
8 Step 2 - Half Step Below Approaches Practice
&
?
##
##
Ï Ïn Ï# Ï Ïb Ïn
156
w
A7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ïn Ï#
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïn Ï# Ï Ïb Ïn
w
Dmaj7
&
?
##
##
Ï Ïn Ï# Ï Ïn Ï#
161w
Ï Ïb Ïn Ï Ïn Ï#
w
Ï Ï Ï Ï Î
w
&
?
#
#
î . Ïb ÏnKey Of G
166
·
Ï Ï Ï Ï Ïb Ïn
w
A-7
Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ï Ï
w
Ï Ïb Ïn Ï Ïb Ïn
w
&
?
#
#
Ï Ïn Ï# Ï Ïb Ïn
171
w
D7 Ï Ï Ï Ï Ï Ï
w
Ï Ïb Ïn Ï Ïn Ï#
w
Ï Ïb Ïn Ï Ï Ï
w
9Step 2 - Half Step Below Approaches Practice
&
?
#
#
Ï Ïb Ïn Ï Ïb Ïn
175
w
Gmaj7
Ï Ïn Ï# Ï Ïn Ï#
w
Ï Ïb Ïn Ï Ïb Ïn
w
Ï Ï Ï Ï Î
w
10 Step 2 - Half Step Below Approaches Practice
&
?
44
44î Î ä jÏ
Key Of C
·
.Ï jÏ .Ï JÏ
w
D-7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .ÏjÏ
w
&
?
.Ï JÏ .Ï JÏ
7
w
G7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
&
?.Ï jÏ .Ï jÏ
12w
Cmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .Ï ä
w
Step 2 - Chord Scale Above Approaches PracticeBrenden Lowe
© Jazzpianoschoool.com
The Bebop Equation
Practice The Chord Scale Above Approachs To All Major 251's With Anticipation
FingeringWhite To Black - 23Black To White - 23 Or 21
60 bpm = Just Starting90 bpm = Getting It120 bpm = Can Move On150 bpm = Swingin'180 bpm = Killin It!
&
?
b
b
î Î ä jÏKey Of F
17
·
.Ï JÏ .Ï JÏ
w
G-7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï JÏ
w
&
?
b
b
.Ï JÏ .Ï JÏ
23
w
C7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
&
?
b
b
.Ï JÏ .Ï JÏ
28
w
Fmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï ä
w
2 Step 2 - Chord Scale Above Approaches Practice
&
?
bb
bb
î Î ä jÏKey Of Bb
33
·
.Ï jÏ .Ï jÏ
w
C-7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .ÏjÏ
w
&
?
bb
bb
.Ï JÏ .Ï JÏ
39
w
F7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
&
?
bb
bb.Ï jÏ .Ï jÏ
44 w
Bbmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .Ï ä
w
3Step 2 - Chord Scale Above Approaches Practice
&
?
bbb
bbb
î Î ä jÏKey Of Eb
49
·
.Ï JÏ .Ï JÏ
w
F-7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï JÏ
w
&
?
bbb
bbb
.Ï JÏ .Ï JÏ
55
w
Bb7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
&
?
bbb
bbb
.Ï jÏ .Ï JÏ
60w
Ebmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï ä
w
4 Step 2 - Chord Scale Above Approaches Practice
&
?
bbbb
bbbb
î Î ä jÏKey Of Ab
65
·.Ï jÏ .Ï jÏ
w
Bb-7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .ÏjÏ
w
&
?
bbbb
bbbb
.Ï jÏ .Ï JÏ
71w
Eb7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï jÏ
w
&
?
bbbb
bbbb.Ï jÏ .Ï jÏ
76 w
Abmaj7
.Ï jÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .Ï ä
w
5Step 2 - Chord Scale Above Approaches Practice
&
?
bbbbb
bbbbb
î Î ä jÏKey Of Db
81
·
.Ï jÏ .Ï JÏ
w
Eb-7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï JÏ
w
&
?
bbbbb
bbbbb
.Ï JÏ .Ï JÏ
87
w
Ab7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
&
?
bbbbb
bbbbb
.Ï jÏ .Ï JÏ
92w
Dbmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï ä
w
6 Step 2 - Chord Scale Above Approaches Practice
&
?
bbbbbb
bbbbbb
î Î ä jÏKey Of Gb
97
·.Ï jÏ .Ï jÏ
w
Ab-7.Ï jÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .ÏjÏ
w
&
?
bbbbbb
bbbbbb
.Ï jÏ .Ï JÏ
103w
Db7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï jÏ
w
&
?
bbbbbb
bbbbbb.Ï jÏ .Ï jÏ
108 w
Gbmaj7
.Ï jÏ .Ï jÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .Ïä
w
7Step 2 - Chord Scale Above Approaches Practice
&
?
#####
#####
î Î ä jÏ
Key Of B
113
·
.Ï jÏ .Ï jÏ
w
C#-7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .ÏjÏ
w
&
?
#####
#####
.Ï JÏ .Ï JÏ
119
w
F#7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
&
?
#####
#####
.Ï jÏ .Ï jÏ
124 w
Bmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï jÏ
w
.Ï jÏ .Ï ä
w
8 Step 2 - Chord Scale Above Approaches Practice
&
?
####
####
î Î ä jÏKey Of E
129
·
.Ï JÏ .Ï JÏ
w
F#-7.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï JÏ
w
&
?
####
####
.Ï JÏ .Ï JÏ
135
w
B7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
&
?
####
####
.Ï jÏ .Ï JÏ
140w
Emaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
9Step 2 - Chord Scale Above Approaches Practice
&
?
###
###
î Î ä JÏKey Of A
144
·
.Ï JÏ .Ï JÏ
w
B-7 .Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
&
?
###
###
.Ï JÏ .Ï JÏ
150
w
E 7 .Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
&
?
###
###
.Ï JÏ .Ï JÏ
155
w
Amaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
10 Step 2 - Chord Scale Above Approaches Practice
&
?
##
##
î Î ä jÏKey Of D
159
·
.Ï jÏ .Ï JÏ
w
E-7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï JÏ
w
&
?
##
##
.Ï JÏ .Ï JÏ
165
w
A7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
&
?
##
##
.Ï jÏ .Ï JÏ
170w
Dmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
.Ï jÏ .Ï ä
w
11Step 2 - Chord Scale Above Approaches Practice
&
?
#
#
î Î ä JÏKey Of G
175
·
.Ï JÏ .Ï JÏ
w
A-7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
&
?
#
#
.Ï JÏ .Ï JÏ
181
w
D7 .Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï jÏ
w
&
?
#
#
.Ï JÏ .Ï JÏ
186
w
Gmaj7
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï JÏ .Ï JÏ
w
.Ï jÏ .Ï ä
w
12 Step 2 - Chord Scale Above Approaches Practice
& 44D-7
Ï Î îG 7
&3
G 7
Ï Î îCmaj7
&5
D-7
Ï Î îG 7
&7
G 7
Ï Î îCmaj7
&9
D-7 Ï Î îG 7
&11
G 7
Ï Î îCmaj7
Step 2 - Start Of Line Practice Brenden Lowe
©JazzPianoSchool 2017
The Bebop Equation
1. Practice The Variations Of Half Step Below, Chord Scale Above, And No ApproachTo The Beginning Of Your Line.2. Make The Resolution To The Chord Tone Given Below In The Second Measures.3. Continue In Other Keys & Selecting New Chord Tones To Resolve To.
#1 - Metronome RH Alone#2 - Back Up Track RH Alone#3 - Track RH & LH Comping
& 44 Ï Î îD-7 G 7
Ï Î îCmaj7
&4
Ï Î îD-7 G 7
Ï Î îCmaj7
&7
Ï Î îD-7 G 7
Ï Î îCmaj7
&10
Ï Î îD-7 G 7
Ï Î îCmaj7
&13
Ï Î îD-7 G 7
Ï Î îCmaj7
Step 3 - Middle Of Line Practice Brenden Lowe
©JazzPianoSchool 2017
The Bebop Equation
1. Practice The Middle Of Improv Textures Using Guidelines Below And Resolve To Chord Tone
#1 - Metronome RH Alone#2 - Back Up Track RH Alone#3 - Track RH & LH Comping
A. Scaler MotionB. ThirdsC. Back And Forth MovementsD. Up TexturesE. Down TexturesF. More Target Notes WithinG. Approaches Within Line
& 44 Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
& b5
Ï Î îG-7
Ï Î îC7
Ï Î îFmaj7
Ï Î îFmaj7
& bb9
Ï Î îC-7
Ï Î îF7
Ï Î îBbmaj7
Ï Î îBbmaj7
& bbb13
Ï Î îF-7
Ï Î îBb7
Ï Î îEbmaj7
Ï Î îEbmaj7
& bbbb17
Ï Î îBb-7
Ï Î îEb7
Ï Î îAbmaj7
Ï Î îAbmaj7
Step 4 - End Of Line Practice Brenden Lowe
©JazzPianoSchool 2017
The Bebop Equation
1. Practice The End Of Line Resolutions Using Guidelines Below And Resolve To Given Chord Tone
#1 - Metronome RH Alone#2 - Back Up Track RH Alone#3 - Track RH & LH Comping
A. Half Step BelowB. Chord Scale AboveC. Combination
& bbbbb21
Ï Î îEb-7
Ï Î îAb7
Ï Î îDbmaj7
Ï Î îDbmaj7
& bbbbbb25
Ï Î îAb-7
Ï Î îDb7
Ï Î îG bmaj7
Ï Î îG bmaj7
& #####29
Ï Î îC#-7
Ï Î îF#7
Ï Î îBmaj7
Ï Î îBmaj7
& ####33
Ï Î îF#-7
Ï Î îB 7
Ï Î îEmaj7
Ï Î îEmaj7
& ###37
Ï Î îB-7
Ï Î îE 7
Ï Î îAmaj7
Ï Î îAmaj7
& ##41
Ï Î îE-7
Ï Î îA7
Ï Î îDmaj7
Ï Î îDmaj7
& #45
Ï Î îA-7
Ï Î îD7
Ï Î îGmaj7
Ï Î îGmaj7
2 Step 4 - End Of Line Practice
& 44 Ï Î îD-7
Ï Î îG 7
Ï Î îCmaj7
Ï Î îCmaj7
& b5
Ï Î îG-7 Ï Î î
C7
Ï Î îFmaj7
Ï Î îFmaj7
& bb9
Ï Î îC-7
Ï Î îF7
Ï Î îBbmaj7
Ï Î îBbmaj7
& bbb13
Ï Î îF-7
Ï Î îBb7
Ï Î îEbmaj7
Ï Î îEbmaj7
& bbbb17
Ï Î îBb-7
Ï Î îEb7
Ï Î îAbmaj7
Ï Î îAbmaj7
Step 4 - Delayed Resolution Practice Brenden Lowe
©JazzPianoSchool 2017
The Bebop Equation
1. Practice Delayed Resolutions By Hitting Non Chord Tones Given Below And Resolving To Chord Tones ASAP
#1 - Metronome RH Alone#2 - Back Up Track RH Alone#3 - Track RH & LH Comping
& bbbbb21
Ï Î îEb-7
Ï Î îAb7
Ï Î îDbmaj7
Ï Î îDbmaj7
& bbbbbb25
Ï Î îAb-7
Ï Î îDb7
Ï Î îG bmaj7
Ï Î îG bmaj7
& #####29
Ï Î îC#-7
Ï Î îF#7
Ï Î îBmaj7
Ï Î îBmaj7
& ####33
Ï Î îF#-7
Ï Î îB 7
Ï Î îEmaj7
Ï Î îEmaj7
& ###37
Ï Î îB-7
Ï Î îE 7
Ï Î îAmaj7
Ï Î îAmaj7
& ##41
Ï Î îE-7
Ï Î îA7
Ï Î îDmaj7
Ï Î îDmaj7
& #45
Ï Î îA-7
Ï Î îD7
Ï Î îGmaj7
Ï Î îGmaj7
2 Step 4 - Delayed Resolution Practice
& 44 Õ Õ Õ ÕAmaj7
Õ Õ Õ ÕBb7
Õ Õ Õ ÕEbmaj7
Õ Õ Õ ÕE-7
&5
Õ Õ Õ ÕD-7
Õ Õ Õ ÕDbmaj7
Õ Õ Õ ÕC-7
Õ Õ Õ ÕGb7
&9
Õ Õ Õ ÕF7
Õ Õ Õ ÕF#7
Õ Õ Õ ÕEb-7
Õ Õ Õ ÕDbmaj7
&13
Õ Õ Õ ÕB-7
Õ Õ Õ ÕG-7
Õ Õ Õ ÕEbmaj7
Õ Õ Õ ÕG#7
&17
Õ Õ Õ ÕE-7
Õ Õ Õ ÕB-7
Õ Õ Õ ÕEmaj7
Õ Õ Õ ÕAbmaj7
&21
Õ Õ Õ ÕGb-7
Õ Õ Õ ÕG7
Õ Õ Õ ÕC#maj7
Õ Õ Õ ÕF#7
&25
Õ Õ Õ ÕB-7
Õ Õ Õ ÕAmaj7
Õ Õ Õ ÕC7
Õ Õ Õ ÕD7
&29
Õ Õ Õ ÕEbmaj7
Õ Õ Õ ÕEmaj7
Õ Õ Õ ÕDmaj7
Õ Õ Õ ÕF-7
Step 6 - Connect Anything Practice
©Jazzpianoschool.com 2017
The Bebop Equation
Brenden Lowe
60 bpm = Just Starting90 bpm = Getting It120 bpm = Can Move On150 bpm = Swingin'180 bpm = Killin It!
Practice Improvising Using This Entire Chart, Or Certain Lines To Practice Random Connection
&33
Õ Õ Õ ÕAb7
Õ Õ Õ ÕGb7
Õ Õ Õ ÕFmaj7
Õ Õ Õ ÕD7
&37
Õ Õ Õ ÕAb-7
Õ Õ Õ ÕBb-7
Õ Õ Õ ÕF-7
Õ Õ Õ ÕGmaj7
&41
Õ Õ Õ ÕB7
Õ Õ Õ ÕEbmaj7
Õ Õ Õ ÕF#-7
Õ Õ Õ ÕF-7
&45
Õ Õ Õ ÕC-7
Õ Õ Õ ÕC#maj7
Õ Õ Õ ÕA7
Õ Õ Õ ÕAb7
&49
Õ Õ Õ ÕBbmaj7
Õ Õ Õ ÕD7
Õ Õ Õ ÕE-7
Õ Õ Õ ÕFmaj7
&53
Õ Õ Õ ÕDb-7
Õ Õ Õ ÕG7
Õ Õ Õ ÕEb-7
Õ Õ Õ ÕE 7
&57
Õ Õ Õ ÕBmaj7
Õ Õ Õ ÕAb-7
Õ Õ Õ ÕBmaj7
Õ Õ Õ ÕE 7
&61
Õ Õ Õ ÕAbmaj7
Õ Õ Õ ÕG7
Õ Õ Õ ÕG#maj7
Õ Õ Õ ÕC-7
&65
Õ Õ Õ ÕF-7
Õ Õ Õ ÕDb-7
Õ Õ Õ ÕE 7
Õ Õ Õ ÕGb-7
&69
Õ Õ Õ ÕAmaj7
Õ Õ Õ ÕBb7
Õ Õ Õ ÕGmaj7
Õ Õ Õ ÕD-7
2 Step 6 - Connect Anything Practice