the cleveland orchestra april 3-5 concerts

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April 3, 4, 5MITSUKO UCHIDA’S MOZART

18 East Orange StreetChagrin Falls, Ohio(440) 247-2828

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So, when did you first become interested in great music?

Proud supporters of The Cleveland Orchestra’s music education programs for children, making possible the rewards and benefits of music in their lives.

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T A B L E O F C O N T E N T S

THIS WEEK T H E C L E V E L A N D O R C H E S T R A

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7 In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

8 About the Orchestra About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Young Audiences . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Administrative Staff . . . . . . . . . . . . . . . . . . . . . . . . . 62 Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

35 Concert — Week 15 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: April 3, 4, 5 . . . . . . . . . . . . . . . . . . . . . . 35 Introducing the Concerts . . . . . . . . . . . . . . . . . . . . 37 MOZART Piano Concerto No. 18 . . . . . . . . . . . . . . . . . . . . 43 MOZART Symphony No. 23 . . . . . . . . . . . . . . . . . . . . . . . . . 47 MOZART Piano Concerto No. 19 . . . . . . . . . . . . . . . . . . . . 51

Guest Artist: Mitsuko Uchida . . . . . . . . . . . . . . . . . 39

48 Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . 48 Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Corporate Annual Support . . . . . . . . . . . . . . . . . . . 73 Foundation / Government Annual Support . . . 75 Individual Annual Support . . . . . . . . . . . . . . . . . . 76

90 Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book isprinted on paper thatincludes 50% recycled post-consumer content.

All unused books are recycled as part of theOrchestra’s regular busi-ness recycling program.

These books are printed with EcoSmart certifi ed inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

50%

WEEK 15COVER PHOTOGRAPHY BY ROGER MASTROIANNI

Copyright © 2014 by The Cleveland Orchestra and the Musical Arts Association

Eric Sellen, Program Book Editor E-MAIL: [email protected]

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

Program book advertising is sold through Live Publishing Company at 216-721-1800

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

NATIONAL ENDOWMENT

FOR THE ARTS

4 The Cleveland OrchestraTable of Contents

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Judson Manor resident Jordan Perlman has amassed over 8,000 volunteer hours at Cleveland Clinic, greeting patients and guests. “I answer about 80 questions a day,” he says.

Jordan moved to Judson Manor because it was convenient to all the things important to him—his Clinic volunteer position and Cleveland’s cultural scene.

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“There’s an inclusiveness here that I couldn’t get anywhere else.” —Jordan Perlman, Judson Manor resident since 2007

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Perspectives from the Executive Director

7Severance Hall 2013-14 7

April 2014

Musical excellence — which has always been a hallmark of The Cleve-land Orchestra — goes hand-in-hand with music education, which has been central to the Orchestra’s mission since its founding. This fi rst week of April is a particularly busy time for The Cleveland Orches-tra’s education department, with the Orchestra performing weekday Education Concerts here at Severance Hall, In-School Performances

in Lakewood and Collinwood, and the season’s second Family Concert, “The Mozart Experi-ence,” on Sunday afternoon, April 6. All children should have access to quality arts educa-tion at school, because a child’s education is not complete unless it includes the arts. We stand with teachers and music programs across Northeast Ohio, who are working every day to harness the power of music to engage, educate, and enlighten students of all ages.

Throughout his tenure as music director, Franz Welser-Möst has been a great cham-pion of music education. He led The Cleveland Orchestra back into the region’s public schools, performing concerts in local high schools for the fi rst time in thirty years. And it is Franz who is spearheading our Make Music! program to promote active participa-tion in music-making across Northeast Ohio.

Musical Introductions. Many of The Cleveland Orchestra’s education programs give students their fi rst opportunity to experience live classical music. PNC Musical Rainbows introduce pre-school and kindergarten students to the instruments of the orchestra. And specially designed Education Concerts, presented for school children each season at Severance Hall, introduce over 20,000 young people to live classical music performed by the Orchestra.

Learning Through Music. Music has incredible potential and value as a tool for under-standing and unlocking learning for other subjects. With programs such as PNC Grow Up Great and Learning Through Music, Orchestra musicians visit local partner schools and present lessons that utilize music as a catalyst to help teach classroom subjects in new and exciting ways — from math and science to poetry, social studies, and more.

Making Music Together. We also believe in the value of nurturing young musicians — in teaching them how to grow and excel in their music-making, and how to benefi t from the life lessons making music off ers (teamwork, listening, collaboration, and self expression). Our youth ensembles and community performances all build upon the power of music as an activity to participate in directly, with your hands, voice, and spirit.

Throughout the spring, these and other programs I haven’t yet mentioned are taking place as a regular part of the Orchestra’s annual schedule. The best way to learn more about these programs is to attend and observe them. Please contact Joan Katz Napoli, Director of Education & Community Programs, at 216-231-7348 to schedule a visit to wit-ness our music education programs in action — and to experience the power of music to shape the lives of young people in our community.

Gary Hanson

I N P E R F O R M A N C E S A T H O M E and around the globe, Th e Cleveland Orch-estra remains Northeast Ohio’s most visible international ambassador and one of the most sought-aft er performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, Th e Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst marks his twelft h year leading the ensemble, with a commitment extending to the Or-chestra’s centennial in 2018. Th is artistic partnership continues to move the en-semble forward through a series of new and ongoing initiatives, including: expansion of education and community programs in Northeast Ohio to fea-

ture music as an integral and regular part of everyday life for more people, in-cluding the launch in 2013 of an “At Home” neighborhood residency program that brings Th e Cleveland Orchestra to a single neighborhood or town for an intensive period of special activities and performances, as well as the broaden-

About the Orchestra8 The Cleveland Orchestra

SYMPHONY AND BASEBALL — In the summer of 1953, when Public Auditorium was undergoing renovations, The Cleveland Orchestra’s series of popular summer concerts became pre-game performances at Cleveland Stadium. In this photo-graph, Louis Lane conducts while Indians team members pose and listen.

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PHOTO OF THE WEEK follow the Orchestra on Facebook for more archival photos

ing of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning;

the establishment of residencies around the world, fostering creative artistic growth and an expanded fi nancial base — including ongoing residencies at the

Vienna Musik verein (the fi rst of its kind by an American orchestra) and in Florida under the name Cleveland Orch estra Miami (featuring an annual series of con-certs and community activities, coupled with educational presentations and col-laborations based on programs pioneered at home in Cleveland);

creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful eff ort to develop future generations of audiences

for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrat-ed results at Severance Hall and Blossom;

a variety of new concert off erings (including staged opera and ballet, as well as KeyBank Fridays@7 and Celebrity Series at Severance Hall and movie, themed, and family presentations at Blossom) to play more music for more people;

continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond;

ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst.

Th e Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony or-chestras. Over the ensuing decades, the Orchestra quickly grew from a fi ne regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Soko loff , 1918-33; Artur Rodzinski, 1933-43; Erich Leins dorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. Th e opening in 1931 of Severance Hall as the Orches-tra’s permanent home, with later acoustic refi nements and remodeling of the hall un-der Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refi ne the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confi rmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acous-tically admired outdoor concert facilities in the United States.

The Orchestra Today 9Severance Hall 2013-14

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NON-RESIDENT TRUSTEES Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TRUSTEES EX-OFFICIO Faye A. Heston, President, Volunteer Council of Th e Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of Th e Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

PAST PRESIDENTS D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95Richard J. Bogomolny 1995-2002, 2008-09James D. Ireland III 2002-08

HONORARY TRUSTEES FOR LIFE Gay Cull Addicott Oliver F. Emerson Allen H. Ford

Robert W. GillespieDorothy Humel HovorkaRobert F. Meyerson

TRUSTEES EMERITI Clifford J. Isroff Samuel H. Miller David L. Simon

RESIDENT TRUSTEES George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. RankinAudrey Gilbert Ratner Charles A. RatnerJames S. Reid, Jr.Barbara S. Robinson Paul RoseSteven M. RossRaymond T. SawyerLuci ScheyHewitt B. Shaw, Jr. Richard K. SmuckerR. Thomas StantonDaniel P. WalshThomas A. WaltermireGeraldine B. WarnerJeffrey M. WeissNorman E. WellsPaul E. Westlake Jr.David A. Wolfort

OFFICERS AND EXECUTIVE COMMITTEE Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry PollockAlfred M. Rankin, Jr.Audrey Gilbert RatnerBarbara S. RobinsonRaymond T. Sawyer

THE MUSICAL ARTS ASSOCIATION as of March 2014

operating Th e Cleveland Orchestra, Severance Hall, and Blossom Music Festival

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director Gary Hanson, Executive Director

Musical Arts Association 11Severance Hall 2013-14 11

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SEVERANCE HALL

May 17 . 20 . 22 . 24

A NEW PRODUCTION CREATED FOR CLEVELAND WITH

DIGITAL ANIMATION ON THREE GIANT 25-FOOT SCREENS

TOGETHER WITH LIVE ACTION AND SINGING

BY AN INTERNATIONALLY-ACCLAIMED CAST!

SUNG IN CZECH WITH ENGLISH SUPERTITLES

THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst

Don’t miss this unique, made-for-Cleveland opera presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the

depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale of love, peril, freedom, and family. The opera’s title character, portrayed by Czech

soprano Martina Janková, wends her way through life’s cycles of learning and danger, love and happiness. Janáček’s score mixes lyrical symphonic writing

with the songful serenity and energetic pulse of Moravian folk music.

This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation

and by the National Endowment for the Arts

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SEVE

May 17.

A NEW PRODUCTION CREAT

DIGITAL ANIMATION ON THREE DIGITAL ANIMATION ON THREE

TOGETHER WITH L

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THE CLEVELAND ORcond cted b Franz W

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

T H E 2 01 3 -1 4 S E A S O N marks Franz Welser-Möst’s twelft h year as music director of Th e Cleveland Or-chestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his di-rection, the Orchestra is acclaimed for its continu-ing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its his-toric championship of new composers through com-missions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken Th e Cleveland Orchestra back into public schools with per-formances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservato-ries, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, Th e Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included fi ve sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orch estra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, Th e Cleveland Orchestra has performed fourteen world and fi ft een United States premieres under Franz Welser-Möst’s direction. Th rough the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festi-val and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-An-dré Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure

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Music Director 15Severance Hall 2013-14 15

Music Director

in Cleveland, re-establishing the Orchestra as an important oper-atic ensemble. Following six seasons of opera-in-concert presen-tations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. He led concert performances of Strauss’s Sa-lome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 leads an innovative made-for-Cleveland production of Leoš Janáček’s Th e Cunning Little Vixen at Severance Hall. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the com-pany has included acclaimed performances of Tristan and Isol-de, a new production of Wagner’s Ring cycle with stage director

Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2013-14 season, his Vienna schedule includes a new production of Puccini’s Th e Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Phil-harmonic. Recent performances with the Philharmonic include appearances at New York’s Carnegie Hall, in concert at La Scala Milan, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music di-rector (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With Th e Cleveland Orchestra, he has created DVD re-cordings of live performances of fi ve of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musik-verein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Wels-er-Möst leading Zurich Opera productions of Th e Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honor-ary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner So-ciety of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

16 The Cleveland Orchestra

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Franz Welser-Möst and The Cleveland Orchestra, performing Bruckner’s Fourth Symphony in concert at Severance Hall in April 2012.

FIRST VIOLINSWilliam PreucilCONCERTMASTER

Blossom-Lee ChairYoko MooreASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter OttoFIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy LeeASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra PreucilASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brownand Dr. Glenn R. Brown Chair

Takako MasamePaul and Lucille Jones Chair

Wei-Fang GuDrs. Paul M. and Renate H. Duchesneau Chair

Kim GomezElizabeth and Leslie Kondorossy Chair

Chul-In ParkHarriet T. and David L.Simon Chair

Miho HashizumeTh eodore Rautenberg Chair

Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair

Alicia KoelzOswald and Phyllis Lerner Gilroy Chair

Yu YuanPatty and John Collinson Chair

Isabel TrautweinTrevor and Jennie Jones Chair

Mark DummGladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINSStephen Rose*

Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2

James and Donna Reid ChairEli Matthews 1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna DuitmanIoana MissitsCarolyn Gadiel WarnerStephen WarnerSae ShiragamiVladimir DeninzonSonja Braaten MolloyScott WeberKathleen CollinsBeth WoodsideEmma ShookJeffrey Zehngut

Yun-Ting Lee

VIOLASRobert Vernon*

Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey1

Charles M. and Janet G. Kimball Chair

Stanley Konopka 2

Mark JackobsJean Wall Bennett Chair

Arthur KlimaRichard WaughLisa BoykoLembi VeskimetsEliesha NelsonJoanna Patterson ZakanyPatrick Connolly

CELLOSMark Kosower*

Louis D. Beaumont ChairRichard Weiss1

Th e GAR Foundation ChairCharles Bernard2

Helen Weil Ross ChairBryan Dumm

Muriel and Noah Butkin ChairTanya EllRalph CurryBrian ThorntonDavid Alan HarrellPaul KushiousMartha BaldwinThomas Mansbacher

BASSESMaximilian Dimoff *

Clarence T. Reinberger ChairKevin Switalski 2

Scott Haigh1

Mary E. and F. Joseph Callahan Chair

Mark AthertonThomas SperlHenry Peyrebrune S

Charles Barr Memorial ChairCharles CarletonScott DixonDerek Zadinsky

HARPTrina Struble*

Alice Chalifoux Chair

F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R Kelvin Smith Family Chair

The Orchestra

T H E C L E V E L A N D


FLUTESJoshua Smith*

Elizabeth M. andWilliam C. Treuhaft Chair

Saeran St. ChristopherMarisela Sager 2

Austin B. and Ellen W. Chinn ChairMary Kay Fink

PICCOLOMary Kay Fink

Anne M. and M. Roger Clapp Chair

OBOESFrank Rosenwein*

Edith S. Taplin ChairMary LynchJeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters

ENGLISH HORNRobert Walters

Samuel C. and Bernette K. Jaff e Chair

CLARINETSFranklin Cohen*

Robert Marcellus ChairRobert WoolfreyDaniel McKelway 2

Robert R. and Vilma L. Kohn Chair

Linnea Nereim

E-FLAT CLARINETDaniel McKelway

Stanley L. and Eloise M. Morgan Chair

BASS CLARINETLinnea Nereim

BASSOONSJohn Clouser *

Louise Harkness Ingalls ChairBarrick Stees2

Sandra L. Haslinger ChairJonathan Sherwin

CONTRABASSOONJonathan Sherwin

HORNSRichard King *

George Szell Memorial ChairMichael Mayhew §

Knight Foundation ChairJesse McCormickHans ClebschAlan DeMattia

TRUMPETSMichael Sachs*

Robert and Eunice Podis Weiskopf Chair

Jack SutteLyle Steelman2

James P. and Dolores D. Storer Chair

Michael Miller

CORNETSMichael Sachs*

Mary Elizabeth and G. Robert Klein Chair

Michael Miller

TROMBONESMassimo La Rosa*

Gilbert W. and Louise I. Humphrey Chair

Richard StoutAlexander andMarianna C. McAfee Chair

Shachar Israel2

BASS TROMBONEThomas Klaber

EUPHONIUM AND BASS TRUMPETRichard Stout

TUBAYasuhito Sugiyama*

Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANIPaul Yancich*

Otto G. and Corinne T. Voss ChairTom Freer 2

PERCUSSIONMarc Damoulakis°

Margaret Allen Ireland ChairDonald MillerTom Freer

KEYBOARD INSTRUMENTSJoela Jones*

Rudolf Serkin ChairCarolyn Gadiel Warner

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANSRobert O’Brien

Joe and Marlene Toot ChairDonald Miller

ORCHESTRA PERSONNELKaryn GarvinDIRECTOR

Christine HonolkeMANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIEDSidney and Doris Dworkin ChairSunshine Chair

* Principal ° Acting Principal § Associate Principal 1 First Assistant Princi pal 2 Assistant Principal S On sabbatical

CONDUCTORSChristoph von DohnányiMUSIC DIRECTOR LAUREATE

Giancarlo GuerreroPRINCIPAL GUEST CONDUCTOR,CLEVELAND ORCHESTRA MIAMI

Brett MitchellASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert PorcoDIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

The Orchestra

O R C H E S T R A


The Cleveland Orchestra is an extraordinary engine of promotion and a tremendous source of great civic pride. Every year The Cleveland Orchestra draws a local, national and international audience to Severance Hall to hear

“the sound the world is talking about.”

We invite you to be a part of this amazing experience by advertising in the Severance Hall printed programs. It’s a smart way to put yourself in front of 150,000+ of northeast Ohio’s most influential consumers and business

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WHY ISN’T YOUR AD HERE?ADVERTISE IN THE CLEVELAND ORCHESTRA SEVERANCE HALL PROGRAM BOOKS

PLACE YOUR AD:HERE,HERE,HERE,HERE,HERE,HERE,HERE,HERE,HERE,& HERE

photo: Roger Mastroianni


The Cleveland Orchestra and the Lakewood community are joining together to pres-ent “The Cleveland Orchestra at Home in Lakewood,” a neighborhood residency that features an intensive week of free public performances and events May 17-24. A se-ries of prepartory events in partnership with Lakewood schools began in February and continue through the public residency week. The centerpiece of the Orchestra’s activities in Lakewood will be a free Cleve-land Orchestra concert led by Music Direc-tor Franz Welser-Möst at Lakewood Civic Auditorium on Saturday evening, May 24, at 7:30 p.m. Tickets will be distributed at locations throughout Lakewood beginning on Saturday, April 26. (A delayed telecast of the concert will be presented by WVIZ/PBS ideastream; the concert will be broadcast live on radio by WCLV 104.9 ideastream. The television broadcast will feature a compos-ite of community collaborations, musical performances, and joint events and activi-ties throughout Lakewood.) “Creating a ‘grass roots’ opportunity for Lakewood to experience perhaps the greatest orchestra in the world at a very personal level is a cultural experience that we will remember for years to come,” commented Michael P. Summers, Lakewood’s mayor, in announc-ing resdiency details. “Our increasingly vibrant commercial corridors and neighbor-hoods will be made ever-more-so by the music and the musicians.” Ian Andrews, executive director of LakewoodAlive, Lakewood’s non-profi t economic development organization, said, “We are ecstatic to have been chosen as The Cleveland Orchestra’s destination for immersion into a Northeast Ohio community.

Lakewood is known for its commitment to the arts. The Orchestra’s events will strengthen this commitment and showcase the city’s great quality of life, local organizations, restaurants, schools, and busi-nesses that make our community special.” The Cleveland Orchestra introduced neighborhood residencies in May 2013 in the Gordon Square community of Cleve-land. The activities, including a Cleveland Orchestra Concert at Saint Colman Catholic Church, were taped and aired by WVIZ/PBS ideastream. WCLV 104.9 also broadcast the concert on radio. The goals of the neighborhood resi-dencies are to bring increased visibility and vibrancy to greater Cleveland’s neighbor-hoods, build community through arts and culture in tandem with local partners, and off er more people the opportunity to en-gage with the music and the musicians of The Cleveland Orch estra. The culminating residency week of activities will include solo and chamber music performances in unique locations, educational programs at local schools, and new artistic collaborations with neighborhood arts and cultural organiza-tions — all in partnership with local busi-nesses and community groups. Complete “at Home in Lakewood” de-tails can be found at clevelandorchestra.com.

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Details of Orchestra’s “at home” in Lakewood neighborhood residency announced for May 17-24Four months of education activities presented in partnership with Lakewood schools lead up to an intensive week of free public performances and events, including Orchestra concert on May 24

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Orchestra News


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A.R.O.U.N.D T .O .W.N Recitals and presentations Upcoming local performances by members of The Cleveland Orchestra include: An octet of Cleveland Orchestra musi-cians perform the National Anthem at the Cleveland Indians home opening game, on Friday afternoon, April 4, at Progressive Field in downtown Cleveland. The group is playing a string arrangement by Carolyn Gadiel War-ner. In addition to Warner, the musicians per-forming are violinists Stephen Rose, Jeanne Preucil Rose, Chul-In Park, Stephen Warner, Takako Masame, Alan Harrell, and Mark Atherton.

Massimo La Rosa, principal trom-bone of The Cleveland Orchestra, performs a recital to benefi t the Dystonia Medical Research Founda-tion (DMRF) on Sunday evening, April 6. The event begins at 6:00 p.m. at the First Unitarian Church (21600 Shaker Boulevard, Shaker Heights). Tickets are $15, available at the door, or by calling 800-377-3978. La Rosa will be joined by his recital partner, pianist Elizabeth DeMio. A portion of the proceeds from the sale of every copy of their album Sempre Espressivo is being donated to DMRF.

Save the Date forWomen’s Committee benefi t The volunteers of the Women’s Commit-tee of The Cleveland Orchestra are holding their spring benefi t evening on Friday, April 25, at Shaker Heights Country Club.

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

Orchestra NewsNews


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The Musical Arts Association gratefully acknow ledges the artistry and dedication of all the musicians of The Cleveland Or-chestra. In addition to rehearsals and con-certs throughout the year, many musicians donate performance time in support of community engagement, fundraising, edu-cation, and audience development activi-ties. We are pleased to recognize these mu-sicians, listed below, who have volunteered for such events and presentations during the 2012-13 and 2013-14 seasons.

Mark AthertonMartha BaldwinCharles BernardKatherine BormannLisa BoykoCharles CarletonJohn ClouserKathleen CollinsPatrick ConnollyRalph CurryMaximilian Dimoff Bryan DummTanya EllKim GomezDavid Alan HarrellMiho HashizumeShachar IsraelJoela JonesAlicia KoelzStanley KonopkaMark KosowerPaul KushiousJung-Min Amy LeeMary LynchThomas MansbacherTakako MasameEli MatthewsJesse McCormickDaniel McKelwaySonja Braaten Molloy

Eliesha NelsonChul-In ParkJoanna Patterson ZakanyAlexandra PreucilWilliam PreucilLynne RamseyJeff rey RathbunJeanne Preucil RoseStephen RoseFrank RosenweinJonathan SherwinSae ShiragamiEmma ShookJoshua SmithSaeran St. ChristopherBarrick SteesJack SutteBrian ThorntonIsabel TrautweinLembi VeskimetsCarolyn Gadiel WarnerStephen WarnerRichard WeissBeth WoodsideRobert WoolfreyPaul YancichDerek ZadinskyJeff rey Zehngut

M.U.S . I .C . I .A .N S .A .L .U .T .E


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Good Friday Concert

Friday, April 18, 2014 | 7:30 p.m.

Trinity Cathedral&Music Art Music and Art at Trinity Cathedral

www.trinitycleveland.org2230 Euclid Avenue216-774-0420

Gregorio Allegri: MiserereFrancis Poulenc: Four Lenten MotetsTrinity Chamber Singers

Maurice Duruflé: Requiem, Op. 9Trinity Cathedral Choir and Chamber OrchestraElizabeth Lenti, organist; Todd Wilson, conductor

Durufle’s sublime Requiem is one of deeply moving masterpieces of the 20th century. Poulenc felt that his musical voice was best expressed through his distinctively powerful sacred choral works.

Freewill offering


Special free community concert presented April 18 with Cleveland Orchestra and Youth Orchestra The Cleveland Orchestra has announced a special free community concert on Friday, April 18, featuring the Orchestra sitting side-by-side with the Cleveland Orchestra Youth Orchestra. In this unique annual concert, often presented on a weekday for high school students, Orch estra musicians mentor their younger counterparts in performance. This year’s evening concert has been opened to the general public. The program features works by Berlioz and Shostakovich, plus Youth Orchestra alumnus James Thompson per-forming as soloist in Saint-Saëns’s Introduction & Rondo Capriccioso. Free, with general admission seating. Tickets required. Free tickets can be obtained by contacting the Severance Hall Ticket Offi ce or visiting clevelandorchestra.com.

Special thanks to Cleveland Orchestra musicians The Board of Trustees extends specialthanks to the members of The Cleveland Orch estra for donating their services for four performances this season as part of the musi-cians’ ongoing commitment to provide ad-ditional revenue-generating opportunities to benefi t the institution. These four concerts include the Severance Hall Gala with Itzhak Perlman in September 2013 and a benefi t con-cert in Palm Beach, Florida, in January 2014, along with performances at New York’s Lin-coln Center and in Cologne, Germany, as part of the Orchestra’s touring this past autumn. “These and other donated services eachyear are a meaningful demonstration of themusicians’ commitment to this institution’sfuture,” notes Gary Hanson, executive direc-tor. “The members of The Cleveland Or-chestra are committed to ensuring that the Orchestra can present music as an important and vital part of life.”

Orchestra NewsNews

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I .N M.E .M.O.R. I .A .M The Cleveland Orchestra notes the death on March 11 of retired Orchestra horn player Albert Schmitter at the age of 81. He served

as a member of the Orchestra for 29 years, retiring in 1995. Schmitter was a graduate of J.F. Rhodes High School in Cleveland and of the United States Military Academy at West Point. He also attended Baldwin Wallace College. The entire Orchestra family ex-tends its condolences to his family and friends.

Cleveland Orchestra presents Hitchcock’s “Psycho” live at Severance Hall April 22 Festival of lms with scores by Bernard Herrmann April 24-27 at Cleveland Cinematheque

The Cleveland Orchestra’s Celebrity series concludes for the 2013-14 season with a special presentation of Hitchcock’s thriller movie “Psycho” on Tuesday evening, April 22. The fi lm’s famously dramatic score by Bernard Herrmann will be performed live by the Orch-estra, with the fi lm projected above the stage. For tickets, contact the Severance Hall Ticket Offi ce or visit clevelandorchestra.com. The showing coincides with a festival of fi lms with scores by Herrmann being screened at the Cleveland Cinematheque, April 24-27. Films to be screened include “On Danger-ous Ground,” “Marnie,” “The Devil and Daniel Webster,” and “Citi-zen Cane.” For more information, visit www.cia.edu/cinema-theque.


The Cleveland Orchestra has announced a new group called The Circle, welcoming young professionals ages 21-40. The group is designed for those who share a love of music and an interest in supporting The Cleveland Orchestra in a new and dynamic way. The Circle provides members exclusive access to the Orchestra, with opportunities to meet musicians, and socialize at Severance Hall and at Blossom Music Festival events. Member-ships include bi-monthly concert tickets along with opportunities to attend social gatherings to network with friends and cultural business leaders of Northeast Ohio. The objectives of The Circle are to increase engagement op-portunities for young people ages 21-40 and to help develop future volunteer community leaders and arts advocates. The Circle was launched at a Cleveland

Mahler, in a photograph taken in 1909 in New York

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Orchestra News

Orchestra concert in January, and is continu-ing to grow. Plans for events throughout the spring are posted on the orchestra’s website, including concert receptions, a tour of Sever-ance Hall, and more. Cost of membership in The Circle is $15 per month for one membership and $20 per month for two memberships and includes bi-monthly tickets. New members join for a minimum of six months. For additional information, visit clevelandorchestra.com or send an email to [email protected].

Cleveland Orchestra launches new group for networking and socializing with dynamic young professionals


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Friday, April 25th ~ 8:00 p.m. ~ Severance Hall ~ 216-231-1111

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Committed to classicalaround the clock.


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Chorus auditions announced for children,youth, and adult singers for Blossom and 2014-15 Spring audition dates for the choral groups sponsored by The Cleveland Orchestra have been announced. The auditions — for adults, youth, and children — are for membership in groups singing during the 2014 Blossom Music Festival and the 2014-15 Season at Severance Hall. Auditions will take place in May and June. The Cleveland Orchestra Choruses embody a long-standing commitment to choral music in which community members of all ages have the opportunity to participate. The Cleveland Orchestra Children’s Chorus is open to students in grades 6-8 and directed by Ann Usher, and the Cleveland Or-chestra Children’s Preparatory Chorus is open to students in grades 5-8 and directed by Suzanne Walters. Both groups are holding auditions on June 2, June 7, and June 14. The Children’s Cho-rus, formed in 1967, provides musical training in vocal production and choral performance skills. The Children’s Preparatory Chorus provides children with initial choral experiences to which younger singers may not have been exposed, while establishing a solid foundation in vocal production techniques. To audition, children must sing one verse of “America” (My Country, ’Tis of Thee) with piano ac-companiment in the key of his or her choice and one verse of “America the Beautiful” (Oh beauti-ful, for spacious skies) without accompaniment in the key of D. Singing scales and doing some rhythmic exercises may also be included in the audition, for which an accompanist is provided. Students in grades 9-12 are welcome to audition for the Cleveland Orchestra Youth Chorus, directed by Lisa Wong, on May 3, May 11, or June 11. Created in 1991, the Youth Chorus helps raise awareness of choral music-making in the schools of Northeast Ohio and encour-ages students to continue their choral activities through college and into adulthood. The Youth Chorus collaborates each season in performance with the Cleveland Orch estra Youth Orchestra. Youth Chorus audition requirements are to pre-pare a piece from the OMEA Solo & Ensemble list,

or an equivalent classical solo piece; Broadway or “pop” tunes are not acceptable. In addition to the prepared piece, students will be asked to sight-read and demonstrate their vocal range. An accompanist is provided at the audition. The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer cho-ruses sponsored by a major American orchestra. Coming from nearly fi fty Northeast Ohio com-munities, members of the Chorus perform with The Cleveland Orchestra in subscription and Christmas concerts each year. Previous choral experience and sight-reading skills are required. The Blossom Festival Chorus includes many members of the Cleveland Orchestra Chorus and other Northeast Ohio choral groups. It has established itself as a permanent annual part of the summertime Blossom Festival and has sung in more than 100 concerts since its 1968 debut. Both groups are directed by Robert Porco. Auditions for the Cleveland Orchestra Chorus and Blossom Festival Chorus will be held April 16 and April 19, by appointment only. Those auditioning are asked to prepare two pieces from the classical literature, one of which should be in a foreign language. Each piece should be approximately two minutes in length. Previous choral experience and sight-reading skills are required. An accompanist is provided at the audition. To schedule an audition, call the Chorus Offi ce at 216-231-7374, or send an email to [email protected].


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TAKÁCS QUARTETPerforming Shostakovich, Webern& Beethoven Op. 132

Oberlin College & Conservatory Artist Recital Series 2013-14

APRIL 13, 2014 | 4PMSingle tickets: oberlin.edu/arseries or 800-371-0178


Concert Previews Cleveland Orchestra Concert Previews are presented before every regular subscription con-cert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a vari-ety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka.

March 27, 29, 30“Schumann the Symphonist” with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

April 3, 4, 5“Tales of a Virtuoso” with Francesca Brittan, assistant professor of musicology, Case Western Reserve University

April 10, 11, 12“Romantic vs. Modern” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 17, 19“Bittersweet Farewells” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 24, 26“Bach’s Son, Papa Haydn, and Beethoven” with Pierre van der Westhuizen, executive director of the Cleveland International Piano Competition

LEARNING MORE ABOUT THE MUSIC

The Cleveland Orchestra off ers a vari-ety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermis-sion, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of explor-ing the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the sto-ries behind the composers’ lives. Free Concert Previews are pre-sented one hour before most subscrip-tion concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the op-portunity for audience members to ask questions.

Concert Previews

Quality Electrodynamics (QED)proudly supports

The Cleveland Orchestraand welcomes

Mitsuko Uchida

35Severance Hall 2013-14

T H E C L E V E L A N D O R C H E S T R A F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R

Concert Program — Week 15

Severance HallThursday evening, April 3, 2014, at 7:30 p.m. Friday evening, April 4, 2014, at 8:00 p.m. Saturday evening, April 5, 2014, at 8:00 p.m.

Mitsuko Uchida, piano and conductor

P L E A S E N O T E that these performances are being recorded for future release. Please remember to disarm electronic alarms on watches and to turn off your cell phones prior to the start of the concert.

These concerts are sponsored by Quality Electrodynamics (QED).

With this weekend’s concerts, The Cleveland Orchestra gratefully honors the John P. Murphy Foundation for its generous support.

The Thursday evening concert is dedicated to Mr. and Mrs. Alfred M. Rankin, Jr. in recognition of their extraordinary generosity in support of The Cleveland Orchestra’s 2012-13 Annual Fund.

The Saturday evening concert is dedicated to Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefskiin recognition of their extraordinary generosity in support of The Cleveland Orchestra’s 2012-13 Annual Fund.

WOLFGANG AMADÈ MOZART (1756-1791)

Piano Concerto No. 18 in B- at major, K456 1. Allegro vivace 2. Andante un poco sostenuto 3. Allegro vivace

Symphony No. 23 in D major, K181 1. Allegro spiritoso — 2. Andantino grazioso — 3. Presto assai

led by concertmaster WILLIAM PREUCIL

INTERMISSION

Piano Concerto No. 19 in F major, K459 1. Allegro 2. Allegretto 3. Allegro assai


Two portraits of Mozart —TOP: A silverpoint drawing by Doris Stock, 1789.BOTTOM: A portrait painted by Johann Nepomuk della Croce around 1780 in Salzburg.

A S M I T S U KO U C H I DA continues to revisit some of the works from her performances of all the Mozart piano con-

certos here at Severance Hall (2002-07), we can be dou-bly thankful. First, that we can hear these concertos again, with her clear and lucid playing illuminating the diversity of Mozart’s creativity within the concer-to form. And, second, that these performances with Th e Cleveland Orchestra are being recorded by Decca for release — and re-listening.

Mozart’s piano concertos represent an exception-al body of work, unique in the classical music cannon.

In writing them, Mozart was working within a general set of expectations (for the musicians and listeners), of do’s and don’ts. Understand-ing the rules, he gladly and gleefully stepped over the line for perfect eff ect. And, in writ-ing so many examples he helped defi ne what a concerto could be. Later composers would embellish and improvise in more personal and obviously emotional directions. But none would write so many perfect gems in this sin-gle genre — so clearly fi lled with passion and craft ed in an identifi ably Mozartian way. —Eric Sellen

Introducing the Concerts

I N T R O D U C I N G T H E C O N C E R T S

Mozart& the Concerto

CLEVELAND ORCHESTRA RADIO BROADCASTS Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

39Severance Hall 2013-14 Guest Artist

Mitsuko UchidaMitsuko Uchida is a performer who brings deep insight into the music she plays through her own search for truth and beauty. She is particularly noted for her interpreta-tions of Mozart, Beethoven, and Schubert, both in the concert hall and on recordings, but has also illuminated the music of Berg, Schoenberg, Webern, and Boulez for a new generation of listeners. Ms. Uchida made her Cleveland Orchestra debut in February 1990, and since that time has performed with the Orchestra at Severance Hall, at its annual Blossom Mu-sic Festival, and on tour in Europe and Japan. She made her Cleveland Orchestra conducting debut in March 1998, and subsequently led performances from the keyboard of all of Mozart’s solo piano concertos as artist-in-residence across fi ve seasons (2002-07). She is currently in the midst of an ongoing recording project with the Orchestra and Decca, revisiting select Mozart concertos. In February 2011, she performed in a special solo benefi t concert at Severance Hall to raise funds to support the on-going maintenance of Th e Cleveland Orchestra’s pianos. In the autumn of 2010, she travelled to Asia for performances with the Orchestra in Japan. A year earlier, she appeared as soloist during the Orchestra’s 2009 European Tour and Vienna Musikverein Residency with Franz Welser-Möst. Mitsuko Uchida performs throughout the world with many diff erent part-ners. In addition to playing with Th e Cleveland Orchestra, this season features engagements with the Berlin Philharmonic under Simon Rattle’s direction, with the Chicago Symphony Orchestra and Riccardo Muti, and a recital tour from Par-is and Vienna to Chicago and New York. Recent years have included a series of the fi ve Beethoven piano concertos (spanning two seasons) with the London Sym-phony Orchestra and Colin Davis, performances with Amsterdam’s Royal Con-certgebouw Orchestra, a series of concerts in Spain and Portugal with the Mahler Chamber Orchestra, and performances in Japan with the Hagen Quartet and with soprano Magdalena Kožená across Europe. Ms. Uchida was featured in the Amsterdam Concertgebouw’s Carte Blanche series, with the same programs also forming the core of series in Cologne and London. In addition, she was the focus of a Carnegie Hall “Perspectives” series titled Mitsuko Uchida: Vienna Revisited. In February 2010, she performed all fi ve Beethoven piano concertos with conduc-tor Simon Rattle during a month-long residency with the Berlin Philharmonic. Mitsuko Uchida records exclusively for Decca. In April 2008, BBC Music Magazine presented its Instrumentalist of the Year and Disc of the Year awards to Ms. Uchida. Her recording of Schoenberg’s Piano Concerto with Pierre Boulez and Th e Cleveland Orchestra won four awards, including one from Gramophone for

40 The Cleveland OrchestraConductor

best concerto recording. Th ree of her most recent recordings were recorded live at Severance Hall with Th e Cleveland Orchestra and feature six of Mozart’s piano con-certos. Th e album featuring concertos Nos. 23 and 24 received a Grammy Award in 2011 for “best instrumental soloist with an orchestra.” Ms. Uchida’s discography also includes the complete Mozart piano sona-tas and piano concertos (with the English Chamber Orchestra), the complete Schubert piano sonatas, Debussy’s Etudes, the fi ve Beethoven piano concertos with Kurt Sanderling and the Royal Concertgebouw Orchestra, an album of Mo-zart violin sonatas with Mark Steinberg, the song cycle Die schöne Müllerin with Ian Bostridge for EMI, the fi nal fi ve Beethoven piano sonatas, and a 2008 record-ing of Berg’s Chamber Concerto with the Ensemble Intercontemporain, Pierre Boulez, and Christian Tetzlaff . Mitsuko Uchida has demonstrated a long-standing commitment to aiding the development of young musicians and is a trustee of the Borletti-Buitoni Trust. She is also co-director, with Richard Goode, of the Marlboro Music Festival in Vermont. In June 2009, she was made a Dame Commander of the Order of the British Empire.

A variety or Mitsuko Uchida’s recordings are available for purchased at the Cleveland Orchestra Store, located on the ground fl oor of Severance Hall.

Presented by Cleveland State University’s Center for Arts and Innovation

Kulas Series of Keyboard Conversations®

with Jeffrey Siegel26th Season 2013-2014

Masterly

Enthralling

Charming

Scintillating

Sunday, September 29, 2013The Miraculous Mozart

Sunday, December 15, 2013The Glory of Beethoven

Sunday, January 26, 2014 The Romantic Music of Chopin

Sunday, May 4, 2014Mistresses and Masterpieces

All concerts begin at 3:00 pm in Cleveland State University’s WaetjenAuditorium, Euclid Ave. and E. 21st St.For more information call 216.687.5018or visit www.csuohio.edu/concertseries/kc

“An afternoon of entertaining talk and exhilarating music.” – The Washington Post

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43Severance Hall 2013-14 About the Music

T H E F I R S T golden years of Viennese music were, of course, those that saw the birth of the great classical masterpieces of Haydn, Mozart, and Beethoven. Likewise, Mozart’s own “golden years” were those during which he composed his unparalleled series of piano concertos for the Imperial capital. Among these works, the Concerto No. 18 in B-fl at major, K456, is unusual in that Mozart is believed to have written it with a performer other than himself in mind — the blind virtuoso Maria Th eresa von Paradis. It is probably for this reason that, unusually for Mozart, the composer wrote out solo cadenzas for this concerto. More oft en, he kept the cadenzas for his concertos mostly in his head to help guarantee his primacy as a performer-composer. For Concerto No. 18, in fact, there are no fewer than three diff erent original cadenzas (two versions for the opening movement and one for the last) written out by the composer, attesting to repeat performances for several years aft er the premiere. And, indeed, Mozart played this concerto himself on several occasions. We have a vivid description from his father Leopold, who, visiting from Salzburg, heard him play it. In an oft -quoted letter to his daughter Nannerl, Wolfgang’s sis-ter, Leopold wrote: “I . . . had the great pleasure of hearing so clearly all the interplay of the instruments that for sheer delight tears came into my eyes.” Leopold’s reaction is not surprising. Two hundred and some years later, it is still diffi cult not to be moved by the in-tense emotions of the second movement, a set of variations in Mozart’s “romantic” key of G minor. Also, no matter how many times one hears this masterpiece, one can’t help but admire the interplay of instruments — Mozart’s inimitable way of dividing his musical material between the strings, winds, and soloist in such a way as to bring out the individuality of each body and, at the same time, ensure a perfect blend throughout the concerto. Equally perfect is the blend between themes of diff erent characters — the music moves eff ortlessly from march-like rhythms to singing melodies to deli cate virtuoso passages. Har-monically, the opening Allegro contains numerous unexpected “detours” into minor keys or major tonalities with more fl ats in the key signature. Th ese subtle modulations give the music a more serious, darker hue, though time and time again the sun

Piano Concerto No. 18 in B-fl at major, K456composed 1784Piano Concerto No. 18 in B-fl at major, K456composed 1784

by Wolfgang Amadè MOZARTborn January 27, 1756Salzburg

diedDecember 5, 1791Vienna


breaks through the clouds. Th e second movement is a set of variations in G minor, a key that in Mozart’s music always denotes melancholy — if not outright tragic — emo tions. Th e theme has a defi nite proto-Romantic quality to it. It is a double phrase whose halves are treated diff erently in the subsequent variations, so that although the double phrase is repeated only fi ve times, the character of the music changes twice as oft en in terms of the textural and harmonic changes. Th e fi gurations of the solo piano, unaccom-panied or with the original theme played in the background by the strings, alternate with coloristic studies for the wood wind section. Th ere is a dramatic variation by the full orchestra (tutti) in the middle, counterbalanced by a lyrical maggiore (major-key) episode soon aft erwards. A valedictory coda closes this special gem among Mozart’s slow movements. Th e third movement starts with a hunting signal upon which is built a spirited rondo movement. However, there is a rather stunning central episode — a lengthy moment in the remote tonality of B minor, where duple and triple meters are heard simultaneously as an agitated bassoon melody in 2/4 is accom panied by piano fi gurations in 6/8. Th en the piano con-tinues the melody and the strings take over the accompaniment. Th e movement ends with the tonal and metric balance perfectly restored, with a happy return of the initial hunting signal. As Leopold Mozart reported to his daughter, when Mo-zart fi nished play ing the concerto, Emperor Joseph II, who was present, “waved his hat and called out ‘Bravo, Mozart!’ ” Evi-dently, the monarch found the number of notes entirely to his liking this time (unlike a few years earlier, at the premiere of the opera Th e Abduction from the Seraglio, when he famously complained that there were “too many notes”).

—Peter LakiCopyright © Musical Arts Association

Peter Laki is a musicologist and lecturer on classical music.

He is a visiting associate professor at Bard College.

About the Music

Mozart composed this piano concerto in B-fl at major (designated long after his death with the Köchel number K456 and numbered as No. 18) in the summer and early autumn of 1784, recording it in his own catalog of works on September 30. The date of its fi rst performance is unknown; Mozart introduced it to Vienna on February 12, 1785. This concerto runs about 30 minutes in performance. Mozart scored it for fl ute, 2 oboes, 2 bassoons, 2 horns, strings, and solo piano. The Cleveland Orchestra fi rst performed this concerto in October 1949, with George Szell conducting and Leonard Shure as soloist. The most recent performances were in February 2012, at Severance Hall, with pianist Pierre-Lau-rent Aimard conducting from the keyboard.

At a Glance


Bach Festival performances presented with support from The Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia and Elias Fadil.

Join us for the Baldwin Wallace University82nd Annual Bach FestivalApril 25-27, 2014

Bach Festival performances presented with support from The Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia and Elias Fadil.

For a complete schedule of events, information and tickets: www.bw.edu/bachfest 440-826-8070

Join us as we recognize Maestro Dwight Oltman, celebrating 39 years as Music Director of the BW Bach Festival

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Meredith Hall, soprano; Jennifer Lane, alto, Colin Balzer, tenor Rufus Müller, tenor; Christòpheren Nomura, baritone

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Musica Pacifica with the New York Baroque Dance Company; Eric Chafe, lecturerFestival Chamber Orchestra, Baldwin Wallace Bach Orchestra,

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Featured PerformancesFriday, April 25 4:00 p.m. Solo Baroque Works featuring BW Conservatory Alumni

8:00 p.m. J. S. Bach: Brandenburg Concerto No. 3 in G Major, BWV 1048 Magnificat in D Major, BWV 243

Saturday, April 26 4:00 p.m. Musica Pacifica

8:00 p.m. St. John Passion, BWV 245

Sunday, April 27 11:15 a.m. Bach’s music in its liturgical context

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T H I S S H O R T S Y M P H O N Y , written in 1773 when Mozart was 17 years old, has the peculiarity of having no breaks between the movements — the last chord of the fi rst movement (“Al-legro spiritoso”) resolves on the fi rst downbeat of the “Andan-tino grazioso,” which in turn moves seamlessly into the fi nal “Presto assai.” Symphonies at the time, as musicologist Neal Zaslaw has explained, were oft en “written as curtain-raisers, fanfares to herald the beginnings of plays, operas, cantatas, oratorios, and public and private concerts. . . . Symphonies were heard in church punctuating High Mass or embellishing Vespers. In Salzburg and Vienna they even appeared on mild summer evenings as outdoor serenades. . . . Symphonies thus provided an indispensable but subsidiary framework for other things.” In other words, the symphony was not yet the complex and ambitious genre it was to become in the later works of Haydn, Mozart, and especially Beethoven and subsequent generations of composers. At 17, Mozart knew exactly what the form called for as something pleasant and interesting, but not the main attrac-tion. And he was able to work within those conventions with a sure hand and boundless imagination. Th e oboe solo of the second movement is a great moment, as are the excited tremo-los (rapid repeated notes) syncopations (off -beat accents), and minor-mode colorings in the fi rst. Yet there is no comparison between this piece and, for instance, the “Prague” Symphony (No. 38), written more than a dozen years later at the height of Mozart’s artistic maturity and one in a group of works that helped give the word “symphony” a whole new depth and breadth of meaning. —Peter Laki

Copyright © Musical Arts Association

Symphony No. 23 in D major, K181composed 1773



Mozart wrote this symphony in the spring of 1773, with its premiere possibly taking place soon thereafter in Salzburg. This symphony runs about 10 minutes in perfor-mance. Mozart scored it for 2 oboes, 2 horns, 2 trumpets, and strings. The Cleveland Orchestra has presented this symphony on two previous occasions, in a weekend of concerts in January 1984 with Kurt Masur and in July 2003 with Jahja Ling conducting.

At a Glance

Sound for the Centennial THE CAMPAIGN FOR THE CLEVELAND ORCHESTRA

T H E C L E V E L A N D O R C H E S T R A


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In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through cash gifts and legacy commitments, while also securing broad-based and increas-ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made

long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of March 10, 2014. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial diff erence in helping to ensure that future genera-tions of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Offi cer, at 216-231-7520.

* deceased

Sound for the Centennial Campaign


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I N T H E S I N G L E Y E A R of 1784, Mozart wrote six piano con-certos, more than in any other year of his life. In fact, between 1782 and 1785, he was enjoying the most prosperous period of his entire career. He had his own subscription series in Vienna, for which he wrote most of his greatest piano concertos. In ad-dition, he was in high demand as a composer, performer, and teacher around town, with invitations to some wealthy patron’s house just about every night. When Mozart’s father Leopold, himself a noted musician, came to visit from Salzburg, he was amazed to see all these hectic goings-on, and, in a famous letter to his daughter Nannerl, gave a vivid account of Mozart’s busy professional life during what was without a doubt his heyday. Th e F-major concerto, given the “No. 19” and cataloged as K459 long aft er Mozart was dead, is one of the happiest prod-ucts of these happy times in Vienna. It was the last concerto Mozart fi nished in 1784, entering it in his own chronological catalog on December 11, 1784. (Before the winter was over, he would write two more concertos, K466 in D minor and K467 in C major.) We know that the F-major work was one of Mozart’s own favorites among his concertos. It was the one he chose to take on tour six years aft er it was written, when he participated in the festivities in honor of Emperor Leopold II’s coronation in 1790. At a special concert in Frankfurt on October 15, 1790, Mozart performed this work along with the more recent D-major concerto (K537). It is this latter work that is generally known as the “Coronation” Concerto, but the name could ap-ply to K459 equally well and Concerto No. 19 has, in fact, been occasionally referred to as the “First Coronation Concerto.” Th ere is defi nitely something regal about the opening theme of this concerto’s fi rst movement. Its opening theme sounds like a solemn entrance march, in large part from the characteristic dotted rhythm. It is possible that Mozart origi-nally included trumpets and timpani in the instrumentation — he lists them in his catalog, but no parts for those instruments have survived. We shall never know whether Mozart made an error in his catalog entry or whether the trumpet and timpani parts were written on separate pages (as they were in at least one other case) and subsequently lost. At any rate, it seems

Piano Concerto No. 19 in F major, K459composed 1784



CMA Performing Arts Series

MidoriSaturday, April 12, 7:30 p.m.

Come see amazing.

www.clevelandart.org/performingartsTickets on sale now

“Many soloists today have masterly technique, but few conjure such searing intensity seemingly out of nowhere [as does Midori].” —The New York Times

Midori is accompanied on the piano by Özgür Aydin.

Program:Debussy, Sonata in G minor Shostakovich, Sonata, Op. 134 Beethoven, Sonata No. 10 in G major, Op. 96 Schubert, Rondo brilliant in B minor, D. 895


that these “festive” instruments would not be out of place in the present concerto. Th is dotted theme dominates the entire fi rst movement. Its variants and derivatives appear even aft er the second theme ap-pears, in a section of the movement that is supposed to, and to a large extent does, provide an element of contrast. Leading Mo-zart scholar Neal Zaslaw has described this movement as “a kind of debate between this ‘strict’ rhythm and the more ‘galant’ triplets that also occur with great frequency, especially in the solo part.” Concerto No. 19, like No. 18, is one of the few from his catalog for which Mozart wrote out his own cadenzas, both for the fi rst and the third movements. In addition to a full cadenza, the fi nale also includes a written-out Eingang by Mozart — a cadenza-like introduction to one of the refrain’s returns. Th e second movement is not a slower Andante or Adagio as one might expect, but a relatively brisk “Allegretto.” It is a piece of great delicacy, with subtle asymmetries in the melodic structure and extended visits from the bright C major (the main tonality) to the darker realms of G minor and C minor. As in several of Mozart’s piano concertos, there are prominent wood-wind solos in this movement. Here, the ascending scales at the end of the movement are almost identical to the ones found in Susanna’s aria “Deh vieni, non tardar” from Th e Marriage of Figaro, written about a year and a half later. Th e operatic hero-ine sings that aria as she is waiting for her lover in the garden at night; it is hard not to feel the presence of a similar sensual and idyllic mood in the concerto movement. In his lectures on Mozart’s piano concertos, later published in book form, Olivier Messiaen described the fi nale of the F-major concerto as a most unusual mixture of scherzo character, fugal writing, and sonata-rondo form. In fact, Mozart builds a movement of considerable complexity from a rather unas-suming, playful main theme. (Commentators have pointed out the close connection between this melody and a theme from Haydn’s Symphony No. 78 of 1782, which was well known to Mozart.) Zaslaw calls this theme a “contredanse treated in the spirit of opera buff a,” and notes that it “is the perfect foil for a fugato that appears three times, once worked out at some length as a development section, and that is also alluded to in Mozart’s cadenza for the movement.” —Peter Laki

Copyright © Musical Arts Association

Mozart wrote his F-major Piano Concerto, later designated as “No. 19” and cataloged as K459, in Vienna shortly before December 11, 1784. The date of the fi rst performance is unknown, but probably took place in Febru-ary or March 1785. This concerto runs about 25 minutes in performance. Mozart scored it for an orchestra of fl ute, 2 oboes, 2 bassoons, 2 horns, and strings, plus solo piano. The Cleveland Orchestra fi rst performed this concerto in April 1952, under George Szell’s direction and with solo-ist Arthur Loesser. The most recent performances took place in November 2003, with Mitsuko Uchida conducting from the keyboard.

At a Glance

About the Music

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Altogether, Mozart created more than thirty separate works for orchestra and piano. Although a few were published during his lifetime, many did not become widely available until efforts in the 19th century to organize, catalog, and publish the composer’s output. Ludwig von Köchel reconstructed the chronology of Mozart’s compositions in the mid-19th century and published his cataloging of Mozart’s works in 1862. Following Köchel’s chronology, the music for Mozart’s complete works was published by Breitkopf & Härtel, with the piano concertos numbered chronologically from 1 to 27.

The fi rst four numbered concertos are early works now known to be arrangements of key-board sonatas by various other contemporary composers (including Raupach, Honauer, and C.P.E. Bach). Not included in the list printed here are three additional concertos that Mozart completed in 1772 from music by J.C. Bach.

Mozart’s Piano Concertos

NUMBER KEY CATALOG DATE COMMENTS

No. 1 F major K.37 Apr 1767 arrangement

No. 2 B-fl at major K.39 Jun 1767 arrangement

No. 3 D major K.40 Jul 1767 arrangement

No. 4 G major K.41 Jul 1767 arrangement

No. 5 D major K.175 Dec 1773

No. 6 B-fl at major K.238 Jan 1776

No. 7 F major K.242 Feb 1776 for three pianos

No. 8 C major K.246 Apr 1776 nickname “Lützow”

No. 9 E-fl at major K.271 Jan 1777 nickname “Jeunehomme”

No. 10 E-fl at major K.365 1779 for two pianos

No. 11 F major K.413 1782-83

No. 12 A major K.414 1782

Rondo D major K.382 1782 revised fi nale for No. 5

No. 13 C major K.415 1782-83

Rondo A major K.386 1782-83 single movement

No. 14 E-fl at major K.449 Feb 1784

No. 15 B-fl at major K.450 Mar 1784

No. 16 D major K.451 Mar 1784

No. 17 G major K.453 Apr 1784

No. 18 B-fl at major K.456 Sep 1784

No. 19 F major K.459 Dec 1784 nickname “Paradise”

No. 20 D minor K.466 Feb 1785

No. 21 C major K.467 Mar 1785

No. 22 E-fl at major K.482 Dec 1785

No. 23 A major K.488 Mar 1786

No. 24 C minor K.491 Mar 1786

No. 25 C major K.503 Dec 1786

No. 26 D major K.537 Feb 1788 nickname “Coronation”

No. 27 B-fl at major K.595 1788-91

T E X T

About the Music

DISTINGUISHED LECTURES

. . . for the love of learning

Siegal Beachwood Facility, 26500 Shaker Blvd, Cleveland, OH 44122

Free and open to public; Reserved seating: $18

Monday, May 19, 7:00 P.M.

How Toddlers Thrive: What Parents Can Do Today for Children Ages 2-5 to Plant the Seeds of Lifelong Success

Tovah P. Klein

New research indicates that the seeds for adult success are often

planted in the toddler years, ages 2-5. Dr. Klein is the director of the

Barnard College Center for Toddler Development, the laboratory at

the forefront of understanding toddler behavior and development.

In her book, How Toddlers Thrive she explains why the toddler

years are different than any other period during childhood, what is

happening in children’s brains and bodies at this age that makes their

behavior so turbulent, and why your reaction to their behavior holds

the key to making your life together smoother today, as well as to

setting your child up for success in the future.

Considered one of Israel’s most perceptive writers, at the podium

Grossman’s powerful prose comes to life in this rare and extraordinary

experience. Expressing the courage, pain and occasionally brutal

truth of Israeli reality with strength and honesty, Grossman’s words

will change the way you view the world, and perhaps even yourself,

proving to be an experience you will never forget.

Born in Jerusalem in 1954, David Grossman is a leading Israeli writer

of his generation and his work has been translated into more than

thirty languages. He is the author of eight internationally acclaimed

novels and two powerful journalistic accounts, as well as a number

of children’s books and a play.

Dessert reception hosted by The Park Synagogue to follow the lecture.

Park Synagogue, 3300 Mayfield Rd., Cleveland Heights, OH 44118

Free and open to public; Reserved seating: $36

An Evening with David Grossman

David Grossman’s appearance is made possible by the generous support of Donna Yanowitz and The Herbert and Marianna Luxenberg Siegal College Israel Lecture Fund.

Co-Sponsored by: Cleveland Israel Arts Connection of The Jewish Federation of Cleveland; Mandel Jewish Community Center, and The Park Synagogue.

Wednesday, May 14, 7:00 P.M.

When A Public Intellectual Confronts Personal Tragedy:

For a full list of co-sponsors for this event please visit case.edu/lifelonglearning

On-site child care is provided by Agnon School. Reservations required.

Main Office: 216.368.2090 • Beachwood Office: 216.368.2091

Registration: www.case.edu/lifelonglearning

While these programs are

free and open to the public,

priority goes to preferred

seating registrations.

Tuesday May 20, 8:30 A.M. Workshop for early childhood professionals, with Tovah Klein. CEU Credits available. Location TBA. See our website for details.

57Severance Hall 2013-14 Mozart Timeline

1756 Born January 27, in Salzburg, the seventh and last child of Leopold and Anna Maria. (Only two of their children survived infancy.) Baptized “Johannes Chrysostomus Wolfgangus Th eophilus Mozart.”

1759 At age 3, Wolfgang begins to play the harpsichord.

1761 At age 5, he begins to compose.

1762 His father takes Wolfgang (and his sister, Nannerl, four years older) on the road as child prodigies. Over the next four years, they will visit and perform before royalty in Vienna, Paris, and London.

1767 He begins writing his fi rst operas, completing four in two years.

1770 Wolfgang (age 14) and his father visit Italy for the fi rst time, and are exposed to Italian opera in its native land.

1771 At age 15, he begins his service with his father’s employer, the Archbishop of Salzburg.

1778 While he and his mother are in Paris looking for lucrative employment for Wolfgang, Anna Maria is taken ill and dies. Wolfgang must bury her alone, and then tell his father and sister back in Salzburg the news.

1781 Aft er looking for a job in Vienna, Wolfgang is dismissed from his post with the Archbishop and decides to begin life as a freelance artist.

1782 Marries Constanze Weber on August 4. Th ey will have six children, but (typical for the era) only two will survive to adulthood (and neither of them will have progeny of their own).

1783 Over the next several years, he writes and performs a series of mature piano concertos and creates six string quartets dedicated to Haydn, making for himself both a name and a good living.

1785 Meets Haydn, who praises Mozart as “the greatest living composer.”

MOZART T I M E L I N E


1786 Th e Marriage of Figaro premieres in Vienna on May 1.

1787 He travels to Prague early in the year to see Figaro, where it is acclaimed a masterpiece. Prague asks him to write a new opera. Father Leopold dies on May 28. Don Giovanni, his second collaboration with librettist Lorenzo Da Ponte, is premiered in October in Prague. Wolfgang is appointed to the relatively minor (and not very well-paid) post of “chamber composer” by Emperor Joseph II.

1788 Mozart composes what become his last three symphonies (Nos. 39, 40, and 41) in anticipation of a series of benefi t concerts that never take place. His fi nances are increasingly limited and problematic, and he moves around Vienna several times in the next few years to fi nd lodgings he can work in or aff ord.

1790 Così fan tutte is premiered in Vienna. Mozart attends the coronation of Emperor Leopold II.

1791 Composes the operas Th e Magic Flute and La clemenza di Tito, and begins work on his Requiem Mass. Dies on December 5 at the age of 35. Aft er a simple funeral service, he was buried in an unmarked grave (following customs of the time in Vienna).

Mozart Timeline

A later engravingbased on a favor-ite Mozart family portrait painted in 1780-81. Wolfgang and his sister, Nan-nerl, are sitting at the forte piano, fa-ther Leopold stands with his violin, and mother Anna (who died in 1778) is represented in the portait on the wall.

Collecting for clients is music to our ears.

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What’s his name? Mozart was baptized as Johannes Chrysosto-mus Wolfgangus Th eophilus Mozart. His fi rst two baptismal names, Johannes Chrysostomus, repre-sent his saints’ names, following the custom of the Roman Catholic Church at the time. In practice, his family called him Wolfgang. Th eophilus comes from Greek and can be rendered as “lover of God” or “loved by God.” Amadeus is a Latin version of this same name. Mozart most oft en signed his name as “Wolfgang Amadè Mozart,” saving Amadeus only as an occasional joke. At the time of his death, scholars in all fi elds of learning were quite enamored of Latin naming and conven-tions (this is the period of the classifi cation and cataloging of life on earth into kingdom, phylum, class, order, family, genus, species, etc.) and suc-cessfully “changed” his name to Amadeus. Only in recent years have we started remembering the Amadè middle name he preferred.

59Severance Hall 2013-14 About Mozart


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Student attendance continuesto grow at Severance Hall

As Th e Cleveland Orchestra’s 2013-14 season has gotten underway, more Stu-dent Advantage Members, Frequent Fan Card holders, Student Ambassadors, and student groups are contributing to the continued success of these programs. Th e Orchestra’s ongoing Student Advantage Program provides opportu-nities for students to attend concerts at Severance Hall and Blossom through discounted ticket off ers. Membership is free to join and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. Th e Student Frequent Fan Card was introduced a year ago with great suc-cess. Th e program is continuing to grow, with the number of Frequent Fan Card holders tripling so far this season over 2012-13. Priced at $50, the Fan Card off ers students unlimited single tickets (one ticket per card holder) to weekly classical subscription concerts all season long. Th e Student Ambassador program is also growing. Th ese young volun-teers help to promote the Orchestra’s concert off erings and student programs directly on campuses across Northeast Ohio. Also this year, a group of Student Marketing Advisors was formed to help the Orchestra incorporate student feedback and insight to programs, and give local marketing majors a chance to work closely with the Orchestra’s sales team. In addition, attendance through Student Group sales are also bringing in more and more young people to Cleveland Orchestra concerts. From as far as Toronto and Nashville, these groups make up an integral part of the overall suc-cess toward generating participation and interest among young people. All of these programs are supported by Th e Cleveland Orchestra’s Center for Future Audiences, through the Alexander and Sarah Cutler Fund for Student Audiences. Th e Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Student Attendance


Administrative Staff as of March 20, 2014

EXECUTIVE OFFICEGary Hanson EXECUTIVE DIRECTOR

Rosemary Klena EXECUTIVE ASSISTANT

FINANCE & ADMINISTRATIONJames E. Menger CHIEF FINANCIAL OFFICER

Shirley Rundo ADMINISTRATIVE ASSISTANT

Faith Noble CONTROLLER

Barbara S. Snyder ACCOUNTING MANAGER

Carolann Oravec PAYROLL MANAGER

Heather Walters SENIOR ACCOUNTANT

Mary Stewart-McGovern ACCOUNTING ANALYST

Christina Dutkovic ACCOUNTING ASSOCIATE

Information TechnologyDavid Vivino DIRECTOR

Randy Conn DATABASE ANALYST

Theresa Henderson NETWORK ADMINISTRATOR

Janet Montagino TECHNICAL SUPPORT ANALYST

MailroomJim Hilton SUPERVISOR

Lomack Gray MAILROOM CLERK

Human ResourcesMichelle Vectirelis DIRECTOR

Charise Reid HUMAN RESOURCES MANAGER

Ruth Mercer HUMAN RESOURCES ASSOCIATE

CLEVELANDORCHESTRA MIAMIHolly Hudak MANAGING DIRECTOR

Montserrat Balseiro PATRON DEVELOPMENT & EDUCATION MANAGER

Pratima Raju ASSOCIATE DEVELOPMENT OFFICER

Christina Jacomino ADMINISTRATIVE ASSISTANT

ORCHESTRA OPERATIONSJennifer Barlament GENERAL MANAGER

Cherilyn Byers ADMINISTRATIVE ASSISTANT

Julie Kim DIRECTOR OF OPERATIONS

Amy Gill ORCHESTRA OPERATIONS MANAGER

Carol Lee Iott DIRECTOR, STRATEGY AND SPECIAL INITIATIVES

Artistic AdministrationMark Williams DIRECTOR, ARTISTIC PLANNING

Randy Elliot ASSISTANT ARTISTIC ADMINISTRATOR

Barb Bodemer DRIVER

Orchestra PersonnelKaryn Garvin DIRECTOR

Christine Honolke MANAGER

Marla Bentley ORCHESTRA PERSONNEL ASSISTANT

Stage Joe Short STAGE MANAGER

Gil GerityThomas HoldenJohn RileyDon Verba STAGEHANDS

ChorusJill Harbaugh MANAGER

Michelle Holy COORDINATOR, YOUTH AND CHILDREN’S CHORUSES

Education & Community ProgramsJoan Katz Napoli DIRECTOR

Sandra Jones MANAGER, EDUCATION & FAMILY CONCERTS

Rachel Novak MANAGER, LEARNING PROGRAMS & COMMUNITY ENGAGEMENT

Erika Richter EDUCATION & COMMUNITY PROGRAMS COORDINATOR

Ashley Wohlwend MANAGER, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

Katherine Oppenheim LIBRARIAN/ASSISTANT, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

SEVERANCE HALLMary Ann Makee DIRECTOR OF FACILITIES MANAGEMENT & OPERATIONS

Laura Clelland ADMINISTRATIVE ASSISTANT

Building OperationsCharles László BUILDING OPERATIONS MANAGER

Steve Skunta SENIOR BUILDING ENGINEER

Scott MillerRobert NockChristopher DowneyMichael Evert BUILDING ENGINEERS

Shelia BaughGeorge FelderMichelle Williams DOOR PERSONS

Quinn Chambers HALL STAFF & CLEANING SUPERVISOR

Steven WashingtonPauletta Hughes HALL STAFF LEAD

Antonio AdamsonKervin HintonDwayne JohnsonJerome KelleyDarrell SimmonsDwayne Taylor HALL STAFF

Glynis SmithRenee Pettway CLEANING PERSONS

Rolland Allen GROUNDSKEEPER

Facility SalesBob Bellamy FACILITY SALES MANAGER

Concerts & Special EventsJennifer Masters MANAGER, CONCERTS & SPECIAL EVENTS

Emily Szy MANAGER, CONCERTS & PHILANTHROPIC EVENTS

Christine Radigan ASSOCIATE MANAGER

House ManagementAdam Clemens HOUSE MANAGER

Jessica Thomas ASSOCIATE HOUSE MANAGER

RetailLarry Fox STORE MANAGER

Helen DouglasPatricia FembergJennifer Orbash SALES ASSOCIATES


Administrative Staff


SALES & COMMUNICATIONSRoss Binnie CHIEF MARKETING OFFICER

SalesJulie Stapf DIRECTOR OF SALES

Jim Sector ASSISTANT DIRECTOR OF SALES

Ryan Buckley DIGITAL MARKETING & WEBSITE MANAGER

David Szekeres PUBLICATIONS MANAGER

Jerry Golski GROUP SALES MANAGER

Ticket Offi ceTimothy Gaines TICKET OFFICE MANAGER

Joan Eppich ASSOCIATE MANAGER

Mary Ellen Campbell ASSISTANT MANAGER

Monica Berens SUBSCRIPTION REPRESENTATIVE

Patrick ColvinJoclyn MadeyCindy AdamsTraci ShillaceMary Ellen Snyder CUSTOMER SERVICE REPRESENTATIVES

CommunicationsAna Papakhian DIRECTOR

Timothy Parkinson COMMUNICATIONS ASSOCIATE

Deborah Hefl ing ARCHIVIST

Andria Hoy ARCHIVES ASSISTANT

Program Book Eric Sellen EDITOR

Severance Hall11001 Euclid AvenueCleveland, OH 44106

Administrative Offi ces216-231-7300Ticket Offi ce216-231-1111or 800-686-1141

Group Sales216-231-7493

Education &Community Programs216-231-7355

Media Relations216-231-7476

Archives216-231-7356

Individual Giving216-231-7562

Institutional Giving216-231-8011

Legacy Giving216-231-8006

Volunteers216-231-7557

Severance HallRental Offi ce216-231-7421

Cleveland Orchestra Store216-231-7478

Administrative Staff

c l e ve l ando r c he s t r a . c om

PHILANTHROPY & ADVANCEMENTJon Limbacher CHIEF DEVELOPMENT OFFICER

Corinne Finefrock SENIOR DEVELOPMENT ASSOCIATE

Leadership GivingTimothy Mann DIRECTOR, LEADERSHIP DEVELOPMENT

Bryan de Boer LEADERSHIP DEVELOPMENT COMMUNICATIONS OFFICER

Laurie Burman LEADERSHIP DEVELOPMENT OFFICER

Lori Cohen COMMUNITY LEADERSHIP LIAISON

Grace Sipusic DIRECTOR, INDIVIDUAL GIVING & MIAMI FUNDRAISING

Elizabeth Arnett MANAGER, LEADERSHIP & INDIVIDUAL GIVING

Margaret Gautier COORDINATOR, INDIVIDUAL GIVING & ANNUAL FUND

Sarah Jessie DEVELOPMENT ASSOCIATE, LEADERSHIP AND LEGACY GIVING

Bridget Mundy LEGACY GIVING OFFICER

Brian Deeds LEGACY GIVING COORDINATOR

Institutional GivingErin Gay DIRECTOR, INSTITUTIONAL GIVING

Arlene Vukcevic STEWARDSHIP MANAGER

Jennifer Leist STEWARDSHIP COORDINATOR

Christine Yeh DEVELOPMENT ASSOCIATE

Development OperationsSuzanne Richardson de Roulet MANAGER, DEVELOPMENT COMMUNICATIONS

Adriane Emig MANAGER, AUDIENCE INSIGHTS AND REVENUE ANALYSIS

Lisa Brown MANAGER, PROSPECT RESEARCH

Jim Reynolds DEVELOPMENT DATABASE COORDINATOR

64 The Cleveland OrchestraLegacy Giving

Lois A. AaronLeonard AbramsShuree Abrams*Gay Cull AddicottStanley and Hope AdelsteinSylvia K. Adler*Gerald O. Allen*Norman and Marjorie* AllisonGeorge N. Aronoff Herbert Ascherman, Jr.Jack and Darby AshelmanMr. and Mrs. William W. BakerRuth Balombin*Mrs. Louis W. Barany*D. Robert* and Kathleen L. BarberJack L. BarnhartMargaret B. and Henry T.* BarrattNorma E. Battes*Rev. Thomas T. Baumgardner and Dr. Joan BaumgardnerFred G. and Mary W. BehmBertram H. Behrens*Dr. Ronald and Diane BellBob BellamyJoseph P. BennettIla M. BerryHoward R. and Barbara Kaye BesserDr.* and Mrs. Murray M. BettDr. Marie BielefeldRaymond J. Billy (Biello)Dr. and Mrs. Harold B. Bilsky*Robert E. and Jean Bingham*Claudia BjerreMr. William P. Blair IIIMrs. Flora BlumenthalMr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMr. and Mrs. Charles P. BoltonKathryn Bondy*Loretta and Jerome* BorsteinMr. and Mrs.* Otis H. Bowden IIRuth Turvy Bowman*Drs. Christopher P. Brandt and Beth Brandt SersigMr. D. McGregor Brandt, Jr.David and Denise BrewsterRichard F. Brezic*Robert W. BriggsDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRonald and Isabelle Brown*Mr. and Mrs. Clark E. Bruner*Mr. and Mrs.* Harvey Buchanan

Rita W. Buchanan*Joan and Gene* BuehlerGretchen L. BurmeisterStanley and Honnie* BuschMilan and Jeanne* BustaMrs. Noah L. Butkin*Mr. and Mrs. William C. ButlerMinna S. Buxbaum*Gregory and Karen CadaRoberta R. Calderwood*Jean S. Calhoun*Harry and Marjorie M. CarlsonJanice L. CarlsonDr. and Mrs. Roland D. CarlsonMr. and Mrs. George P. Carmer*Barbara A. Chambers, D. Ed.Arthur L. Charni*Ellen Wade Chinn*NancyBell CoeKenneth S. and Deborah G. CohenRalph M. and Mardy R. CohenVictor J. and Ellen E. CohnRobert and Jean* ConradMr. and Mrs. Gerald A. ConwayJames P. and Catherine E. Conway*Rudolph R. Cook*The Honorable Colleen Conway CooneyJohn D. and Mary D.* CorryDr. and Mrs. Frederick S. Cross*Martha Wood CubberleyDr. William S. Cumming*In Memory of Walter C. and Marion J. CurtisWilliam and Anna Jean CushwaHoward CutsonMr.* and Mrs. Don C. DanglerMr. and Mrs. Howard J. DanzingerBarbara Ann DavisCarol J. DavisCharles and Mary Ann DavisWilliam E. and Gloria P. Dean, Jr.Mary Kay DeGrandis and Edward J. DonnellyNeeltje-Anne DeKosterCarolyn L. DessinWilliam R. Dew*Mrs. Armand J. DiLellioJames A. Dingus, Jr.Dr. and Mrs. Richard C. DistadMaureen A. Doerner and Geoff rey T. WhiteHenry and Mary DollGerald and Ruth DombcikMr.* and Mrs. Roland W. DonnemNancy E. and Richard M. Dotson

Mrs. John DrollingerDrs. Paul M.* and Renate H. DuchesneauGeorge* and Becky DunnWarren and Zoann Dusenbury*Mr. and Mrs. Robert DuvinPaul and Peggy EdenburnRobert and Anne Eiben*Mr. and Mrs. Alfred M. Eich, Jr.Mr. and Mrs. Ramon Elias*Roger B. EllsworthOliver and Mary EmersonLois Marsh EppPatricia EspositoMargaret S. Estill*Dr. Wilma McVey Evans*C. Gordon and Kathleen A.* EwersPatricia J. FactorSusan L. Faulder*Dr. and Mrs. Frederick Fennell*Mrs. Mildred FieningGloria and Irving B. FineJules and Lena Flock*Joan Alice FordDr. and Mrs. William E. Forsythe*Mr.* and Mrs. Ralph E. FountainGil and Elle FreyArthur and Deanna FriedmanMr.* and Mrs. Edward H. FrostDawn FullHenry S. FusnerDr. Stephen and Nancy GageCharles and Marguerite C. Galanie*Barbara and Peter GalvinMr. and Mrs. Steven B. GarfunkelDonald* and Lois GaynorBarbara P. Geismer*Albert I. and Norma C. GellerCarl E. Gennett*Dr. Saul GenuthJohn H.* and Ellen P. GerberFrank and Louise GerlakDr. James E. GibbsIn Memory of Roger N. Giff ordDr. Anita P. Gilger*S. Bradley GillaughMr.* and Mrs. Robert M. GinnFred and Holly GlockRonald* and Carol GodesWilliam H. Goff Mr. and Mrs. Henry J. GoodmanJohn and Ann GoskyMrs. Joseph B. Govan*Elaine Harris Green

Th e Heritage Society honors those individuals who are helping to ensure the future of Th e Cleveland Orchestra with a Legacy gift . Legacy gift s come in many forms, including bequests, charitable gift annuities, and insurance policies. Th e following listing of members is current as of March 2014. For more information, please call Bridget Mundy, Legacy Giving Offi cer, at 216-231-8006.


H E R I T A G E S O C I E T Y

Legacy & Planned GivingLegacy & Planned Giving

65Severance Hall 2013-14 Legacy Giving

Tom and Gretchen GreenRichard and Ann GridleyNancy Hancock Griffi thDavid E.* and Jane J. Griffi thsDavid G. Griffi ths*Ms. Hetty Griffi thsMargaret R. Griffi ths*Bev and Bob GrimmJudd and Zetta Gross*Candy and Brent GroverMrs. Jerome E. Grover*Thomas J.* and Judith Fay GruberMr. and Mrs. David H. GunningMr. and Mrs. William E. GuntonJoseph E. Guttman*Mrs. John A Hadden Jr.Richard* and Mary Louise HahnJames J. HamiltonKathleen E. HancockDouglas Peace Handyside*Holsey Gates HandysideNorman C. and Donna L. HarbertMary Jane HartwellWilliam L.* and Lucille L. HasslerPeter and Gloria Hastings*Mrs. Henry Hatch (Robin Hitchcock)Virginia and George HavensGary D. HelgesenClyde J. Henry, Jr.Ms. M. Diane HenryWayne and Prudence HeritageRice Hershey*T. K. and Faye A. HestonGretchen L. HickokMr. and Mrs.* Daniel R. HighEdwin R. and Mary C. Hill*Ruth Hirshman-von Baeyer*Mr. and Mrs. D. Craig Hitchcock*Bruce F. HodgsonGoldie Grace Hoff man*Mary V. Hoff manFeite F. Hofman MD*Mrs. Barthold M. HoldsteinLeonard* and Lee Ann HolsteinDavid and Nancy HookerGertrude S. Hornung*Patience Cameron HoskinsElizabeth HosmerDorothy Humel HovorkaDr. Christine A. Hudak, Mr. Marc F. CymesDr. Randal N. Huff Mrs. Marguerite B. HumphreyAdria D. Humphreys*Ann E. Humphreys and Jayne E. SissonKaren S. HuntMr. and Mrs. G. Richard HunterRuth F. IhdeMr. and Mrs. Jonathan E. IngersollPamela and Scott IsquickMr. and Mrs.* Cliff ord J. Isroff Mr. and Mrs. Donald M. Jack, Jr.Carol S. JacobsMilton* and Jodith Janes

Alyce M. Jarr*Jerry and Martha* JarrettMerritt JohnquestAllan V. JohnsonE. Anne JohnsonNancy Kurfess Johnson, M.D.Paul and Lucille Jones*Mrs. R. Stanley Jones*William R. Joseph*David and Gloria KahanJulian and Etole KahanDrs. Julian* and Aileen KassenMilton and Donna* KatzPatricia and Walter* KelleyBruce and Eleanor KendrickMalcolm E. KenneyNancy H. Kiefer*Charles M. and Janet G. Kimball*James and Gay* KitsonMr. Clarence E. Klaus, Jr.Mary Elizabeth and G. Robert Klein*Julian H. and Emily W. Klein*Thea Klestadt*Paul and Cynthia KlugMartha D. KnightMr. and Mrs. Robert KochDr. Vilma L. KohnElizabeth Davis Kondorossy*Mr. Clayton KoppesMr.* and Mrs. James G. Kotapish, Sr.LaVeda Kovar*Margery A. KowalskiBruce G. Kriete*Mr. and Mrs. Gregory G. KruszkaThomas and Barbara KubyEleanor and Stephen KushnickMr. and Mrs. Dennis W. LaBarreJames I. LaderMr. and Mrs. David A. LambrosDr. Joan P. Lambros*Mrs. Carolyn LamplMarjorie M. LamportLouis LaneKenneth M. Lapine and Rose E. MillsCharles K. László and Maureen O’Neill-LászlóAnthony T. and Patricia LauriaCharles and Josephine Robson Leamy FundTeela C. LelyveldMr. and Mrs. Roger J. LerchJudy D. LevendulaGerda LevineDr. and Mrs. Howard LevineBracy E. LewisMr. and Mrs.* Thomas A. LiederbachRollin and Leda LindermanRuth S. LinkDr. and Mrs. William K. LittmanJeff and Maggie LoveDr. Alan and Mrs. Min Cha LubinAnn B. and Robert R. Lucas*Linda and Saul LudwigKate LunsfordMr. and Mrs. Thomas E. Lynch*

Patricia MacDonaldAlex and Carol MachaskeeJerry MaddoxMrs. H. Stephen MadsenAlice D. MaloneMr. and Mrs. Donald Malpass, Jr.Lucille Harris MannMr. and Mrs. Richard A. ManuelClement P. MarionMr. Wilbur J. Markstrom*Dr. and Mrs. Sanford E. MarovitzDavid C.* and Elizabeth F. MarshDuane and Joan* MarshFlorence Marsh, Ph.D.*Mr. and Mrs. Anthony M. MartincicKathryn A. MatesDr. Lee Maxwell and Michael M. PruntyAlexander and Marianna* McAfeeNancy B. McCormackMr. William C. McCoyMarguerite H. McGrath*Dorothy R. McLeanJim and Alice Mecredy*James and Virginia MeilMr. and Mrs.* Robert F. MeyersonBrenda Clark MikotaChristine Gitlin MilesChuck and Chris MillerEdith and Ted* MillerLeo Minter, Jr.Mr. and Mrs. William A. MitchellRobert L. MoncriefMs. Beth E. MooneyBeryl and Irv MooreAnn Jones MorganMr. and Mrs. Stanley L. Morgan*George and Carole MorrisMr. and Mrs. Thomas W. MorrisMr. and Mrs.* Donald W. MorrisonJoan R. Mortimer, PhDFlorence B. MossSusan B. MurphyDr. and Mrs. Clyde L. Nash, JrDeborah L. NealeMrs. Ruth NeidesDavid and Judith NewellDr.* and Mrs. S. Thomas NiccollsRussell H. Nyland*Katherine T. O’NeillThe Hon. and Mrs. John Doyle OngAurel Fowler-Ostendorf*Mr. J. William and Dr. Suzanne PalmerR. Neil Fisher and Ronald J. ParksNancy* and W. Stuver ParryMrs. John G. Pegg*Dr. and Mrs. Donald PensieroMary Charlotte PetersMr. and Mrs. Peter Pfouts*Janet K. Phillips*Florence KZ PollackJulia and Larry PollockVictor and Louise PreslanMrs. Robert E. Price*




LISTING CONTINUES


Lois S.* and Stanley M. ProctorMr. David C. PrughLeonard and Heddy RabeM. Neal RainsMr. George B. RamsayerJoe L. and Alice Randles*Mrs. Alfred M. Rankin, Sr.Mrs. Theodore H. Rautenberg*James and Donna ReidMrs. Hyatt Reitman*Mrs. Louise Nash Robbins*Dr. Larry J.B.* and Barbara S. RobinsonDwight W. RobinsonMargaret B. Babyak* and Phillip J. RoscoeAudra and George RoseDr. Eugene and Mrs. Jacqueline RossHelen Weil Ross*Robert and Margo RothMarjorie A. RottHoward and Laurel RowenProfessor Alan Miles Ruben and Judge Betty Willis RubenFlorence Brewster RutterMr. James L. Ryhal, Jr.Renee SabreenMarjorie Bell SachsDr. Vernon E. Sackman and Ms. Marguerite PattonSue SahliMr. and Mrs. James A. SaksMr. and Mrs. Sam J. SanFilipo*Larry J. SantonStanford and Jean B. SarlsonSanford Saul FamilyJames Dalton SaundersPatricia J. SawvelRay and Kit SawyerRichard Saxton*Alice R. SayreIn Memory of Hyman and Becky SchandlerRobert ScherrerSandra J. SchlubMs. Marian SchluembachRobert and Betty SchmiermundMr.* and Mrs. Richard M. SchneiderLynn A. Schreiber*Jeanette L. SchroederFrank SchultzCarol* and Albert SchuppRoslyn S. and Ralph M. SeedNancy F. SeeleyEdward SeelyOliver E. and Meredith M. SeikelRussell Seitz*Reverend Sandra SelbyEric SellenAndrea E. SenichThomas and Ann SepúlvedaElsa Shackleton*B. Kathleen ShampJill Semko Shane

David ShankDr. and Mrs. Daniel J. ShapiroNorine W. SharpNorma Gudin ShawElizabeth Carroll ShearerDr. and Mrs. William C. SheldonFrank* and Mary Ann SherankoKim SherwinMr. and Mrs. Michael SherwinReverend and Mrs. Malcolm K. ShieldsRosalyn and George SievilaMr. and Mrs. David L. SimonDr.* and Mrs. John A. SimsNaomi G. and Edwin Z. SingerLauretta SinkoskyH. Scott Sippel and Clark T. KurtzEllen J. SkinnerRalph* and Phyllis SkufcaJanet Hickok SladeAlden D. and Ellen D. Smith*Mr.* and Mrs. Ward SmithM. Isabel Smith*Nathan Snader*Sterling A. and Verdabelle Spaulding*Barbara J. Stanford and Vincent T. LombardoSue Starrett and Jerry SmithLois and Tom Stauff erWillard D. Steck*Merle SternDr. Myron Bud and Helene* SternMr. and Mrs. John M. StickneyNora and Harrison Stine*Mr. and Mrs. Stanley M. StoneMr.* and Mrs. James P. StorerRalph E. and Barbara N. StringThe Irving Sunshine FamilyVernette M. Super*Mr. and Mrs. Herbert J. Swanson*In Memory of Marjory SwartzbaughLewis Swingley*Lorraine S. SzaboNorman V. TagliaferriSusan and Andrew Talton*Frank E. Taplin, Jr.*Charles H. Teare* and Cliff ord K. Kern*Mr. Ronald E. TearePauline Thesmacher*Dr. and Mrs. Friedrich ThielMrs. William D. Tibbetts*Mr. and Mrs. William M. Toneff Marlene and Joe TootAlleyne C. ToppinJanice and Leonard TowerDorothy Ann TurickMr. and Mrs. Robert A. UrbanRobert and Marti VagiRobert A. ValenteJ. Paxton Van SweringenMary Louise and Don VanDykeElliot Veinerman*Nicholas J. Velloney*Steven Vivarronda

Hon. William F.B. VodreyPat and Walt* WahlenMrs. Clare R. WalkerJohn and Deborah WarnerMr. and Mrs. Russell WarrenJoseph F. and Dorothy L. WasserbauerCharles D. Waters*Reverend Thomas L. WeberEtta Ruth WeiglLucile WeingartnerEunice Podis Weiskopf*Max W. WendelWilliam Wendling and Lynne WoodmanMarilyn J. WhiteRobert and Marjorie Widmer*Yoash and Sharon WienerAlan H. and Marilyn M. WildeElizabeth L. Wilkinson*Helen Sue* and Meredith WilliamsCarter and Genevieve* WilmotMiriam L. and Tyrus W.* WilsonMr. Milton Wolfson* and Mrs. Miriam Shuler-WolfsonNancy L. WolpeMrs. Alfred C. WoodcockKatie and Donald WoodcockDr.* and Mrs. Henry F. Woodruff Marilyn L. WozniakNancy R. WurzelMichael and Diane WyattMary YeeEmma Jane Yoho, M.D.Libby M. YungerDr. Norman Zaworski*William L. and Joan H. Ziegler*Carmela Catalano Zoltoski*Roy J. Zook*Anonymous (103)




LISTING CONTINUED

Th e lotus blossom is the symbol of the Heritage Society.

It represents eternal life and recognizes the permanent

benefi ts of legacy gift s to Th e Cleveland Orchestra’s

endowment. Said to be Elisabeth Severance’s favorite fl ower, the lotus is found as a

decorative motif in nearly every public area of Severance Hall.

*deceased

Legacy Giving


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The Cleveland Orchestra

Guide to Fine Schools

Other fine schools advertising in The Cleveland Orchestra’s Severance Hall programs include:

216-898-8300www.berea.k12.oh.us

Consistently ranked among“Best Communities for Music Education”

in the Nation!

Baldwin Wallace University Conservatory of Music440-826-2369

Cleveland Institute of Music216-791-5000

Cleveland State UniversityKulas Series of Keyboard Conversations

with Jeffrey Siegel216-687-5018

Lake Erie College1-855-GO-STORM

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now.

69Severance Hall 2013-14 Endowed Funds

Th e generous donors listed here have made endowment gift s to support specifi c artistic initiatives, education and community programming and performances, facilities main-tenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gift s of $250,000 or more. For information about making your own endowment gift to Th e Clevelamd Orchestra, please call 216-231-7438.

Endowed Funds funds established as of August 2013

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

Artistic ExcellenceGeorge Gund III Fund

Artistic CollaborationJoseph P. and Nancy F. Keithley

Artist-in-ResidenceMalcolm E. Kenney

Young ComposersJan R. and Daniel R. Lewis

Friday Morning ConcertsMary E. and F. Joseph Callahan Foundation

Radio BroadcastsRobert and Jean ConradDr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley GroverMeacham Hitchcock and Family

American Conductors FundDouglas Peace HandysideHolsey Gates Handyside

Severance Hall Guest ConductorsRoger and Anne ClappJames and Donna Reid

Cleveland Orchestra SoloistsJulia and Larry Pollock Family

Guest Artists FundThe Eleanore T. and Joseph E. Adams FundMrs. Warren H. CorningThe Gerhard Foundation, Inc.Margaret R. Griffi ths TrustThe Virginia M. and Newman T. Halvorson FundThe Hershey FoundationThe Humel Hovorka FundKulas FoundationThe Payne FundElizabeth Dorothy RobsonDr. and Mrs. Sam I. SatoThe Julia Severance Millikin FundThe Sherwick FundMr. and Mrs. Michael SherwinSterling A. SpauldingMr. and Mrs. James P. StorerMrs. Paul D. Wurzburger

Concert PreviewsDorothy Humel Hovorka

International TouringFrances Elizabeth Wilkinson

UnrestrictedArt of Beauty Company, Inc.William P. Blair III Fund for Orchestral ExcellenceJohn P. Bergren and Sarah S. EvansNancy McCannMargaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES — Th e Cleveland Orchestra’s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for Th e Cleveland Orchestra.

Center for Future AudiencesMaltz Family Foundation

Student AudiencesAlexander and Sarah Cutler

Endowed Funds listing continues


70 The Cleveland OrchestraEndowed Funds

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestra’s concert home, Severance Hall.

Keyboard MaintenanceWilliam R. DewThe Frederick W. and Janet P. Dorn FoundationMr. and Mrs. Richard A. ManuelVincent K. and Edith H. Smith Memorial Trust

OrganD. Robert and Kathleen L. BarberArlene and Arthur HoldenKulas FoundationDescendants of D.Z. NortonOglebay Norton Foundation

Severance Hall PreservationSeverance family and friends

EDUCATION AND COMMUNITY endowed funds help support programs that deepen con-nections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year.

Education ProgramsAnonymous, in memory of Georg SoltiHope and Stanley I. AdelsteinKathleen L. BarberIsabelle and Ronald BrownDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownAlice H. Cull MemorialFrank and Margaret HyncikJunior Committee of The Cleveland OrchestraMr. and Mrs. David T. MorgenthalerJohn and Sally MorleyThe Eric & Jane Nord Family FundThe William N. Skirball Endowment

Education Concerts WeekThe Max Ratner Education Fund, given by the Ratner, Miller, and Shafran

families and by Forest City Enterprises, Inc.

In-School PerformancesAlfred M. Lerner Fund

Classroom ResourcesCharles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund FoundationChristine Gitlin Miles, in honor of Jahja LingJules and Ruth Vinney Touring Fund

Musical RainbowsPysht Fund

Community ProgrammingAlex and Carol Machaskee

Endowed Funds continued from previous page

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestra’s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest ArtistDr. and Mrs. Murray M. BettThe Hershey FoundationThe Payne FundMr. and Mrs. William C. Zekan

Blossom Festival Family ConcertsDavid E. and Jane J. Griffi ths

Landscaping and MaintenanceThe Bingham FoundationEmily Blossom family members and friendsThe GAR FoundationJohn S. and James L. Knight Foundation


Act one begins

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE

Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

Visit cacgrants.org/impact to learn more.

Your Investment: Strengthening Community

Beck Center for the Arts

Th e Partners in Excellence program salutes companies with annual contri-butions of $100,000 and more, exem-plifying leadership and commitment to artistic excellence at the highest level.

PARTNERS IN EXCELLENCE$300,000 AND MORE

Hyster-Yale Materials HandlingNACCO Industries, Inc.KeyBankThe Lubrizol CorporationRaiff eisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company

PARTNERS IN EXCELLENCE$200,000 TO $299,999BakerHostetlerEatonFirstEnergy FoundationForest City Enterprises, Inc.PNC BankThompson Hine LLP

PARTNERS IN EXCELLENCE$100,000 TO $199,999The Cliff s FoundationGoogle, Inc.Medical Mutual of OhioNordson Corporation and Foundation Parker Hannifi n Corporation

$50,000 TO $99,999

Jones DayQuality Electrodynamics (QED)voestalpine AG (Europe)Anonymous

$25,000 TO $49,999Charter OneDix & EatonThe Giant Eagle FoundationGreenberg Traurig (Miami)Litigation Management, Inc.Northern Trust Bank of Florida (Miami)Park-Ohio Holdings Corp.The Plain DealerRPM International Inc.Squire Sanders (US) LLP

$2,500 TO $24,999AdCom CommunicationsAkron Tool & Die CompanyAkronLife MagazineAmerican Fireworks, Inc.American Greetings CorporationBank of AmericaBDIBrothers Printing Co., Inc.Brouse McDowellEileen M. Burkhart & Co LLCBuyers Products CompanyCalfee, Halter & Griswold LLPCleveland ClinicThe Cleveland Wire Cloth & Mfg. Co.Cohen & Company, CPAsCommunity Behavioral Health CenterConn-Selmer, Inc.Consolidated SolutionsDollar BankDominion FoundationErnst & Young LLPEvarts TremaineFeldman Gale, P.A. (Miami)Ferro CorporationFirstMerit BankFrantz Ward LLPVictor Kendall, Friends of WLRNGallagher Benefi t ServicesGreat Lakes Brewing CompanyGross BuildersHahn Loeser + Parks LLPHyland SoftwareThe Lincoln Electric FoundationLittler Mendelson, P.C.C. A. Litzler Co., Inc.Live Publishing CompanyMacy’sMaterion CorporationMiba AG (Europe)MTD Products, Inc.North Coast Container Corp.Northern HaserotOatey Co.Ohio CATOhio Savings Bank, A Division of New York Community BankOlympic Steel, Inc.Oswald CompaniesPolyOne CorporationPricewaterhouse Coopers LLPThe Prince & Izant CompanyThe Sherwin-Williams CompanyStern Advertising AgencySwagelok CompanyTucker EllisUlmer & Berne LLPUniversity HospitalsVer Ploeg & Lumpkin, P.A. (Miami)WCLV Foundation Westlake Reed LeskoskyAnonymous (2)

Annual Supportgifts of $2,500 or more during the past year, as of March 20, 2014

Cumulative GivingJOHN L. SEVERANCE SOCIETY$5 MILLION AND MORE

KeyBankPNC Bank

$1 MILLION TO $5 MILLION

BakerHostetlerBank of AmericaEatonFirstEnergy FoundationForest City Enterprises, Inc.The Goodyear Tire & Rubber CompanyHyster-Yale Materials HandlingNACCO Industries, Inc.The Lubrizol Corporation / The Lubrizol FoundationMerrill LynchParker Hannifi n CorporationThe Plain DealerPolyOne CorporationRaiff eisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company

Th e Severance Society recognizes generous contributors of $1 million or more in cumulative giving to Th e Cleveland Orchestra. Listing as of March 2014.

Corporate Annual Support

Th e Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefi t events, tours and residencies, and special projects.

Corporate Support



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Foundation/Government Annual Support

$1 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents through

Cuyahoga Arts & CultureThe Andrew W. Mellon FoundationThe Kelvin and Eleanor Smith Foundation

$500,000 TO $999,000The George Gund Foundation

$250,000 TO $499,000Kulas FoundationJohn P. Murphy FoundationThe Eric & Jane Nord Family FundOhio Arts Council

$100,000 TO $249,999The George W. Codrington Charitable FoundationSidney E. Frank FoundationGAR FoundationElizabeth Ring Mather and William Gwinn Mather FundDavid and Inez Myers Foundation

$50,000 TO $99,999Ann and Gordon Getty FoundationThe Hearst FoundationsMartha Holden Jennings FoundationMyra Tuteur Kahn Memorial Fund of The Cleveland FoundationMarlboro 2465 FoundationMiami-Dade County Department of Cultural Aff airs (Miami)Donald and Alice Noble Foundation, Inc. The Nord Family FoundationThe Payne FundThe Sage Cleveland FoundationSurdna Foundation

$20,000 TO $49,999The Helen C. Cole Charitable TrustThe Mary S. and David C. Corbin FoundationThe Gerhard Foundation, Inc.The Helen Wade Greene Charitable TrustJohn S. and James L. Knight FoundationThe Margaret Clark Morgan FoundationNational Endowment for the ArtsThe Frederick and Julia Nonneman FoundationWilliam J. and Dorothy K. O’Neill FoundationPeacock Foundation, Inc. (Miami)Polsky Fund of Akron Community FoundationThe Reinberger FoundationThe Sisler McFawn Foundation

Annual Support gifts of $2,000 or more during the past year, as of March 20, 2014

Th e Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefi t events, tours and residencies, and special projects.

$2,000 TO $19,999The Abington FoundationAyco Charitable Foundation The Ruth and Elmer Babin FoundationThe Batchelor Foundation, Inc. (Miami)Dr. NE & JZ Berman FoundationThe Bernheimer Family Fund of the Cleveland FoundationBicknell FundEva L. and Joseph M. Bruening FoundationThe Conway Family FoundationMary and Dr. George L. Demetros Charitable TrustThe Fogelson FoundationThe Harry K. Fox and Emma R. Fox Charitable FoundationThe William O. and Gertrude Lewis Frohring FoundationFunding Arts Network (Miami)The Hankins FoundationThe Muna & Basem Hishmeh FoundationRichard H. Holzer Memorial FoundationThe Jean Thomas Lambert FoundationThe Laub FoundationVictor C. Laughlin, M.D. Memorial Foundation TrustThe G. R. Lincoln Family FoundationThe Mandel Foundation The McGregor FoundationBessie Benner Metzenbaum FoundationM.G. O’Neil FoundationPaintstone FoundationThe Charles E. & Mabel M. Ritchie Memorial FoundationThe Leighton A. Rosenthal Family FoundationSCH FoundationAlbert G. & Olive H. Schlink FoundationHarold C. Schott FoundationJean C. Schroeder FoundationKenneth W. Scott FoundationThe Sherwick FundLloyd L. and Louise K. Smith Memorial FoundationThe South Waite FoundationThe Veale FoundationThe George Garretson Wade Charitable TrustThe S. K. Wellman FoundationThe Welty Family FoundationThomas H. White Foundation, a KeyBank TrustThe Edward and Ruth Wilkof FoundationThe Wuliger FoundationAnonymous (2)

Cumulative GivingJOHN L. SEVERANCE SOCIETY$10 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents through Cuyahoga Arts & CultureKulas FoundationMaltz Family FoundationState of OhioOhio Arts CouncilThe Kelvin and Eleanor Smith Foundation


The George Gund FoundationKnight Foundation (Cleveland, Miami)The Andrew W. Mellon FoundationJohn P. Murphy Foundation


The William Bingham FoundationThe George W. Codrington Charitable Foundation GAR FoundationAnn and Gordon Getty FoundationThe Louise H. and David S. Ingalls FoundationMartha Holden Jennings FoundationElizabeth Ring Mather and William Gwinn Mather FundDavid and Inez Myers FoundationNational Endowment for the ArtsThe Eric & Jane Nord Family FundThe Payne FundThe Reinberger FoundationThe Sage Cleveland Foundation

Th e Severance Society recognizes generous contributors of $1 million or more in cumulative giving to Th e Cleveland Orchestra. Listing as of March 2014.


Foundation & Government Support


INDIVIDUAL GIFTS OF $500,000 AND MORE

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel Lewis (Miami) Mr. and Mrs. Albert B. Ratner

INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami)


James D. Ireland III Mr. and Mrs. Joseph P. KeithleyDr. and Mrs. Herbert Kloiber (Europe)Mrs. Elizabeth R. Koch Mrs. Emma S. LincolnElizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Möst Janet* and Richard Yulman (Miami)


Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami)


Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Allen H. FordHector D. Fortun (Miami) Mr. and Mrs. Michael J. HorvitzElizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis

Individual Support

Th e Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gift s of cash or pledges of $2,500 or more to the Annual Fund, benefi t events, tours and residencies, and special annual donations.


Lifetime Giving JOHN L. SEVERANCE SOCIETY

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)


Mr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMr. and Mrs. Alexander M. CutlerMrs. Norma Lerner and The Lerner FoundationMrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner


Irma and Norman Braman (Miami) Mr. Francis J. Callahan*Mrs. M. Roger ClappMr. George Gund III*Francie and David Horvitz (Miami)Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. NortonThe Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr.Charles and Ilana Horowitz RatnerJames and Donna Reid Barbara S. Robinson The Ralph and Luci Schey FoundationMr.* and Mrs. Ward SmithAnonymous (2)

Th e Severance Society recognizes generous contributors of $1 million or more in lifetime giving to Th e Cleveland Orchestra. As of March 2014.

Annual Supportgifts during the past year, as of March 20, 2014

Individual Annual Support76 The Cleveland Orchestra

Individual Annual Support

Mr. and Mrs. Edward A. LozickRobert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami)Mrs. Alfred M. Rankin, Sr.Charles and Ilana Horowitz Ratner James and Donna ReidBarbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous


Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s CommitteeMr. and Mrs. Charles P. Bolton The Brown and Kunze FoundationJeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoff rey Gund George Gund*Trevor and Jennie Jones Giuliana C. and John D. KochDr. Vilma L. KohnCharlotte R. KramerVirginia M. and Jon A. LindsethMs. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. NordLuci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton


Martha and Bruce Clinton (Miami)Robert and Jean* Conrad Mr. and Mrs. Gerald A. ConwayDo Unto Others Trust (Miami)George* and Becky DunnDr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeff rey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland OrchestraDr. David and Janice LeshnerMilton and Tamar MaltzMargaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock

Mr. and Mrs. James A. RatnerMr. and Mrs. James A. Saks Paul and Suzanne Westlake


Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia BarbatoMr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeff rey and Susan Feldman (Miami)Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack HoeschlerRichard and Erica Horvitz (Cleveland, Miami)Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami)Marc and Rennie SaltzbergRaymond T. and Katherine S. SawyerMr. and Mrs. Donald Stelling (Europe)Mr. Joseph F. TetlakTom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland OrchestraAnonymous gift from Switzerland (Europe)


Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. Peter and Mrs. Julie Cummings (Miami)Mr. and Mrs. Peter O. DahlenColleen and Richard Fain (Miami) Joyce and Ab* GlickmanRichard and Ann Gridley Mrs. John A Hadden Jr.Jack Harley and Judy ErnestMary and Jon Heider (Cleveland, Miami)David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr.

listings continue

Leadership Council Th e Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:




Andrew and Katherine KartalisTati and Ezra Katz (Miami) Mr.* and Mrs. Arch J. McCartneyMr. Thomas F. McKee Mr. and Mrs. Stanley A. MeiselLucia S. NashMr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami)Steven and Ellen Ross Mr. and Mrs. David A. RuckmanMrs. David Seidenfeld Dr. and Mrs. Neil SethiDavid and Harriet SimonRick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeff rey M. Weiss Anonymous


Mr. and Mrs. William E. Conway Ms. Dawn M. FullRobert K. Gudbranson and Joon-Li Kim Tim and Linda Koelz Mr.* and Mrs. Richard A. ManuelMr. Larry J. Santon Mr. and Mrs. Oliver E. SeikelKim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

listings continue


INDIVIDUAL GIFTS OF $10,000 TO $12,499 Mr. and Mrs. George N. Aronoff Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. BowenMr. D. McGregor Brandt, Jr.Paul and Marilyn* BrentlingerAugustine* and Grace CaliguireRichard J. and Joanne ClarkMrs. Barbara CookMrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr.Mr. Neil FlanzraichMr. Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami)Mr. and Mrs. Richard T. GarrettAlbert I. and Norma C. Geller Mr. and Mrs. Robert W. GillespieMr. David J. GoldenElaine Harris GreenSondra and Steve HardisMichael L. HardyMr. and Mrs. James A. Haslam IIMr. and Mrs. James A. Haslam IIIT. K. and Faye A. Heston Joan and Leonard HorvitzPamela and Scott Isquick Allan V. Johnson Janet and Gerald Kelfer (Miami) Mr. Jeff LitwillerMr. and Mrs. Thomas B. McGowanEdith and Ted* MillerMr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe)Brian and Cindy MurphyMr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc.Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia RatnerAudra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel RutherfordCarol* and Albert SchuppDr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer FoundationMrs. Gretchen D. SmithJim and Myrna SpiraLois and Tom Stauff er Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. TaberDr. Russell A. TrussoSandy and Ted Wiese Anonymous (4)*

INDIVIDUAL GIFTS OF $7,500 TO $9,999 Mr. and Mrs. Dean Barry Mr. William BergerLaurel Blossom Mr. Robert W. BriggsDr. and Mrs. Jerald S. BrodkeyDr. Ben H. and Julia Brouhard

listings continued

Gay Cull AddicottWilliam W. BakerRonald H. BellHenry C. DollJudy ErnestNicki Gudbranson

Jack Harley Iris HarvieBrinton L. HydeRandall N. Huff David C. LambRaymond T. Sawyer

Barbara Robinson, chairRobert Gudbranson, vice chair

Ongoing annual support gift s are a critical compo-nent toward sustaining Th e Cleveland Orchestra’s eco nomic health. Ticket revenues pro vide only a small portion of the funding needed to support the Orchestra’s outstanding perform ances, education ac-tivities, and community projects.

Th e Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefi ts of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Leadership Annual Campaign Patrons

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Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard DotsonHarry and Joyce Graham Mr. Paul Greig Kathleen E. HancockMary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. HaslingerAmy and Stephen Hoff man Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Douglas and Noreen PowersPaul A. and Anastacia L. Rose Rosskamm Family TrustPatricia J. Sawvel Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Dr. and Mrs. Frank J. StaubMr. and Mrs. Donald W. Strang, Jr.Mrs. Marie S. Strawbridge*Bruce and Virginia Taylor Dr. Gregory Videtic Anonymous (2)

INDIVIDUAL GIFTS OF $5,000 TO $7,499 Norman and Helen Allison Susan S. AngellMr.* and Mrs. Albert A. AugustusMr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. BehmDr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. BlackstoneFrank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen ColliganMarjorie Dickard ComellaCorinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph DaugstrupMr. and Mrs. Edward B. DavisMr. and Mrs. Thomas S. DavisPete and Margaret Dobbins Mr. and Mrs. Terry C. Z. EggerDr. and Mrs. Robert ElstonMary and Oliver Emerson Mr. and Mrs. Alex Espenkotter (Miami)Dr. D. Roy and Diane A. FergusonChristopher Findlater (Miami)Barbara and Peter GalvinJoy E. GarapicBrenda and David GoldbergMr. and Mrs. Henry J. GoodmanMr. and Mrs. Randall J. GordonRobert N. and Nicki N. Gudbranson David and Robin Gunning

Clark Harvey and Holly SelvaggiHenry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David GoodmanJanet D. Heil*Anita and William HellerThomas and Mary Holmes Mr. and Mrs. John Hudak (Miami)Bob and Edith Hudson (Miami)Ms. Charlotte L. HughesMr. James J. Hummer Mr. and Mrs. Brinton L. HydeMr. and Mrs. Christopher Hyland Donna L. and Robert H. JacksonMr. and Mrs. Richard A. JanusRudolf D. and Joan T. KamperMilton and Donna* Katz Dr. Richard and Roberta KatzmanDr. and Mrs. William S. KiserMr. and Mrs.* S. Lee KohrmanMrs. Justin Krent Mr. Donald N. KrosinMr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr.Mr. Brian J. LambDavid C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. LeveyMr. and Mrs. Adam LewisMr. Dylan Hale Lewis (Miami)Ms. Marley Blue Lewis (Miami)Mr. Jon E. Limbacher and Patricia J. LimbacherElsie and Byron LutmanMr. and Mrs. Alex Machaskee Ms. Jennifer R. MalkinMr. and Mrs. Morton L. MandelAlan Markowitz M.D. and Cathy PollardAlexander and Marianna C.* McAfee Ms. Maureen M. McLaughlin (Miami)James and Virginia Meil Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami)Drs. Terry E. and Sara S. MillerDavid and Leslee MiraldiMr. and Mrs. William A. MitchellAnn Jones MorganRichard and Kathleen NordMr. Henry Ott-HansenNan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen PreucilLois S.* and Stanley M. ProctorMr. and Mrs. Thomas A. QuintrellDrs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. RankinMs. Deborah ReadMr. William J. RossMr. and Mrs. Robert C. RuhlMrs. Florence Brewster Rutter Mr. and Mrs. David R. SawyierBob and Ellie Scheuer David M. and Betty SchneiderLinda B. SchneiderDr. and Mrs. James L. SechlerLee G. and Jane SeidmanCharles Seitz (Miami) listings continue


listings continued


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Ms. Nancy A. Adams Dr. and Mrs. D. P. AgamanolisMrs. Joanne M. Bearss Mr. and Mrs. Jules BelkinHoward R. and Barbara Kaye BesserSuzanne and Jim BlaserMs. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. CarlsonMr. and Mrs. Frank H. CarpenterMr.* and Mrs. Robert A. ClarkDrs. Mark Cohen and Miriam Vishny Diane Lynn Collier Thomas and Dianne CoscarelliMs. Maureen A. Doerner and Mr.

Geoff rey T. WhitePeter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenryDavid and Margaret EwartMr. and Mrs. John R. FraylickPeggy and David* FullmerDr. and Mrs. Ronald L. Gould Nancy and James GrunzweigMr. Robert D. HartHazel Helgesen* and Gary D. Helgesen

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. InkleyHelen and Erik JensenBarbara and Michael J. KaplanMr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina KlopmanMr. Thomas and Mrs. Deborah KniesnerCynthia Knight (Miami)Mr. and Ms. James KoenigMarion KonstantynovichJudy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. LoveRobert and LaVerne* LugibihlJoel and Mary Ann MakeeMartin and Lois MarcusWilliam and Eleanor* McCoyDr. Susan M. MerzweilerBert and Marjorie MoyarRichard B. and Jane E. Nash Mr. and Mrs. Peter R. OsenarDr. Lewis and Janice B. PattersonMr. Robert S. PerryMr. and Mrs. Richard W. Pogue In memory of Henry Pollak

Dr. Robert W. ReynoldsMrs. Charles RitchieAmy and Ken Rogat Carol Rolf and Steven AdlerFred Rzepka and Anne Rzepka Family FoundationDr. and Mrs. Martin I. Saltzman Mr. Paul H. ScarbroughGinger and Larry ShaneMs. Frances L. SharpMr. Richard Shirey Howard and Beth SimonMr. and Mrs. William E. Spatz Mr. Taras G. Szmagala, Jr.Mr. Karl and Mrs. Carol TheilMr. and Mrs. Lyman H. TreadwayDrs. Anna* and Gilbert TrueMiss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann WilliamsTony and Diane Wynshaw-BorisAnonymous

Mr. Eric Sellen and Mr. Ron SeidmanMrs. Frances G. ShoolroyMarjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami)Stroud Family TrustDr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly

Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami)Mr. and Mrs. Fred A. Watkins Robert C. Weppler Dr. Edward L. and Mrs. Suzanne WestbrookTom and Betsy WheelerSandy Wile and Susan NamenFred* and Marcia Zakrajsek Anonymous (4)



Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. AdelsteinMr. and Mrs. Monte AhujaMr. and Mrs. Robert J. AmsdellMr. and Mrs. Jeff rey R. AppelbaumDr. Mayda AriasMr. and Mrs. James B. Aronoff Agnes ArmstrongGeraldine and Joseph BabinMs. Delphine BarrettEllen and Howard BenderMr. Roger G. BerkKerrin and Peter Bermont (Miami)Barbara and Sheldon BernsMargo and Tom BertinJulia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami)Bill* and Zeda Blau

Doug and Barbara BletcherDennis and Madeline BlockMr. and Mrs. Richard H. BoleJohn and Anne BourassaLisa and Ron BoykoMr. and Mrs. David BriggsMrs. Ezra BryanJ. C. and Helen Rankin ButlerLeigh CarterMr. and Mrs. James B. ChaneyDr. and Mrs. Ronald ChapnickMs. Mary E. ChilcoteMr. and Mrs. Homer D. W. ChisholmDaniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami)Dr. Dale and Susan Cowan Mr. and Mrs. Manohar DagaMrs. Frederick F. DannemillerCharles and Fanny Dascal (Miami)Jeff rey and Eileen Davis

Mrs. Lois Joan DavisDr. and Mrs. Richard C. DistadDr. M. Meredith Dobyns Mr. George and Mrs. Beth DownesHarry and Ann FarmerDr. Aaron Feldman and Mrs. Margo HarwoodMs. Karen FethCarl and Amy FischerMr. Isaac FisherScott Foerster, Foerster and BohnertJoan Alice FordMrs. Amasa B. FordMr. Randall and Mrs. Patrice FortinMarvin Ross Friedman and Adrienne bon Haes (Miami)Arthur L. FullmerJeanne GallagherMarilee L. Gallagher


listings continue


listings continued

INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED



Mrs. Georgia T. GarnerLoren and Michael GarrutoMr. Wilbert C. Geiss, Sr.Anne and Walter GinnMr. and Mrs. David A. Goldfi nger Mr. and Mrs. Robert T. GrafThe Thomas J. and Judith Fay Gruber

Charitable Foundation Mr. Davin and Mrs. Jo Ann GustafsonDr. Phillip M. and Mrs. Mary HallNorman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Sally and Oliver HenkelMr. and Mrs. Jerry HerschmanMr. Robert T. HexterDr. and Mrs. Robert L. HinnesDr. Feite F. Hofman*Dr.* and Mrs. George H. HokePeter A. and Judith HolmesDr. Keith A. and Mrs. Kathleen M. HooverDr. Randal N. Huff and Ms. Paulette Beech Ms. Carole HughesMs. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne JacobsonDr. Michael and Mrs. Deborah JoyceRev. William C. Keene Angela Kelsey and Michael Zealy (Miami)The Kendis Family Trust: Hilary & Robert Kendis and Susan & James KendisBruce and Eleanor KendrickFred and Judith KlotzmanMr. Ronald and Mrs. Kimberly KolzJacqueline and Irwin Kott (Miami)Ellen Brad and Bart KovacDr. Ronald H. Krasney and Ms.* Sherry Latimer Marcia Kraus Mr. James Krohngold Mr. and Mrs. S. Ernest KulpMrs. Carolyn LamplMr. and Mrs. John J. LaneAnthony T. and Patricia A. Lauria Mr. Jin-Woo LeeIvonete Leite (Miami)Michael and Lois A. LemrDr. Edith LernerDr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva LinnebachMartha Klein LottmanMs. Mary Beth LoudHerbert L. and Rhonda MarcusDr. and Mrs. Sanford E. Marovitz David* and Elizabeth MarshDr. Ernest and Mrs. Marian MarsolaisMr. Julien L. McCallMs. Nancy L. MeachamMr. James E. Menger

Stephen and Barbara Messner Ms. Betteann MeyersonMr. and Mrs. Roger Michelson (Miami)Curt and Sara MollSusan B. MurphyJoan Katz Napoli and August NapoliMr. David and Mrs. Judith NewellMarshall I. Nurenberg and Joanne KleinRichard and Jolene O’Callaghan Harvey and Robin OppmannNedra and Mark Oren (Miami)Mr. and Mrs. Robert D. PaddockMr. and Mrs. Christopher I. Page Deborah and Zachary ParisMr. Thomas and Mrs. Tommie PattonMrs. Ingrid PetrusDrs. John Petrus and Sharon DiLauroDr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan PhillipMs. Maribel Piza (Miami)Dr. Marc and Mrs. Carol PohlMs. Carolyn PriemerMr. Richard and Mrs. Jenny Proeschel Kathleen PudelskiMs. Rosella PuskasDr. James and Lynne Rambasek Ms. C. A. ReaganAlfonso Conrado Rey (Miami)David and Gloria RichardsMichael Forde RipichMs. Linda M. RocchiRobert and Margo RothMiss Marjorie A. RottMichael and Roberta RusekDr. Lori RusterholtzDr. Harry S. and Rita K. Rzepka Ms. Patricia E. SayMr. James Schutte Ms. Adrian L. ScottDr. John Sedor and Ms. Geralyn PrestiHarry and Ilene ShapiroMs. Marlene SharakNorine W. SharpDr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick, Jr. Grover Short Laura and Alvin A. SiegalRobert and Barbara SlaninaMs. Donna-Rae SmithMr. and Mrs. Richey SmithMr. and Mrs.* Jeff rey H. SmytheMrs. Virginia SnappMs. Barbara SnyderLucy and Dan SondlesMr. John C. Soper* and Dr. Judith S. Brenneke Mr. John D. SpechtMr.* and Mrs.* Lawrence E. StewartMr. Joseph StroudKen and Martha Taylor

Greg and Suzanne ThaxtonDr. and Mrs. Thomas A. TimkoSteve and Christa TurnbullMrs. H. Lansing Vail, Jr.Robert A. ValenteBrenton Ver Ploeg (Miami)Mr. and Mrs. Joaquin Vinas (Miami)Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith RosmanMs. Laure A. WasserbauerPhilip and Peggy WasserstromEric* and Margaret WayneMr. and Mrs. Jerome A. WeinbergerDr. Paul R. and Catherine WilliamsRichard and Mary Lynn WillsMichael H. Wolf and Antonia Rivas-WolfMr. Robert Wolff and Dr. Paula SilvermanKatie and Donald WoodcockKay and Rod WoolseyElizabeth B. Wright Rad and Patty YatesDr. William ZeleiMr. Kal Zucker and Dr. Mary Frances HaerrAnonymous (7) *

INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED


listings continued

member of the Leadership Council (see page 77)

* deceased

Th e Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA.COM

For information about how you can play a supporting role with Th e Cleveland Orch estra, please contact our Philanthropy & Advancement Offi ce by calling 216-231-7545.


New. Every Day.

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We believe in working for the greater good of all and

we are proud to support any organization that shares this value.

We thank The Cleveland Orchestra for its commitment to excellence!

Ken Lanci, Chairman & CEOConsolidated Solutions

For a complete list of CIM concerts and events, visit cim.edu/calendar.

11021 East Boulevard | Cleveland, OH 44106

SPRING AT CIMPianist and student Daniil Trifonov will premiere his first original concerto at a benefit concert at CIM, April 23 at 8pm. Tickets at: cim.edu or call 216.795.3211.

SUMMER AT CIMAlumni will present their Lunch & Listen concert series this July in Mixon Hall. Join us Tuesdays in July for these free, one-hour recitals, starting at 12:30pm.

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Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated im-portant events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Cam-paign. By making a dona on, you can make a crucial diff erence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on pro-grams, and community ac vi es and partnerships. To make a gi to The Cleveland Orches-tra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

H A I L E D A S O N E O F the world’s most beautiful concert halls, Severance Hall has been home to Th e Cleveland Or-chestra since its opening on February 5, 1931. Aft er that fi rst concert, a Cleve-land newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Associa-tion, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnifi cent building. De-signed by Walker & Weeks, its elegant

Georgian exterior was constructed to harmonize with the classical architec-ture of other prominent buildings in the University Circle area. Th e interior of the building refl ects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Mod-ernism. An extensive renovation, resto-ration, and expansion of the facility was completed in January 2000. In addition to serving as the home of Th e Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citi-zens for performances, meetings, and gala events each year.

11001 Euclid AvenueCleveland, Ohio 44106C L E V E L A N D O R C H E S T R A . C O M

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Severance Hall88 The Cleveland Orchestra

Situated on a 32-acre private estate, with views of Lake Erie and walk-out gardens,

McGregor offers choice of floor plans, amenities and life enrichment activities.

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Cleveland’s finest museums, McGregor is an innovative and comprehensive provider

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90 The Cleveland OrchestraConcert Calendar

Side-by-Side:The Cleveland Orchestra and Cleveland Orchestra Youth OrchestraFriday April 18 at 7:30 p.m.THE CLEVELAND ORCHESTRACLEVELAND ORCHESTRA YOUTH ORCHESTRABrett Mitchell, conductorJames Thompson, violin

The Cleveland Orchestra is committed to promoting music-making and nurturing aspiring musicians across Northeast Ohio. In this unique annual concert, featuring Cleveland Orch estra musicians sitting side-by-side with Youth Orches-tra members, Cleveland Orchestra musicians mentor their younger counterparts and serve as role models. The concert features works by Berlioz and Shostakovich, plus Youth Orchestra alumnus James Thompson performing as soloist in Saint-Saëns’s Introduction & Rondo Capriccioso.

Free, with general admission seating. Tickets required.Free tickets can be obtained by contacting the Severance Hall Ticket Offi ce or visiting clevelandorchestra.com.

Celebrity Concert — PsychoTuesday April 22 at 7:30 p.m.THE CLEVELAND ORCHESTRABrett Mitchell, conductor

One night only! The collaboration between director Alfred Hitchcock and composer Bernard Herrmann resulted in a series of unforgettable fi lms — and the pinnacle of their efforts together is perhaps the most terrifying and powerful movie score of all time. Don’t miss this once-in-a-lifetime opportunity to experience this 1960 cinematic classic as you’ve never seen (or heard) it before! The Cleveland Or-chestra performs the score live, with the fi lm projected on a large screen above the Severance Hall stage.

Beethoven’s First Piano ConcertoThursday April 24 at 7:30 p.m.Saturday April 26 at 8:00 p.m.THE CLEVELAND ORCHESTRAJane Glover, conductorImogen Cooper, piano

C.P.E. BACH Sinfonia No. 2 BEETHOVEN Piano Concerto No. 1 VANHAL Sinfonia in G minor HAYDN Symphony No. 103 (“Drum Roll”)

S P R I N G S E A S O NMitsuko Uchida’s MozartThursday April 3 at 7:30 p.m.Friday April 4 at 8:00 p.m. <18s

Saturday April 5 at 8:00 p.m.THE CLEVELAND ORCHESTRAMitsuko Uchida, piano and conductorWilliam Preucil, concertmaster and leader

MOZART Piano Concerto No. 18 MOZART Symphony No. 23 MOZART Piano Concerto No. 19 Sponsor: Quality Electrodynamics (QED)

Family Concert — Mozart ExperienceSunday April 6 at 3:00 p.m. <18s

THE CLEVELAND ORCHESTRAKelly Corcoran, conductorwith Magic Circle Mime Co.

A mischievous street musician is caught playing the orches-tra’s grand piano. Much to her surprise, the conductor offers her the chance to “be Mozart” for a day. The street musician and her prankster companion lead the audience on a musical adventure that reveals the story of Mozart’s life and his musi-cal genius. The program includes excerpts from some of the genius’s most famous works, including “A Little Night Music” (“Eine kleine Nachtmusik”), The Magic Flute, Overture to Don Giovanni, the “Jupiter” Symphony (No. 41), and more.

Sponsor: The Giant Eagle Foundation

Yuja Wang Plays RachmaninoffThursday April 10 at 7:30 p.m.Friday April 11 at 11:00 a.m. <18s *Friday April 11 at 7:00 p.m. <18s *Saturday April 12 at 8:00 p.m.THE CLEVELAND ORCHESTRAGiancarlo Guerrero, conductorYuja Wang, piano

PROKOFIEV Classical Symphony RACHMANINOFF Piano Concerto No. 3 RIMSKY-KORSAKOV Scheherazade* * not part of Friday morning or KeyBank Fridays@7 concerts

Dvořák and TchaikovskyThursday April 17 at 7:30 p.m.Saturday April 19 at 8:00 p.m.THE CLEVELAND ORCHESTRAHerbert Blomstedt, conductorMark Kosower, cello

DVOŘÁK Cello Concerto TCHAIKOVSKY Symphony No. 6 (“Pathétique”)

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

CLEVELAND ORCHESTRA TICKETS PHONE 216-231-1111 800-686-1141 clevelandorchestra.com

O R C H E S T R A

I N T H E S P O T L I G H T

91Severance Hall 2013-14 91Concert Calendar

PSYCHOTuesday April 22 at 7:30 p.m.THE CLEVELAND ORCHESTRABrett Mitchell, conductor

One night only! The collaboration between director Alfred Hitchcock and composer Bernard Herrmann resulted in a series of unforgettable fi lms — and the pinnacle of their eff orts together is perhaps the most terrifying and powerful movie score of all time. Marion Crane (Ja-net Leigh) impulsively steals $40,000 from her employer, hoping to start a new life. She decides to stop for the night at the Bates Motel. And then . . . Don’t miss this once-in-a-lifetime opportunity to experi-ence this 1960 cinematic classic as you’ve never seen (or heard) it before!

With the fi lm projected on a large screen above the stage and the original fi lm score performed live by The Cleveland Orchestra.

Mozart’s RequiemThursday May 1 at 7:30 p.m.Friday May 2 at 7:00 p.m. <18s

Saturday May 3 at 8:00 p.m.Sunday May 4 at 3:00 p.m. <18s

THE CLEVELAND ORCHESTRADavid Robertson, conductorMary Kay Fink, piccoloJessica Rivera, sopranoElizabeth DeShong, mezzo-sopranoGarrett Sorenson, tenorJohn Relyea, bass-baritoneCleveland Orchestra Chorus

ROUSE Rapture FRANK Will-o’-the-Wisp: Tone Poem for Piccolo and Orchestra* MOZART Requiem * not part of KeyBank Fridays@7 concert

Ohlsson Plays GriegThursday May 8 at 7:30 p.m.Saturday May 10 at 8:00 p.m.THE CLEVELAND ORCHESTRAOsmo Vänskä, conductorGarrick Ohlsson, piano

SALLINEN Symphony No. 1 GRIEG Piano Concerto SIBELIUS Symphony No. 5 Sponsor: Jones Day

Cleveland OrchestraYouth OrchestraFriday May 9 at 8:00 p.m. <18s

CLEVELAND ORCHESTRA YOUTH ORCHESTRABrett Mitchell, conductorAnn Yu, violin

TORKE Bright Blue Music PROKOFIEV Violin Concerto No. 2 BERLIOZ Symphonie fantastique

<18sUnder 18s Free FOR FAMILIES

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program off ers free tickets for young people attending with their families (one per paid adult admission).

92 The Cleveland Orchestra92 The Cleveland Orchestra

11001 Euclid Avenue, Cleveland, Ohio 44106 C L E V E L A N D O R C H E S T R A . C O M

AT SEVERANCE HALLCONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visit-ing clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reserva-tion for these tours, please call the Severance Hall Ticket Offi ce at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleve-land Orchestra — including logo apparel, compact disc recordings, and gifts — are available for pur-chase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

ATM — Automated Teller Machine For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground fl oor.

QUESTIONS If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to [email protected]

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and confer-ences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Offi ce at 216-231-7420 or email to [email protected]

BEFORE THE CONCERTGARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Ga-rage can be purchased in advance through the Tick-et Offi ce for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order pre-paid parking, call the Severance Hall Ticket Offi ce at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Cen-ter Garage permits. However, the garage often fi lls up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overfl ow parking is available in CWRU Lot 1 off Euclid Avenue, across from Sever-ance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING Due to limited parking availability for Friday Matinee performances, patrons are strongly en-couraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

CONCERT PREVIEWS Concert Previews at Severance Hall are present-ed in Reinberger Chamber Hall on the ground fl oor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

9393Severance Hall 2013-14 93Guest Information

AT THE CONCERTCOAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground fl oor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videogra-phy are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the fi rst break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consulta-tion with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES

Severance Hall provides special seating op-tions for mobility-impaired persons and their com-panions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheel-chairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Offi ce. Infrared As-sistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Offi ce when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you re-quire medical assistance.

SECURITY For security reasons, backpacks, musical instru-ment cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a fi rearms-free facility. No person may possess a fi rearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat through-out the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

TICKET SERVICESTICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a dif-ferent performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to fi ve days prior to a performance. There will be no service charge for the fi ve-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Offi ce so that those tickets can be resold. Because of the demand for tickets to Cleve land Orchestra perfor-mances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each cal-endar year.

U P C O M I N G C O N C E R T S


94 The Cleveland OrchestraUpcoming Concerts

JANE GLOVERCONDUCTSThursday April 24 at 7:30 p.m.Saturday April 26 at 8:00 p.m.THE CLEVELAND ORCHESTRAJane Glover, conductorImogen Cooper, piano

Multi-talented conductor, historian, and writer Jane Glover leads a program of gems from the Classical era — with works by Beethoven, Haydn, Vanhal, and one of Bach’s talented sons. Imogen Cooper matches her artistry to Beethoven’s delightful First Piano Concerto, a work sparkling with exuberance and originality. Glover brings the concert to a fi tting conclusion with Haydn’s master-ful “Drum Roll” Symphony. Pop Culture Note: Jane Glover is well known for her book “Mozart’s Women,” an insightful and readable look at the women who infl uenced Mozart’s life, art, and desires.

Jane Glover

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts.

TICKETS 216-231-1111 clevelandorchestra.com

AT SEVERANCE HALL . . . Franz Welser-Möst

YUJA WANG PLAYS RACHMANINOFFThursday April 10 at 7:30 p.m.Friday April 11 at 11:00 a.m. <18s

Friday April 11 at 7:00 p.m. <18s

Saturday April 12 at 8:00 p.m.THE CLEVELAND ORCHESTRAGiancarlo Guerrero, conductorYuja Wang, piano

Rachmaninoff ’s Piano Concerto No. 3 — “Rach 3,” as fans call it — is one of the most famously diffi cult pieces of music there is. The sheet music goes on and on, with notes so dense the pages start to look like a Rorschach test. Audience and critics’ favorite Yuja Wang, who has recorded this concerto for her newest album, joins The Cleveland Orchestra for these blockbuster performances. Pop Culture Note: Rachmaninoff ’s Third Piano Concerto was central to the plot of the movie “Shine.”

Friday evening sponsor: KeyBankNew!

Yuja Wang

the cleveland orchestra april 3-5 concerts

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