the complete study guide for art history
TRANSCRIPT
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TOPICS TO BE DISCUSSED :
LATE GOTHIC/EARLY RENAISSANCE IN THE NORTH:EARLY NETHERLANDISH PAINTING.
This double title refers only to the North :
Major artists: The Master of FlemalleJan/Hubert van EyckRogier van der WeidenConrad Witz
Major innovations that will impactItalian paintiug:
Oil-based paint: before oil based paint
1 Supernatural event transferred from a symbolicsetting to
contemporary domestic interior:
ex. *The Annunciation - The Master of Flemalle, takespalace in a northern middle class home,instead of a ambiguous symbolic setting (somebiblical shit)
ex. *The Crucifixion - Jan van Eyck, takes place in analpine area with mountains has medieval houses inthe background
2 Disguised Symbolism: subtle symbolism that alwaysinvolves the Virgin Mary
3 Vanitas: referring the brevity of lifeex. *The Engagement - Jan van Eyck, the mirror on the
back wall represents vanitas
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4 Atmospheric perspective: the further into thedistance you go the
more the colors fade.
ex * The Crucifxion
5 Landscape portrait: you're able to identify specificgeological
features that exist in real life. boom.
6 Transparency of water: * The Miraculous Draw of Fish-
Roger van der Wieden, this was the first understandingof the
transparency of water, apparently.
EARLY RENAISSANCE IN ITALY: FLORENCE 1410-1450SCULPTURE, ARCHITECTURE, PAINTING
Major artists:
Sculpture: Florence: Donatello, Ghiberti
Architecture: Brunnelleschi
Painting: Masaccio, Domenico Veneziano, Piero DelllaFrancesca
Andrea Del Castagno
Innovations:
1 Linear Perspective------Brunnelleschi
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2 Continous Narrative-----Donatello
3 First instance of full understanding of weightshiftsince
Classical Antiquity--------Donatello
4 Flattened-out relief---------Donatello
5 Sacred Conversation format -------veneziano
6 Fresco cycle------Masaccio, Della Francesca
EARLY RENAISSANCE IN ITALY: FLORENCE,ROME,
VENICE1450-1500: ARCHITECTURE, SCULPTURE,
PAINTING
Major Artists:Architecture, Leone Battista Alberti
Sculpture: Andrea Del Verrocchio Painting: Sandro Botticelli, Pietro Perugino,
Andrea Mantegna, Giovanni Bellini
Innovations:
1 Application of Classical architectural elements to anon-classical structure, --------Alberti
- 2 The introduction of the Nude Venus inher appropriate Clasical context, ------Botticelli
3 Fresco painting of the walls of the
Sistine Chaopel, St. peters Bacilica, Rome. --Perugino
4 Worms eye view------------Mantegna
HIGH RENAISSANCE IN ITALY: MILAN, ROME:,VENICE
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PAINTING, Sculpture
Architecture
Major Artists:Painting: Milan: Leonardo Da Vinci , Rome:
Michelangelo, Raphael
Architecture: Rome: Michelangelo, DonatoBramante,
Painting: Venice : Giorgione, Titian
Innovations: Leornado:
1 Chiaroscuro (light and shadow), Leonardo da Vinci
2 Sfumato, Leonardo
3 New portrait format, --Leonardo
4 Sculptures in Action-in -repose-----Michelangelo
FRIDAY FFBRUARY 22 ND MIDTERM EXAM
March 3 to March 17 NO CLASSES
HIGH RENAISSANCE CONTINUED:
Painting: Rome :
The Sistine Chapel Ceiling, Fresco,Vatican, St. Peters Bacilica-------Michelangelo
Fresco Cycle in the Room of the Signatures Vatican,St.
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Peters Bacilica------Raphael
Architecture:
The Capitoline Hill,-----Michelangelo
The Dome of St. Peters Bacilica----Michelangelo
Painting: Venice:Giorgione:
Introduction of the lyrical landscape as
backgroundfor for Venetian painting,Stylistic format for the new subject:
The Reclining Nude to be completed by Titian
Use of a monochromatic palette --------Titian
MANNERISM IN ITALY AND SPAIN:
Painting:
Italy: Florence
Major Artists:Rosso Fiorentino, Pontormo, Parmigianino, Bronzino,Tintoretto
Spain:
El Greco
Reaction to the perfection of the High RenaissanceMasters:
elongated figures, strange colour combinations,distortions, no
central point of the composition
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BAROQUE IN ITALY AND SPAIN:Painting, Architecture, Sculpture
Major Artist: Painting: Rome: Caravaggio Architecture, Sculpture: Bernini
Spain:Painting: Velazquez
Innovations:
Religious subjects presented in every day settting
made visibleonly through the use of lightelevation of ordinary objects into a higherlevel by s specific use of light
Baroque in Flanders and Holland
Major Artists:Painting: Flanders: Peter Paul Rubens
Holland
Painting: Rembrandt, Jacob van Ruisdael, Vermeer,Willem Claesz
Innovations: Flanders:
Rubens--Church comissions
1 Combination og Italian High renaissance art withlocal
traditional subjectmatter---
2-Very large scale paintings.
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3 Artists workshop
Holland
No church comissions:large number of art centers: Increase in ssubject
matter, styles andartists.
1 Group portraits
2Genre paintings
3 Still Life paintings
ROMANTICISM : FRANCE, SPAIN, ENGLAND
, Major artists:Painting: Spain: Francisco Goya
Painting, France: Theodore Gericault, Eugenedelacroix
England
Painting: Constable, Turner
Major innovationsBreak with traditional History painting:Current political scandalous subjects without a hero
Development of a strong landscape tradition
REALISM France
Major Artists: Painting: Gustave Courbet,
Eduard Manet(does not belong toa specific category),
Innovations:
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Ordinary everyday subject treated on the scale oftraditional History
painting,
Salon des Refusees,---- established for the exhibitionof the paintings
refused by the traditional Exhibition Salon
Modern Parisian life activities, ---Manet
Fight for Artistic freedom------Whistler
IMPRESSIONISM: FRANCE
Major Artists: Painting: Claude Monet, Auguste Renoir, Edgar Degas
Out doors painting,
break with traditional use of space, and viewpoints,
snapshot quality
POST-IMPRESSIONISM: FRANCE
Major Artists: Painting: Paul Cezanne, VincentVan Gogh, PaulGauguin
Term Post Impressionism used for artists thathave passed
through the Impressionist phase and thenmoved beyond in
various directions
APRIL 26 LAST DAY OF CLASSES
APRIL 29-MAY 6TH JURY WEEK------no classes
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MAY 6 -MAY 10 FINAL EXAMINATION WEEK
MONDAY MAY 6 FINAL EXAM
HAVE A GREAT SUMMER