the history of pattern woven textiles lecture 9.1.2015 tuulia lampinen, doctoral candidate aalto...

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The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research group

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Page 1: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

The History of Pattern Woven TextilesLecture 9.1.2015

Tuulia Lampinen, Doctoral candidateAalto University ARTSDepartment of DesignEmpirica research group

Page 2: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Technology, agriculture, trade

Page 3: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Threads, yarns and cords

The Fishing Net of Antrea Bast of willow, circa. 8300 BCNational Museum of Finland

Stones AgesPaleolithic (2,6 million – 10.000 BC)

About 38.000 BC, La Quina, France

First findings of thread creations from vines, sinew and gut.

Mesolithic and Neolithic(12.000-5.500 BC) (9.000-2000 BC)

Toolmakers grasped the meaning of twisting. Materials: Bast from willow and linden, linen from flax and hemp, nettles and ramie, followed by cotton.

Page 4: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Lenght of the fibre

- Flexible but inelastic- Lustrous- Strong- Impervious to water

At least 4000-3000 BC thread making was sophisticated.

Page 5: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Twisting, looping and interlacing

Page 6: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Warp-weighted, back strap and horizontal ground looms

Page 7: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Densities, widhts and eveness

Page 8: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

How to get towards today?

Group work: Search with the keywords 2-4 pictures of characteristic fabrics. Take a few notes of each.1. Medallion, Antinoe, Egypt2. Hunting scenes, Byzantium3. Persian, Safavid, Lampas4. Damasc, Velvet, Alto-basso, Italy, Spain 5. Brocade, Gold6. Pomegranade, Tulip, Cintamani

Page 9: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Repeats, warps and wefts Suaire de Saint Victor, martyr Perse

VIII century, Cathedral of Sens, France2 warps: 34-39ends/cm1 ground, 1 bindning

4 wefts: 160-180 picks/cmBeige, yellow, blue, white

To econimise a gesture:Every 4th shuttle is not let off from hand. Change in colour order can cause a small defect in the jonction of two colours.

Page 10: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

BrocadeSupplementary patterning shuttles that work only in small parts

of the widht of the fabric.

Page 11: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

France, Lyon 17th-19th centuryc.1606 - Loom à la Grande Tire, c.1606, Claude Dangon, MilanIn use X-XIX centuries. Simple with separate cords and drawboy.

1687 - Loom à la Petit Tire/ au boutons, Galantier et Blache, AvignonIn use until XVIII century.Simple with a button at the end of cord. Designs with small repeats, for example 84 buttons.

1725 - Loom of Basile Bouchon, LyonFirst one to work with hooks and blades towards continuous perforated paper. Only one row of blades and all weaving face down.

1728-1734 - Loom of Falcon, LyonFour times more blades than in Loom of Bouchon. Rectangular cardboard pieces that where laced together.

c.1744 – Loom with the mechanique of Vaucanson, FranceInvention of an arm to hold the beater so that the shuttle can pass more automatically. Still the using the simple with the drawboy.

Page 12: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Drawloom

Page 13: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Warps and Wefts- Main warp or ground warp is constructing the basic structure of the fabric.- Bindning warp is bindning the patterning wefts.- Pile warp is making the cut or uncut loops of velvet.- Slushing warp is a decorative element where floats of warp are seen on top of the fabric

- Liseré weft is constructing the ground weave from selvedge to selvedge.- Lancé weft is going from selvedge to selvedge but not taking part in the ground weave.- Broché weft is always supplementary and making only small parts of the fabric.

Page 14: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

1804 Loom with Jacquard machineJoseph-Marie Jacquard(1792-1834)On top of previous Lyonnaise inventions he promoted `lantern´ which made possible the square `cylinder´ to turn ¼ at the time. No need for a drawboy! Later Breton and Skola made some improvements to the machine. In 1984-1988 and early 1990 the cards where replaced with computer floppies in part of the machines and in 2000 the most of the looms are in direct connection to computers.

Page 15: The History of Pattern Woven Textiles Lecture 9.1.2015 Tuulia Lampinen, Doctoral candidate Aalto University ARTS Department of Design Empirica research

Added dia of loop fabricsStructure of terry cloth: -blue, red and green are warps- round grey balls weft

Structure of a weft velveteen, in this case called corduroy:-white and black `spagetti´are wefts-white balls are warp ends.