the merciad, april 17, 1967

8/6/2019 The Merciad, April 17, 1967

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mercyhurstdads honoredas ftvol. xxxviUno. 7

men tor all seasonsfmercyhurst college erie, pa. april 14, 1967

On Saturday and Sunday, April15 and 16, Mercyhurst students willhonor their fathers during the college 's Father-Daughter Weekend.Kathy Icardi, general chairman ofthe Weekend, has t announced thatthe theme for fthe two days reserved for Mercyhurct dads will be"A Man for All Seasons."

arrangements for the weekend:Mary Sippleinvitations; GeneMcManus and B etty Barczakpublicity; Kathy Airotickets; CindyHerbst and Peggy Edwardsprograms; -Bonnie DeLucaflowers;Mary Ann Park, Trudy Bayer-Registra tion; Jeanne Bakerclasses; MaryAn n Boscotalent show;and Sue Geltchspeaker.ollowing; registration^ on Saturday morning, a series of half-hour classes will give^the fa thersan idea of how their daughters f U f f f O f * W i l l 5spend a typical school day. During '

spring production scheduled at 'hurstOn Ap ril 28, 29, and 30, the ent roles.

Mercyhurst College Greensleeve]Players will present Beggar onHorseback, a farciall satire byGeorge S. Kaufman and Marc Connelly. Produced on *Broadway in1924, Beggar on Horseback is written in the tradition of the Expressionist theatre of JStrindberg'sDream Play.

Impressions formed during arealistic scene in the f irst act aretransformed, amplified, an d distort,ed in a young composer 's nightmare. This dreamfc sequence is thevehicle through which almost everyaspect of modern life sis satirized.Staging, costuming, and dialogueare other tools of sa tire in theplay. The staging and costuming

" The young composer, Neil McR-Rae, is portrayed by Mr. MichaelBacon, a member of the faculty ofGannon College. Although Neilaspires to write classical music, healso suffers f rom an extreme ar

eas . i .38 . . . T" .are instrumental in satir iz ing modern music, dance, and dress. Whilerepititious dialogue * serves as #ademonstration of conformity of expression in the modern world, th esimultaneous dialogue in the playcreates a Tower, of Babel effectto emphasize the lack of communication in our society.The portrayal of the major characters is greatly exaggeratedthroughout the entire play. An example of this exaggeration is thefact that each one of the charactersis continually appearing in differ-

tistic temperament.Neil's two friends are Cynthia

Mason and >Doctor Albert Rice.Cynthia, played by Linda Brooks, aMercyhurst freshman, is an extremely practical gir l who appearsto love Neil only for his promisingcareer as a composer. Doctor Riceregards the young composer not asa friend but as an obstacle tosh isown winning of Synthia 's affections. %ti The members of the wealthyCady family are equally importantto the development of satire in the"ptfcyf^Iatfys Cady, portrayei"*byfreshman Vickie Malinowski, is afrivolous girl with a passionate lovefor dancing and an affection forNeil based only on his art. She iseager to become engaged only because this is "the thing to do."Sherry Huff, another f reshman,plays Mrs. Cady. This woman hasno interest in music and is thetypical wife and mother concernedonly with finding a husband for he rdaughter .folk singer, alan lomaxhosted by cultural series

Alan Lomax, the foremost collector of folk songs in the?worldsays, "Collecting folk songs is morethan a vocation or avocation to meits a way of life." His life hasbeen spent in the pursuit of thisgoal: "to put modern sound technology at the service of the littlepeople and the voiceless culturesof the world." Our own little worldwa s brightened! by Mr. Lomaxwhen he appeared at the GannonCollege Theater on April;8. Hisdiscussion of his activities and hisperformance of some of his favorit e folk songs enriched our appreciation for t he folk song revivalwhich he began in this country.Through each of his 100-odd

Alan Lomax

phonograph records, Alan Lomaxhas moved progressively forwardin his chosen work. When takenas a whole, these records surveythe folk music styles of half theworld. His service also extendsinto the twelve fbooks which hehas compiled on folk songs.From 1933 to 1942, Mr. Lomaxworked with his father in buildingthe Congress Archive of AmericanFolk Song. While they were -incharge of $ this enterprise, 10,000recorded fo lk songs* wer e added,making the collection the largest ofits kind in the world. In additionto his numerous other activities,Mr. Lomax was responsible! fo rintroducing Burl Ives amongothers, to the American public.Following his departure fromgovernment service in 1942, J AlanLomax worked in documentaryradio and films for a time. Later ,he produced two ballad operas anda folk musical in England. In 1946his "Folk iSong '59" was presentedin the New York Town Hall amidhigh praise .

f A former Director of Folk Musicfor Decca Records, Lomax is nowTrustee and Director of ^ArtisticEvents for the Ster ling Forest FolkSong Festival Foundation in NewYork, and he is working on laproject for th e Rockefeller Founda-tion mapping the folk song families of the world. s

Mr. Cady, portrayed by RichardConnolly, an art student at Mercyhurst, typifies the successful American businessman. He is a loud,bluster ing man who seems to havestumbled quite accidentally intosuccess in the business world. Unlike his}-wife, Mr. Cady does carefor music, but only when it can betransformed into a successful business enterpr ise .The final member of the Cadyfamily i s Gladys* young er sis ter,Dorothy. Valerie Mangin, a freshman, portrays this thoroughly disagreeable and typically disrespectful pre- teenager .All performances of Beggar onHorseback are scheduled for 8:15p. m. in the Mercyhurst LittleThea t r e . Mercyhurst students maypurchas e tickets for fifty centsfrom individual ticket agents or atthe box office on performanceni gh sJa

one of the three sessions, mine in structorsMr. Kubiak, Sister M.Matthew^Mother M. Eustace, Siste r M . deMontfort, (Sister M. Ra-chael, -Mr. Bryan,. Mr. LincourtMiss Wieczorer, Sister M. Charleswill lecture on subjects of theirown choise.|A buffet luncheon in the cafeteria will be followed by a talentshow in t he ; Little Theatre . Bothstudents and fa thers will be givena chance to par tic ipate in the show.

On Saturday evening dinner willbe held at St. Joseph's CommunityCenter. The main ^speaker at thedinner will be Mr. Charles Tra-bold, father of Pat, a sophomorehome economics major. Followingthe dinner, there will be dancing toGib Porsch s Band.Sunday morning, Mass inChrist the King Chapel will be sungby the Sisters of Mercy. The Masswill be followed by a brunch and >afree afternoon during which fathers and daughters will plan theirown activities.Throughout the weekend, SisterM. Angelica will hold an exhibitof her art work in McAuley MainLounge. A selection of student artwork will also be exhibited.Th e following commit tee ' chairman have been appointed to handle

essay contestRecently the National Catholic

Education Association instituted asearch for


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Friday, April. 14 1967 the merciad Page 3

f other i s . . .by Judy Pitney

A father is a willing (playmate . . . the best hide and seekplayer on the block . .. great at storytelling . . . not so greatat playing house. I || * * * *A father is a fellow explorer . . . eager to bring the worldinto focus for his child . X ready for a trip to the zoo, a ridein the country, a walk in the park with his fast-paced offspring.

A father is sympathetic . . . to the worrisome woes of hisdaughter's first few days at school | . . concerned over herpresent scratched knee . . . assuring her that nightmare'saren't really real. % W - '*A father is involved . . . in PTA meetings . . . in chauf-fering the Brownie troop to and from their Saturday outings. .. in giving his child the jvalues that she needs for a worthyandlmeaningful life. *

a father isbewildered

by the rapid growthof his unsteady toddler

to an energ etic teenager . . .

a ga l lan t kn ight

W-7^>~-a fatheriis proud when his daughter achievesacademic success . .

a father I 'SH|impressed ashis daughteracquires gKK|the serenity B Kof womanhood

affather is anxious th at he be able to offerhelp when his child needs it . H H 9 H | | H fgA father is patient . . . waiting for the telephone to befree of its feminine usurper . . . abdicating the bathroom eventhough he's sure to get it just as the hot water runs out . .giving freely of his Old Spice so his daughter will be alluring.

g A father is anxious .. . that he be able to offer help whenhis child needs i t . . . he's apprehensive lest harm come to h er. . . he's often aggravated when he meets withlheristrong-willed resistance. BEfiBflH^BB-Z^^BB'WMt'WmE-mI 5 A father is bewildered . . . by the rapid growth of his unsteady toddler to an energetic teenager . . . by her unlimitedcapacity for basketball games, rock and roll, and boys . . . bythe ceaseless chatter with which she fills his home, m

A father is proud . . .fwhen his daughter achieves academic^ success . . . when sh e gracefully exits for the SeniorProm . . . when she passes his side in her graduation robes.


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Page 4 th e merciad Friday, April, 14 1967

a fatheris ofte n

aggravatedwhen he m eetsa father is a poor letter-writer but a good

listener... with herstrong-willed resistance

A fatheris involved . I

A father is a poor letter-writer but a good listener . . . hisdaughter's advisor . . . her source of counsel when the problems she faces loom too large to handle . . . her counselorwhen *she is met;with rthemnhappy "realities of life. & IA father is critical . . . in examining his daughter's appearance . . .ain testing her ability to maneuver th e family ca r. . . in inspecting the young man who occupies her every waking, moment with a special kind of glow. $? i

A fatherfis impressed . ..as his daughter acquires theserenity of womanhood . . . as she makes her own judgmen tsand justifies ill the faith he had in her . . . as he begins to reflect the wisdom of her years. } 1 \ 1 W i iA father is valiant.daughter's engagement .departure from his home

. . when he receives the news of his. . when he accepts her impending. . . when he realizes she is ready tomake her own* place inEthe world and that she wants to do itallsbylherself. | MfH I f IA father is emotional. . ^though his tenderness lies well-hidden under his masculinity . . . he's gentle despite-his oncein afwhlle moments ofianger . . Jhe?s humorous in a wonderfuland unique kind of way. I *^!pli| |A father is all things to his daughterh e r p r o t e ct o r . . . h e r gaUant^kniffht he's her modelA father is loving and loved in return . . . wanting |andneeding the relationship of a daug hter . . . cherished by her formaking it a good and true thing . 1 >

a father is valiant

wmmmX v S W

memF-V-V1Kv.-y

Wffi $X1?jS&

a father isa willing

playmate . .

a father islloving and loved in return

my heart belongs jto daddy - *


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Friday, April, 14 1967 th e merciad Page 5fine artsanton ion i/"blow-upI

|b y M r. Thomas DolanMichelangelo Antonioni, directorof "Blow Up," is a film-maker inthe tradition of Prederico Fellini,who directed 8%, Juliet of theSpir i ts , and, (perhaps most signif-cantly, La Dolce Vita.This tradition is essentially moral and audience-oriented, despite itsconcern with amoral conduct andits structural obscurities.The contemporary society Antonioni dissects is what the Germantheologian Romano Guardini calls"post-modem," tha t is , the individual member of society has nodignity other than what his talent*money, or role earns for him. Human dignity or value per se does

easureEd. Note: Two of the senior English majors, Rosalie Barsoti an dCarol |Sabella agreed to share

some of their thoughts on theirthesis subject with us. >Walter Kerr 's book The Declineof Pleasure, is the primary sourcefor the theme of pleasure chosenfor the Senior ^English majors coordinating seminar.Although he treats several concepts of pleasure, contemplationhas been selected for this articlebecause it is considered by him tobe the highest pleasurable Tact. % \Contemplation for Aristotle wasthe clue to "perfect happiness," butfor twentieth-century iman, thisterm has become empty.Although it is not excluded fromour vocabulary, its initial connotation of passivity has been changed

to activity. # UtaltiRtatfiContemplation must be a "playful" wondering of the imagination,but the process is not really activity, fRather, the mind is idle, and thesenses \ and emo tions, in^ contactwith reality, telegraph the code ofexternals to the intellect-receiver.The process is a surrender of thehuman will. *Kerri explains tha t "we havegiven | in to the impulse to s tay,to do nothing, to let happiness happen if such be our good fortune."As ant example, a p oet does notbegin with a determination to makea poem. He cannot create until hehis idled, and in the act of idling,

he overhears something/ ' gThe poet discovers * this something, and follows it in a hitherand yon fashion, ridding himself ofthis excitement, through his creation.Then he offers to the reader,himself, originally finds what delighted the poet. ;*If I the reader experiences andperceives \ a harmonious pattern inthe poem he has a playful and anintellectual outing .


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Page 6 th e merciad Fr iday, April 14,1967imaginations explore mysteries of the english languageThe English language is not onlymyster ious for. a foreigner but alsofor a native of this country. It svast vocabulary bombards individuals dailymj.When one is unsure ofa word, one may choose to learnthe exact meaning, or may chooseto assume a likely definition. Whencompletely^ ignorant of a term, analternative would be to givelfreere ign to the imagination. Freshmenin the Composition classes of Mrs.Cirks employed their creative faculties in such an assignment. Theyused their imagination in developing na r r a t ive themes y on |novel"words." The following themes arethe results of their efforts*

grintch vs. the peopleby Paige Proser

Al l was stil l in the wide corr idor just beyond the courtroom. Theonly noise that disturbed the tomblike quiet was the rhythmic tickin g of an ancient grandfather clock.Suddenly, asVif on cue, fifty re porters swarmed into the , hallarmed with ?t $ck notebooks andlarge | cameras. Flashbulbs poppeda s two determined-looking policemen escorted af haggard-lookingm an to the courtroom door.^*Theman's bloodshot eyes searched thecrowd for a sympathetic face, butfound none. He wearily loweredhis eyes and allowed himself to beled into:the courtroom. A hushedsilence fell over the crowd as hepainfully lowered himself into thedefendant's chair. He rose dutifullyas the Judge came in and routinecourtroom preliminaries took place.After two almost unbearable minutes, he sank limply to his seat. Hevaguely heard someone announcet h a t the case of Grintch vs. thePeople had begun.

His eyes slowly circled thecourtroom and came to r e s t on theju ry . He was struck by the realization that they'd a lready judgedhim. He shifted his gaze to thetable at his r igh t and shudderedvisibly. There it was, the " ins t ru

ment of death"a gleaming silverletter opener engraved with a familiar H. He screamed inwardly ashe thought of his wife lying twisted on the floor, her t r us t ing cfish face contorted in a half-finishedscream . . .Everything was \ aga ins t him t iming, motive, and evidence. Heha d no witnesses, no one to verify his alibi. He knew he was a condemned man; he'd given up hopeafter his second appeal. There wasno comfort for him enywhere except in his memories, and sometimes even they seem distant andhidden$ by the veil of t ime. Buttodaytoday he remembered. Heremembered that day two longyea r s ago. He remembered thathe'd quarreled with his wife, thathe 'd slammed the apartment dooras he left. He remembered that hisneighbors had heard . . . f l jHis best friends testified againsthim. His best friends who'd playedbridge with Helen and him on Sa t urday % nigh ts . His best friendswho'd gone skiing with them twoweeks before. MHe remembered that he'd walkedfo r an hour, all the t ime wanting

to go back to her and tell her howsorry he was, how he needed her,ho w he loved her. He rememberdt h a t he finally did swallow all t h a tmanful pride of his. He remembered how they'd laughed about thewhole incident, how they'd forgotte n it in such a short t ime. He remembered how delighted she'dbeen wi th | the l i t t l e p r e sen t he'dbought her because she'd cut herfinger opening the telephone billjus t the day before . . .The clerk in the silver shop testified that Grintch had bought thele tter opener the day before themurder .He remembered \ tha t he'd goneout that night to get something forHelen's cold. He remembered coming back to find her . m jm i mn miSuddenly the courtroom was filled with anguished cries of "Helen,Helen dar ling, I can' t stand itwithout you. Oh help me, somebody

original grintches and nurdsI |b y Charlene Kienholz

We now know that a person canbe either a grintch or a nurd ; butfrom where does this idea origina te? I was told that years ago,deep in the nomadic lands ofArabia, there existed two neighborly tr ibes known as the Grintchesand Kurds. They inhabited theWeagle Oasis, named af ter theirprudent ruler , King Wegle . Theirlife together was always serene,until one day their Weather Council predicted a dreadful sandstormthat would be strong enough to destroy their entire settlement, unlessprotective measures were taken.Immediate ly, the king sent bids outto the two tr ibes, requesting estima te s for the building of a massivewall that would encircle the entireoasis. Since both the Grintches andNurds returned^ estimates of thesame rvalue, (30,000 Weagl ands) ,the king had no choice, but to hirethem both. The Grintches were tobuild the r ight side of the wall,an d the Nurds , the left side.The efficient Grintches gathereddurable mater ia ls, and carefullyplanned the construction of\ theirportion of the wall. On the otherhand, the less energetic | Nurdsgrabbed handy mater ia ls, and without much contemplation, beganpiling up their mixture in the formof a wall. When the day before thepredicted sandstorm had arr ived,help, help. I loved her so much."Hi s frail body racked with sobs, hegathered all the s t r eng th tha t wasleft in him and! grabbed for thele tter opener . With one last pitifulcr y of "Helen,"* he plunged thel e t te r Jopener into his heavingchest.

Once more the flashbulbs poppeda s Grintch's body wa s removedfrom the courtroom. Ast ih estre tch-er disappeared down the corridor,the reporters scurr ied off in all directions.The clock ticked on.local hamoperator has internatioal hobby

M r. Leo Weiner, fa ther of Lorraine, a freshman, is quite a"bam" W t %This might seem like a r a the rinsulting remark, but to Mr. Weiner it is not. Over the past years, hehas grown accustomed to this nickname'for "amateur radio operators," since he is among those menand women who operate pr ivate ,short-wave radio stations as ahobby.

By means of Morse code or direct";conversation, hams communicate with each other in all pa r tsof the world. Since he received hislicense at the age of eighteen, Mr.Weiner has ta lked with sta tions asfaraway as Australia and Japan .Once he even contacted a man on afloating iceberg in the arctic . Butin the last four years, his interesthas turned to | American stationsthrough the National Traffic System.According to Mr, Weiner, j thisnational organization of hamssends short messages for peopleacross the j country by radio. Bymeans of an organized relay system, hams radio these messagesfrom station to station until theyreach the city of their destination.Here a local ham delivers them by

-*

,

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telephone.Sending such radiog rams is easyfo r the public. One need only contact a ham and tell him {the message he wishes to send, along withhis name and address, those of therecipient, and his phone number ifknown. Hams will radio jsimplegreetings of twenty-five^words orless anywhere in the United Statesor to our servicemen abroad with

out charge. These messages, however, should not be so importantas to war ran t a telegram or telephone call. One suitable examplewould be: "Hi there! Hope you arefine. Everyone here has springfever, but Diane has a cold. Seeyou soon. Keep sm iling!" Oth er

Beauty CharmLucille's Beauty Salon

3702 Pine Ave. Call 465-0740

Yapie's Dairyan dIce Cream Bar4026 Pine AvenuePhone 864-4839

samples include birthday and getwell wishes, and Easter greetings.Once the ham has the ^messageand other necessary information,he will star t it on its way throughth e organized! maze of re lays thatwill lead to its destination. |Mr. Weiner is ready and willingto send radiograms for the Mercy-hurst community. As his familywill readily agree, this is one of

his favorite occupations; and hewelcomes all the 'business" he canget. Each evening promptly at seven o'clock he re treats to the basement and his radio sta tion.So the next time you would liketo remember a boyfriend fin VietNam, a gir l in another college, orthe family back home, surpris ethem with a radiogram. Whoknows, you might even get anmessages can contact Mr. Weineranswer back!(Anyone interested in sendingat 521-1831 or see Lorraine.)

the Grintches had completed theirta sk . The Nurds, though, had become desperate, because they always postponed their work untilthe next day, accomplishingnothing. The Grintches took quickaction, replacing the .Nurd's un-s turdy, half-built wall with thesame hardy mixture they used inbuilding their half. Not sparing aminute , the Grintches cemented andsmoothed, : and cemented andsmoothed, until an entire wall encircled the oasis. That night, sureenough, a husky, sand-filled windbegan to chisel at th e 1 wall, but itnever succeeded to shape a hole ora break in it. By sunrise the nextmorning, the worst of the stormhad passed, and soon people had begu n to assemble around KingWeagle's royal tent, fThe king emerged from the entrance of his ten t , and gave a stimulating apeech,! honoring theGrintch tr ibe . Prom that day on,King Weagle greatly respected theGrintches, while he hardly trustedthe Nurds . In fact, this storyspread throughout the | country,where a legend soon developed accounting the good deeds of theGrintches, and the inferior deedsof the Nurds . It has even beenpassed on to our generation, because some of us today still referto a desirable person as a grintch,while to a less desirable person asa nurd.An Adventure of ocronk and a yapoonby|Mary Grace Cross

A cronk and a yapoon have manysimilar ities, a surprising fact whenyou consider the vast differences intheir backgrounds. Both are chubby, about four feet ta ll , and closelyresemble an Ir ish leprechaun. Theirlanguages are closely related andconsist of short, staccato syllables,which when spoken sound verymuch like a record album? beingplayed at the 78 speed.Of course, since the cronk andthe yapoon come from entirely different planets there fare bound tobe a few differences between them.Th e cronk/ born and ra ised onMars, has found?the principles ofhis Martian ancestors to be quiterewarding, while the yapoon, anative of Pluto, is equally satisfied with the more liberal ideas ofthe Plutonians. The means of t r ans portation employed by each is another obvious difference. The han-doo (the Martian word for auto-

fine arts(Continued from Page 5)inates the j huge expanse of parkis so vivid, and the sound of thewind through the trees iis so finely heard that | one is tempted tosee the color itself as the pro tagonist, at least'as symbolic of theredemptive powers of nature , andpossibly,' by extension, as symbolicof natural law. |Antonionilgives much less, orgives as much but more cryptically.It goes without saying that bothf ilms are tremendously sad as wellas honest. ^Could the innocence of the younggir l in the last f rame of La DolceVita ever possibly redeem theweary and depraved culture of theI ta lian upper c lass?Could Antonioni's pure nature

ever make its quiet voice heardover the din of London's pleasure-seekers ?This question is not openlyanswered in the film, nas indeedthe moral judgements -are notopenly sta ted, ^but the answersare implied, and they are not optimistic?Martucci's Tavern2641 Myrtle StreetDelicious Spaghetti & Ravioli

Served from 4 to 10 p. m.

mobile) of the cronk is oval andcomposed entirely of 'metal, whilethe hando (The Plutonian word forautomobile which shows the similar ity of the Martian and Plutonian languages.! It is from thesewords that the JAmerican word"honda" is derived.) used by theyapoons is more tapered and consists of glass to give an over-allview of the scenery. It is by thesevehicles that the two foreignershave made their journey and nowfind themselves staring at a vas texpanse of land that someone oncenamed Ear th . The schedule of the i rtr ip around the universe permitsonly a few hour s on Ear th , andduring that?time they must gainan accurate pic ture of Earthanlife. Their report is anxiouslyawaited on their respective plan etsan d is to be compiled in an* important document; the accuracy oftheir report is of the utmos t importance, rThe landing of the spaceshipstook place in an amusement parkon the shore of a small lake inwestern ^ Ne w York. As had beentheir custom on other plantes durin g the tr ip, they went into thef irst building they saw to preventmaking any false judgments basedsimply on the te r r a in of the area.The s igh t tha t met their eyes asthey entered the bulding was somewha t ' star tl ing at f irst , but they,gradually adjusted to it and soonbecame t very excited about theirnew discovery. Earth was the onlyplanet they had visited wherepeople had wheels on their feet andglided across the f loor ra ther thanwalked. (The cronk and the yapoonnever realized that they were observing an Earthan sport calledroller skating.) The cronk and theyapoon, at this point, became soanxious to report their m onumentaldiscovery that they postponed theremainder of their tr ip and, with an'accurate" description of life onEarth, departed to their respectiveplanets where theyjwere acclaimdas national heroes. To this day theMartians and the Plutonians thinktha t the human beings on the planet Ea rth move with wheels on theirfeet. f

the gameof the year jOn April 19, ^sports-mindedrepresentatives of the Mercy-hurst student body will onceagain meet the Mercy hurs t faculty in a spirited game of volleyball. The two factions willchallenge each pother in an attempt to discover the championsof the volleyball court.The annual activity, whichoften proves to be one of {thehighlights of the school year,will be held in the Mercyhurstgymnasium.

I t goes without saying that thefilm is tremendously sad as well ashonest.$ Burhenn's PharmacyComer 38th S t. and Pine Ave.Phone 456-7762

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the merciad, april 17, 1967

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