the piano teacher “pain itself is merely a consequence of the desire for pleasure, the desire to...

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THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a variety of pleasure.” (107) e opposite sex always wants the exact opposite.” (1

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Page 1: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

THE PIANO TEACHER

“Pain itself is merely a consequence of the

desire for pleasure, the desire to destroy, to

annihilate; in its supreme form, pain is a

variety of pleasure.” (107)

“The opposite sex always wants the exact opposite.” (143)

Page 2: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

PEEP SHOWS

Page 3: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

PEEP SHOWS

shame, voyeurism, anonymity

simultaneously public and private, nameless, reductive

power, control, domination

shame, disgust, pleasure, mediation of desire through

other

auto-/allo-eroticism | objectification | subjectivity

the Gaze – Laura Mulvey (Sartre, Lacan, Zizek)

Page 4: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

PEEP SHOWS

immigration, race, ethnicity

class, economics, urban life

gender and sexual politics

shame, secrecy, anonymity,

privilege, power

the GAZE | Objectification

(subjectivity)

Precedents and Consequences

for Erika

Page 5: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

PEEP SHOWS

I – 44-45 and 47-49 and 52-56• antecedent – the country cousin and first reported cutting • subsequent – sees other young people in groups, flirting,

dating, etc.

Erika goes to porn theatre 105-108• greater violence, sadism, blurred interior/exterior – where

is the mystery of women’s desire (and male desire for it)?

then to the park for some live-action voyeurism 140-141

Page 6: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

PEEP SHOWS

I – 44-45 and 47-49 and 52-56• antecedent – the country cousin and first reported cutting • subsequent – sees other young people in groups, flirting,

dating, etc.

Erika goes to porn theatre 105-108• greater violence, sadism, blurred interior/exterior – where

is the mystery of women’s desire (and male desire for it)?

then to the park for some live-action voyeurism 140-141

Page 7: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

A LETTER ALWAYS ARRIVES

typically letters are love letters

romance, epistolary novels – seduction by words,

images

long-distance seduction – even in Les Liaisons

Dangereuses

commitment, affirmation, oath

the epistolary tradition in novels – record of truth,

interiority, privacy, tenderness, detail, subjectivity, desire

Page 8: THE PIANO TEACHER “Pain itself is merely a consequence of the desire for pleasure, the desire to destroy, to annihilate; in its supreme form, pain is a

A LETTER ALWAYS ARRIVES

In The Piano Teacher this all gets overturned

antecedent to the letter – the bathroom

“seduction” 175ff.

then the letter – 214 ff.

and its consequences – c. 272ff.