title history of modern music lecture 1. w african west african music - polyrhythms - call response

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History of Modern Music Lecture 1

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Page 1: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Title

History of Modern Music

Lecture 1

Page 2: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

W African

West African Music - Polyrhythms

- Call Response

Page 3: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Work Songs?1800’s to 1900

Evolution of Call/ResponseUsed to set rhythmic cadence of work

Work Songs

Page 4: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Spirituals1800’s - 1950’s

Mahalia Jackson“Amazing Grace”

Spirituals

Page 5: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

BluesDeep South, 1920 - 1950

Robert Johnson“Whiskey Blues”

Blues

Page 6: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Rhythm And BluesMemphis, LA, 1940’s and 50’s

Big Joe Turner, “Shake, Rattle, and Roll”

Rhythm and blues

Page 7: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Rock and Roll1950’s - 60’s

Chuck Berry“Johnnie B. Good”

Rock and Roll

Page 8: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

French Impressionism

French Impressionism - forsaking classic forms - harmony and melody are flexible, not fixed - emotional response is

critical to the art form

Page 9: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

French ImpressionismLate 19th Century

Claude Debussy

“Jeux De Vagues”From “La Mer”

Debussy

Page 10: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

RagtimeSt. Louis, 1890’s to 1910’s

Scott Joplin

“Maple Leaf Rag”

ragtime

Page 11: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Black Creole

Black Creole CultureNew Orleans, 1750 -

1865

Page 12: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

The LA Negro Code

The Louisiana “Negro Code”, 1865

- Limited the ability of black musicians to work in “white only” establishments

Page 13: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

The LA Negro Code

The Louisiana “Negro Code”, 1865

- Limited the ability of black musicians to work in “white only” establishments - Forced classically trained black creole musicians to work in segregated bars and clubs, with untrained black musicians.

Page 14: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

The LA Negro Code

The Louisiana “Negro Code”, 1865

- Limited the ability of black musicians to work in “white only” establishments - Forced classically trained black creole musicians to work in segregated bars and clubs, with untrained black musicians. - Resulted in a merging of West African music and French Impressionism

Page 15: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Original Dixieland Jazz Band

Dixieland

Page 16: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Early Jazz1900 - 1920

Jelly Roll Morton

“Original Jelly Roll Blues”

Jelly Roll Morton

Page 17: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

HOT JAZZChicago, 1920’s

Louis ArmstrongDuke Ellington

Hot Jazz

Page 18: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Big Band SwingChicago, NY, 1935 - 1945

Glen MillerBenny Goodman

Duke Ellington

Swing

Page 19: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

Big Band SwingNY, 1930’s to 1945

Glen Miller

“In The Mood”

Glen Miller

Page 20: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

BeBopNY, LA 1950’s

Charlie Parker

“In The Mood”

Parker & Gillespie

Page 21: Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response

BeBopNY, LA 1950’s

Thelonious Monk

“Rhythm-a-ning”

T monk