towards a poorer light
DESCRIPTION
Percussion ConcertoTRANSCRIPT
Towards a Poorer Light
For solo percussion and large orchestra [2007]
This piece was written for and premiered by David Skidmore with
the Royal Academy of Music Orchestra (Christopher Austin conducting) on 27 September 2007
Aaron Holloway-Nahum [email protected]
+44 (0)7876.504072
Duration: Approximately 10 minutes
Orchestration
Piccolo 2 Flutes 2 Oboes
English Horn 1 Clarinet in B-flat
1 Clarinet in A Bass Clarinet in B-flat
Bassoon 1,2,3 (3rd doubling contra)
4 Horns in F 3 Trumpets in B-flat
2 Trombones Bass Trombone
Tuba
Solo Percussion (Vibraphone, pedal washtub, pedal bass drum, orchestral bass drum, tam-tam, congas, tom, snare, and 4 metallic instruments [low to high])
[read as follows]
Timpani (4 drums = II, II, III, III) Percussion 1: Bass Drum, Large Triangle, Wood Block, Bongos
Percussion 2: Bass Drum, Small Triangle, Wood Block, Crotales (2 octaves)
Harp
Strings (desired size: 16.14.12.10.8)
Cover photograph by the Composer
Towards a Poorer Light Lord, our strength has gone now. perhaps we have been home too long and the time has come for a restless year in a wide bed we folded down or a single dream where it is constantly midnight and each of those people we failed lines the battlefields of our hearts. Here, in the quiet dark, with my life collecting against me, I sharpen my swords and string my bow— preparing your morning sacrifice— waiting for one of your greater angels to turn me away towards a poorer light. Aaron Holloway-Nahum [2007]
Program Note Towards A Poorer Light is effectively a single melodic line obsessively trying to emerge from the infecting and driving pulse of a solo percussionist. This linear goal is frustrated over and over again by the circular nature of the structure, harmony, and musical materials. As time passes the efforts of the orchestra become more and more desperate, pushing forward through metric modulations, higher levels of dissonance, and stronger and longer attempts at melody. The final push drives us into a wild climax that is very quickly and suddenly cut off by a solo cello that just as quickly gives way to the solo violin. The short coda gives the melody a single, unfulfilling iteration before the cellos pull the entire piece to a decidedly tonal conclusion in A-flat major.
=96 constant, relaxed, and steady
=96 constant, relaxed, and steady
for David Skidmore
Aaron Holloway-NahumSummer 2007
Towards a Poorer Light
Piccolo
Flute 1,2
Oboe 1,2
English Horn
1 Clarinet in Bb
1 Clarinet in A
Bass Clarinetin Bb
Bassoon 1,2,3
Horn in F 1,2
Horn in F 3,4
Trumpet in Bb 1,2
Trumpet in Bb 3
Trombone 1,2
Bass Trombone
Tuba
Percussion Solo
Timpani
Percussion 1
Percussion 2
Harp
Violin I
Violin II
Viola
Violoncello
Contrabass
SCORE in C
1.
pp
n
pp
n
pp sempre
echo
molto legato, cantabile
p espressivo
1.
pp espressivo
n
3
1. con sord.
pp espressivo
p
3
3. con sord.
pp
p
n
1. with cup mute (very tight)
p (sounding)
mf
take straight mute
take mute
with drum sticks
n
ppp poss.
pp sub.
ppp poss.
(drums tuned to...)
(III) - (III) - (II) - (II)
mp
(strike only once) gliss.
Bass Drum
pp sempre
Large Triangle
Bass Drum
pp sempre
Small Triangle
D§C§B§/E§F#G§A§
con sord.
n
pp
n
pp
pizz.
p
0 l.v. sempre
0
vib. molto
(molto vib.)
p
pizz. l.v. sempre
p
p0
7
A
A
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc. 2
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p dolce
mp
p
n
a2
p dolce
3
n
pocop
pp poss.
echoing the harp
pocop
fp
pp sempre
echo
poco p
fp
a2 stopped
ff
pp (sounding)
with straight mute, a distant echo
mf
pp
pp
l.v. sempre
p
mp
b.dr
tri
Crotales
pp
l.v. sempre
pp
l.v. sempre
mf
pizz.
p
mf0
l.v.
take mutes
con sord. (pizz.)
mp
(con sord.)arco
pp sempre
pizz.
p
remove mutes
arco (senza sord)
pp sempre
fpp
n
pp
p
pp
take mutes
p
pp
pp
arco
n
2
B
B
14
C
C
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Crot.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
rhythmically
pp
mf
1. molto legato
pp sempre
3 rhythmic
p
a2
f:sfz
grace note before the beat
p
n
n
p
pp
cantabile
n
p
(accent w/breath)
f
mf
n
a2 rhythmic
pp
p
1. rhythmically
p
mf
mp
a2
2.(stopped)
f
p
molto!
sffz
accent w/breath
(2.) stopped
f:sfz
sfz
a2
sffz
3.
f
p
(3.)
pp
p
molto!
sffz
4. stopped
f:sfz
sfz
a2
sffz
1. (w/cup mute)
pp
f
1. open
p
p
take cup mutes
a2, with cup mutes
fp
con sord.
with straight mute
p
pp
p
remove mute
open
p
p
mf
pp
p
remove mute
open
f:sfz
p
pp
(rimshot)
p
molto!
f
two drums tuned to D, alternate...
p
pp
mp
gliss.
mf
gliss.
p
(Tri)
mf
Bass Drum
p
mf
Bongos
f
secco
(Tri)
mf
Bass Drum
mp
mf
(mf)
Woodblock
C#/G#
mp
C§/FbA§
pp
molto
f
C#
(con sord.) pizz. secco
p
n
distant and light
p
n
remove mutes
pp
3
p
n
f
p
rhythmically
f:sffz
solo 1
pp sempre
con sord.
outside desksadd in ad lib.
inside desksadd in ad lib.
(tutti)
molto
sffz
pizz., misterioso
p
III
vib molto
f
pizz. l.v.
0p
(pizz.)
p
f
vib molto
3
21
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
n
mf-p
pp
a2
pp
p
(p) sempre
f
(a2)
div.
p
mf:sfz
(accent w/breath)
n
pp poss.
mf:sfz
(accent w/breath)
p
pp sempre
distant
p
mp
f
pp
molto
(accent w/breath)
f
player 3 take contrabassoon
pp(open)
n
molto!f
f
p
n
ff
1.
p
pp(open)
n
molto!f
f
p
n
2. open
mf
1. w/str. mute
pp
mf-p
3
pocomp
pp
1. (with cup mute)
mfpp
mf
pp sub.
p
pp
pocop
p
gliss.
mp
Woodblock
p
w.b.
p
tri
mp
b.dr.
n
pp
p
p
b.dr.
tri
w.b.
mp
p
p
pp
p
F#Gb
(p)
mp
D§C#B§/E§F#G#A§
pp
glissando (from the top E)
poco
mf
let all strings vibrate
slow bow
n
Sul D
p
mf
n
pp
mp
n
n
f
p
n
n
p
f
n
pp
(all harmonics indicated at sounding pitch)IV
f
n
4
27 D
D
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
n
1.
p
mf
a2
senza vib.
n
p
mf
pp
n
mf
mf
pp
1. rhythmically
p
mp
(1.)
n
p
mf
a2
pp
mf
n
p
p
mp
n
take mutes
stopped
fpmolto!
sfffz
take mutes
2. with cup mute
p
mf
n
1. open
p
3
3
f sempre
with cup mute
p
mf
n
take straight mute
pocop
n
mp
mf cresc.
p
pp
tri
p
mf
w.b.
pp
n
b.dr.
pocopp
p
mf
D§C#B§/E§F#G#A§
pp
gliss.
mf
outside desks only
n
p
mf
outside desks only
III n
p
mf
ppmolto
f
5
34 E
E
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
1. solo
f
3
p
pp
pp sempre
n
f
(accent w/breath)
pp sempre
p
n
1.
pp sempre
a2 con sord
p
con sord
p
(non cresc/decresc.)
take straight mutes
(open)
mf
f
molto
p
pp
n
gliss.
Bongos
pp sempre
p
D#/EbG§Ab
mp
mf
mf
pizz. l.v.
0
p
arco
mf
n
pp sempre
mp
n
p
gliss.
mfp
pp
div.
pp sempre
mf
pizz.
mp
0 l.v. sempre
pp
mf
0
p
0
pizz. secco
III
mp
0
6
39
F
F
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
3
fpp
p
mp
p
a2
mf
n
mp
mp
p sempre
n
mp
p
pp
mp
a2
mfp
n
pp
p
f
mp
2.
fp
mf
remove mutes
mp
pp
4.
n
f
n
remove mutes
mf
a2 with straight mutes
3
f
ff
n
remove mutes
a2 with cup mutes
pp
moltof
n
take straight mutes
fp non cresc.
molto!
accent w/breath
ff
cresc. molto
f:sffz
decresc...
p
n
p
gliss.
mf
n
(bongos)
f p
mf sub.
w.b.
p
pp
tri
p
b.dr.
ff
full bow
tutti
fp
slow bow
molto fp
sim...
poco
mp f
n
5
full bowtutti
fp
fp
molto
f
n
full bow
fp
slow bow
fp
n
arco
n
mf
n
n
pp sempre
l.v.
arco I
n
0
p sempre
0
0
full bow - slow bow
sub. fp
II (non harm)
7
46
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f:sffz
a2
f:sffz
pp sempre
f:sfz
a2
sffz
1.
pp poss.
f:sfz
sffz
f:sfz
sffz
pp
f:sfz
sffz
mf
present from the start
f sffz
a2
f:sfz
1.
p
mp
pp
open
f sempre
2. take mute
1. solo (open): crying out
f
4.(both) open
f sempre
3. f sempre
4. take mute
3. solo (open): crying out
f
1. open
f sempre
take cup mute
open, distant
p
p
pp sempre
Retune F§ -> D§
f
mp
(two drums tuned to D) march-like, steady; l.v. sempre
sfz
very hard (brass) mallets
Crotales
p
pp cresc. molto
Bb/F§GbA§
sffz
l.v.
p sempre
mp
p
pmolto f:sfz
sfz
sim...
sfz
sfz
l.v.
mf
Sul C
f:sfz sfz
sim...
sfz
sfz
sfz
sfz
n
p
pp
(non harm)Sul D
f:sfz
gliss.
sfz
sfz
sfz
sfz
mf
0 pizz., l.v. sempre
f:sfz
gliss.
sfz
sfz
p
mf
0 pizz., l.v. sempre
8
50 G
G
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc. 2
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
3
pp
p
3
n
1.
n
3
p
mp
pp poss.
poco
p
mp
3
mf
fp
pp
mf
p
pp
pp
fp
mf
mp
(a2)
f
p
(a2)
poco f
mp
p
2. (open)
p
mf
p
with straight mute
pp
mp
pp
1. w/str. mute
n
mp
pp
take harmon mute, stem removed
with harmon mute stem removed
f
sfz
(pp sempre)
p cresc. molto
p
mp
Retune C§ -> E§
sfz
w.b.
p
mp
mf
b.dr.
p
mp
mf
sfffz
l.v.
D§Bb/E§F§G§
mf
f
pp
fp
n
ffp
mf
3
fp
n
pizz. secco
p
mp
take mutes
arco, con sord.
mf
p
flautando
mp
III vib molto (sempre)
0
p sempre
III
0
III(vib. molto)
p
0
arco
mp
9
55 H
H
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f:sffz
p
(a2)
f:sffz
mf
2.
p
f:sffz
mf
p
p
mp
f:sffz
mf
p
pmp
poco f
sffz
(breath accent)
p
sffz
(breath accent)
(a2 (div.))
p
poco f
sffz
(breath accent)
take mutes
1.
f:sffz
with cup mute
mf
take whispa mute
1. with whispa mute
p
with straight mutes
f:sffz
mf
pp
sffz
(breath accent)
pp
f:sffz
pp
f
sffz
mf
3
mfpp
f
w.b.
mp
mf
f
secco
p sempre
mf
b.dr.
p
mp
f
secco
p sempre
f:sffz
sfz
unis.
f:sffz
div.
p
(inside desks)
[
mf
R (outside desks)
tutti: unis.
f molto espressivo, bold and passionate
3
Sul La
3
p
flautando
pp
tutti: unis.
f molto espressivo, bold and passionate
3
Sul La
3
p
fpp
n
(pizz.)
pp
III
cresc. poco a poco
0
sim...
mf
(pizz.)
p
poco f
sffz
mp
0
mf0
arco
p
n
10
61
I
I
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
p
n
mf
mp
p
solo espressivo
f
f
p sub.
n
pp
breath accent
f
p
n
mf
playful and agitated
pp
2. con sord.
p
n
(con sord.)
p
n
4. con sord.
p
n
mf
take straight mute
p
n
p
pp
f pp sub.
ppp poss.
gliss.
pp
mp
mf
Retune D#->F§
molto
f
pp
mf
p
pp
b.dr.
molto
f
pp
tri
w.b.
mf
p
pp
pp
p
pizz., vib molto sempre
mf
p sempre
pp
pizz., vib molto
mf
arco
n
p
pizz., vib molto
mp
n
arco
arco, flautando, non vib.
n
p
n
pizz., vib molto sempre
p
pp
pizz.
mf0
arco
pp sempre
mf
pizz.
p0
l.v.
11
68
J
J
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
n
p
mf
n
1.
n
p espressivo
mf espressivo
f
pp
f espressivo
3
p
pp
p
pp
p
p
mp
mf
n
p mp
1.
n
lightly
p non cresc.
3
p
pp
f
1. with straight mute
p
pp
w/harmon mute stem removed
p
n
p
p
mf
f
p
pp
molto
pp
l.v. sempre
p
n
p
gliss.
mp
pp
p
mp
pp
p
mp
p
E§Fb
p
mf
D§C#Bb/EbF§G§A§
pp
sffz
arco
mp
mf
n
take mutes
n
moltof:sffz
con sord. pizz.
p0
vib molto
arco
pp
p
sfz
sffz
mp
n
n
molto
sffz
n
p
n
pizz. molto vib.
f:sffz
(pizz)
p
12
76
K
K
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
a2
p
mf
(a2)
f
div.
p sempre
mf (sub.)
pp
mf
mf
pp
p
cantabile
mf
n
p
n
legato
p
mf
n
a2
ff p
f
p
molto
pp
mf rhythmically
secco
f
2. con sord., molto legato
p
mf
1. with straight mute
p
f
n
(w/harmon mute, stem removed)
n
con sord.
f
p
pp
f p
mf
f aggressivo
p mf
con sord.
pp sempre
(con sord.)
mp
pp sempre
p
flautando
pp
slow bow, non vib.
n
solo 1
mp espressivo
arco
mf
f
tutti
sffz
pp sempre
(l.h.)
sfz
arco
p intensioso
mf
sffz
ff
sim...
p
sub. ffp
13
85
L
L
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
p
p
light and delicate
pp
p
n
molto
n
1.
n
p
molto
pp
n
remove mutes
2.
mfp
(senza sord)
mfp
n
molto
remove mutes
(senza sord)
mfpp
mfpp
molto
mf
pp
ppp poss.
p
p
echo
mf
mf
div.
(pp sempre)
outside desksinside desks
div.
(pp sempre)
outside desksinside desks
p
(ord)
mf
pp
n
pizz.
p
IIIIII
mf
IV
fullbow
f
pizz.
p
III
0
mf
IV
III
p0
14
94
M
M
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
ff
mf
n
pp cresc.
1.
(mp cresc.)
mf
p (poss.)
mf p
mp
p
p
molto! fp
mp
n
p
molto! fp
n
f
f
mf
a2
fp
mf
p
f 1. take mute
1. con sord 2. stopped
sffz
pp
p remove mute
f
3. take mute
3. con sord 4. stopped
sffz
pp
p remove mute
mfpp
with straight mutes
mp
open
p
f
2. open
pp
(pp)
1. (open)
f
Player 2 take straight mute
(open)
pp
gliss.
f
con sord.
pp
f
pp poss.
p
f:sffz p sub.
pp
p sempre
pp
w.b.
bongos
ppp
p
b.dr
pp sempre
tri
p
(div.)
ff
pp
solo 1
non vib.
unis.
ff
mp
pp sempre
ff pp sub.
p
arco, flautando
mf
non vib.
f
p
gliss.
III
pp0
arco
n
pp
mf
15
100
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
mf
1. molto legato
mf espressivo
f
a2
p
div.
unis.
mf espressivo
mf
pp
a2
mf espressivo
3
pp
mp
f
p
3
mf
f:sffz
stopped
f:sffz
stopped
1. open
p
elegant, legato
mp
fp
mf
pp
p
l.v.
mp
mfpp
pocop
l.v.
pp sempre
w.b.
tri
G#
p
(l.v.)
mf
unis.
p
div.
(div.)
unis.
p
mf
p
p
pp sempre
p
mp
16
106 N
N
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
echo
p
n
mp
ff
3
p
mf
p
3
f
pp
mf
p
mf
p
pp sempre
mf
mf espressivo
f
n
f espressivo
3
3
1. with straight mute
mf
f
p
3
mf
2. with straight mute
mfpp
mp
1. open
f espressivo
open
mp
n
pp
con sord.
f
mp
mf
f
pp sempre
Retune D§ -> E§
pp sempre
pp sempre
w.b.
b.dr.
tri
mf
mp
mf
div.
mp
mf
mf
0 0
(mf)
mp
f
mf
17
111
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
1.
p (echo)
n
f
1.
ff
f
(f)
ff
mp
f
ff
f espressivo
3
both open
pp non cresc....
molto! f
pp non cresc....
both open
f
molto!
ff
with bucket mute
f
(open)
f
f:sffz
( f )
mf
b.dr.
p ...hold back...
molto
f:sfz
mf
n
pp
molto
f
mp
w.b.
f
pp
tri
non cresc.
as distant as possible
p
(p) molto
f
unis.
f
div.
unis.
fff
extremely violentstay on the string! lots of noise!!!
f
div.
div.
extremely violentstay on the string! lots of noise!!!
fff
div.
f
ff
fff
extremely violentstay on the string! lots of noise!!!
f
ff
f
ff
18
=
=
117
O
O
. = 128 pushing forward, growing more and more agitated
. = 128 pushing forward, growing more and more agitated
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp sempre
pp sempre
1.
1.
pp sempre
a2
1.
n
mp
p
mp
1. (w/basses)
mp espressivo
n
1. (w/basses)
mp espressivo
n
2. open
p sempre
1. con sord.
mf
3. con sord.
p sempre
1. w/str. mute
mf
f
remove mute
take harmon mute, stem removed
take mute
ffp
pp sempre
n
p
p
Retune A§ -> B§
p
mp
mf
pp
p
tri
pp
pp
b.dr
p
pp
p
con sord.
pp sempre
n
pizz.
p sempre
0
mf
vib. molto
pizz.
p sempre
0
fff
extremely violentstay on the string! lots of noise!!!
solo 1 , molto espressivo
f
fffp
cantabile y espressivo
19
124P
P
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
(pp)
fp
n
(1)
(pp)
a2
1.
a2
(1)
(pp)
a2
1.
a2
pp sempre
n
pp
mfpp
molto!ff
n
pp
mf
mp
n
p
mp
pp
2.
pp
1.
p espressivo
n
mf
mf
n
(1.)
f
f:sffz
p
f
(a2)
n
p
f:sffz
f
f:sffz
open
p
1. solo, with plunger mute, growl
ffp
a2 (2nd open)
molto!
f:sffz
3. w/str. mute
ffp
3. (w/straight mute)
molto!
f:sffz
a2
1.
ffp
molto!
w/harmon mute stem removed
f:sffz
p
f
p
f
con sord.
p
mf
p
sudden and aggressive
f sub.
mp
retune B§ -> Bb
pp
p
gliss.
gliss.
mf
gliss.
p
b.dr
w.b.
pp sempre
tri
bongos
p
pp sempre
B§
mf
Bb
f:sffz
al punta
p
f:sffz
pizz.
sffz
solo 1arco
ff
al puntaarco
p
f:sffz
pizz.
sffz
pizz.
p
f:sffz
arco
p
tuttipizz.
mp
sfffz
0 (l.v.)
sfffz
0 take mutes
20
130
Q
Q
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp poss.
f
fp
n
1.
p
mfp
a2
fp
pp
(a2)
p
f
p
mf
n
espressivo
f
p
f
n
a2
p
f
sffz
accent w/breath
take bassoon
pp
f
pp sempre
sffz
breath accent
2. open
fp
1. w/plunger mute, growlfp
sffz
breath accent
fp
3. open
mfp
sffz
breath accent
pp
both open
f
pp
mf
p
mute out
fp
open
fpp
mf
p
mute out
open
n
secco
ff
f
mp cresc.
2
2 2
f
Retune F§ -> B§
grace notes before the beat
mf
mp
p
mf
n
tutti
n
arco
p
sffz
(tutti)
n
fp
n
take mutes
con sord, non vib.; slow bow
pp sempre
con sord, non vib.; slow bow
pp sempre
sffz
21
135 R
R
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
p espressivo
pp
p espressivo
p espressivo
n
f
f
n
take straight mutes
f
take straight mutes
take straight mutes
f
f
p sempre
pp
grace notes before the beat
p
Retune D# -> D§
p
b.dr
pp
p
pp
f
f
f
p
mf
pizz.
f sempre
0 l.v.
0
l.v.
arcosul D
p
gliss.
22
140 S
S
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p rhythmically
1.
f
molto legato
p
1.
p
mf
n
mf
n
mf
n
2.
p
3.
(p)
1.
(p)
p
mp
pp
mf
p sempre
gliss.
mp
gliss.
mf
w.b.
tri
D§C§B§/E§F#G#A§
(gliss from G#)
p molto
sffz
gliss.
(gliss from first D)
f
sffz
gliss.(l.v. sempre)
sffz
C#
solo 1 , molto espressivo
f
ff
tutti, rhythmically
p
2
p
molto legato
n pp
rhythmically
p sub.
n
p espressivo
rhythmically
n
p
pp poss.
0
0
0
p
23
144 T
T
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mfp
n
mf
mp
p
mp
p (poss.)
p
mf
pp
ff
pp
f
n
ffp
stopped
fff poss.
ffp
stopped
fff poss.
p
p
p
1. w/straight mute
n
ff
p
with straight mutes
n
n
p
n
p
n
fp
mp
p
p
mpgliss.
gliss.
mf
p
2
pp
mf
pp
p
2
pp
p
mf
fp
n
n
mf
n
24
149
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf espressivo
p
mf
f
p
f
ff
n
mp f
n
mf
cantabile
1. cantabile
p (shadow bass clarinet)
p
f:sfz
1.
mf
stopped
(a2; 2-open)
p
(2.)
1. stopped
(a2; 2-open)
pp
(2.)
3.
mf
(a2-both stopped)
p
4. (stopped)
pp
3. open
mf
1.
p
ffp
mf
mf
fp sempre
mp
(all "real" notes are on vibraphone)
mf
decresc.
mf
Retune F§ -> F#
p sempre
p
b.dr
p
bongos
pp
p
tri
pp
p sempre
p
f
n
pf
n
p
full bow
fp
non vib. slow bow
sffz
p f
mp
f
solo 1
p sempre
off the string
p
sim...
tutti drop out at lib
off the string
p
sim...
tutti drop out at lib
pp
solo 1
f sub.
mf molto vib. sempre
pizz.
arco
p
solo 1
25
153 U
U
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
pp
f
pp
f
n
mf
1. stopped
(a2; 2-open)
pp sempre
both open
4. (stopped)
pp sempre
(stopped)
4 open
(both open)
molto!f
pp sempre
(washtub)
secco
p
Retune C# -> C§
ppp
b.dr
ppp
p sempre
solo 1
espressivo
harm., tutti add in ad lib
p sub.
pp
tutti
solo 1
pp sempre
pp sub.
gliss.
pp sub.
tutti add in ad lib.
tutti add in ad lib.
tutti
26
157 V
V
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p molto
1.
p
mf
a2
p
p poss., cresc...
p cresc...
fp
mf
(non tr)
p non cresc.
2 2 2 2 2 2
a3
pmolto
f
ffp
a2 unis. stopped
f
1. con sord.p sempre
pp sempre
2. open
a2 unis. stopped
ffp
f
3. con sord.p sempre
4. open
pp sempre
with plunger mutes, growl
p
with plunger mute, growl
p
a2, open
ppp sempre
raucous!
gliss.
pp
mallet change...
n
pp
n
pp
(tutti) non vib., flautando (harmonic-like)
p
f
ff
div.
f
non cresc.
tutti add in ad lib.
(tutti)
molto!ff
(div)
f cresc. molto
(tutti; trill through gliss.)
f
gliss.
pizz.
f:sffz
arco
p
gliss.
p
non cresc.
moltof
pizz. 0
p
27
161
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f:sffz
f:sffz
f:sffz
(unis.)
f:sffz
f:sffz
(p)
molto!ff
(breath accent)
sffz
ff
pp
ff
ff
(accent w/breath)
f:sffz
with straight mute
f:sffz
f aggressivo
cadenza
(break roll as little as possiblewhile completing indicated rhythm)
2 2 2
2
f
ppgliss.
ppp poss.
ff:sffz
p
bongos
mp
b.dr
ff:sffz
ppp
tri
p
mf
Bb/G§Ab
l.v. sempre
f sfz
sfz
sfz
p
on the stringdetaché
fff
off the string
p
on the stringdetaché
fff
off the string
p
on the stringdetaché
fff
off the string
p
on the stringdetaché
fff
off the string
p
arco
ff
p
28
168
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
4:3
2 2 2 2
non cresc.
molto!!!
gliss.
DbC#
div.
29
W
W
175
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f:sffz
fpp
f
f:sffz
fp
(unis)
pp
f:sffz
(a2)
p
mf
n
fpp
(unis)
f:sffz
(a2)
fp
poco
mp
f:sffz
f:sffz
fp
pp
f:sffz
p
f:sffz
fp
pp
sffz
p
f:sffz
f:sffz
a2 unis.
fp
n
fp
pp
fp
n
with straight mutes
f:sffz
rip!
ff:sffz
with str. mutes
with plunger mute,growl
p
ff
a2 with straight mutes
f:sffz
fp
pp
f:sffz
f:sfz
decresc.
ff:sffz
ff
( ff )
ff
p
mp
mf
3
ff
ppp poss.
moltof
p
mf
p
mf
f
p sempre
f
sffz
p sempre
pp
f
f:sffz
non vib.
fp
pp
n
f:sffz
n
mf
n
p
2 2 2
n
ff
fp
pp
p
n
pp
f:sffz
fpp
p
n
pizz.
sfz0
l.v.
f:sffz
n
ff:sffz
30
181
X
X
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
f:sffz
1.
mf
f:sffz
2.
f
mf
f:sffz
2 2 2 2 2 2
f:sffz
f
f
1.
pp cresc.
pp cresc.
a2 con sord.
p (sounding)
mf
pp
mp
unis.
p
n
a2 con sord.
p (sounding)
mf
pp
mp
unis.
p
n
a2 with straight mutes
mf decresc.
with straight mute
mf decresc.
1. w /str mute
mf decresc.
p
decresc.
pp
f
p
decresc.
pp
f:sffz
mf
f decresc.
secco
p
3 3
pp
pp sempre
pp
mf
f:sffz
(unis.)
2
2
2 2 2 2
mp
n
take mutes
2 2
p
mf
p sub.
non trem.
mf
n
sfz0
n
arco
p
f:sffz
f:sffz
31
186
. =
. =
Y
Y
= 128 pushing forward, agitated and unsettled
= 128 pushing forward, agitated and unsettled
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
div.
f
ffp
p
1.
mf espressivo
1.
f sempre
f espressivo
ff
p
f:sffz
(a2)
mf
a2
f
ffp
mf
mf
f
2. open
f
p
pp
4. con sord.
f
p
pp
p
molto
ff
1. open
f
p f
a2, 2 - straight mute
p
p
moltoff
p
f
a2 with cup mutes
p non cresc.
with cup mute
p
ff
mp
secco
f sempre
p f
p
B§/E§F#G§
f
l.v. sempre
p
n
pp
mf
rhythmically
pizz.
f decresc.
32
191
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
f
sffz
f
sffz
mf
1.
f
ff
p
f
ff
sffz
mf
p
f
a2 div.
pp poss. sempre
f:sfz
mf
f
p
pp
mf
mf
pp
1. (open)
cantabile
mp
mf
mf
a2
secco
p
molto
f
bongos
pp sempre
p
pp
crotales
p sempre
ff
Bb/A§
f
ff
con sord.
p sempre
con sord.
p
p
mf
n
f
p
pp sempre
33
196 Z
Z
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Crot.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
mf
div.
f
ffp
a2
f
pp
pocop
pp
mf
f
p
pp
pocop
pp
mf
f
pp
p
ffp
mf
mf
mf
rhythmically
mf
f espressivo
ff:sffz
1. open
p
mp
3. open
p
mp
f:sffz
1.
p
2.
mp
take straight mutes
w/str. mute
p
mp
take straight mute
(open)
f espressivo
ff:sffz
pp sempre
embedded in the orchestra
mf
ppp poss.
f:sfz
ppp poss.
ppp poss.
G#A#
mf
f
sffz
col legno battuto
f
decresc.
pp
norm.
f
f:sffz
col legno battuto
f
decresc.
pp
norm.
f
col legno battuto
f
decresc.
pp
norm.
p
pp
pizz.
mf
l.v.
mp
arco
ppp poss. sempre
secco
mf
ffp
34
201AA
AA
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
mf
1.
pp
p
mf
f
pp
p
n
f
pp
p
n
pp
p
pp
p
mf
pp
a2 con sord.
2. stopped
fp
f:sffz
1. stopped
p
(2-open)
3
pp
a2 con sord.
3. stopped
p
ff:sffz
with straight mutes
remove mutes
ff:sffz
with straight mute
remove mutes
a2 with cup mutes
pp
poco p
remove mutes
1. solo
ff
fff
ff:sffz
w/cup mute
ff:sffz
(open)
pp
mf
pp
ff:sffz
pp
p
f:sffz
p
gliss.
pp
gliss.
p
rhythmic
p
p
ppp poss.
fpp
n
ppp poss.
remove mutes
senza sord.
pp
p
ppp poss.
n
pp
p
pp
p
n
mf
pizz.
35
209
BB
BB
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
molto f
p
f
pp
p
1.
ff:sffz
(1.)
f
p
f
pp
molto legato
f
p
f
pp
f
p
f sempre
f
f
p
f
pp
p
ff:sffz
f
a2 open, wild!
n
ff
f
a2 open, wild!
n
ff
2.(both open)
p
molto!
sffz
1.(open) rhythmic and aggressive
f
3
open
p
molto!sffz
ff
open
p
p
rhythmic
rhythmic
p sempre
3
rhythmic
p sempre
3
pp sempre
p
pp sempre
D§C§/F#G§
f:sfz
l.v. sempre
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
pp
ff
pp sempre
pp cresc...
ff
pp sempre
pp cresc...
ff
pp sempre
pizz.
p sempre
molto vib. sempre
(pizz.)
p sempre
36
216 CC
CC
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
f
ppp poss.
pp sempre
f
ppp poss.
pp sempre
f:sffz
1. solo, bold and passionate
f
p sempre
a2 molto legato
mf espressivo
secco
pp cresc.
n
ff
a2
n
n
ff
3. open
p sempre
a2 stopped
ffp
ff
2. open
p
ff
p
1. take straight mute
1. with straight mute
f p
f
with cup mute (v. tight)
p
f
ff
sffz
3
3
3
pp
p
3
3
3
3 3 3
f aggressivo
pp sempre
con sord.
pp sempre
arco
ffp
n
I
p
arco
ffp
pp
mp espressivo
3
37
223
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
mf
pp sempre
moltolegato
a2
p espressivo
mf
(mf sempre)
p
1.
mf
f
(a2) secco
mf
p molto
f:sffz
n
p
mp
pp
p
3
p
mf
3
3
3
3
f
3
mf
cresc.
f
cresc.
ff
n
2. open
mf
3
f
pp
ff
4. open
mf
3
f
(2 - open)
p
1 - w/str. mute
mf
p
mf
pp sub.
3
p
f
p
1.
p
3
mf
pp sub.
p cresc.
secco
mf
cresc.
f
p
3
mf
3
mf
f
3
3ff:sffz
pp sempre
3
3 3 3 3 3 3 3 3
ff
fff poss.
p
fff poss.
p
sffz
n
p
molto!ff
mp non cresc.
pp
mp
mf
3
f
3
3
ff
3
3
38
228DD
DD
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
3
f
n
mf f:sfz
sffz
3
pp sub.
mp
n
1.
f
sfz
sffz
3
pp
non cresc.
p
a2
mf cresc.
f:sfz
sffz
3
fpp
f:sfz
sffz
3
mf
molto legato
fp
f
ff
3
mf
p
f
3
n
p
n
fp
n
3
ff
a2
f:sffz
3
ff
p
3
mf
pp
3
f
p
n
p
mf
n
p
mf
n
p
f:sffz
p
mp
molto ff
1. take harmon mute (stem removed)
pp
mp
molto
ff
p sempre
3
3
3
3
3
3
p
3
3
3 cresc.
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3
p
mf
p sempre
3
3 Retune C§ -> Bb
3
fpp
sffz
div.
fpp
sffz
f espressivo
p
f
ff
sffz
pp
f
ff
sffz
n
3
f
pp
ff
3
39
234 EE
EE
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
f
mf
p
f
fpp
f
mp
mf
f
a2
mf
unis.
mf
f
fpp
f
mp
mf
f
p
fpp
f
mp
mf
p
mf
f
div.
mf
f sempre
2. stopped
3
3
3
ff
4. stopped
f sempre
ff
1. solo w/harmon mute stem removed
f espressivo
ff
mute out
(open)
mf espressivo
mf espressivo
3
3mf
3
3
3
f
3
3 3
3 3 3
3
3 33
3
3 3
3
mp
mf
ff:sffz
mf
mp
mf
non vib.
fp
pp
fp
f
III
gliss.
40
240 FF
FF
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Cbsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
p
mf
ff:sffz
f:sfz
unis.
f poss.
div.
cresc...
ff:sffz
div.
f:sfz
unis.
f cresc...
ff:sffz
f cresc...
ff:sffz
mf cresc.
ff:sffz
f cresc.
ff:sffz
mf cresc.
ff:sffz
2.
f ff:sffz
4.
f ff:sffz
ff:sffz
ff:sffz
mf espressivo
f
ff
cresc...
ff
cresc...
ff
3
3
3
ff
take plastic mallets(rec: earplugs)
3 3
3 3 3
ffpp
ffpp
cresc. molto...
fff:sfffz
cresc. molto...
(div)
fff:sfffz
fff:sfffz
fp
fff:sfffz
fp
fff:sfffz
41
245
GG
GG
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
(a2)
f
3
ffpp
molto!!sfffz
2nd player take picc
f
sfffz
ffpp
molto!!sfffz
(a2)
p
ffpp
molto!ff
3
3
f
3
ffpp
molto!!sfffz
f
2.
(1.)
f
3.
f
3
ffpp
molto!!sfffz
f
4.
(3.)
f
f
3open (1 & 2)
ffpp
molto!! sfffz
solo (1.)
f
with straight mute
f (sounding)
sfffz
take cup mute
(a2)
sfffz
f
3
3 ff
sfffz
f
3
3 ff
sfffz
f
very hard (plastic) mallets, very slow motor onVibraphone
fff poss.
Ped till sound fades
sfffz
secco
sfffz
3
secco
p
f
sfffz
secco, with 2 mallets
sfffz
sim...
ffpp
f
w.b.
p cresc.
tri
f
sffz
heavy and deep tone
fp
f
Crotales
hardest possible mallets, metalic sound, l.v. sempre
f cresc.
ff
pp
b.drheavy and deep tone
p
5
f
(glissando from Eb)
fff poss.
let whole instrument vibrate...
D#
l.v. sempre
f
pizz.
fff tutta la forza
0
arco
fp
f
ff
gliss.
3
pizz.
fff tutta la forza
0
arco
fp
f
gliss.
(note: not an octave)
ff
gliss.
3
pizz.
fff tutta la forza
0
arco
fp
ffp
gliss.n
3
pizz.
fff tutta la forza
0
arcofull bow
ffpp
slow bow
molto!
throw bow!
sfffz
p
ff
gliss.
3
pizz. secco
p
f
fff tutta la forza
l.v.
arco
f
42
252
HH
HH
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
n
p
molto!
sfffz
f poss.
f
n
echo
p
molto!sfffz
p
mf
f
echo
p
molto!sfffz
sfffz
1.
p
echo
molto!sfffz
n
sfffz
(breath accent)
ff
sfffz
(breath accent)
2. open, rhythmic
mp
mf
with cup mute
p
mf
f
1.
f espressivo
3
3
3
ffp
ppp
n
p
f
sfffz
n
f
sfffz
f decresc.
fp
f
f
ff aggressivo!!!
ff aggressivo!!!
f
ff aggressivo!!!
sfffz
3
3
3
ff aggressivo!!!
ff aggressivo!!!
43
259
II
II
= 96 Tempo I, suddenly transparent and clear
= 96 Tempo I, suddenly transparent and clear
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
cresc. poss.
sfffz
ff
cresc. poss.
sfffz
a2
ff
3
f cresc. poss.
rhythmic
sfffz
f
rhythmic
f cresc. poss.
sfffz
p cresc...
f
fff poss.
a3
p cresc...
f
fff poss.
f
a2
ff
fff poss.
f
a2
ff
fff poss.
a2 1 - open; 2 - plunger mute, growl!
ff cresc. poss.
3
open (1 & 2)
fff poss.
sfffz
f
ff
fff poss.
a2
f
fff poss.
f
fff poss.
f
fff poss.
mf
(l.v.)
p decresc.
pp
p
ppp poss.
f
ff
cresc. poss.
sfffz
ff sfffz
take mutes
ff sfffz
take mutes
ff sfffz
take mutes
solo 1un poco vib.
pp sempre
ff sfffz
take mutes
sfffz
take mutes
44
ritard
ritard
266
= 80-88 slower but moving forward
= 80-88 slower but moving forward
JJ
JJ
ritard poco a poco
ritard poco a poco
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mp
dolce
1. dolce (echo)
mp
n
1. open
pp
p
take mutes
a2 con sord., in the distance
pp
n
p
cantabile, molto legato
mp
p
3. open
pp
p
take mutes
a2 con sord.
pp
n
cantabile, molto legato
p
mf
p
1. open
pp
p
open
pp
p
pp
take bucket mute
solo 1
n
cantabile
f espressivo
pp sempre
con sord.
p
con sord.
n
pp sempre
n
p
mp
con sord.
n
pp
p
mp
cantabile espressivo
f
3
3
n
pp
con sord.
n
pp sempre
45
KK
KK
= 72 slowing to the end
= 72 slowing to the end
276
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Cb.
n
solo
mp
pp
echo
p cantabile, molto legato
3
mf
p cantabile, molto legato
3
mf
mf
p
mf
p
molto espressivo
3
p
mf
p sempre
3
3
pp
p
pp sempre
pp sempre
n
n
pp sempre
mp
n
p sempre
mf
3
n
n
(tutti)
p
mp
mfp
pp al fine
poco p
pizz., vib molto sempre
f
arco
mf
46
LL
LL
286in time to the end
in time to the end
Picc.
Fl.
Ob.
Eng. Hn.
Cl. in Bb
Cl. in A
B. Cl.
Bsn.
Hn.
Hn.
Tpt.
Tpt.
Tbn.
B. Tbn.
Tba.
Solo Perc.
Timp.
Perc. 1
Perc.
Hp.
Vln. I
Vln. II
Vla.
Cb.
pp
n
a2
p poss.
stagger breathing as necessary...
mfp
pp al fine
n
pp
pp
n
pp
pp
n
pp
n
n
with bucket mute
n
con sord.
p dolce
n
mfal fine
pp sub.
p
pp
pppp
mp
p
pp
n
p
pp
n
p
pp
n
3
pp sempre
n
n
n
47