tpavone_portfolio draft 3

8/14/2019 Tpavone_portfolio Draft 3

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T o n y Pavone P o r t f o l i o 2 0 0 9

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Urban Avairy

Elevating Scars of History

Sub Hub

Collabrative Arts Commune

Amphitheate

Object Encode: Memory Mote

Cybernetic Organism Facility

Somatopia

Body Fixtures

Haptic Material Studies

cover image: pattern design developed to study the morphology of hexagonal structures. Somatopia


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Tony Pavone

email: [email protected]

phone: 1 559 350 2449

address:

20611 rd. 248

Lindsay, CA 93247


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hand speaking b e a u t i f u l ; beautiful hand study fall 2oo4

If a blind man/woman and adeaf woman/man met in the(almost) center of a plaza filled

with people, how would theycommunicate?

I want to say that the body of my

work coherently considers the root of

this question, but i appreciate the

obscurity of the scenario enough to

understand that every mark i make

another mark can be made with

equal/opposite and greater force;

therefore, the act of making has no

beginning or end...just an action.


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unlike the the golden rectangle, le modulor or the vitruvian man this contempo-

rary system considers the unraveling of the skin as a measure of spatial sensation.


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the organization of my closet consist of a system of three zones. zone 1 has all the objects that i use frequently,zone 2 has the objects that are used continously, zone 3 has the objects that are never used but have alot ofmass.

all memories have mass. some memories have alot of mass and others have millions of particles that createa single mass.

objects in zone 3 have a single memory associated with it. objects in zone 1 have several memories. objectsin zone 2 are continously used such that all memories are recycled. to resist amensia new objects or recycledobjects fuse and create a mass.

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 06 object encode: memory motel page 1 of 38

voice 26

dead city

roa

ult

Terry Hargrave Studio spring 2oo6

MEMORY MOTEL, carrizo plain, CA

mory motel is a self contained system of human cognition consisting of 26 voices, traced from san luis obispo, santa margar

x,y,z,ct

12,72,5,0;00;04;02

0,168,7,0;00;08;10


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creatures

lake

landscape

rrizo plain. voice 26 (the antagonist) is the architecture of literal and phenomenological echoes.

120,0,8,0;00;10;00

72,60,9,0;00

72,12,4,0;00;08;09

84,60,6,0;00;03;00


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Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 06 object encode: memory motel page 1 of 38

What is "voice"? It is the sense of agency that makes a person confident that he or she will be heard r.grossman- psychotherapist

narcissistic voice - continuous proof of the significance of their voice, narcissists must find people to hear and value them. r.grossman

echo - is a reflection of sound, arriving at the listener some time after the direct sound.

Not the power to remember, but its very opposite, the power to forget, is a necessary condition for our existence. st. basil

The noosphere can be seen as the sphere of human thought...noosphere is the third in a succession of phases of development of the E

cognition" is to describe the emergent development of knowledge and concepts within a group that culminate in both thought and actio

dead city

creatures

landscape

(x)

(zt)

(xt)

(yt)

(x)

(y)

(zt)

(xt)

(ct) (y

t)

(x)

(y)

(zt)

(xt)

(ct)

(yt)

(x)

(y)

(xt)

(ct)

(


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voices & echoes of carrizo plains

road

fault

these echoes in apyschical sense effect the

voices that inhabit the

system.

phenomenologically the

antagonist inhibits the

concious experience of

the voices through isolated

listening of reflected

sound.

voices indulge sound to

be listened too, creating asense of agency that a

particular voice will be

encoded and impact the

surrounding environment.

in essence the psychologi-

cal voice is life; therefore,

the voices needs to be

heard to know their alive.

inclusively the 26 voices

can be heard allowing for

a narcissistic existence,

and until the duration

echolessness the 26voices will remain echoed

in the contained system-

atic cognitive noosphere.

72,60,9,0;00;05;05

120,0,8,0;00;10;00

0,168,7,0;00;08;10

84,60,6,0;00;03;00

12,72,5,0;00;04;02

72,12,4,0;00;08;09

24,0,3,0;00;07;08

(x)

(y)

(zt)

(xt)

(ct)

(yt)

(x)

(y)

(zt)

(xt)

(ct)

(yt)

(x)

(z

t

)

(ct)

(yt)


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Tom Fowler Studio, Winter 2005

Elevating Scars of History, Roosevelt Island, NYC

nspired by a the geometry and primary colors of a abstract Mondrian painting, this

competition entry attempts to utilize the atrium space as an outlet where architectural

program plugs into the structure to deviate from closed circulation paths for a healthy

user experience......

.................................................

You enter the project through a circulation spine that penetrates through an existing

window of the small pox hospital ruin. This spine is inclined and connects the polymer

celled spaces that puncture through a glass and perforated steel skin envelope. The

ransforming pattern of the skin compliments the evening entourage of lights that glow

rom the Manhattan skyline while the cell spaces extend out to queens. The polymer

cell structures provide lighting from two sides to enable a sense of being outside. The

entire program fits into these cell spaces and includes a outdoor theater, garden and

gallery spaces.................................................

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 02 Elevating Scars of History page 5 of 38


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atriumevent hall

gallery

artist housing

art classroom

art studios

theater

lightwieght polymer

structure

high performance low-ecurtain wall

steel track for

operable panels

accessible

circulation ramp

anodized perfo

aluminum scree

operable transluce

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 02 Elevating Scars of History page 7 of 38


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A

A


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study of artificial & natural light projecting into interior spaces

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 05 Amphitheater page 13 of 38

mage: nuclear clouds over america; positvie/negative diagram of pnuematic column grid extrapolation

Las Vegas

Sixty miles northwest of Las Vegas

5%lightsource;95%intrusion

40%l

ightsource;40%i

ntrusion

80%l

ightsource;35%i

ntrusion

95%l

ightsource;10%i

ntrusion

95%l

ightsource;10%i

ntrusion

25%l

ightsource;8%i

ntrusion


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independent study fall 2oo6

p e r f o r m a n c e

a r c h i t e c t u r eLas Vegas, NV

In 2006 the Barbary Coast Hote& Casino in Las Vegas wa

demolished and resurrected a

a parking structure for its neigh

boring Flamingo Hotel guest. The

beginnings of the parking struc

ture at the former Barbary Coas

Hotel continues to serve it

purpose for five hundred

vehicles set at level (-1). Th

audience rises 30 feet from the

vehicular space to a subsidence

stage level (0), where they are

interrupted by 928 pnuematic

columns that raise and lower to

alter the spatial stage qualities

The back drop of the stage is a

load bearing concrete habit

able wall that serves as gallery

space, theater control booth

and restaurant 100 feet above

stage level that is accessed by a

single elevtor...........................

advisorsTerry Hargrave

Christina McPheeThomas Fowle

Rejoining Pulsating fragments Oistat 2007 competition entry

5%crackoflight

5%crackoflight

10%c

rackoflight

40%c

rackoflight

25% crack of light

15% crackof light

7 2 %

c r a

c k

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h t

50%

cra c

ko

flig

ht

85%c

rackoflight

44%c

rackof

light

4% crack of light

35%l

ightsource;60%i

ntrusion

10%l

ightsource;30%i

ntrusion

6%l

ightsource;12%i

ntrusion

4%l

ightsource;18%i

ntrusion

4%l

ightsource;18%i

ntrusion

98%sh

adow

45%s

hadow

20% shadow

94% crack of light

98% crack of light

65% crack of light8% crackof light

75% crackof light88%crackof light

6 8%

s hado w

68%s

hadow

2% shadow


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Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 05 Amphitheater page 15 of 38


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(-1) (0) (1) (2) (3)

potential stage areas

0 8 16 32


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independent study fall 2oo6rift

C O L L A B O R T I V E

A R T S C O M M U N ENuclear Testing Site, NV

advisors:

Terry Hargrave

Christina McPhee

Thomas Fowler

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 04 Collaborative Arts Commune page 11 of 3

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ishedduringtheper


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Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 04 Collaborative Arts Commune page 11 of 3


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inspired from studying a

birds wing in flight, this

Urban Aviary Prototype

offers the occasional to

avid bird watching citydewller a place atop,

aside or in between

building spaces to

experience

...............

Constructed of tube

steel pressure treated

with a (1) fire proofing

layer, (2) wood particles

and (3) bird feed, the

integrity of the structure

is not compromised

while the user experi-ence is heightened

with the walking

platforms and viewing

stations during feeding

time. ...

U r b a nA v ia r y P r o t o t y p e

Ralph Roesling Studtio

winter 2004

image: Constantin Brancusi Bird in Space

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 01 urban aviary prototype page 1 of 38


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Video collage: Nuclear Bird in a Vacuum http://www.vimeo.com/6133491


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Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 01 urban aviary prototype page 3 of 38


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1

3

2

tube steel

bird feed

wood particles

fire protection


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FountainAlley

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 07 Cybernetic Organism Facility page 19 of 3

r u c e T o m b S t u d i o W i n t e r 2 o o 7

y b o r g s v s m u t a n t sFountain Alley, San Jose, CA

the year 2010 the technological divide will

ncourage new aspects of survival. The rich will

ecome richer and the poor will continue to strive.

y the year 2020 the technological divide will be

its acute potential with the progressive develop-

ent of genetic engineering and cybernetics that

e destruction of the natural human race will be

evitably split into two races [cyborgs and

utants].

the heart of san jose, within an assumed historic

strict, a inhabited landscape once began as a

etaphorical machine that would activate the

id-afternoon social life by interacting live/work

nd hostel type sleeping capsules for the publics

aily, weekly, monthly, or yearly purchase through

n automated currency transaction service. Theivately owned human capsule service has

cently become a tool for the poor to try and

vent themselves into the mainstream society of

e rich. Below the landscaped capsules is a

amework of initial spaces that facilitate in the

evelopment of cybernetic organisms that

ducate and develop the technologically

eclined poor.

tially the cyborg facility is situated within the

nvelope of a concrete sleeve that buries it self

6 of a mile below the earths surface. The facility

equipped with the most crucial means of cyber-etic advancement. Level (-1) is a artificially day-

temperature and humidity controlled factory

r nutrients encompassing a space that has the

apacity to store hydroponic units that feed up to

ne million. Also at level (-1) factory for construc-

on and production, the necessary equipment

nd materials for construction and production of

icro dwellings and hygiene systems are housed

thin this factory level. Levels (-2) through (-5) is

n open space with steel anchors embedded

to the concrete envelope that services the

owth and development of the cyborg popula-

on. Level (-6) is the factory for cybernetic organ-m development and a factory for corrupt

yborg extermination.

our lifetime the facility has become over grown

with the mutants extending vertically from the

arth and the design the of the cyborg facility

mited capacity required the construction of

yborg facilities that extend horizontally across the

arths surface inter-connecting all portals to its

igin portal. The mutants and cyborgs have

most stretched to their potential physical growth

at by the 2050 mutants and cyborgs will

onverge at the earths origin surface

1 2

4 5


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a logitudinal section shows one ofthe many facilities at maximumcapacity during year 2050. At thispoint in time the cyborgs havebecome a disposable society, takingon the traits of previous ancestorsfrom the year 2000, and the socialtension will, eventually, cause thecyborg race to breach the distraughtearth surface causing an upheaval

of the elite mutant cultures. It isunclear what will happen at thepoint...but we shall await the orders.

video stills montage: Somatopiahttp://www.vimeo.com/6132179

(-1)(-2)

(-5)

(-6)

(0)


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Michael Lucas, Fall 2007 - Spring 2008

AU_C002

Footprint 225 ft2

Capacity 2 people

Min setup crew 1 person

Min setup time 10 minutes

Min inflation time 5 min.

Materials Rip-stop Polyester and Reinforced PVC

Power source 12 gram C02 cartridge with time released nano air technology

Packed weight 25 lbs.

Packed size 1x2x4 ft.

Technological developments are rapidly changing, such that, the innovations of today will be

obsolete tomorrow. This era of change is naturally reflected in social trends. People, particularly the

youth, are no longer satisfied with the same old environment day in and day out. They demand

change and variety, and this is manifest in two ways: firstly the greater turnover in material belong-

ings, such as cars, furniture and clothes, and secondly the increase movement, not only from one

occupation to another but also between physical environments. The latter has been encouraged

by the advances that have been made in communications. A new versatile architecture must

surely emerge which can accommodate these trends, perhaps a portable instant architecture or

even a short-term throw-away/recycled architecture. Traditional architecture, evolving as it does

from rigid structural forms which dictate the environmental conditions within them, could hardly be

adapted to suit these requiments

-Dent-......

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 08 Somatopia page 23 of 3


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insertbodyhere

insertbodyhere

technological dividethe gap between those with regular effective acceto technology (digital, genetic, robotic, etc)

dystopiaa society characterized by human misery, as squaloppression disease and overcrowding.

utopiaany visionary system of political or socialperfection

somatopiathe co-existence of a dystopia and utopia. at its very

minimal engagement begins with an individuals mind

therefore, each individual determines or controls there

own interpretation of a topia through the body.


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1 2 3 4

B O W L I N E K N O T



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Rip-stop Polyester and Reinforced PVC

braided nylon tension

rope

adhered seem, hh-66

adhesive

5 mm thick Polyvinyl Chloride

2.5 min

0.0 min.

5.0 min


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Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 06 Somatopia, not sited page 26 of 5

A

A

USA PAVILLION

CIRCULATION RAMP

CONCRETE COURTYARD

Rip-stop polyester skin

Vertical and horizontal

braid stainless steel cables

Vertical structure diagram

Horizontal structure diagram


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The U.S. world expo 2020 is a showcase of cultures

around the world that celebrates its future of energy

and exploration through interaction, exchange and

excitement of the enhanced Paralympics games.

Since the beginning of the modern Olympics,

paraplegics have fought rigorously to compete in

the Olympic Games. But due to controversial

circumstances unstated by the Olympic game com-

mittee, the physically disabled people are left

untried.

Now! with modern technology and accelerating

advancements of virtual computer software the

enhanced Paralympics games will take on a new era

of A.I and cyborg individuals competing amongst

each other for the kevlar medal.

The pavilion is made of a piezoelectric rip-stop

polymer that generates energy from the forces of the

wind sustaining the air pressure inside. When deflated

the pavilion has the potential to stiffen its self creating

an open public space. This system of seamed piezo-

electric surfaces adapts to program needs and

growth by de-laminating the seams to add or

subtract sheets from its surface area. By utilizing the

simplicity of ancient air inflation techniques to stabi-

lize the structure there is always a constant

re-circulation of fresh air eliminating the need for

HVAC systems.


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blanket room

body motion chair

tetrahedron seat

BODY FIXTURES

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 09 body fixtures page 29 of 3


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body motion chair: requires the user to completely relax the body to achieve balance

Design constraints: consisted of two 4x8 sheets of corrugated cardboard and glue Dimensions: 30 W x 84 L x 18 H


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b l a n k e t r o o mis inspired by the homeless who attempt

to comfort themselves by any means

....... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . neccessary

M a t e r i a l s : . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

750 linear feet of white single faced corrugated

cardboard and 1000 brass plated prong

...................................... washers and fasteners

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 09 body fixtures page 31 of 3

video collage: blanket room http://www.vimeo.com/607732


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t e t r a h e d r o n s e a t

a experiment with inflatable structures and

its ease of constructability and a diver-

gence of practical furniture to find comfort

in platonic solids

Materials:..................................

4 x 8 20 gauge polyvinyl chloride and HH-66

vinyl adhesive...................................


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H A P T I

M a t e r i a

the sense of touch is often described a

least remebered of the senses in daily li

and in the study of architecture it is bec

ing even more irrelevant.

These material studies attempt to enga

person in a multisensory experience wh

each sense is not revealed as dichotom

greater importance, but as qualities witequal importance.

Every touching experience of architec

multi-sensory; qualities of space, matte

scale are measured equally by the eye

nose, skin, tongue, skeleton and muscle

Juhani Pallassmaa

The Eyes of the Skin

reference image: heat sensitive material, Plastics 2: materials for inspirational design

Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 08 material studies page 33 of 3


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used straws o


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resin&meltingwaxTony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 08 material studies page 35 of 3


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Tony Pavone portfolio 2009 B.Arch from Cal Poly, San Luis Obispo 08 material studies page 37 of 3


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latex&pape

tpavone_portfolio draft 3

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