urbanism and stages of insurgence, teatro oficina, bexiga, são paolo. jeroen stevens, jonas knapen
DESCRIPTION
Elk jaar reikt de Vlaamse Vereniging voor Ruimte en Planning (VRP vzw) de Afstudeerprijs uit aan een (of meerdere) inspirerend(e) eindwerk(en). Voor de editie 2013 werden 22 eindwerken ingezonden. Vijf daarvan stroomden door naar een tweede ronde, waaronder dit eindwerk van Jonas Knapen Jeroen Stevens (KU Leuven) dat uiteindelijk de prijs in de wacht sleepte: Urbanism and stages of insurgence: Teatro Oficina, Bexiga, São Paolo. Dit is de presentatie van Jonas en Jeroen tijdens de tweede ronde.TRANSCRIPT
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Urbanism & stages of insUrgenceTeaTro oficina / Bexiga / São Paulo
Jeroen Stevens & Jonas Knapen Master of Urbanism & Strategic Planning
Promotor: André Loeckx
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Urbanism & stages of insUrgenceTeaTro oficina / Bexiga / São Paulo
Jeroen Stevens & Jonas Knapen Master of Urbanism & Strategic Planning
Promotor: André Loeckx
Chapter I. SCeneS of poroSIty by Jeroen Stevens
Bexiga and the Insurgence of the Margin (1574-1950) . . . . . . . . . . . . . . . . . . . .
Chapter II. SCeneS of ConteStatIon by Jeroen Stevens
Teatro Oficina staging the city (1951-2013) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Chapter III. DeSIgn exploratIonS by Jonas Knapen
A Landscape Scenography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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[BX]
[TO]
[SP]
A Project
Stage
Stage
Stage
A Neighbourhood
A city
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SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)iii
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SÃo PAULo
[BX]
Rio Tietê
Rio Tietê “Good water”
Rio PinheirosRio Tamanduateí
rio anhangabaú “a spell of the evil one”
rio saracura “Hiding bird”
rio do bexiga
QuilOmBO SaracuraAn African centre in the colonial margin (1574-1888)
act. 01 i SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)
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Rio Anh
anga
baú
Rio
Sara
cura
Conv. de São Bento
Conv. de São Francisco
Praça das Bandeiras Conv. de Carmo
Igreja dos Remedios<
Roa
d to
San
tos
Igreja Carmo
camPOS dO BeXiga
gallow
Slaughterhause
Quilombo
Hostel Bexiga
cemetery of indigenous and hanged
+
+++
+
Sé Cathedral
QuilOmBO SaracuraAn African centre in the colonial margin (1574-1888)
act. 01 i SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)
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BeXiGA (Calabreses)
Lappa (Italianos)
brás (Italianos)
Rio Tietê
Estação da Luz
Estação da Brás
Rio Tamanduateí
+ + +
+
+ +
gallows
cemetarycemetary of the in-digenous and hanged
slaughterhouse
slave market
Quilombo
Rio Anhangabaú
Rio Saracura
Rio do Bexiga
PlanejamenTO dO BeXigaImposition and appropriation of an Italian quarter (1888-1905)
act. 02 i SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)
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Rio
Anha
ngab
aú
Rio
Sara
cura
Rua
Bar
bosa
avenida PaULista
PeriPHeral cenTreBexiga and the early modernism (1905-1930)
act. 03 i SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)
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juXTaPOSed inSurgencieSCultures of hybridity (1930-1950)
act. 04 i SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)
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juXTaPOSed inSurgencieSCultures of hybridity (1930-1950)
act. 04 i SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)
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SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)iii
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THeaTre Of eXPerimenTaTiOnTeatro oficina’s theatrical laboratory (1951-1964)
act. 05 ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)
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THeaTre Of reSiSTanceThe military coup and cultures of resistance (1964-1979)
act. 06 ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)
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THeaTre Of reSiSTanceThe military coup and cultures of resistance (1964-1979)
act. 06 ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)
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THeaTre Of reSiSTanceThe military coup and cultures of resistance (1964-1979)
act. 06 ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)
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THeaTre Of inSurgenT urBaniTySocial movements and the right to the city (1979-1984)
act. 07 ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)
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ESCALA 1:1 0000 25 100 m50 75
Equidistância das curvas de nível : 1 metro
oswald de andrade the former residence of modernist writer (see page <?> & page 112)
cortiço one of the largest cortiços of bexiga (see page <?> & page 174)
tbc the first important theatre of bexiga, the teatro brasileira de commedia (see page <?>) rua Japurá
Where oficina tried to ‘break through’ the fence of the small gated compound that residents made
casa doña Yaya one of the oldest buildings of bexiga. today it’s the centro de Preservação cultural of the Universidade de são Paulo
teatro oficina
frOm inSurgence TO cOPrOducTiOnQuestioning cultural practice as a basis for coproductive urbanism (2001-2013)
ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)
act. 09
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DESIGN EXPLORATIONSA Landscape ScenographyIII
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FRAMING RESEARCH BY DESIGNSite consolidation
Act. 10 III DESIGN EXPLORATIONSA Landscape Scenography
III DESIGN EXPLORATIONSA Landscape Scenography
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A LANDSCAPE SCENOGRAPHYDesign strategies
Act. 13 III DESIGN EXPLORATIONSA Landscape Scenography
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A LANDSCAPE SCENOGRAPHYDesign strategies
Act. 13
A new ArmAture
topogrAphic differentiAtion
continuous lAndscApe
ARTICULATING THE LANDSCAPE: DESIGN PRINCIPLES
III DESIGN EXPLORATIONSA Landscape Scenography
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(RE-)COLLECTING QUALIFIED AND UNQUALIFIED OPENS PACES
(re-)collecting plAtform
requAlifying corroded grids
Altered topogrAphy:
Source: all images by authorinserting a public platform
A LANDSCAPE SCENOGRAPHYDesign strategies
Act. 13 III DESIGN EXPLORATIONSA Landscape Scenography
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ToolsCrossing the highway Maximizing headroom Creating platforms
1
1
2
2
3
4
Differentiating passages
A (re-)collecting platform
Vertical circulation
3
4
A LANDSCAPE SCENOGRAPHYDesign strategies
Act. 13 III DESIGN EXPLORATIONSA Landscape Scenography
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Altered Topography
A LANDSCAPE SCENOGRAPHYDesign strategies
Act. 13 III DESIGN EXPLORATIONSA Landscape Scenography
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A public platform
Act. 13 A LANDSCAPE SCENOGRAPHYDesign strategies
III DESIGN EXPLORATIONSA Landscape Scenography
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requAlifiying corroded grids
recollecting open spAces And Altering
topogrAphy
ArticulAting the lAnd-scApe And recollecting
open spAces
recollecting open spAces And Altering topogrAphy
ArticulAting the lAnd-scApe, collecting open spAces And Altering topogrAphy
recollecting open spAces
A LANDSCAPE SCENOGRAPHYDesign strategies
Act. 13 III DESIGN EXPLORATIONSA Landscape Scenography
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STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14
Teatro Oficina
III DESIGN EXPLORATIONSA Landscape Scenography
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network of streets And pAssAges
STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14 III DESIGN EXPLORATIONSA Landscape Scenography
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squAres And terrAces
STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14 III DESIGN EXPLORATIONSA Landscape Scenography
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STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14
VERTICAL LANDMARKS AND HORIZONTAL PLANES
theAtre: BAlcony
theAtre: stAnd
theAtre: stAdium circus
technicAl fAcilities (contAiner)
mArket
III DESIGN EXPLORATIONSA Landscape Scenography
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Teatro Oficina: Covered street
STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14 III DESIGN EXPLORATIONSA Landscape Scenography
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STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14 III DESIGN EXPLORATIONSA Landscape Scenography
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iconic lAndmArk
STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14 III DESIGN EXPLORATIONSA Landscape Scenography
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Teatro Oficina: overview
STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina
Act. 14 III DESIGN EXPLORATIONSA Landscape Scenography
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EXPLORING MULTIPLE SOCIAL SCENESReflecting upon the landscape armature
Act. 15
EVERYDAY LIFE
III DESIGN EXPLORATIONSA Landscape Scenography
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TEATRO OFICINA PERFORMANCE
EXPLORING MULTIPLE SOCIAL SCENESReflecting upon the landscape armature
Act. 15 III DESIGN EXPLORATIONSA Landscape Scenography
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PAULISTA FESTIVAL
EXPLORING MULTIPLE SOCIAL SCENESReflecting upon the landscape armature
Act. 15 III DESIGN EXPLORATIONSA Landscape Scenography
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Exodus
The context and structure of the research aim to be open-ended. The assemblage of acts & scenes, staged on and by Teatro Oficina, Bexiga and São Paulo, aim to open up new perspectives in ongoing and continuing debate. This way, the collection of acts and scenes hopes to be an open invition for further additions , reflections & debate.
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CidaDe mOdOs DE fAzERMoDos de usarmOdos De ColabOrAr
BieNaL de ArquitEtura dE sĀo PAulO
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