video vortex presentation
DESCRIPTION
Glitch Studies Manifesto presentation at Video Vortex, Brussels, Atomium. 20 November 2009.TRANSCRIPT
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Celluloid -> Cathode -> Plasma -> LCD
2. Len Lye. A Colour Box, 1937.
4. Cory Arcangel. Panasonic TH42PV60EH PLasma Screen Burn, 2007. 5. webcrash2800. %SCR2, May 16, 2009
3. Goto80 and Rosa Menkman. Eastern Fire Swim, 2007.
1. The dominant, continuing search for a noiseless channel has been, and will always be no more than a regrettable, ill-fated dogma.
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2. Dispute the operating templates of creative practice. Fight genres and expectations!
6. 5VOLTCORE. output screen 172. 2005. (circuitbend computer)
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There are three instances when the static notion of transmitting information is interrupted. These interruptions result in noise artifacts:Encoding / decoding (compression), Glitch (other noise) and Feedback
3. Get away from the established action scripts and join the avant-garde of the unknown. Become a nomad of noise artifacts!
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7. RyBN performing Monochrome, (Cimatics Festival, Brussels: 28 November 2008)
8. Still from registration of Botborg performance at TransAcoustic, Auckland, New Zealand, December 2005. <http://www.botborg.com/index.php?go=imageslive> 3 May 2009.
9. Beflix. Glitch (12). 2001-2005, re-colored 2007. Fuji Crystal Archive prints from hi-res digital images <http://www.beflix.com/works/glitch.php?id=121> 1 May 2009.
Exploit compressions, feedback and glitches!
Noise artifact in the arts
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4. Use the glitch as an exoskeleton of progress.
10. Screenshot of Goto80 and Autoboy. HT Gold. 2008. Videogame for Commodore 64.
Challenge actors (artist, tools [hard/software], input and public) and perspectives (genres, interfaces and expectations)!
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5. The gospel of glitch art sings about new models implemented by corruption.
11. Takeshi Murata. Monster Movie, 2005.
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Glitches and filters are inevitably connected.
12. Title Credits America’s Next top Model. 2009.
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6. The ambiguous contingency of glitch depends on its constantly mutating materiality.
13. Notendo. 2001. Circuitbent Nes Console. 14. no-carrier. GlitchNES. March 2009.
15. Rosa Menkman. Romscape. July 2008. 10. Screenshot of Goto80 and Autoboy. HT Gold. 2008. Videogame for Commodore 64.
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7. Glitch artifacts are critical trans-media aesthetics.* Shows a medium in a critical state (ruined, unwanted, not recognized, accidental and horrendous state), a state of hypetrophy.
* Criticize the inherent politics of the medium (genre, interface norms and expectations)
16. Libeskind, Daniel. Jewish Museum Berlin (Blitz or Between the Lines). 1989-1999.
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8. Translate acousmatic noise and soundscapes into acousmatic video and videoscapes to create conceptual synesthesia.
17. Menkman, Rosa and Extraboy. Radio Dada, 2008.
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9. Speak the totalitarian language of disintegration
Glitchspeak (opposing ‘Newspeak’: Orwell, 1984), is not just a new form, but an exoskeleton of progress, a new generative form.
18. Jodi. <$BlogTitle$>. 2006-2007. webpage.
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10. Study what is outside of knowledge: Glitch studiesTheory is just what you can get away with!
19. Friedrich, Caspar David. The wanderer above the sea of fog. 1818. Oil on canvas, 98 × 74 cm. Hamburg: Kunsthalle.