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ShakespeareAround the GlobeEssays on Voice and Speech
A Publication of the Voice and Speech Trainers Association - VastaEdited by: Mandy Rees
Included in this preview:
• Copyright Information
• Table of Contents
• Editor’s Message
• President’s Message
• Selection Instructions
For additional information on adopting this book for your class, please contact us at 800.200.3908 x71 or via e-mail at [email protected]
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Mandy ReesLisa Wilson
Mary K. CorriganDorothy Runk MennenCraig Belknap
Ginny KopfKate FoyRena CookJulia Guichard
David Carey & Rena CookScott KaiserSimone Dietrich &Antonio Ocampo-Guzman
Nadine GeorgeRos SteenKate FoyKevin Crawford
Valerie Clayman PyeMel ChurcherJeanette NelsonRena CookSteve Knight
Ellen J. O’BrienKathryn G. Maes
Jerrold ScottRoger Gross
Barry Kur
Micha EspinosaBeth McGeeEllen J. O’BrienAdrianne Moore
From the EditorFrom the President
Memorials
Evangeline MachlinOren BrownLilene Mansell
Letters to the Editor
A Response to Erica Tobolski’s Article, “Coaching the TelevisionJournalist”
Two Letters in Response to The Voice in Violence
Standard Speech to the Rescue
Heightened Text, Verse and Scansion
IntroductionVoice and Text at the Oregon Shakespeare FestivalTeaching Shakespeare Bilingually
My Life with VoiceHelena, Hitler and the HeartlandShakespeare in Queen’s Park: The Birth of a FestivalShakespeare and CommediaVoice on the Globe Stage: An Actor’s Observations, A Teacher’s
RecommendationsShakespeare in the Open AirVoice Coaching Shakespeare on FilmA Week with Andrew WadeGlimpses Around the GlobeRe-empowering Rhetoric: Performing Language-driven Plays in
a Language-deaf CultureA Shakespearean Scansion Key RingWhy Do We Need All These Words if a Picture is Worth a
Thousand? The Challenges of Teaching Shakespeare toContemporary Actors
Getting High on Verse Drama—Melodies, Antitheses & Quirks
Ethics, Standards and Practices
IntroductionInsight into the Challenges Latino Students Face While
Training in Theatre“White Like Me:” Racism, Cultural Identity and VoiceVoice Work in Classial Theatre: Interview with Michael KahnAn Interview with Fred Adams
Shakespeare Around the Globe
Contents
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Abstracts
Ronald C. SchererRonald C. SchererJoseph StempleLynette GoldbergSheila GordonNancy M. Dion &Cheryl A. HellmannLina Zeine &Karen Waltar FaulknerMichael MorganDebra Hale
Karen Ryker
Karen Ryker
Krista ScottRebecca Clark Carey
Peter SpragueLise OlsonMicha Espinosa &Geoffrey Wm. StepensonLaura HittJack Horton
Melanie JulianRuth RootbergJill Walmsley ZagerKaren Ryker
Contents (continued)
Voice and Speech Science, Vocal Health
IntroductionInterdisciplinary Research CollaborationThe Insidious Nature of Laryngopharyngeal RefluxUnderstanding the voice: The value of interdisciplinary
collaboration
Care of the Voice: Survey Findings from Actors’ Perspectives
Vocal Health with Chinese MedicineVoice in Ancient Healing
Reviews and Sources
IntroductionWebsite ReviewInternet Resources for Voice and Speech Professionals edited by
Amy StollerBook ReviewsThree Works of Note on Performing ShakespeareMastering Shakespeare by Scott KaiserSecrets of Acting Shakespeare by Patrick Tucker &
Will in the World by Stephen GreenblattShakespeare’s Words by David Crystal and Ben CrystalOne Voice by Joan Melton with Kenneth Tom
Dark Voices: The Genesis of Roy Hart Theatre by Noah PikesThe Private Voice Studio Handbook by Joan Frey BoytimBody—Voice—Imagination: A Training for the Actor
by David ZinderVoice and the Alexander Technique by Jane Ruby HeirichFinding Your Voice by Barbara HousemanSelected Thesis and Dissertation Abstracts
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Voice and Text at the Oregon Shakespeare Festival
Teaching Shakespeare Bilingually
My Life with Voice
Helena, Hitler and the Heartland
Shakespeare in Queen's Park: The Birth of a Festival
Shakespeare and Commedia
Voice on the Globe Stage: An Actor's Observations, A Teacher's Recommendations
Shakespeare in the Open Air
Voice Coaching Shakespeare on Film
A Week with Andrew Wade
Glimpses Around the Globe
Re-empowering Rhetoric: Performing Language-driven Plays in a Language-deafCulture
A Shakespearean Scansion Key Ring
Why Do We Need All These Words if a Picture is Worth a Thousand?The Challenges of Teaching Shakespeare to Contemporary Actors
Getting High on Verse Drama—Melodies, Antitheses and Quirks
Voice Work in Classical Theatre: Interview with Michael Kahn
An Interview with Fred Adams
Coaching and Directing Shakespeare's The Tempest
Many “Right” Ways: Honoring Diverse Teaching Methods and Learning Modes—Shakespearean Selves
Brush Up on Your Shakespeare: Adapting Shakespeare's Plays to the Musical Theatre
Three Works of Note on Performing Shakespeare
Mastering Shakespeare: An Acting Class in Seven Scenes by Scott Kaiser
Secrets of Acting Shakespeare: The Original Approach by Patrick Tucker &Will in the World: How Shakespeare Became Shakespeare by Stephen Greenblatt
Shakespeare's Words: A Glossary and Language Companionby David Crystal & Ben Crystal
Scott Kaiser
Simone Dietrich &Antonio Ocampo-
Guzman
Nadine George
Ros Steen
Kate Foy
Kevin Crawford
Valerie Clayman Pye
Mel Churcher
Jeannette Nelson
Rena Cook
Steve Knight
Ellen J. O'Brien
Kathryn G. Maes
Jerrold Scott
Roger Gross
Ellen J. O'Brien
Adrianne Moore
Elizabeth van den Berg
Robert Barton
Joe Deer
Krista Scott
Rebecca Clark Carey
Peter Sprague
Lise Olson
Shakespeare Around the Globe
Cover Articles
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Pedagogy and Coaching
IntroductionA Voice for Owen MeanyCoaching and Directing Shakespeare’s The TempestOedipus’ Aiee’s: Using Ancient Greek on the American StageTrojan Women: The Vocal SoundscapeThe Lessac Approach as a Pedagogical Answer to Outcomes-
Based Education and Training and Whole-Brain LearningVocal Variety in the “Speak English” SchoolThe Theatre Vocal Director in the US and EnglandMany “Right” Ways: Honoring Diverse Teaching Methods and
Learning Modes—Shakespearean Selves
Private Studio Practice
Beyond the Ivy WallsDealing with the Inner CriticTowards Bridging Medical and Non-Medical Approaches to
Voice CareA Private Teacher Abroad: Lee Myoung-haeng Interviews Lissa
Tyler Renaud
Pronunciation, Phonetics, Linguistics,
Dialect/Accent Studies
IntroductionR and its Articulation
Hybrid DialectsContemporary Theory and the Problem of the VoiceVocal Mise en Scène
Singing
IntroductionBrush Up on Your Shakespeare: Adapting Shakespeare’s Plays to
the Musical TheatreThe Well Spoken SingerA Teacher’s Journey into Musical TheatrePedagogy, Performance Theory & Historic Prejudice in Opera
Vocal Production,
Voice Related Movement Studies
IntroductionVoices Around the WorldWhen Voices Abandon Words: Sounding the Depth of the PreverbalResearching the Potential of Merging Suzuki’s Method of Actor
Training with Western Vocal Pedagogy: An Interview withRobyn Hunt and Steve Pearson
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Paul MeierBonnie RaphaelElizabeth van den BergNancy HoufekLeigh SmileyMarth Munro &Marié-Heleen CoetzeeDoreen FeitelbergLynn Watson
Robert Barton
Jack HortonBarbara HousemanSherri K. Zelazny &Lissa Tyler Renaud
Lissa Tyler Renaud
Phil ThompsonEric Armstrong &Paul MeierEric ArmstrongAndrew KimbroughLiz Mills
Wendy DeLeo LeBorgne
Joe DeerMary Saunders-BartonMariann CookExperience Bryon
Marth MunroMarth MunroSandra Lindberg
Wendy Mortimer
