villa foscar i - emap ca cdn · 08/10/2012  · villa foscar i 155 8 the ideal villa as imagined by...

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A B C B A A A B B C A' A C B/C A/B/C VILLA FOSCARI 1558 The ideal villa as imagined by Colin Rowe started with the Villa Rotonda and extended to the Villa Foscari, or Malcontenta, in his famous essay, “The Mathematics of the Ideal Villa.” But Rowe’s was far from any accepted definition of “ideal.” The diagram here gives the most ideal reading possible of a front to back layered ABCBA symmetry in Malcontenta. Here the central C space is not a hori- zontal layer, as in Chiericati, but a cruciform with its own ABA in- ternal organization. The actual, or virtual, villa is a superposition of B and C at the front, or water side, and a collapse of A, B, and C at the rear, garden side. This reading is further reinforced by the slight forward placement from the façade plane of a virtual porti- co, A-prime (notated as A'), at the rear. IDEAL ORIGINAL PLAN VIRTUAL

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Page 1: VILLA FOSCAR I - EMAP CA CDN · 08/10/2012  · VILLA FOSCAR I 155 8 The ideal villa as imagined by Colin Rowe started with the Villa Rotonda and extended to the Villa Foscari, or

A

B

C

B

A

A

A

B

B

C

A'

A

C

B/C

A/B/C

VILLA FOSCARI1558

The ideal villa as imagined by Colin Rowe started with the Villa Rotonda and extended to the Villa Foscari, or Malcontenta, in his famous essay, “The Mathematics of the Ideal Villa.” But Rowe’s was far from any accepted definition of “ideal.” The diagram here gives the most ideal reading possible of a front to back layered ABCBA symmetry in Malcontenta. Here the central C space is not a hori-zontal layer, as in Chiericati, but a cruciform with its own ABA in-ternal organization. The actual, or virtual, villa is a superposition of B and C at the front, or water side, and a collapse of A, B, and C at the rear, garden side. This reading is further reinforced by the slight forward placement from the façade plane of a virtual porti-co, A-prime (notated as A'), at the rear.

IDEAL

ORIGINAL PLAN

VIRTUAL