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ADS 2016, SEMESTER 1, CANHUI CHEN JIAYUN KE 621409 ALGORITHMIC JOURNAL PART B AIR

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  • ADS 2016, SEMESTER 1, CANHUI CHENJIAYUN KE 621409

    ALGORITHMIC JOURNAL PART B

    AIR

  • CONTENTS

    Criteria DesignB.1. Research Field

    Biomimicry

    B.2. Case Study 1.0

    Biothing Seroussi Pavilion

    B.3. Case Study 2.0

    B.4. Technique: Development

    B.5. Technique: Prototypes

    B.6. Technique: Proposal

    B.7. Learning Objectives and Outcomes

    B.8. Appendix

    B.9. Reference

  • CRITERIA DESIGN

  • 58 CRITERIA DESIGN

    B.1. DESIGN FIELD: BIOMIMICRY

    The Organisms save energy, what

    demonstrates the truly sustainability,

    the only real model that has been

    in the planet over long periods of

    time is the ecological world.1

    -Janine Benyus

    1. Janine Benyus, (Ted Talk Biomimicry in Action, 2009) < https://www.ted.com/talks/janine_benyus_biomimicry_in_action?language=en#

  • CRITERIA DESIGN 59

    Architecture is moving towards sustainability due to the natural resource over-consumption and damage caused by human. It is time to begin to think about how to utilize our design to fit in the future and being sustainable in order to avoid the future generation not being able to survive with enough resources.

    Its fortunate to see that human begins to realize the importance of the biological entities. As we are not the first one to build houses for youth and to social/work within large commnity. The ecological organisms are now been awared by human due to their long-lasting sustainble existence. In Ted Talk, Janine Benyus clarified that the truly sustainble model has been in the planet over long periods of time is the ecological world. In the past millions of years, their existence didnt effect the surrounding environments negatively.

    Biomimicry is used in current design flexibly due to distinction of each biological characteristics. It refers to nature as model, and it is a new science that studies natures models and then imitates or takes inspiration from these designs and processes to solve human problems. It not only mimicks the forms of the natural appearance, bu also imitates the biological behaviour to create sustainable outcomes.

    Therefore, I would like to use Biomimicry as the field of my design. I will integrate this design term with the biological characteristics to provide sustainable opportunities for Merri Creek.

  • 60 CRITERIA DESIGN

    ICD/ITKE Research PavilionUniversity of Stuttgart, 2013-2014

  • CRITERIA DESIGN 61

    DESIGN

    The ICD/ITKE Pavilion 2013-2014 is a good example that shows how Biomimicry influences the design implication&opportunities and the fabrication.

    This project was inspired by the shells of beetles, in order to develop a light weight panelized canopy. Beetles are winged insects that have tough outer wings like a shield. All beetles have two sets of wings - their body is covered by a hard shell (called an elytra) that protects the thin wings underneath. Therefore, the design mimicks the biological characteristic of the shells of beetles. The outer shell made by steel frame (hard shell) is strengthened by the carbon fibers (thin wings underneath) so that it results in a stable structure that can withstand the mechanical stresses.

    B.1. BIOMIMICRY

    FIG.2: FIBER LAYOUT FOR ONE COMPONENT

    2. Interview with ICD/ITKE team on fiber-woven research pavilion 2013-14 (ERCO, 2014)

  • 62 CRITERIA DESIGN

  • CRITERIA DESIGN 63

    CASE STUDY

    B.2Biothing Seriossi Pavilion

  • BIOTHING SERIOUSSI PAVILION

    64 CRITERIA DESIGN

    3. Seroussi Pavilion I Biothing arch20, 2007)

  • DESIGN

    The Biothing Serioussi Pavilion is a ground pavilion project located in Muedon. The design was inspired by the local sculpture habitacles. It is a structure seen as grown from self-modifying patterns of vectors based on electromagnetic Fields. 3 The project mimicks the ecological generating process and apply the idea into the deisgn. Therefore, the dynamic nature of the design reflects the parametric relationship between parts and the deep ecology of algorithmic relationships.

    On the other hand, the concept of the project has the idea of indeterminacy to integrate in the structure in order to organize the spatial pattern and generative fabric. The computational method provides the advantage to the designers to achieve the complexity and the self-modifying patterns. The project is a good example of using computational design to create generative design.

    PROGRESS

    The initial computations (arrange the attention and repulsion) were done in plan view then lifed via microarching sections. At the meantime, the designers applyed different frequencies to create the complex and diverse pattern. The branch curve from the divided point can be extended or growed in different way based on the variable field condition. To allow for local adaption to site conditions, additional features were added to the generating script. Therefore, the microbiological structure is fromed and constructed by the complex line charge.

    This project attracts me as the pavilion has a sense of separation due to the volume is defined by line charge but it is also an organic unit due to its clear structure.

    CRITERIA DESIGN 65

    3. Seroussi Pavilion I Biothing arch20, 2007)

  • 66 CRITERIA DESIGN

  • LINE CHARGEAND BOUNDARY

    CRITERIA DESIGN 67

  • 68 CRITERIA DESIGN

  • LINE CHARGEAND PATTERN

    CRITERIA DESIGN 69

  • 70 CRITERIA DESIGN

  • POINT CHARGEAND SPIN FORCE

    CRITERIA DESIGN 71

  • FLAT PATTERN

    FLAT PATTERN

    FLAT PATTERN

    DIATOM PATTERN

    SHELL PATTERN

    FLAT PATTERN 3D

    72 CRITERIA DESIGN

  • 3 DPOINT CHARGE

    FLAT PATTERNFLAT PATTERN

    FLAT PATTERN

    DIATOM PATTERN

    SHELL PATTERN

    FLAT PATTERN 3D

    CRITERIA DESIGN 73

  • 74 CRITERIA DESIGN

    SELECTED OUTCOME

    B.2Selected Criteria

    Im planning to design a structure (mimicking the function and form of the Marine Microorganism- Diatom) suspended instream near the waterbank of the Creek from Merri to Northcote. The brief is to create an instream structure which has the function of biomimetic filter to increase the level of turbidity of selected site so that light is able to penetrate the waters to permit photosynthesis and sustain food sources for fauna from in-stream and surrounding wetlands. Therefore, my selection criteria is the structure that has smooth and fruid form in order to not only allow the fishes to swim through underwater, but also provide the birds from wetlands to drop by.

    The 4 terations that I chose all have fruid and smooth forms.

    Design PotentialThe iterations might be helpful for generating the fruid form which I would attach in the Creek. Thus, the material to construct the structure must be waterproof. However, as the itertions are mostly in point/line charge, the consturcting process would probably be a problem. I might use powder printing or use flexible materials such as polyethylene or fibre.

  • CRITERIA DESIGN 75

    This shape formed by line charge seems like the structure of the marine microorganism which is interesting. However, it is rather to be seen as pattern in stead of an organic structural unit.

    The shape is quite organic and flexible. I might be able to use this kind of swirling and fluid shape to mimick the swarm intelligence and it might achieve my design proposal of building an underwater structure.

    The shapes in the cluster at the central part appears like mountain. Thus the whole structure looks stablized.

    The line charge component enables to define the boundary and make a clear arrangement of the elements. As the lightest curvy strips appear as the primary load bearing structures and the parts growing from the central points seem like the secondary structures, this would be helpful in constructing the physical structure.

  • 76 CRITERIA DESIGN

  • CRITERIA DESIGN 77

    CASE STUDY

    B.3

  • 78 CRITERIA DESIGN

  • CRITERIA DESIGN 79

  • 80 CRITERIA DESIGN

  • CRITERIA DESIGN 81

    ALGORITHMIC SKETCHES

    B.8

    Introducing Parameter Space, Data Types and Functions

    Demonstrating Controllers, Samplers and Fields

  • BY USING CULL PATTERN IN DIFFERENT VECTOR, IT COULD CREATE SECTION

    AND PROFILE OF HUMAN FACE. THIS USEFUL METHOD COULD ALSO BE

    USED TO CREATE MOVIE POSTER IN BINARY CODE EXPRESSION.

    82 CRITERIA DESIGN

  • RUTTEN WEBINAR

    BY USING CULL PATTERN IN DIFFERENT VECTOR, IT COULD CREATE SECTION

    AND PROFILE OF HUMAN FACE. THIS USEFUL METHOD COULD ALSO BE

    USED TO CREATE MOVIE POSTER IN BINARY CODE EXPRESSION.

    CRITERIA DESIGN 83

  • RUTTEN WEBINAR

    BY USING BREP-PLANE

    ON CERTAIN GEOMETRY

    AND CO-ORPERATE

    WITH PROXIMITY 3D

    TO FROM THIS.

    84 CRITERIA DESIGN

  • CRITERIA DESIGN 85

  • 86 CRITERIA DESIGN

  • WEEK 4 MODELAB INTRODUCTORY

    CRITERIA DESIGN 87

  • FIELD FUNDAMENTALS BASICS

    88 CRITERIA DESIGN

  • CRITERIA DESIGN 89

  • 90 CRITERIA DESIGN

  • FIELD FUNDAMENTALS

    CRITERIA DESIGN 91

  • FRACTAL TETRAHEDRA

    92 CRITERIA DESIGN

  • CRITERIA DESIGN 93

  • FRACTAL TETRAHEDRA

    BY CO-OPERATING SIMPLE BREP

    COMPONENT AND OTHER COMMAND

    SUCH AS SCALE OR TRIM CAN ACHIEVE

    COMPLEX SHAPES LIKE THIS.

    94 CRITERIA DESIGN

  • CRITERIA DESIGN 95

  • WEEK 5 EVALUATING FIELDS

    96 CRITERIA DESIGN

  • CRITERIA DESIGN 97

  • EVALUATING FIELDS

    98 CRITERIA DESIGN

  • CRITERIA DESIGN 99

  • 100 CRITERIA DESIGN

  • BY arranging the point

    charge and line charge to

    modify different outcomes.

    EVALUATING FIELDS

    CRITERIA DESIGN 101

  • 102 CRITERIA DESIGN

  • GRAPH CONTROLLERS

    CRITERIA DESIGN 103

  • IMAGE SAMPLING

    104 CRITERIA DESIGN

  • CRITERIA DESIGN 105