web design, usability, and aesthetics 3 omit needless words “the art of not writing for the web”

25
Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web” Notes from book “Don’t Make Me Think: by Steve Krug

Upload: anthea

Post on 07-Jan-2016

29 views

Category:

Documents


1 download

DESCRIPTION

Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web” Notes from book “Don’t Make Me Think: by Steve Krug. Krug’s third law of usability Get rid of half the words on each page Then get rid of half of what’s left. Krug’s third law - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Web Design, Usability, and Aesthetics 3

Omit needless words

“The art of not writing for the web”

Notes from book

“Don’t Make Me Think:

by Steve Krug

Page 2: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Krug’s third law of usability

• Get rid of half the words on each page

• Then get rid of half of what’s left

Page 3: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Krug’s third law

• Omit needless words

• Vigorous writing is concise

A sentence should contain no unnecessary words a paragraph no unnecessary sentences for the same reason that a drawing should have no unnecessary

lines and a machine no unnecessary parts

(Idea taken from E.B. White’s seventeenth rule in The Elements of Style)

Page 4: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Most words take up space.

• No one is going to actually read all of them

• Having them there may require them to be read in order to understand what’s going on

Page 5: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Getting rid of all those words has several beneficial effects:

1. It reduces the noise level of the page

2. It makes the useful content more prominent

3. It makes the pages shorter, allowing users to see more of each page at a glance without scrolling.

Page 6: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Happy talk must die

“…the introductory text that’s supposed to welcome us to the site…

… and tell us what we’re about to see in the section we’ve just entered...”

Page 7: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Happy talk must die

• Something is happy talk when it makes you think, “Blah, blah, blah, blah”

• needless talk/words

• Like small talk-content free

Page 8: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Happy talk must die

• Conveys no useful information

• Focuses on saying how great we are

• As opposed to delineating what makes us great

Page 9: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Instructions must die too

• Instructions are another major source of needless words

• No one is going to read them- unless absolutely necessary

• Make everything self-explanatory, or at least as close to it as possible

• If absolutely necessary, limit them to the bare minimum

Page 10: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

How to create the proverbial “clear, simple, and consistent” navigation

Shopping in the mall at a store…

….where is the item I want?

Page 11: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Navigation systems and organizing hierarchy

Enter

sports toys ACME

1 2 3 A B C MENS

3A B1 B2 18-30 +30f 3b

3aa 3aaa

Page 12: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Website Hierarchy

Sections and sub-sections all with their corresponding links

Page 13: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Web navigation 101 Process when you enter a Web site

• You’re usually trying to find something.

• You decide whether to ask first or browse first

• Asking on the web = searching or search box

Page 14: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Jakob Nielsen (usability expert)

“Search-dominant” users (look for a search box as soon as they enter a site)

“Link-dominant” users (browse first, searching only when they’ve run out of likely links or have become frustrated)

For “everyone else” choice depends on our frame of mind

Page 15: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Oddities of Web space:

• No sense of scale

• No sense of direction

• No sense of location

Page 16: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Important Web facts:

• Bookmarks important mapping technique

• Back button accounts for 30-40% of clicks

• Having a Home page important

• Visited links should be a different color

Page 17: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Overlooked purposes of navigation

• Help us find whatever it is we’re looking for

• Tell us where we are

• It gives us something to hold on to

• It tells us what’s here

• It tells us how to use the site

• It gives us confidence in the people who built it

Page 18: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Web navigation conventions

• Specify the appearance and location of the navigational elements

• So we know what to look for and where to look when we need them

• Putting them in a standard place

Page 19: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Putting them in a standard place

• Putting them in a standard place lets us quickly locate them with a minimum of effort

• Standardizing their appearance makes it easy to distinguish them from everything else

Page 20: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Persistent or Global Navigation

Navigation elements that appear on every page of the site

Page 21: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Persistent/ Global Navigation

Five elements you need to have at all times.

1. Site ID (Logo/Name) Upper left of pages

2. A way home (home page)

3. Search (for big sites)

4. Utilities (Help, how, FAQ’s, site map, etc. )

5. Sections (Main sections of site, often the top 2 levels)

Page 22: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

The (Main) Sections of navigation:

Top levels of a site’s hierarchy

(A secondary navigation may provide subsections)

Page 23: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Hard to find good examples of third level navigation

Lower-level navigation is not as well planned out as top-level

(lower level still as important)

Page 24: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Every page needs a name

• Name needs to be in the right place

• Name needs to be prominent

• Name needs to match what I clicked (as closely as possible)

Page 25: Web Design, Usability, and Aesthetics 3 Omit needless words “The art of not writing for the web”

Breadcrumbs

• Reminiscent of a trail of crumbs

• Early Yahoo example (Home>Arts>Visual>Photography)

• Using alone would not be a good navigation scheme

• Not a good replacement for showing at least the top two layers of the hierarchy

• Put them at top and use “>” (separators)

• Considered a convention

end