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Vivaldi Antonio The Four Seasons - Winter

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Vivaldi

Antonio

The Four Seasons - Winter

EXPLORE

EXPLORE

The Four Seasons was written by the Baroque composer

Antonio Vivaldi (1678 – 1741) in 1723

EXPLORE

The Four Seasons was written by the Baroque composer

Antonio Vivaldi (1678 – 1741) in 1723

It is a collection of four violin concertos each

representing a different season of the year

EXPLORE

The Four Seasons was written by the Baroque composer

Antonio Vivaldi (1678 – 1741) in 1723

It is a collection of four violin concertos each

representing a different season of the year

The music was written to go along with four sonnets

EXPLORE

The Four Seasons was written by the Baroque composer

Antonio Vivaldi (1678 – 1741) in 1723

It is a collection of four violin concertos each

representing a different season of the year

The music was written to go along with four sonnets

Nobody really knows who wrote these sonnets but many

historians think it must have been Vivaldi himself as the

text is so specific to the music that he actually writes it

in the score as it is happening in the music

EXPLORE

The Four Seasons was written by the Baroque composer

Antonio Vivaldi (1678 – 1741) in 1723

It is a collection of four violin concertos each

representing a different season of the year

The music was written to go along with four sonnets

Nobody really knows who wrote these sonnets but many

historians think it must have been Vivaldi himself as the

text is so specific to the music that he actually writes it

in the score as it is happening in the music

This is an excellent example of programme music

EXPLORE

The first movement of winter (L’inverno) is called

Allegro non molto and here is the sonnet for this part of

the music:

EXPLORE

The first movement of winter (L’inverno) is called

Allegro non molto and here is the sonnet for this part of

the music:

Aggiacciato tremar trà nevi algenti

To tremble from cold in the icy snow,

Al Severo Spirar d' orrido Vento,

In the harsh breath of a horrid wind;

Correr battendo i piedi ogni momento;

To run, stamping one's feet every moment,

E pel Soverchio gel batter i denti; Our teeth chattering in the extreme cold

EXPLORE

The first movement of winter (L’inverno) is called

Allegro non molto and here is the sonnet for this part of

the music:

Aggiacciato tremar trà nevi algenti

To tremble from cold in the icy snow,

Al Severo Spirar d' orrido Vento,

In the harsh breath of a horrid wind;

Correr battendo i piedi ogni momento;

To run, stamping one's feet every moment,

E pel Soverchio gel batter i denti; Our teeth chattering in the extreme cold

Now let’s listen and see each line as it appears in the

score:

To tremble from cold in the icy snow

In the harsh breath of a horrid wind

To run, stamping one's feet every moment

Our teeth chattering in the extreme cold

EXPERIENCE

Vivaldi uses many special musical effects that are

especially well suited to string instruments in his music.

Watch William Chandler, Associate Leader of the RSNO

talking about these effects as well as some extras that

performers use today.

RESPOND

RESPOND

On the following two pages are grids containing a list of

musical concepts

RESPOND

On the following two pages are grids containing a list of

musical concepts

We will listen to two different works also composed by

Antonio Vivaldi and you have to work out which

concepts belong to excerpt one or two and which

concepts are common to them both (or neither)

RESPOND

On the following two pages are grids containing a list of

musical concepts

We will listen to two different works also composed by

Antonio Vivaldi and you have to work out which

concepts belong to excerpt one or two and which

concepts are common to them both (or neither)

Have a look at the list of concepts before we listen to

the musical excerpts:

Concepts Excerpt 1 only Excerpt 2 Only Common to both

MELODIC &

HARMONIC

Microtone

Major Tonality

Mordent

Minor Tonality

RHYTHMIC

Irregular Metres

Anacrusis

Simple Time

Hemiola

STRUCTURAL

Ostinato

Alberti Bass

Basso Continuo

Polyphony

Concepts Excerpt 1 only Excerpt 2 Only Common to both

TIMBRE

Pizzicato

Echo

Arco

Sul Ponticello

STYLES/FORMS

Concerto

Neo-Classical

Concerto Grosso

Baroque

Concepts Excerpt 1 only Excerpt 2 Only Common to both

TIMBRE

Pizzicato

Echo

Arco

Sul Ponticello

STYLES/FORMS

Concerto

Neo-Classical

Concerto Grosso

Baroque

There is a maximum of two correct answers in each

section for each excerpt

Concepts Excerpt 1 only Excerpt 2 Only Common to both

TIMBRE

Pizzicato

Echo

Arco

Sul Ponticello

STYLES/FORMS

Concerto

Neo-Classical

Concerto Grosso

Baroque

Here are the excerpts:

Excerpt 1: Excerpt 2:

There is a maximum of two correct answers in each

section for each excerpt