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    WHAT YOUR EYES SEE YOUR HEART MUST BELEIVE

    SPIRITUAL READER & ADVISOR

    Tantra Guru Astrologer

    Vak siddha Yogi Shastrishree Dr.Rupnathji(Dr.Rupak Nath)

    * COMMUNICATE WITH THE PLANETS:- From the moment you wake up in themorning until you go to sleep at night, you are ruled by the planets and the

    stars.The planets are real. They are living beings and each brings a

    different energy to the earth plane every day and every hour of every day.If you knew how to communicate with planets, you could turn them in your

    favor and dramatically improve the outcome of your activities.

    *WOULD YOU LIKE TO KNOW:- How to marry the one you love?How to get

    lucky and stay lucky?How to be with the one you love?Why you're so

    unlucky?How to make a person think of you at a distance?How to win the

    one you love?Help reunite lovers?If your loved one is true or false?Never

    failing advice given on all problems of life?Don't compare me with

    others.One visit will convince you.I GUARANTEE SUCCESS WHERE OTHERS

    FAIL ! !

    Psychic Reader & Advisor

    Tantra Siddha Maha Yogi Shastrishree Dr.Rupnathji(Dr.Rupak Nath)

    He Can & Will Help You As No Other Can

    Don't let distance stand in your way.Call Today - Tomorrow may be too late

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    UNITYIN REALIZATION

    "A human being is a part of the whole called by us universe, a part limited

    in time and space. He experiences himself, his thoughts and feeling as

    something separated from the rest, a kind of optical delusion of his

    consciousness.

    This delusion is a kind of prison for us, restricting us to our personal

    desires and to affection for a few persons nearest to us. Our task must be

    to free ourselves from this prison by widening our circle of compassion to

    embrace all living creatures and the whole of nature in its beauty. Nobody

    is able to achieve this completely, but the striving for such achievement isin itself a part of the liberation and a foundation for inner security."

    Albert Einste in, Let t er of 1950, as quoted in The New York Tim es (29

    March 1972) and The New York Post (28 November 1972).

    Siddha Yogi Rupnath j i has Vak s iddhi meaning whatever he

    says has the pow er o f turn ing in to rea l i t y .Vak m eans speechor vo ice, so Vak S iddhi l i te ra l ly means acc ompl ish ing a pure

    abi l i t y to use words . A t ta in ing mastery o f i t , S iddha Yogi

    Rupnath j i gains the ab i l i t y t o mak e c hanges to t he phys ica l

    mater ia l un iverse.Vak s iddhi depends upon pure

    in ten t ions .Vak s iddh i means w hatever one speaks tu rn t o be

    t rue. Yes , God on ly g ives power to those who have pure

    in tent ions and the fee l ings o f harmlessness to

    everyone.Prac t ic ing Satya w i l l b r ing one natura l ly to Vak

    Siddhi . The word is a force; i t i s the in tent . That is why our

    i n ten t ion man i fes ts th rough the word no mat te r what

    language we speak. The vak s iddhi gave Rupnath j i the

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    power to make whatever he say o r t h ink tu rn ou t t o be

    t rue. In o ther words , S iddha Yogi Rupnath j i got the power to

    accompl i sh th ings by mere thought .Th is i s a l so known as

    psychic speech.Us ing Saraswath i s iddh i ( the s iddhi bywh ich the essence o f g rea t sc r ip tu res becomes known to

    h im) a long w i th 'Vak s iddhi ' ( the s iddhi o f super la t ive

    communicat ion) S iddha Yogi Rupnath j i can cas t a s t rong

    impress ion in the minds of people as regards impar t ing

    know ledge and v ir t ue t o them. Peop le w ho hear the w ords or

    read mat er ia l wr i t ten by the S iddha Yogi Rupnath j i pro f ic ient

    in th i s s iddh i become m esmer ized and w i l l fu l l y compe l led to

    fo l low h is ins t ruc t ions or d i rec t ions . S iddha Yogi Rupnath j i

    i s so impel led and charm ed by the v ivac i t y and c lar i t y o f the

    w ords tha t t hey immedia te ly consent f rom w i th in to ab ide by

    h is adv ice . Know ledge and t ru th f l ow seamless ly and

    ef for t less ly f rom t he mout h o f Siddha Yogi Rupnath j i l i k e the

    c lear w aters o f a f ree f low ing r i ve r . There i s g rea t im pac t on

    people when he uses th is s iddhi . Us ing th is s iddhi , S iddha

    Yogi Rupnat hj i can t urn a non-beleiver of God int o a bel iever,

    a wor ld ly man in to one sp i r i tua l ly minded ( i f poss ib le in the

    rec ip ient ' s karm a). With h is w ords , he can t urn an ev i l and

    dishonorable person in to one who adopts the pr inc ip les and

    tenets of Dharma ( r ighteousness). I t is not poss ib le for

    people to f ind fau l t or go agains t the teachings of such aYogi , for h is words are a re f lec t ion o f Saraswath i (The

    goddess of knowledge) and backed by the absolu te t ru th o f

    Brahman (Almighty) . S iddha Yogi Rupnathj i possesses the

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    abi l i t y to bes tow the e ight s iddh is and the [ [nava n idh i ] ]

    (n ine types of w eal th) .

    Dr.Rupnat hj i says ,

    1.Jeeva res ides in moola , prana in hear t , Tak ing

    jeeva t o t he heart and prana t o dw adashant a

    [sahasrar ] , and dharana of th is moment wi l l g ive

    c omple t eness and fu l lness o f ex is t ence .

    2.When apana and prana me rge int o one anot her and

    that ins tance i f i t i s media ta ted upon , one

    exper iences shak t i [ bha i rav i ] in the body .

    3 .I f one ho lds h is focus on t he mom ent w here prana

    does not ar ise in the hear t and apana has merged

    and th is moment is he ld and expanded in themadhyanadi and no o ther thoughts f low then one

    becom es a yog i .

    4 .When one pract ises , rechak , bahya kumbhak ,

    purak and antah k umbhak regu lar ly , one gets peace

    of mind because shant namak shak t i mani fes ts .

    5 . I f a smal l ray which becomes f iner and f iner as i t

    r ises f rom mooladhar , to dwadashant such a

    dharana ar ises kundal in i .

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    6. I f l igh tn ing is medi ta ted in every chakra one a f ter

    t he o ther t hen kundal in i a r ises super ior ly .

    7 . I f twe lve aksharas are medi ta ted in janmagra ,moola , kanda , nabhi , hrut , kanth , ta lu ,

    bhrumadhya , la lat , bramharandra, shakt i and

    dwadashant , one wi l l have svatma anubhut i ,

    real isat ion of presence of omnipotent LORD , . when

    th is medi ta t ion is car r ied out in th ree fo lds , s thu la

    sukshm a and para , jnyana , bhak t i va i ragya ar ises . [homa , japa dhyan , mudra yantra mantra are a l l

    s thu la , shatchakra sadhana is sukshma , and

    paroksha sadhan is para ]

    8.Rais ing prana f rom janma to murdhni [ aapurya]

    and then by the grace of guruupadesha ra is ing i t

    f rom murdhn i to dwadashanta , in be tween cu t t ing

    across bhrumadhya v ia a br idge towards the

    sahasrar aga in mi t iga t ing a l l the dua l i ty o f thoughts

    in the mind , maing i t s teadfas t in the mukhyaprana

    t hen a l l pervad ing qu lai ty w i l l be know n , one can be

    at var ious p laces w i thout m ov ing .

    9 .Jus t l i ke a mayurp iccha [ feather o f peacoc k ] has

    f ive zeros in i t in d i f ferent co lors , so a lso one must

    wi thdraw a l l the senses f rom eyes , nose , two ears

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    and mouth by p lac ing these zeros in these p laces [

    shambhav i mudra ] , mind become comple te ly s t i l l

    and s tops reac t ing to senses .

    10. I f these chakras are medi ta ted upon in the

    p ic t ure [ body ] o f the ish ta dev ta , one a t t a ins vara [

    boons ]

    11.One gets ex t reme wi l l power i f one medi ta tes

    wi th c losed eyes [ eyes brought together ] and

    comple te ly focuss ing on the cent re o f the head . [

    just below bram harandra in t he c ent re o f head ] one

    c an purssue larger purpose in l i fe .

    12. I f one medi ta tes in the cent re o f hear t [

    hrudayaakasha ] a lo tus [ paramatma and

    mukhyaprana a t the feet ] in the sushumna [ andprana enters ch idakaasha ] , b imba [ pra teeka lamba

    bimba akru t i ] can be seen . [ comple te va i ragya

    t ow ards s iddh i is must in t h is dasha ]

    13.To get param sth i t i ,the grant h i in t he bhrumadhya

    mus t be cu t , to cu t th is one mus t p rac t i se karan

    mudra wi th thumb and f ingers [ c lose a l l the indr iya

    dwaras ] and medi ta te upon a b indu prakash in the

    bhru . The prana reaches bhu m adhya and re lent less

    med i ta t ion cu t s the g ranth i .

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    14.A l l the thoughts o f the mind ca lm down and one

    at ta ins laya i f one medi ta tes upon a deepsh ikha in

    t he hear t or t e j [ the sparks t hat are seen w hen eyes

    are pressed ] i f one media ta tes on th is te j in the

    forehead .

    15.One at ta ins meanings of a l l the words i f one

    m edia ta t es upon the sound emanat ing f rom t he body

    , th is sound is generated wi thout co l l i s ion o f any

    ob jec ts and hence is knwn as anahat One gets thek nw oledge o f shabdabramha .

    16.I f one medi t at es on pranava in var ious in tonat ions

    , one unders tands a l l t he e ight a ksharas of paranava

    and know s the Omk ara rup i parmatm a .

    17.One medi tates on the indiv idual aksharas of am ant ra t hen mant ra rup i Purusha is know n .

    18.I f one m edi t at es on t he sounds of var ious music al

    ins t ruments in between the swaras , then one ga ins

    the knowledge of naadbramha . NAADa in

    paramaakaasha is know n .

    19.One shou ld keep medi ta t ing on p inda mant ras to

    at ta in t he know ledge o f b indu . [ one must be aw are

    of t he shodamasha o f mat ra in p inda mant ra ]

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    20.I f one medi ta t es on a l l d i rec t ions chant ing ghosha

    [sy l lab le in pranav mant ra ] every th ing in th is wor ld

    c an be know n . [ parok sha gyana ]

    21.When one medi tates on the pranava [ shanta

    sy l lable ] as present in d ikpala js , one becomes

    foremost among h is k insmen and achhadana breaks

    down .

    22.One who cont inues h is pranava sadhana in the

    body even for a second medi ta t ing on [ a t ishanta ]

    a t ta ins the s ta t e o f n i rv ika lpa .

    23.One a t ta ins s tab i l i t y in l i fe i f one medi ta tes in

    sk in b lood , bones e tc the presenc e o f Lord .

    24.Medi ta t ing on sk in as the wal l encompass ing the

    se l f , one k now s everyt h ing ins ide t he body and can

    enter any body .

    25.I f one medi t a tes t he Lord as present in cent re o f

    lo tus in hear t w i th eyes l ike lo t us and the same lord

    is present everyw here , one get s good for tune ,.

    26.Medi ta t ing on sahasrar w i l l g ive knowledge o f

    t a t t vas .

    27. I f one remains in sahasrar and as the mind

    focuses on each o f the issue , t here spec ia l aspec t s

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    of the sub jec ts c an be k now n . [ v ibhut i rupa w i l l be

    k n ow n ]

    28.One can burn sel f thru yoga [ yogagni laya ] bymedi ta t ing f i re emanant ing fom the toe o f r igh t leg

    and chan t ing the mant ra

    the body ins tant ly turns in to ashes [ yoga s iddhi is

    require d ,]

    29.Dharana o f above c oncept inc reases v i ta t l i t y .

    30.Dharana on t at vas in t he body g ives know ledge of

    bramhanda ,

    31.One can become th in or fa t as per h is wish i f one

    c an ho ld prana in t he hrudaya chakra .

    32.Bhuvan , ta tva ,ka la mantra pada ,varna are theshadadhva in t ant rashast ra . They are m ani fest a t ion

    of shabda and ar tha . Shabda g ives r ise to varna

    pada and mant ra , a r tha g ives r ise , ta tva ka la and

    bhuvan . Threefo ld m edi ta t ion [ s thu la sukshma and

    para ] g ives r ise to the k now ledge o f the w or ld .

    33.Anut tar [ a ] iccha [ e ] and unmesh [ u ] one who

    know s th is w i l l know the shodashka la tmak purusha .

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    DR.RUPNATHJ IS DIVINE SECRETS

    * V ishuddh i Chak ra - Throat Cent re :

    * v isha = im pur i t y, po ison;* s uddhi = pur i fy.

    *The V ishuddh i Chakra i s s i tua ted in the

    throat . I t s Mant ra is HAM. The co lour o f

    V ishuddh i i s purp le . In th is Chakra our

    c onsc iousness reaches t he fi f t h leve l. The

    cor respond ing e lement i s Akasha (space) .

    We may a lso f ind th is t rans la ted as

    Et her , w h ich suggests t h i s space should

    be f i l led wi th energy. The V ishuddh iChakra i s the s ta r t ing po in t o f Udana

    Prana. I t i s a funct ion o f th is Prana to

    pur i f y the body o f tox ic subs tances wh i le

    breath ing . The name o f the Chakra is

    der i ved f rom th is par t i cu la r func t ion .

    Pur i f i ca t ion no t on ly occurs on the

    phys ic a l leve l , bu t a lso on t he leve l o f t he

    psyche and mind. A l l p rob lems and

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    unp leasan t exper iences tha t we have

    swa l lowed and suppressed dur ing the

    c ourse o f ou r l i fe , c on t inue to ex is t i n thesubconsc ious mind un t i l t hey a re faced

    and resol ved w i th w isdom.

    The Div in i ty o f the V ishuddh i Chakra is

    Brahma, the Creator , the symbol o f

    Consc iousness . In m ed i ta t ion w henind iv idua l consc iousness is d isso lved in

    Ak asha, w e at t a in K now ledge and

    Wisdom. The an imal des ignated to

    represent V ishuddh i Chakra , i s a Whi te

    Elephant . We a lso f ind in th is p ic tu re an

    image o f t he moon, symbo l ic o f t he m ind.

    The V ishuddh i Chakra un leashes an

    un l imi ted fee l ing o f happ iness and

    f reedom t hat a l l ow s our abi l i t i es and sk i l l s

    to b lossom. A long w i th th i s s tage o f

    deve lopment there is a c lear vo ice , a

    ta len t fo r s ing ing and speech, as we l l as

    ba lanc ed and ca lm t hough ts .

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    Unt i l th is Chakra is fu l l y deve loped,

    cer ta in d i f f i cu l t i es may be exper ienced .

    B lockage o f the V ishuddh i Chakraproduces fee l ings o f anx ie ty , lack o f

    f reedom, rest r i c t ion , thyro id and th roat

    prob lems. There may be phys ica l ly

    un founded man i fes ta t ions o f swa l low ing

    problems and speech im pedim ent s .

    In the symbo l i c p ic tu re o f V ishuddh i

    Chakra i s a Lo tus w i th s i x teen pe ta ls .

    These represen t the s i x teen po ten t ia l

    ab i l i t ies (K las) tha t a human can deve lop.

    S ince the V ishuddh i Chakra i s the cen t re

    o f sound , the number s i x teen can a lso

    rep resen t t he s i x teen vowe ls o f t he

    Sanskr i t a lphabet . Vak S iddh i may be

    rea l i sed in th i s cen t re , wh ich i s the

    ex t raord inary ab i l i t y to have the words

    t hat one speaks c ome t rue .

    *Visha = impur i ty , po ison Shuddhi =

    pur i f i ca t ion .

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    *The V ishuddh i Chakra i s loca ted in the

    v ic in i t y o f the Larynx and i s the re fo re

    a lso known as the Throa t Chakra . I t i s a

    cen t re o f phys ica l and sp i r i tua l

    purification. A story from the Purnas

    c lear l y i l l us t ra tes the immense

    pur i f i ca to ry power o f the V ishuddh iChakra :

    *The Devas (gods) and suras (demons)

    wan ted to ra i se the t reasu re Amr i ta ( t he

    nec ta r o f immor ta l i t y ) , wh i ch was h idden

    in the dept hs o f t he ocean , t o the sur fac e .They used Mount Mandara as the s t i r r i ng

    stick and the world serpent, Vsuki, as

    the rope . The gods he ld the ta i l o f the

    snake and the demons he ld i ts head. In

    th i s way they were ab le to chu rn the

    ocean o f t he wor ld w i th t he i r comb ined

    power . Numerous t reasures and prec ious

    ob jec ts emerged f rom the ocean and ,

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    f ina l ly , the longed- for Amr i ta rose to the

    sur fac e in a go lden vessel .

    Bu t the serpen t they had used to churn

    the oceans spat ou t a dead ly po ison tha t

    was capab le o f des t roy ing the who le

    ear th . Qu ick ly the Devas caugh t i t i n a

    bow l so i t was no t ab le to do any ha rm.

    But as they had abso lu te ly no idea whatto do w i th i t o r how they cou ld

    pe rmanen t l y d i spose o f i t , t hey tu rned

    t o Lord Shiva for he lp .

    Lord Sh iva i s the m ost g r ac ious o f a l l t he

    gods, and w i l l never re fuse a request f romanyone . He took the bowl o f po ison and

    drank i t down to the ve ry l as t d rop .

    However , in the process he d id not

    swa l low the po ison bu t he ld i t i n the

    Vishuddh i Chak ra and pur i fied i t by m eans

    of Ujjy Prnyma and Jlandhara

    Bandha . In th i s w ay he r id the w or ld o f a

    dead ly per i l . Thr ough t he po ison h is t h roat

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    was co loured dark b lue , and s ince tha t

    day he has borne the n ickname

    Nlakantha (the blue-t hroat ed on e).There is a deep symbol ism in th is s to ry .

    Our own negat ive thoughts and qua l i t ies

    are the demons; the Devas, however , are

    our good qual i t ies understanding,

    compassion, mercy, love, devot ion andw isdom. Bo th qua l i t i es ex i s t w i th in us ,

    jus t as t he nec t ar of d iv ine w isdom and

    immor ta l i t y and the po ison o f i gnorance

    and ea r t h l y mor t a l i t y ex i s t s imu l taneous ly

    in t he wor ld . The ocean o f t he wor ld

    propels us in tw o d i rec t ions one t ow ards

    the Devas, there fore towards goodness

    and l i gh t , and the o ther towards the

    destructive powers, the suras. The

    serpent (Kundalin) represents both the

    l i f e t ime tha t i s a t ou r d isposa l and thepower (Shakt i ) tha t b r ings the h idden

    t reasure up f rom the dep ths o f ou r inner

    be ing.

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    Nowadays numerous po isons are

    endanger ing the wor ld . The des t ruc t i ve

    in f luence o f humans on th i s p lane tincreases da i l y th rough exhaust fumes,

    w aste , rad ioac t i v i t y, po isonous c hemic a ls

    and much more . We urgent ly need the

    he lp o f Lord Sh iva to neut ra l i se these

    po isons . Th is means tha t we humans

    shou ld become consc ious o f ou r d iv ine

    or ig in and p ro tec t and pur i f y the

    env i ronment w i th our Sh iva

    consc iousness .

    I f w e w ou ld l i ke t o l ive in a hea l th ie r w ay,

    nature must f i rs t recover f ie lds ,

    meadows, fo rests , r i vers , lakes and

    oceans. Th is i s why Yog is va lue h igh ly

    l i v ing a hea l thy l i f es ty le in harmony w i th

    nature and fo l low ing a veget ar ian d iet . To

    l ive as a veget ar ian is an e th ic a l p r inc ip le ,a quest ion o f respons ib i l i t y fo r a l l l i v ing

    be ings. In the B ib le i t a lso says: Thou

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    sha l l no t k i l l ; and th is commandment

    does no t ex em pt an im a ls !

    Wit h the he lp o f t he V ishuddh i Chakra w e

    can r id ourse lves o f the tox ic subs tances

    tha t a re absorbed f rom the env i ronment ,

    as w e l l as ment a l im pur it i es . An impor t an t

    and l i fe -suppor t ing funct ion o f the Chakra

    is the pur i f i ca t ion and de tox i f i ca t ion o f ha rmfu l subs tances tha t accumu la te i n

    t he body and p rim ar i l y com e f rom t he food

    we ea t and the a i r we b rea the . Th is

    detoxification is brought about by Udna

    Prna, which has its seat in the throat.

    Udna Prna enables us to swallow. The

    food tha t i s b roken down by sa l iva is

    purified of toxic substances by this Prna

    and is then passed on to the d igest ive

    system. An act ive V ishuddh i Chakra

    united with a strong Udna Prnacon t r i bu tes subs tan t i a l l y t o t he

    preser va t ion o f hea l th .

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    I t i s no t j us t t he ex te rna l wo r ld t ha t i s

    ex t reme ly po l lu ted , bu t a l so the psyche

    and c onsc iousness o f m any peop le. For aslong as the pern ic ious, tox ic qua l i t ies o f

    d iscord , r i va l ry , envy and resentment ea t

    away a t our mind , the l i gh t o f God

    c onsc iousness c anno t sh ine t h rough.

    Just as Lord Sh iva ne i ther spat t he poisonou t , no r swa l lowed i t , we shou ld no t

    swa l l ow ou r p rob lems as we ha rm

    ourse lves t h rough t h is ; bu t w e should a lso

    no t sp i t t hem ou t as th i s can cause

    another type o f damage. L ike Lord Sh iva ,

    w ho pur i f i ed t he poison in h is th roa t , w e

    can a lso reso lve our p rob lems w i th the

    he lp of t he V ishuddh i Chak ra .

    The V ishuddh i Chakra is a p lace o f

    pur i f i ca t ion and ba lanc ing . The breath

    tha t f l ows th rough the th roa t , and

    there fore th rough th is Chakra , p lays a b ig

    ro le in th is . The Yoga techn ique o f

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    Prnyma (conscious guidance and

    regu la t ion o f the b rea th ) exer ts a s t rong

    in f luenc e on t he V ishuddh i Chak ra , a t bo t ht he phys ica l and ast r a l levels . Through the

    power of the breath (Prna Shakti) in the

    Vishuddh i Chakra harmfu l res idues are

    rem oved f rom t he body on a phys ic a l leve l ,

    and in the menta l sphere the though ts

    emot ions , consc iousness and

    subconsc ious are pur i f ied and

    harmon ised .

    We ga in consc ious ac c ess t o t he d if fe ren t

    leve ls o f consc iousness in Se l f - Inqu i ry

    med i ta t ion . In the p rocess o f se l f -

    i nves t iga t ion we come across numerous

    jew els and pear ls w i t h in our

    consc iousness, bu t a lso o ld res idua l

    issues and ins id ious po isons.

    Remain ing w i th t he s imi le o f po ison , unt i l

    we have maste red the V ishuddh i Chakra

    we have on ly two poss ib i l i t ies to e i ther

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    sp i t ou t o r t o swa l l ow the men ta l po i son

    t hat penet ra tes f rom ou ts ide o r ri ses f rom

    w i t h i n .

    We sp i t ou t hur t fu l words , mean though ts

    and bad behaviour , and swal low bad

    t reat m ent , insul t s , doub ts and c om plex es .

    Bo th in fec t ou r consc iousness and

    subconsc ious . Numerous psych icd is tu rbances a re a resu l t o f th ings we

    have swal lowed. We undergo our f i rs t

    for m at i ve ex periences in t he w om b. There

    a re many th ings we mus t d iges t i n t he

    course o f ou r l i f e , many th ings to

    swa l low . In ch i ldhood we a re unab le to

    express many emot ions due to fea r o r

    he lp lessness . Much o f tha t wh ich s t i l l

    causes us d i f f i cu l t y today has been

    bo t t led up w i th in us f rom th is t ime . How

    are we ab l e t o cope w i t h t hed isappo in tments and insu l t s tha t we have

    exper ienced in the pas t , pa r t i cu la r l y in

    ch i ldhood?

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    Here a re th ree th ings to t h ink about w h ich

    m ay help you w i th t h i s:

    Trus t t hat ever y ex per ienc e in l i fe has

    i t s sense and goodness.

    V isua l ise your s i t ua t ion in t hose days.

    You fe l t yourse l f dependent , unab le to

    c on t ro l s i t uat ions and not f ree .

    Make yourse l f aw are t hat you a re now

    grown-up and f ree , and the s i tua t ion o f

    t hose days no longer has va l id i t y.

    Through such in te l lec tua l ana lys is and

    rea l isa t ions we are in a pos i t ion to r idourse lves o f many complexes and fears

    f rom t he past .

    Peop le w hose V ishuddh i Chak ra is

    b locked a re o f ten b l ind to the i r own

    mis takes and t ry to lay the b lame andrespons ib i l i t y fo r the i r unhapp iness and

    m is fo r t une w i th ot hers .

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    To b lame o t hers fo r events t hat p lague us

    is a fundamenta l m is take . No th ing can

    s t r i ke us tha t i s no t found in our Karma;and was there fore caused by us. A bad

    in f luence can never harm us un less an

    a l l ied v ib ra t ion is resonat ing wi th in us a t

    the same t ime. Exac t l y those qua l i t i es

    t hat w e condemn in o thers w e find a lso in

    ourse lves. In fac t , no th ing bad in i t se l f

    ex i s t s . I t i s a lways conce rned w i th

    pro jec t ions t hat a r ise from w i t h in us .

    The sage and poet, Sr Kabrds, said:

    I se t ou t to look fo r a bad person andcou ld no t f i nd one anywhere . Then I

    looked in to m y ow n hear t and saw no-one

    w orse t han myse l f.

    To recap i tu la te : Our unconsc ious is

    located in the Mldhra Chakra; thesubconscious lies in the Svdhishthna

    Chakra : the consc iousness beg ins to r i se

    from the Manipra Chakra; it unfolds in

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    the Anhata Chakra in o rder to express

    and man i fes t i t se l f i n the V ishuddh i

    Chakra .

    In the Anhata Chakra the consciousness

    can be compared w i th a Lo tus b lossom

    tha t has r i sen above the sur face o f the

    wate r . Jus t as waves appear on the

    su r face o f wa te r when i t beg ins to move ,energy man i fes ts as r i s ing waves o f

    em ot ion w hen i t beg ins to f l ow. Whi le t he

    Lo tus b lossom is s t i l l beneat h t he surface

    o f t he w a te r i t i s onl y s l ight l y a f fec t ed by

    the movement o f the waves; th i s means

    t hat w h i ls t ou r energy i s osc i l l at ing

    be tween the Mldhra Chakra and the

    Anhata Chakra it is more subconscious

    than consc ious and the waves o f ou r

    emot ions a re s t i l l no t a l l tha t v io len t .

    Em ot ions can only ex pand and g row w hent here is spac e, and they f ind th is spac e in

    the Anhata Chakra and the Vishuddh i

    Chakra .

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    When the Anhata Chakra unfolds it is like

    the mel t ing o f a g lac ie r the

    consc iousness i s inunda ted w i them ot ions . Bu t w hen t he V ishuddhi Chakr a

    beg ins t o loosen up, i t i s l i ke a breac h in a

    dyke and leads to an emot iona l f lood o f

    immense fo rce . And th rough th is the

    oppor t un i t y i s g i ven t o f i nal l y lay bare the

    roo ts o f our p rob lem s and remove t hem.

    Pat anja l i sa id :

    Prob lem s c an on ly be reso lved w hen one

    d isc overs the t r ue cause.

    I f one mere ly c u ts a w eed and doesn t pu l l

    i t s roo ts ou t , i t w i l l immed ia te l y g row

    aga in . When we ra ise our p rob lems in to

    the V ishuddh i Chakra we then have the

    op t ion to encapsu la te them and e i the r

    push them back i n to the subconsc iousaga in or f ree ourse lves f rom t hem forever.

    The f ina l inner hea l ing is on ly poss ib le

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    th rough rea l i sa t ion and knowledge

    (Gyna).

    In the V ishuddh i Chakra we are

    cha l lenged to re f lec t on our s i tua t ion in

    l i fe and to pu t the fo l l ow ing ques t ions to

    ourse lves : What do I wan t to rea l i se?

    What obs tac les need to be overcome to

    rea l ise th is? What prob lems arecon f ron t ing me and how can I reso lve

    them? Th rough med i ta t i on we a t ta in

    c la r i t y abou t ourse l f and our innermost

    des i res and m ot ives. We o f t en prevent t he

    reso lu t ion o f ou r p rob lems th rough our

    own p re jud ice and our own f i xed o r one-

    s ided t h ink ing pat t e r ns. Through MANANA

    (re f lec t ion ) and med i ta t ion we can f ind

    poss ib i l i t ies fo r the reso lu t ion o f i ssues

    t hat w e w ere unable t o d isc over be fo re .

    However , before you d ive in to the

    Vishuddh i Chakra , examine yourse l f

    honest l y as to whe ther you a re rea l l y

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    ready to look in the mi r ro r o f your own

    real i ty .

    Many peop le med i ta te mere ly ou t o f

    cu r ios i t y o r because they wou ld l i ke to

    have cer ta in exper iences . Bu t i f these

    exper iences do no t meet the i r

    expec ta t i ons they become unce r ta in and

    apprehens ive , and somet imes evenabandon the p rac t i ce comple te ly . Tha t i s

    w hy c la ri t y and c on fidenc e in t he Maste r,

    as w e l l as d isc ip l ine, a re impor t an t p i l l a rs

    o f s uppor t on t he sp i r i tua l pa th . We need a

    shou lder t hat w e can lean on in order to

    res t and ga ther f resh s t reng th . The most

    re l iab le and sa fest re fuge is the

    ISHTADEVATA, our personal ly revered

    div in i ty , who never abandons us, never

    d isowns us and cons tan t l y suppor ts us

    w i t h never-ending love and pat i enc e.

    There fore , do not be a f ra id and r isk the

    jour ney of d isc over y int o your ow n se l f. Do

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    no t shy away f rom the sed imen t t ha t

    appears w i th a l i t t l e s t i r r i ng o f you r

    psyche. You are tha t w h ich you w ou ld l iket o ex perience you a re tha t w h ich you

    w ould li ke t o rea l ise you are tha t w h ich

    you w ou ld l i ke to k now. You are every t h ing

    but you are c onst ant l y r unning aw ay

    f rom yourse l f . Do not a l low yourse l f to be

    put o f f by obstac les, o r dec e ive yourse l f

    ra ise ever y t h ing f rom w i th in t o the l i gh t o f

    consc iousness; bo th nectar and po ison.

    Pur i f y the harmfu l subs tances in the

    Vishuddh i Chakra and rea l ise your

    beaut i fu l inner powers. Make your l i fe int h is w or ld a l i gh t i n the dark ness .

    AMRIT, t he nec t ar o f im m or t a l i t y , has a

    spec ia l re la t ionsh ip w i th the V ishuddh i

    Chakra , w h ich in tu r n i s c losely

    connected to the B indu Chakra . Ahorm one i s p roduced in t he B indu Chakra

    tha t i s known as Amr i t because i t

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    suppor ts the p reserva t ion o f ou r hea l th ,

    v i t a l i t y and youth fu lness.

    Bu t th i s p rec ious nec ta r genera l l y d r ips

    unused into the Manipra Chakra where it

    burns unused in the d igest ive f i re .

    Through cer ta in Yoga techn iques i t i s

    poss ib le to ca tch i t i n the V ishuddh i

    Chakra so t hat i t c an be d is t r ibu ted l i ke ahomeopat h ic m ed ic ine via the t ongue and

    t hroat and be ut i l i sed by t he w ho le body.

    The e lement o f the V ishuddh i Chakra i s

    KSHA (space). Space opens the

    poss ib i l i t y fo r ex pans ion and d is t r ibu t ion .

    The V ishuddh i Chakra i s the sea t o f the

    as t ra l body tha t i s ab le to leave the

    phys ica l body f rom the V ishuddh i Chakra .

    Eac h o f us has m ade ast r a l journeys. Eac h

    n igh t when we d ream, a comp le te l yspont aneous separat ion o f t he as t ra l body

    f rom t he phys ica l body oc c urs . Bu t , the re

    is a lways a f i ne band o f consc iousness

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    ex is t ing be tween the as t ra l and phys ica l

    bod ies. Th is consc iousness sees both the

    dream and the s leep ing body and d rawsthe as t ra l body back in to the mate r ia l

    wo r ld i n t he f rac t i on o f a second i f t he re

    is any ex te rna l d i s tu rbance . How does

    th is happen so qu ick ly? Through Yoga

    Shakt i ! I t a l l ows us to t rave l i n o ther

    spheres o f consc iousness and br ings us

    back aga in no ma t te r how fa r away we

    are . Many Yog is can ast ra l t rave l

    consc ious ly in med i ta t ion . Bu t th i s

    requ i res many years o f p rac t i ce , se l f -

    c on t ro l and d isc ip l ine.

    Dur ing shock ing exper iences or psych ic

    i l lness an occas iona l unconsc ious and

    uncon t ro l led shor t - te rm escape o f the

    as t ra l body can occur . Th is can t r igger

    ident i ty p rob lems, fee l ings o f anx ie ty andnervous over -exc i tement . In such cases i t

    can be he lp fu l to p lace the hand

    pro tect ive ly over the th roat , and fee l how

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    t he phys ica l and ast ra l bodies aga in c om e

    closer t o one anot her.

    In Ind ia the re i s an anc ien t t rad i t i on tha t

    is s t i l l ma in ta ined. The dy ing are la id on

    the g round to es tab l i sh the connect ion

    w i th mo the r ea r th , and i n t h i s way make

    the de tachment o f the as t ra l body eas ie r .

    Th is makes i t poss ib le fo r the pass ingaway to be a peace fu l pa r t i ng w i thou t

    deat h t h roes .

    The cen t ra l symbo l o f the V ishuddh i

    Chak ra is a peac efu l w hi t e ELEPHANT. In

    Ind ia the wh i te e lephan t i s regarded as asymbo l fo r l uck , wea l th , power , w isdom,

    pur i ty and c lar i ty . Ganesha , the God wi th

    t he e lephant head, i s h igh ly respect ed and

    worsh ipped. Ganesha br ings happiness,

    w isdom and p rosper it y. He p rot ec t s every

    new beg inn ing and removes obstac les and

    d i f f i c u l t ies . That i s w hy Lord Ganesha is

    worsh ipped f i r s t a t t he s ta r t o f any

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    venture , be i t a re l ig ious ceremony,

    cons t ruc t ion o f a house , wedd ing

    c e lebrat ion o r a s t age p roduc t ion .

    Words ar e deve loped in t h ree s t ages:

    ABDOMEN

    THROAT

    LIPS

    The seat of sound is in the Manipra

    Chakra ; there fore the or ig in o f speech is

    in the f i re e lem ent . Through t he energy o f

    f i re , sound man i fes ts in the space o f the

    Vishuddh i Chakra , and is a r t i cu la ted as

    words with the help of the lips (Vaikhar).

    The la rynx, however , cont ro ls words, no t

    the l i ps o r the tongue . Th is means tha t i f

    t he w ords a re a lready l y ing on the t ongue

    then i t i s t oo l a te fo r t hem to be

    cont ro l led . As prev ious ly sa id , the or ig in

    o f words i s in the abdomen, and

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    every th ing tha t we have pushed down

    l ies the re . There fo re we shou ld we lcome

    the emot ions tha t su r face , bu t shou ld bec apab le o f c on t ro l l i ng the r is ing em ot ions

    in the th roa t , wh i ch means i n t he

    Vishuddh i Chakra , and there are var ious

    Yoga exerc ises and pur i f i ca t ion

    t echn iques fo r t h i s .

    Every thought , every emot ion , shou ld be

    f i l te r ed and pur i f ied by c onsc iousness and

    c lar i ty . In the lower Chakras we are led

    predominan t l y by our emot ions ; the rea l

    dawn ing o f consc iousness beg ins f i r s t i n

    the V ishuddh i Chakra . In th i s Chakra we

    beg in to a r t i cu la te our emot ions and

    des i res and, a t the same t ime, a lso learn

    how t o cont ro l t hem.

    A sain t onc e said:

    Do no t b reak the r ibbon o f l ove because

    of a t r i v ia l i t y . For once to rn i t i s never

    aga in one a k not a lw ays rem ains.

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    Such knots , d iv is ions, scars and wounds

    are endemic w i th in our modern soc ie t y, i n

    w h ich t rad i t i onal fami l y and par t ner re la t ionsh ips are bread ing down a t a

    growing ra te . How can we avo id such

    wound ing? When we fo rg ive , unders tand

    and g ive. Understanding and g iv ing are

    t he t w o w ings o f a bi rd t hat a l l ow s i t t o fl y

    h igh int o t he sk y. Unders t and t he feel ings,

    the pa in and the l i fe o f a l l l i v ing th ings.

    Give forg iveness, f reedom, c lar i ty , just ice,

    love, devot ion , warmth , p ro tect ion , he lp

    and good thought s .

    When we have exper ienced someth ing

    t hat w e a re inw ard ly unab le t o hand le, t he

    exper ience con t i nues to f e rmen t i n t he

    subconsc ious . Un t i l ou r w isdom is fu l l y

    deve loped we are unab le to r id ourse lves

    o f i t . Phys ica l symptoms o f a b lockedVishuddh i Chakra are an unnatura l

    redden ing o f the face, an i tchy rash,

    f requen t co lds (par t i cu la r l y so re th roa t

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    and hoarseness) , abdomina l c ramp and

    d igest ive prob lem s. Or t he Shak t i (energy)

    o f the suppressed emot ions can expressi t se l f exp los ive ly a t the f i r s t oppor tun i t y

    in an ou tburs t o f rage o r t ea rs .

    How ever, w e can lear n to m anage w i thou t

    ex p los ions w hen w e develop pa t ience .

    The p rocess o f matu ra t ion in theVishuddh i Chak ra governs t he apt i t ude fo r

    patience. Through Prnyma and sanas

    tha t have an e f fec t on the V ishuddh i

    Chakra we can qu ie ten the though ts and

    emot ions and br ing them in to harmony. In

    th i s way we p ro tec t ou rse l ves f rom rash

    act ions and prevent our words be ing l i ke

    k n ives o r a r row s and in ju r ing o thers .

    Mahprabhuj said:

    The t ru th shou ld a lways be spoken w i th

    love and not w i th kn ives , because

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    phys ica l wounds tha t a re caused by a

    k n i fe hea l again , w hereas those c aused by

    words a re ve ry d i f f i cu l t to hea l and o f tenrem ain l i felong (in t he subc onsc ious).

    Pa tan ja l i sa id tha t w ise men fo rmu la te

    the i r words c lear l y and fu l l y be fo re

    speak ing , and in th i s way a re ab le to

    cons ider the e f fec t o f the i r words . Theab il i t y t o be aw are of w o rds i n t he ir p lac e

    of genes is the Manipra Chakra is ver y

    va luab le . Words possess a s t rong power

    rega rd less o f whe the r t he e f fec t t hey

    create is in ten t iona l o r no t . We can

    ser ious ly harm o thers and ourse lves

    through words. There fore , we shou ld

    speak fewer ra the r t han too many words ,

    and we igh them up in the hear t and the

    Vishuddh i Chakra before we speak. Wi th

    f r iends i t i s easy to f ind p leasant ,beau t i f u l wo rds , bu t t o t rea t t hose we do

    no t coun t as f r i ends w i th love and

    f r iendsh ip is a great v i r tue and an ar t . A

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    very effective Sdhana for learning

    c ont ro l over w ords is s i lenc e (MAUNA).

    A l l ex erc ises t hat have an ef fec t on t he

    Vishuddh i Chakra a lso have a benef ic ia l

    in f luence on the vo ice and speech.

    Through them our words ga in in w isdom

    and beau ty . Tha t i s why work on th i s

    Chakra i s par t i cu la r l y recommended fo r wr i te rs , poe ts , j ou rna l i s ts , teachers ,

    po li t i c ians, ac t o rs and s ingers .

    VK SIDDHI, which bestows a remarkable

    i n f luent ia l power upon words, i s h idden in

    t he V ishuddh i Chakra . Wi th t he ac t i vat iono f t he V ishuddh i Chakr a and p rac t i s ing of

    the Hatha Yoga technique of TRTAKA

    (concent ra t ion on a po in t ) , one s words

    and g lances are g iven an e f fec t ive and

    persuas ive power . I f someone has

    deve loped th is spec ia l ab i l i t y then peop le

    love to l i s ten to them, and the i r words

    bec om e rea l i t y.

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    The co lour o f the V ishuddh i Chakra is

    VIOLET, the co lour o f w isdom and

    sp i r i tua l i t y .

    The Lo tus b lossom in the V ishuddh i

    Chak ra has 16 pet a ls . These represent t he

    s ix t een Siddh is (super natur a l pow ers) t ha t

    a person can acqu i re th rough p rac t i s ing

    Yoga. Al together there are 24 Siddhis ,w h ich inc lude the ab il i t y t o ra ise the dead

    to l i fe . A Div ine Incarnat ion is endowed

    wi th these powers f rom b i r th . However ,

    these are never used arb i t rar i ly , but

    a lways in harmony w i th the D iv ine Wi l l .

    S iddh is can be a great obstac le on the

    sp i r i tua l pa th i f ego and pr ide deve lop

    because o f t hem. Yog is w ho mak e a show

    of t he i r Siddh is ver y soon lose t he i r yog ic

    power.

    The number 16 a lso re fe rs to the s i x teen

    days i t takes fo r the ha l f -moon to grow

    in to the fu l l moon as ano ther symbo l o f

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    the Vishuddhi Chakra is the HALF MOON.

    As al ready m ent ioned in ear l ier c hapt er s

    the moon deno tes emot ions , change andt he fem ale pr inc ip le . In t he Bhagavad Gi t a

    (15/13) the moon is descr ibed as the

    g ive r of nec t a r as i t g i ves nour ishm ent t o

    vege ta t ion .

    The Lotus in the V ishuddh i Chak ra c ar r iest he Bja Mantra HAM I am . SO HAM

    means That am I. In the Anhata Chakra

    we f requent ly indu lge in beaut i fu l

    emot ions , whereas in the V ishuddh i

    Chakra we beg in to become consc ious o f

    who we rea l l y a re . I t i s he re tha t the rea l

    jour ney t ow ar ds Sel f -Real isat ion and Sel f -

    know ledge s ta r t s .

    The V ishuddh i Chakra i s t he gat e t h rough

    w h ich w e a re ab le t o ra ise our

    consc iousness to a h igher leve l . I t i s the

    border be tween the phys ica l and as t ra l

    leve ls , be tween consc iousness and

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    superconsc iousness . When we c ross i t

    t he ascen t t o t he rea lm o f w i sdom and

    c la r i t y o f consc iousness opens up be fo reus . Man i s gi f ted w i th speech and t hat g i f t

    sha l l have to be ded ica ted fo r d iv ine

    purposes . Then man can ge t to those

    s t a tes o f aw areness tha t he ge ts t hat Vak

    shuddhi and Vak s i ddhi . Vak Siddhi is t hat

    w hen he u t t e rs i t ha ppens. Mean ing, he

    u t t e rs on ly w hat happens. He does no t

    u t te r o the rw ise because Vak has the

    ab i li t y t o c rea t e . Bu t t hen how respons ib le

    are we w i th our speech? How much have

    we t ra ined our tongue , in re la t ion to thespeech? I t i s one o f the g rea tes t

    c onsecra t ions . Many t imes i t i s sa id , w ha t

    w e take t h rough t he tongue i s no t so ver y

    i mpo r t an t as wha t we pu t ou t f r om the

    tongue . So there can be consecra t ion in

    re lat ion to i t o r i n re lat ion t o any p rac t i c e .

    A l l t hese prac t ic es are m eant for t he sp i r i t

    t o move up f rom t he mat t e r.

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    In yoga, t here is the c onc ept o f four leve ls

    o f speech .

    1 . Spoken language. That w h ich is heard

    w i t h t he ears . Va ik har i . When you use your

    t ongue and l ips .

    2 . Subvoc a l speech. That w h ich is heard

    wi th the inner ears , i n the aud i to r ium o f

    m ind and hear t .- Madhyama.

    3 . Abst ract concepts , see ing and fee l ing

    the impact o f the mant ra , fee l ing the

    v ib rat ion , beyond w hat w e o rd inar i l y k now

    as so und. Pashyant i .

    4. Para. Transcendental sound. Para. The

    m eaning in the resonant s i l ence .

    *Va ikhar i (Sanskr i t ) As femin ine ad ject ive

    common ly connec ted w i th Vach (mys t i c

    speech) wh ich is o f four k inds: para ,pasyant i , madhyama, and va ikhar i .

    Va ikhar i i s tha t fo rm o f speech wh ich i s

    u t te red , expressed , o r o therw ise

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    mani fes ted as the veh ic le o f though t . As

    one o f t he four m a in aspec t s o f t he Logos

    in spac e, Vaik har i -Vach is t he w ho lecosmos in i t s ob jec t i ve o r man i fes ted

    fo rm.

    *Let s beg in by se t t ing out the four leve ls

    in a tabu lar fo r m so you can see a ma p o f

    w here w e re go ing:

    Name Trans la t ion Predominance Power

    Bod i ly Loc us

    4 Vaikhar Corporeal Object Action Palate

    3 Madhyam Intermediate ProcessK now ledge Throat

    2 Payant Visionary Subject Will Heart

    1 Par Supreme Trans. subject Freedom

    Kanda

    *The first of the four levels, Vaikhar, is

    t he level o f o rd inar y everyday c o rporea l

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    speech. I t func t ions on the leve l o f dua l i ty,

    and in i t , ob ject -awareness is

    p redominan t . Th is d iscourse in wh ich weengage every day is , in th is ph i losophy,

    jus t t he t ip of t he ic eber g. I t is c onst ant l y

    in formed by deeper leve ls o f d iscourse,

    and can po in t us towards those deeper

    rea l i t i es . In o ther words , o rd inary speech

    is shaped by how we th ink ; how we th ink

    is shaped by our deep unconsc ious be l ie fs

    about rea l i t y ; and those in tu rn are

    express ions o f the s ingu lar d iv ine

    consc iousness tha t f ree ly chooses to

    exp ress i t se l f i n a rhy thm o f con t rac tedand expanded fo rms. In l igh t o f th is , the

    way you speak expresses the pa t te rn o f

    your consc iousness. I f change is

    des i reab le , then, we Tant r ikas seek tha t

    t rans fo rm a t ion not i n t e rm s o f supe r fi c i a l

    p rog rammat i c ad jus tmen ts o f ou r words

    to con fo rm more success fu l l y t o soc ia l

    sanct ion . Rather , we seek sh i f ts on the

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    deepest leve l o f ou r awareness tha t then

    express themse lves na tu ra l l y th rough the

    dance o f our though ts and words . Sowords do mat te r , no t i n te rms o f

    t hemse lves but o f w ha t t hey signi f y, w hat

    they revea l abou t the way we a re

    encounter ing and unders tand ing our

    wor ld . Add i t iona l ly , they are fo rms o f

    ac t i on , by wh ich we e f fec t o r i n f l i c t

    change on t he w or ld a round us .

    The second level, then, is Madhyam Vc,

    the leve l o f thought . Here the process o f k now ing is p redominan t . Th is i s the a rena

    in wh ich the m ind fo rmu la tes i t s t hough t

    cons t ruc tsthe fo rms o f ve rba l

    symbo l i za t ion tha t we then super impose

    on rea l i ty , fo rc ing i t to f i t these

    predetermined molds. Yet th is i s a lso the

    leve l o f con temp la t ion and imag ina t ion ,

    expans ive fo rms o f i nner d iscourse tha t

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    move us c loser to our na tura l s ta te o f

    f reedom and presence. Our thought

    cons t ruc ts (v i ka lpas) l im i t the range o f poss ib i l i t i es fo r how we exper ience any

    g iven rea l i ty ; ye t cu l t i va t ing pur i f ied

    though t cons t ruc ts ( t hose a l i gned w i th

    t he organi c f l ow ing pat te r ns of aw akened

    consc iousness) can by the same token

    expand our range o f poss ib i l i t ies .

    Th is is very d i f f i cu l t to do , however , i f we

    are not a l so w ork ing on t he th i rd level , t he

    Payant or Visionary level of Vc. Thisi s the level w here sub jec t i ve aw areness i s

    dominant , a leve l beyond ord inary

    d iscourse , w here the v ib rat ions of t hough t

    and fee l ing are ent i r e ly w ord less. I t i s t he

    level of precognitive Will [icch]. On this

    l eve l , there is no d i f fe rent ia t ion o f space

    and t ime, and sound and l igh t too are

    synesthet ica l l y fused. Yet the Word is

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    act ive here too , though i t i s condensed

    and c oncea led. For t h is i s t he level o f our

    pre-cogni t ive, deeply he ld be l ie fs aboutrea l i ty , woven in to our sense o f se l f and

    a l l the s t ronger fo r be ing word less. Th is

    leve l i s ca l led V is ionary because the

    pat te rn he ld here power fu l l y shapes our

    v is ion o f rea l i t y , s t ruc tur ing our thought

    on the In te rmed ia te leve l and our words

    on the Corporea l leve l . Th is then is the

    dwe l l i ng p lace o f ou r deepest saskras,

    or sub l imina l impress ions o f past

    exper ience , wh ich cons tan t l y p rov ide the

    temp la te fo r our menta l and phys ica lengagement w i th rea l i t y . Th is i s the leve l

    o f deep hea l ing , where our goa l i s to

    crea te a pa t te rn in awareness tha t

    pe r fec t l y a l i gns w i th t he cosmic d i v i ne

    pa t te rn . There a re th ree methods to

    pene t r a te t o t h i s level .

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    The f i r s t i s t o repea ted ly c u l t i va te pur i fi ed

    thought constructs on the Madhyam

    l eve l . Th is method is care fu l l y andbeautifully explained by the mahsiddha

    Abhinavagupt a in The Essenc e of

    Tan t ra . The second m et hod i s m edi ta t ion ,

    w here by ac c ess ing the Wi tness

    Consc iousness tha t charac te r i zes th i s

    leve l , we create a hea l ing space o f

    awareness i n wh ich o ld saskras are

    automat i ca l l y re leased . The th i rd method

    is mant ra- japa, wh ich beg ins on the

    Vaikhar level where not much benefit is

    exper ienced , bu t i f su f f i c ien t l y p rac t i ced ,i t becomes sub t le r and sub t le r un t i l i t

    pur i f ies a l l th ree leve ls o f speech,

    event ua l ly lead ing us t o t he h ighest . When

    the Payant level is purified, the

    unobst ruc ted l i gh t o f d i v ine Wi l l Power

    d i rec ts us to rea l i za t ion o f ou r u l t ima te

    nature .

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    That u l t im a te na tu re i s t he Supreme Word

    [Par Vc]. The foundation of all

    language, thought , fee l ing, andperception, Par is a divine mystery, for

    desp i te be ing the h ighest p r inc ip le o f

    rea l i t y, w e have a l l ex per ienc ed Her as our

    own expanded se l f -awareness. She is not

    some mys t i ca l s ta te s towed away i n a

    vo id , bu t ra ther the s ingu lar a l l -

    encompass ing v ib ra t ion by wh ich a l l

    things move and sing. Sr Abhinavagupta

    describes Par Vc in this way: She is

    the pr imord ia l , uncreated Word, the very

    essence o f the h ighest rea l i t y , pervad inga l l th ings and e te r na l l y in c reat i ve m ot ion :

    (she is s imply) luminous pure

    Consc iousness , v ib ra t ing w i th the

    grea tes t sub t le ty (as the g round o f a l l

    Be ing) . He goes on to say tha t

    every th ingstones, t rees, b i rds , human

    beings, gods, demonsis a harmonic

    v ib ra t ion o f tha t one supreme Word. Her

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    dominant powers are sv the power of

    abso lu te Freedom, and the power o f se l f -

    aw areness. She is m ost fu l l y ex pressed inhuman exper ience in the s ta te o f

    chamatkra, the state of fu l l y se l f -aware

    ecs t asy w here c onsc iousness is suf fused

    w i th the rap tu re o f ex t reme beau ty ,

    v ib rat ing w i th w onder and aw e. Th is s ta te ,

    abso lu te ly expans ive and word less ,

    t ranscenden t ye t comp le te ly engaged

    wi th the rea l i t y p resen t i n awareness ,

    reveals to us how the Goddess Par can

    be s imu l taneous ly the t ranscenden t

    source o f a l l th ings , ye t comp le te lyimmanent in a l l th ings . She suggests to

    us , t hen , t ha t u l t ima te l y we can

    exper ience exqu is i te beau ty in each

    aspect o f human ex is tence : in s t i l l ness

    and change, in death and b i r th , in g rowth

    and dec ay, in pa in and in ha ppiness.

    The h igher th ree fo rms o f shabda a re

    descr ibed in the Rig Veda as h idden in

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    "guha" , o r w i th in the se l f , whereas the

    fo r th i s the ex te rna l man i fes ted speech ,

    k now n as lauk ik a bhasha.

    These four leve ls o f sound cor respond to

    four s ta tes o f consc iousness. Para

    represen ts the t ranscenden ta l

    consc iousness. Pashyant i represents the

    in te l lec tua l consc iousness . Madhyama

    represen ts t he m enta l c onsc iousness . And

    Va ikhar i rep resen ts the phys ica l

    consc iousness. These s ta tes o f

    consc iousness cor respond w i th the four s ta tes known techn i ca l l y as j ag ra t ,

    svapna, susupt i , and tur iya - or the

    wake fu l s ta te , the d reaming s ta te , the

    dreamless s ta te , and the t ranscenden ta l

    s ta te .

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    Shabda-brahman in i t s abso lu te nature is

    ca l led para . In mani fes ta t ion the subt le i s

    a lways the source o f the g ross , and thusf rom para -vak man i fes ts the o ther th ree

    for m s o f sound .

    Though the man i fes ta t ion o f sound takes

    p lace f rom para-vak down to va ikhar i -vak

    (or f ine to gross) , in exp la in ing these

    s tages we w i l l beg in f rom the ex te rna l

    va ikhar i -vak, as tha t i s the sound we a l l

    have m ost ex per ience o f.

    Va ikhar i -vak is the grossest leve l o f

    speech, and i t i s heard th rough the

    externa l senses. When sound comes out

    th rough the mouth as spoken sy l lab les i t

    i s ca l led as va ikhar i .

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    Madhyama-vak i s the in te rmed ia te

    unex pressed s t a te o f sound , w hose sea t

    i s in the hear t . The word Madhyamameans " in be tween" o r " the midd le " . The

    m idd le sound i s that sound w h ich ex is ts

    be tween the s ta tes o f susup t i and jag ra t .

    Madhyama-vak re fe rs to menta l speech ,

    as opposed to externa l aud ib le speech. I t

    i s on th i s leve l tha t we norma l l y

    exper ience thought . Some ho ld tha t

    wake fu l though t i s s t i l l on the leve l o f

    va ikhar i .

    In the mani fes ta t ion process, a f te r sound

    has a t ta ined the fo rm o f pashyant i -vak, i t

    goes fur t her up to t he hear t and becom es

    coup led w i th the asser t i ve in te l l i gence ,

    be ing charged w i th the sy l lab les a , ka ,

    cha , t ha , t a , e t c . A t t h i s po int i t m ani fes ts

    i t se l f i n the fo rm o f v ib ra to ry nada rupa

    m adhyama-vak . On ly t hose w ho are

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    endowed w i th d isc r im ina t i ve in te l l i gence

    c an fee l th i s .

    On the leve ls o f madhyama and va ikhar i ,

    the re i s a d is t inc t ion be tween the sound

    and the ob jec t . The ob jec t i s perce ived as

    someth ing d i f fe rent f rom the sound, and

    sound is c onnec t ed to an objec t m ost l y by

    convent ion .

    Pashyant i -vak is the second leve l o f

    sound, and is less subt le than para-vak.Pashyan t i i n Sanskr i t means " tha t wh ich

    c an be seen or v isua l ized" .

    In the pashyant i s tage sound possesses

    qua l i t ies such as co lor and fo rm. Yog is

    w ho have inner v i sion can perc e ive t hese

    qua l i t ies in sound. On th is s tage the

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    d i f fe rences be tween language do no t

    ex is t , as th is sound is in tu i t i ve and

    s i tua ted beyond r ig id ly de f ined concepts .On the s tage o f pashyant i -vak, speech is

    in tu i t i ve ly connected to the ob jec t . There

    is near oneness bet w een t he w ord and t he

    ex per ience descr ibed .

    Pashyant i -vak is the f inest impu lse o f

    speech. The seat o f pashyant i i s in the

    navel or the Manipura Chakra. When

    sound goes up to t he nava l w i th t he bod i l y

    a i r i n v i b ra to ry fo rm w i thou t anypar t i cu la r sy l lab le (va rna) , ye t connected

    wi th the mind , i t i s known as pashyan t i -

    vak .

    Para-vak is the t ranscendent sound. Para

    means h ighes t o r fa r thes t , and in th i s

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    connec t i on i t i nd i ca tes tha t sound wh ich

    is beyond the perc ep t ion o f t he senses .

    Para-vak is a lso known as " rava-shabda" -

    an unv ibra tory cond i t ion o f sound beyond

    the reach o f mind and in te l l i gence

    (avyakta) , on ly to be rea l ized by great

    souls, param a-jnanis.

    On the s tage o f para-vak there is no

    d i s t i nc t i on be tween the ob jec t and the

    sound . The sound c on ta ins w i t h in it a l l thequal i t i es o f the ob jec t .

    In te rms o f the un ive rsa l cosmo logy ,

    va ikhar i , madhyama and pashyant i

    cor respond respect ive ly to bhuh, bhuvah,

    and svah. The para-shabda u l t imate ly

    c or r esponds t o t he Lord 's t r i -pada-v ibhut i .

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    With in the pashyan t i -vak ex is ts the

    nat u re 's i c cha-shak t i , o r the pow er of w i l l .

    W i th in the madhyama-vak ex is ts the

    nature 's jnana-shakt i , o r the power o f

    knowledge . And w i th in the va ikhar i -vak

    ex is ts the nature 's kr iya-shakt i , o r power

    o f ac t i on.

    The pranava, o r the sy l lab le "om", i s the

    comple te represen ta t ion o f the four

    s tages o f sound and the i r ex is ten t ia l

    coun te rpar ts . The ex is ten t ia l rea l i t i es a re

    t he phys ica l (s t hu la) w h ich i s c onnec t ed

    to the va ikhar i -shabda, the subt le

    (sukshma) wh ich i s connec ted to t he

    madhyama-shabda, the causa l (karana)

    wh ich i s connec ted w i th t he pashyan t i -shabda, and the t ranscendenta l (para)

    w h ich is re lat ed to t he para-shabda.

    These four ex is ten t ia l rea l i t i es fu r ther

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    cor respond to the four s ta tes o f

    consc iousness .

    The sthu la sar i ra , or physica l body,

    opera tes in the s ta te o f j ag ra t (wake fu l

    s ta te) . I t i s in th is rea lm o f

    consc iousness, and th rough th is body,

    t hat t he va ikhar i -vak i s m an ifest ed .

    The sukshma-sar i ra , subt le or psych ic

    body, opera tes in t he s t a te o f svapna. I t i s

    in th i s rea lm o f consc iousness , andt hrough t h is body, t ha t t he m adhyama-vak

    is m ani fes ted .

    The karana-sar i ra , or causal body,

    opera tes in the s ta te o f susupt i , o r deep

    s leep . I t i s i n t h i s rea lm o f c onsc iousness ,

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    and th rough th is body, tha t the pashyant i -

    vak i s m an ifest ed .

    The para-vak is man i fes ted th rough the

    four th s ta te o f consc iousness , known as

    tur iya .