zoo photography [2007t&tp]
TRANSCRIPT
7/29/2019 Zoo Photography [2007T&TP]
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Zoo photography is a greatway of get pictures of animals
hat most people really
wouldn’t see otherwise. A lot
of people think that zoo pho-
ography is pretty easy, the
animals are right there in
ront of you and they’re notgoing anywhere. Contrary to
popular belief, there are quite
a few challenges to zoo pho-
ography. I think the greatest
difficulty is taking a shot that
makes the animal look like it
is in its natural environment.The enclosures, cages, wires,
fences, concrete, shooting
through dirty scratched up
glass, and people wandering
around through your shot are
just some of the things to
consider.
The best advice I’ve been
given for taking pictures of
zoo animals is to shoot tight
and wide open. It’s simple,
straightforward and easy to
remember. Shoot tight andwide-open. By framing the
shots so that the animal fill
the frame, you effectively
eliminate all the man-made
elements in the background
A lot of the best shots I’ve
seen are almost “portrait”shots of the animal, where
head fills half to three quar
ters of the frame. I find
tighter shots are more inter
esting compared to some-
thing looser showing the
T I P S & T R I C K S P H O T O G R A P H Y
© 2007 Tips & Tricks Photography
Zoo PhotographyWritten by Ervin Tong
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whole animal and its sur-
oundings, we are there to see
he animals after all.
There are times, however,
hat screams for us to shoot a
ittle looser and show a bit
more background. When you
un into these situations the
wide-open part comes in. By
opening up the aperture you
solate the animal and blur
our most of the distractingelements and take the animal
out of its zoo enclosure and
put it back into something
more natural looking. So how
wide open do you need to
go? Personally, I like to open
up the aperture as far as my
lens will let me. Usually, that
means I’m shooting at f2.8 or
wider. Keep in mind that the
closer you are to your subjectand the larger your aperture
the better your focus needs
to be as the depth of field be-
comes increasingly narrow.
So now we’re all shooting
tight and wide-open, too badthere’s dirty scratched up
glass or cage wires in our
way. These are hard to deal
with and they change from
animal to animal, zoo to zoo.
When shooting through
glass using a polarizermight help reduce some of
the reflection and clear up a
few of the scratches. Per-
sonally I try to avoid using
the polarizer as it just cuts
too much light. Instead I get
right up to the glass and put
the front of my lens against
the glass. Try to pick the
best area of glass in terms of
scratches and dirt to shoot
through and get right up
against it. Inevitably, there
will be some loss in contras
and there may be slight col
shifts depending on the gla
you’re shooting through, b
I find most of these problem
are easily corrected in Pho-
toshop with some curves a
color balance adjustments.
When shooting through cag
wires, there are a couple of
options. If the wires are far
enough apart, you might b
able to get the lens between
them and get an unob-
structed view. Be careful if
you decide to do this, you
don’t want a lion having yo
lens for an appetizer with
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your fingers as the main
course. Another option is
again to get close. Sometimes
he wires are fine enough that
f you’re right up against
hem they’ll just blur away.
You might also try to get the
ences and cages to work for
you and incorporate them
into your shot. Unfortunately,
some enclosures simply
aren’t photo friendly and it
just won’t work.
When going to the zoo, I usu-
ally try to go on an overcast
day. My flash is good, but it’s
nothing compared to havin
a giant softbox in the sky
provided by Mother Natur
On overcast days you can g
some very even lighting th
won’t blow your highlightsWhen thinking about wher
to shoot form, try to find
some unique perspectives.
Just because everyone else
crowded around one spot
doesn’t mean that’s where
best photo opportunity wil be. Perhaps getting closer t
the ground will produce a
better shot. Maybe getting
little higher and standing o
a bench would work? Mov
around and keep your eyes
open, sometimes, you just
need to be patient.
Depth of Field Comparisons
wanted to pass this website along that I found quite a while back. Tamron has a great
website that allows you to get familiar with how Depth of Field Changes when you chang
he aperture and lenses focal lengths. In general, the bigger the aperture (lower F-stopnumber) the less DOF. Likewise, the larger the focal length on a lens the less DOF. If your
airly new to ideas about DOF, check it out the website and play around to get a sense of
how photographs can change depending on aperture and lens focal length.
http://www.tamroneurope.com/dof.htm
Better yet, grab your camera and a lens or two and try it out for yourself.
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© 2007 Tips & Tricks Photography