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Luminiscencia Tembe'y An Audiovisual Folk Journey across the Rio Uruguay +

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LuminiscenciaTembe'y

An Audiovisual Folk Journey across the Rio Uruguay

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Abstract + References

Tembe’y at the Museum of Contemporany Art, Santiago de Chile – September 2014

Videos recorded in the Waterfall of the River Queguay, Paysandu, Uruguay:Yasi Pora: https://vimeo.com/135519258Guri: https://vimeo.com/137703428Video made based on records of the Uruguay RiverTembe'y: https://vimeo.com/104399616Creative Commons Audiovisual Footage created from this project. http://paisajes.uy/ Project Web: https://luminiscencialitoral.wordpress.com/

We invite you to explore the west coast of Uruguay through its music and its landscapes. An audiovisual concert based on the interaction of instrumental "original" folk music mixed with live audiovisual work based on sound field recordings and visual landscapes captured along the Uruguay River and its surroundings. (Projections, sounds and music performed live). This concert aims to create a visual poem able to transport us along the coastline of the country, representing our point of view and listening, reflecting on how humans interact with the environment and technology, taking as leitmotif this finite source of life; called Uruguay River.

Marco Colasso +598 98191690 [email protected]

Sebastián Segarra [email protected]

Sebastián Segarra 02.758.751-6 Guitars - Producer [email protected]

Matias Romero Balado 02.695.777-4 Guitars [email protected]

Juan Pablo Colasso 03.488.206-2 Visualscapes [email protected]

Marco Colasso 03.747.946-0 Producer - [email protected] Soundscapes

CONTACTS

name passport role e-mail

Team

We are four artists born in Paysandú Uruguay with a wide national and international experience . This year we began to experiment with the fusion of two innovative contemporary, seemingly unrelated projects, but that contain as common sources of inspiration; music landscapes and the culture of the west coast of our country.

This proposal arises with the fusion of two projects called “Luminiscencia Litoraleña“ and “Tembey”:

Luminiscencia takes as its starting point the folk music of the west coast of Uruguay and its natural landscape. This project seeks an approach to this traditional art, combining sounds images and the tempo, performing new compositions and musical arrangements (based on folk music).

Tembe’y, from the Guarani, riverside, border, edge, margin field, river and mountain. An audiovisual concert based on field recordings of the Uruguay River, mixed with electronic generated music and visuals. This piece shows a journey that takes us from Bella Union to Punta Gorda, from the beginning of the river in Uruguay (Uruguay) to its transformation into Rio de la Plata.

Brief group review

We usually make presentations in conventional and unconventional spaces, small and medium [25 to 100], where there is proximity between the audience and the artist, and where the boundaries are not well defined. The scenic proposal is quite adaptable, we always take advantage of both positive and negative aspects of each location. Preferably the place must have some acoustic treatment to enhance the experience.

We attach a technical rider with two proposals, and technical requirements.

Public

Tembe’y at the Museum of Contemporany Art, Santiago de Chile – September 2014

This proposal arises with the fusion of two projects called “Luminiscencia Litoraleña“ and “Tembey”:

Luminiscencia takes as its starting point the folk music of the west coast of Uruguay and its natural landscape. This project seeks an approach to this traditional art, combining sounds images and the tempo, performing new compositions and musical arrangements (based on folk music).

Tembe’y, from the Guarani, riverside, border, edge, margin field, river and mountain. An audiovisual concert based on field recordings of the Uruguay River, mixed with electronic generated music and visuals. This piece shows a journey that takes us from Bella Union to Punta Gorda, from the beginning of the river in Uruguay (Uruguay) to its transformation into Rio de la Plata.

LuminiscenciaTembe'y

An Audiovisual Folk Journey across the Rio Uruguay

+

Technical requirements

This proposal arises with the fusion of two projects called “Luminiscencia Litoraleña“ and “Tembey”:

Luminiscencia takes as its starting point the folk music of the west coast of Uruguay and its natural landscape. This project seeks an approach to this traditional art, combining sounds images and the tempo, performing new compositions and musical arrangements (based on folk music).

Tembe’y, from the Guarani, riverside, border, edge, margin field, river and mountain. An audiovisual concert based on field recordings of the Uruguay River, mixed with electronic generated music and visuals. This piece shows a journey that takes us from Bella Union to Punta Gorda, from the beginning of the river in Uruguay (Uruguay) to its transformation into Rio de la Plata.

Time requirements:

The process includes 4 stages:

1- Mounting [3 HS]:- Audio: This includes the positioning of the speakers, amplifiers, line test, and calibration of the system.- Video: Assembling screens, projector rigging.Technical assistance is required.

2- Guitars + AV equipment Mount - Test [45-60 min].

3- Show time [ 40 minutes].

4- Disassembling [30 min].

Input List

This proposal arises with the fusion of two projects called “Luminiscencia Litoraleña“ and “Tembey”:

Luminiscencia takes as its starting point the folk music of the west coast of Uruguay and its natural landscape. This project seeks an approach to this traditional art, combining sounds images and the tempo, performing new compositions and musical arrangements (based on folk music).

Tembe’y, from the Guarani, riverside, border, edge, margin field, river and mountain. An audiovisual concert based on field recordings of the Uruguay River, mixed with electronic generated music and visuals. This piece shows a journey that takes us from Bella Union to Punta Gorda, from the beginning of the river in Uruguay (Uruguay) to its transformation into Rio de la Plata.

MIXER - INPUT LISTCHANNEL NAME MIC

1 Guit Mic 1 DPA 4099g2 Guit Line 1 DI3 Guit Mic 2 DPA 4099g4 Guit Line 2 DI5 VOX SM 57 6 ------7 Focusrite CH 1 Balanced Input8 Focusrite CH 2 Balanced Input9 Focusrite CH 3 Balanced Input

10 Focusrite CH 4 Balanced Input

OUT 1 Main L 2 Main R3 Main Back L4 Main Back R

5 Monitor 1

Shure PSM 700 ó Sennheiser EW300

6 Monitor 2

Shure PSM 700 ó Sennheiser EW300

7 Guit Mix To Audio Interface L 8 Guit Mix To Audio Interface R

design № 1Stage

AC AC

AC

AC AC

AC

AC

AC

Audience

AudienceAudience

Sub Woofer

FullHDProjector

Back projection screen

Mathías Romero Sebástian Segarra

Sensor

Juan Pablo ColassoMarco Colasso

Stage Plot

rL rR

L R

Sub WooferHD Projector

Video Setup

Stage

Audio Setup

AC AC

AC AC

Sensor

VideoMacbook

AudioMacbook

FOHAudio Mixer

Audio Interface

MidiController

MidiController