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Page 1: 06. p101-144 ¼B¤j©M - 南華大學lbhung/10201-Research Methods/07.pdf · £Joseph Nye¢ [ ]soft power¢,, ., ,. , £ ,, ¢,, [] ,,. , £The Frankfurt School¢ … ,, ,, ,, . ,

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How Culture Developsin the Cultural Industries?

Liu Ta-hoAssistant Professor

Department of Humanities and Social SciencesCollege of Hakka Studies

National Chiao Tung University

Abstract: This article begins with a review of policies of cultural industryand related concepts. Secondly, it explores aspects of how culture is usedand defined in reality. Through discussing what “culture” means in culturalindustry, the author attempts to see how sociologists participate in andrestudy the cultural industry. By way of several case-studies, this article fur-ther discusses how the concept of “culture” is constructed in cultural indus-try.

The author intends to distinguish cultural activities from cultural indus-tries with the conceptual differences between “use value” and “exchangevalue.” And by doing so, he reconciles the two rivaling sides on the culturalindustries. Moreover, the author proposes a framework for analyzing the cul-tural industries. The framework covers three elements, “meaning,” “aesthet-ics” and “enterprise.” The author considers “poetic” and “authentic” to be thekey elements of the cultural creative industry.

Key words: cultural industry, culture, value, story, poetic, meaning.

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