302 bibliography - studiesinanti- · pdf file— (1952) drama from ibsen to eliot ......

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Raymond Williams: Hope and Defeat in the Struggle for Socialism, by Don Milligan, published by Studies in Anti-Capitalism at www.studiesinanti-capitalism.net 2007.

BIBLIOGRAPHY I should like to acknowledge the extensive use I have made throughout the research and writing of this book of the biblio-graphy of Williams’s work published by Alan O’Connor (O’Connor 1989b: 184-227). The year of first publication is given in round brackets. Where relevant, the date of subsequent editions is given in square brackets. The date of the edition consulted is given after the name of the publisher. Works by Williams — (1947a) with C. Collins, W. Mankowitz, ‘For Continuity in

Change’, Politics and Letters, 1, No 1 [1947] pp.3-5 in J. McIlroy, S. Westwood, eds. Border Country: Raymond Williams in Adult Education, pp.31-33, Leicester: NIACE, 1993.

— (1947b) ‘Soviet Literary Controversy in Retrospect’, Politics and Letters, 1, No 1 [1947] pp.21-31 in J. McIlroy, S. Westwood, eds. Border Country: Raymond Williams in Adult Education, pp.41-53, Leicester: NIACE, 1993.

— (1950) Reading and Criticism, London: Frederick Muller, 1950. — (1952) Drama from Ibsen to Eliot, London: Chatto & Windus, 1952 [See 1964a below]. — (1953a) ‘The Idea of Culture’, Essays in Criticism, No. 3, July

1953, pp.239-266. — (1953b) ‘Film as a Tutorial Subject’, Rewley House Papers,

III, II, Summer [1953] pp.27-37 in Border Country: Raymond Williams in Adult Education, edited by J. McIlroy and S. Westwood, Leicester: NIACE, 1993.

— (1954a) Drama in Performance, London: Frederick Muller, 1954 [See 1968e below].

— (1954b) Preface to Film, (with Michael Orrom), London: Film Drama Limited, 1954.

— (1957) ‘The New Party Line?’ Essays in Criticism, No.7, 1957, pp.68-76.

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— (1958a) Culture and Society: Coleridge to Orwell, London: Hogarth, 1993.

— (1958b) ‘Culture is Ordinary’, in Raymond Williams, Resources of Hope, London: Verso, 1989.

— (1960a) Border Country, London: Chatto & Windus, 1960. — (1960b) ‘The New British Left’, Partisan Review, No. 27,

1960, pp.341-347. — (1961a) The Long Revolution, Harmondsworth: Penguin in

association with Chatto & Windus, 1984. — (1961b) ‘Advertising: the Magic System’, in Problems in

Materialism and Culture [1980] London: Verso, 1997. — (1961c) ‘The Achievement of Brecht’, Critical Quarterly,

Vol. 3, 1961, pp.153-162. — (1962) Communications, Harmondsworth: Penguin, 1970. — (1964a) Drama from Ibsen to Eliot, London: Penguin in

association with Chatto & Windus, 1964 [See 1952 above]. — (1964b) Second Generation, London: Hogarth, 1988. — (1964c) ‘A Structure of Insights’, University of Toronto

Quarterly, April, 1964, in McLuhan Hot & Cold [1967] edited by Gerald Emanuel Stearn, Harmondsworth: Penguin, 1968.

— (1965) ‘The British Left’, New Left Review, No. 30, March-April 1965, in Raymond Williams: Resources of Hope, edited by Robin Gamble, London: Verso, 1989.

— (1966a) Modern Tragedy, London: Hogarth, 1992. — (1966b) A Letter from the Country, first performed, in an

alternative version, on BBC Television, April 1966, published in Stand, No.2, Vol.12, 1971, pp.17-34.

— (1967) Public Inquiry, performed on BBC Television, 15 March, 1967, published in Stand, No.1, Vol.9, 1967, pp.15-53.

— (1968a) Drama from Ibsen to Brecht, London: Penguin in association with Chatto & Windus, 1976.

— (1968b) May Day Manifesto 1968, ed., (for May Day Manifesto Committee), Harmondsworth: Penguin, 1968. [See Hall 1967 below]

— (1968c) ‘The Left in the Thirties’, a review of The Left Review, October 1934 – May 1938, reprinted in eight volumes in the series English Little Magazines, Guardian, 22 March, 1968.

— (1968d) ‘How we see suffering’, review of Cancer Ward, Guardian, 20 September 1968, and the review of The First

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Circle, ‘Work on the human voice’, Guardian, 15 November 1968.

— (1968e) Drama in Performance, Harmondsworth: Penguin, 1972 [See 1954a above].

— (1969a) ‘Introduction’, Raymond Williams, ed., The Pelican Book of English Prose: From 1780 to the present day, Vol. 2, Harmondsworth: Penguin, 1969.

— (1969b) ‘Notes on English Prose: 1780-1950’ in Writing in Society [1983] London: Verso, 1985.

— (1969c) ‘Afterword: Advertising and Communications’, in Problems in Materialism and Culture [1980] London: Verso, 1997.

— (1969d) ‘On Reading Marcuse’ in The Cambridge Mind: Ninety Years of the Cambridge Review 1879-1969, edited by Eric Homberger, Williams Janeway, and Simon Schama, London: Jonathan Cape, 1970.

— (1969e) ‘Foreword’, in Robert Tressell and The Ragged Trousered Philanthropists by Jack Mitchell, London: Lawrence & Wishart, 1969.

— (1969f) ‘The Knowable Community in George Eliot’s Novels’, Novel, No. 2, 1969, pp.255-268.

— (1970a) The English Novel from Dickens to Lawrence, London: Chatto & Windus, 1970.

— (1970b) ‘The Decadence Game’ The Listener, 22 October [1970] in Raymond Williams On Television, Selected Writings, edited by Alan O’Connor, London: Routledge, 1989.

— (1971a) ‘Literature and Sociology: In Memory of Lucien Goldmann’ in Williams, Problems in Materialism and Culture [1980] London: Verso, 1997.

— (1971b) Orwell, London: Fontana, 1991. — (1971c) ‘Working Class Politics’, Guardian, 28 January 1971. — (1972a) ‘On Solzhenitsyn: Literature and Revolution’, in

Raymond Williams, What I Came to Say, London: Hutchinson Radius, 1989.

— (1972b) ‘Russia betrayed’, a review of August 1914, Guardian, 21 September 1972.

— (1972c) ‘Lucien Goldmann and Marxism’s Alternative Tradition’, The Listener, No.87, 23 March 1972, pp.375-376.

— (1972d) ‘Why is the BBC like “Monty Python’s Flying Circus”?’ The Listener, 14 December [1972] in Raymond

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Williams On Television, Selected Writings, edited by Alan O’Connor, London: Routledge, 1989.

— (1972e) ‘The Question of Ulster’ The Listener, 13 January 1972, in Raymond Williams On Television, Selected Writings, edited by Alan O’Connor, London: Routledge, 1989.

— (1972f) ‘Culture’ The Listener, 10 February [1972] in Raymond Williams On Television, Selected Writings, edited by Alan O’Connor, London: Routledge, 1989.

— (1972g) ‘Introduction’ to Lucien Goldmann, Racine [1956] translated by Alastair Hamilton, Cambridge: Rivers, 1972.

— (1973a) ‘Images of Solzhenitsyn’, The Listener, 29th November 1973, Vol. 90, No. 2331, 1973, pp.750-1.

— (1973b) ‘Base and Superstructure in Marxist Cultural Theory’ in Williams, Problems in Materialism and Culture [1980] London: Verso, 1997.

— (1973c) The Country and the City, London: Hogarth, 1993. — (1973d) ‘Impressions of U.S. Television’, The Listener, 7 June

[1973] in Raymond Williams On Television, Selected Writings, edited by Alan O’Connor, London: Routledge, 1989.

— (1974a) Television, Technology and Cultural Form, Hanover, NH, and London: Wesleyan University Press, 1992.

— (1974b) ‘Is there anything wrong?’, review of Leszek Kolakowsky, Stuart Hampshire, eds., The Socialist Idea: A Reappraisal, Weidenfeld and Nicolson, 1974, Guardian, 28 November 1974.

— (1974c) George Orwell: A Collection of Critical Essays, edited by Raymond Williams, Englewood Cliffs, NJ: Prentice-Hall, 1974.

— (1974d) ‘Drama in a Dramatised Society’, Inaugural Lecture as Professor of Drama, Cambridge 1974, published by CUP [1974] in Raymond Williams, Writing in Society [1983] London: Verso, 1985.

— (1975a) ‘You’re a Marxist, Aren’t You?’ Raymond Williams, Resources of Hope, London: Verso, 1989.

— (1975b) ‘Welsh Culture’ in Raymond Williams, Resources of Hope: Culture, Democracy, Socialism, edited by Robin Gable, London: Verso, 1989.

— (1976a) Keywords: A vocabulary of culture and society, London: Fontana, 1988.

— (1976aa) Keywords: A Vocabulary of Culture and Society, London: Fontana/Croom Helm, 1976.

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— (1976b) ‘Notes on British Marxism Since 1945’, in Williams, Problems in Materialism and Culture [1980] London: Verso, 1997.

— (1976c) ‘The anger of exile’, review of Solzhenitsyn’s Lenin in Zurich, Guardian, 22 April 1976.

— (1977a) Marxism and Literature, Oxford: OUP, 1977. — (1977b) edited with Marie Axton, English Drama: Forms and

Development, Essays in honour of Muriel Clara Bradbrook, Cambridge: CUP, 1977.

— (1977c) ‘Forms of English Fiction in 1848’, in 1848: The Sociology of Literature — Proceedings of the Essex conference on the Sociology of Literature, July 1977, edited by Francis Barker et. al., Colchester: University of Essex, 1978.

— (1977d) ‘A Lecture on Realism’, in Screen 1, 1977, pp. 61-74. — (1978a) The Volunteers, London: Eyre Methuen, 1978. — (1978b) ‘Utopia and Science Fiction’, in Raymond Williams,

Problems in Materialism and Culture, Selected Essays [1980] London: Verso, 1997.

— (1978c) ‘The Tenses of Imagination’, in Raymond Williams, Writing in Society [1983] London: Verso, 1985.

— (1978d) ‘The Bloomsbury Fraction’, in Problems in Materialism and Culture [1980] London: Verso, 1997.

— (1978e) The Welsh Industrial Novel, The Inaugural Gwyn Jones Lecture, Cardiff: University College Cardiff Press, 1979.

— (1979a) The Fight for Manod, The, London: Chatto & Windus, 1979. — (1979b) Politics and Letters: Interview with New Left Review,

London: New Left Books, 1979. — (1979c) ‘Television and Teaching’, Screen Education,

summer [1979] in Raymond Williams on Television, edited by Alan O’Connor, London: Routledge, 1989.

— (1980a) Problems in Materialism and Culture, London: Verso, 1997. — (1980b) ‘Beyond Actually Existing Socialism', in Raymond

Williams Problems in Materialism and Culture, 1980, London: Verso, 1997.

— (1980c) ‘The Writer: commitment and alignment’, Marxism Today, June 1980, p.25.

— (1980d) ‘Gravity’s Python’, in Raymond Williams, What I Came to Say, London: Hutchinson Radius, 1989.

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— (1980e) ‘The Writer: Commitment and Alignment’ in Raymond Williams, Resources of Hope, London: Verso, 1989.

— (1981a) Culture, London: Fontana, 1986. — (1981b) ‘An Alternative Politics’ in The Socialist Register,

pp.1-10, London: Merlin, 1981. — (1981c) ‘Crisis in English Studies’ in Writing in Society

[1983] London: Verso, 1985. — (1982a) ‘Region and Class in the Novel’ in Writing in Society

[1983] London: Verso, 1985. — (1982b) ‘The Ragged-Arsed Philanthropists’, 1982 in Writing

in Society [1983] London: Verso, 1985. — (1982c) ‘Distance’, London Review of Books, 17-30 June

[1982] in Raymond Williams On Television, Selected Writings, edited by Alan O’Connor, London: Routledge, 1989.

— (1983a) ‘Cambridge English, Past and Present’, in Writing in Society [1983] London: Verso, 1985.

— (1983b) Towards 2000, Harmondsworth: Penguin, 1985. — (1983c) ‘Lukács: A Man without Frustration’, in Williams,

What I Came to Say, London: Hutchinson Radius, 1989. — (1983d) Cobbett, Oxford: OUP, 1983. — (1983e) ‘Film History’, in Raymond Williams, What I Came

to Say, London: Hutchinson Radius, 1989. — (1983f) ‘The Reader in Hard Times’ in Raymond Williams,

Writing in Society, [1983] London: Verso, 1985. — (1983g) ‘Beyond Cambridge English’ in Raymond Williams,

Writing in Society, [1983] London: Verso, 1985. — (1984) ‘Decentralism and the Politics of Place’ in Raymond

Williams, Resources of Hope: Culture, Democracy, Socialism, edited by Robin Gable, London: Verso, 1989.

— (1985a) Loyalties, Chatto & Windus, London: 1985. — (1985b) ‘Cinema and Socialism’, Guardian Film Lecture,

National Film Theatre, London: 21 July [1985] in The Politics of Modernism: Against the New Conformists [1989] edited by Tony Pinkney, London: Verso, 1994. [For post lecture discussion see Briton 1991 below]

— (1985c) ‘The metropolis and the emergence of Modernism’ in Unreal City: Urban experience in modern European literature and art, edited by Edward Timms and David Kelley, Manchester: MUP, 1985.

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— (1985d) ‘Towards Many Socialisms’, in Raymond Williams, Resources of Hope, London: Verso, 1989.

— (1986a) John Clare, Selected Poetry and Prose, edited by Merryn and Raymond Williams, London: Methuen, 1986.

— (1986b) ‘The Uses of Cultural Theory’, New Left Review, No. 158, 1986, pp.19-31.

— (1986c) ‘Language and the avant-garde’, a paper delivered at Strathclyde University, July 1986, in The linguistics of writing, Arguments between language and literature, edited by Nigel Fabb, Derek Attridge, Alan Durant and Colin MacCabe, Manchester: MUP, 1987.

— (1987a) ‘Preface’ in Raymond Williams On Television, Selected Writings, edited by Alan O’Connor, London: Routledge, 1989.

— (1987b) ‘The Politics of Hope: An Interview’ with Raymond Williams conducted for the New Statesman in 1987 by Terry Eagleton, in Raymond Williams: Critical Perspectives, edited by Terry Eagleton, Cambridge: Polity, 1989.

— (1987c) Country and City in the Modern Novel, W. D. Thomas Memorial Lecture delivered at the college, 26 January 1987, Swansea: University College of Swansea, 1987.

— (1987d) ‘When was Modernism’ [See INGLIS/WILLIAMS (1987] 1994).

— (1988) ‘The Politics of the Avant-Garde’ in The Politics of Modernism: Against the New Conformists, posthumous collection assembled and edited by Tony Pinkney, London: Verso, 1994.

— (1989a) The Politics of Modernism: Against the New Conformists, posthumous collection assembled and edited by Tony Pinkney, London: Verso, 1994.

— (1989) People of the Black Mountains: The Beginning (Vol. 1), London: Chatto & Windus, 1989.

— (1990) People of the Black Mountains: The Eggs of the Eagle (Vol. 2), London: Chatto & Windus, 1990.

Other Works Consulted ABELOVE, H., (1983) et. al., eds., Visions of History,

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Reading Capital, translated by Ben Brewster, London: NLB.

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ANDERSON, Perry (1964) ‘Origins of the Present Crisis’, New Left Review, No. 23, 1964, pp.26-53.

— (1968) ‘Components of the National Culture’, New Left Review, No. 50, 1968, pp.3-57.

— (1980) Arguments Within English Marxism, London: NLB and Verso, 1980.

ARAC, Jonathan, (1979) Commissioned Spirits: The Shaping of Social Motion in Dickens, Carlyle, Melville, and Hawthorne, New Brunswick: Rutgers University Press, 1979.

ARENDT, Hannah (1958) The Human Condition, Chicago: University of Chicago Press, 1958.

ASPINALL, Sue, (1982) ‘This Sadder Recognition: Sue Aspinall Talks to Raymond Williams About “So that you can live”’ in Screen 23, 1982, pp.144-152.

ASPINALL, Sue, MERCK, Mandy (1982) “‘So that you can live”, II’ Screen 23, 1982, pp.157-160. [See below: Jane Clarke 1982]

BAMFORD, Samuel, (1817) An Account of the Arrest and Imprisonment of Samuel Bamford, Middleton, On Suspicion of High Treason’, reprinted in The Autobiography of Samuel Bamford, Vol.1, edited by W. H. Chaloner, London: Frank Cass, 1967.

— (1848-9) The Autobiography of Samuel Bamford, Vol.1, edited by W. H. Chaloner, London: Frank Cass, 1967.

BANHAM, Gary, (2003) ‘Kant and the ends of criticism’ in The new aestheticism, edited by John Joughin and Simon Malpas, Manchester: Manchester University Press, 2003.

BARKER, Francis, (1977) Solzhenitsyn: Politics and Form, Basingstoke: Macmillan, 1977.

BARTHES, Roland, (1957), Mythologies, translated by Annette Lavers, London: Paladin, 1979.

BATESON, F. W (1953) ‘The Responsible Critic: Reply’, F. R. Leavis (ed.) Scrutiny, Vol. XIX [1953] A Selection from Scrutiny, Vol. 2, Cambridge: CUP, 1968.

BEECHER, Jonathan, BIENVENU, Richard (1972) editors and translators, The Utopian Vision of Charles Fourier: Selected Texts on Work, Love, and Passionate Attraction, London: Jonathan Cape, 1972.

BOURNE TAYLOR, Jenny, (1990) ‘Raymond Williams: Gender and Generation’ in British Feminist Thought: A

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Reader, 1990, edited by Terry Lovell, London: Blackwell, 1990.

BOYLE, J. W., (1969) ‘Connolly, the Citizen Army and the Rising’, in K. B. Nowlan, ed., The Making of 1916, Dublin: Stationery Office, 1969.

BRADBROOK, M. C., (1931) Elizabethan Stage Conditions: A study of their place in the Interpretation of Shakespeare’s plays, Cambridge: CUP, 1932.

— (1935) Themes and Conventions of Elizabethan Tragedy, Cambridge: CUP, 1935.

— (1936) The School of Night: A study of the literary relationships of Sir Walter Ralegh, Cambridge: CUP, 1936.

— (1946) Ibsen The Norwegian, A Revaluation, London: Chatto & Windus, 1946.

BRECHT, Bertolt (1936-8) An Die Nachgeborenen, in J. Willet, R. Manheim, E. Fried, editors, Bertolt Brecht Poems [1976] London: Eyre Methuen, 1979.

BREITENBACH, Hans, (1990) with Tom Burden and David Coates, Features of a Viable Socialism, Hemel Hempstead: Harvester Wheatsheaf, 1990.

BRITTON, Andrew, (1991) ed., Talking Films: The Best of Guardian Film Lectures, London: Fourth Estate, 1991. [See Williams (1985b) above]

BUKHARIN, Nikolai, (1934) ‘Poetry, Poetics and the Problems of Poetry in the U.S.S.R.’ in Soviet Writers’ Congress 1934: The Debate on Socialist Realism and Modernism, London: Lawrence & Wishart, 1977.

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CAREY, John, (1992) The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880-1939, London: Faber and Faber, 1992.

CARRILLO, Santiago, (1977) ‘Eurocommunism’ and the State, London: Lawrence & Wishart, 1977.

CAUDWELL, Christopher, (1937) Illusion and Reality, A Study of the Sources of Poetry, London: Lawrence & Wishart, 1946.

— (1938) Studies in a Dying Culture, London: John Lane the Bodley Head, 1948.

— (1970) Romance and Realism, A Study in English Bourgeois Literature, Princeton, Princeton University Press, 1970.

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CAYGILL, Howard, (1989) The Art of Judgement, Oxford: Blackwell, 1989.

CLAPPERTON, Jane Hume, (1885) Scientific Meliorism and the Evolution of Happiness, London: Kegan Paul, Trench & Co, 1885.

— (1904) A Vision of the Future Based on The Application of Ethical Principles, London: Swan & Sonnenschein, 1904.

CLARE, John (1821a) ‘The gipseys camp’, in Merryn Williams, Raymond Williams, eds., John Clare: Selected Poetry and Prose, London: Methuen, 1986.

— (1821b) ‘The Village Minstrel’, extract in Merryn Williams, Raymond Williams, eds., John Clare: Selected Poetry and Prose, London: Methuen, 1986.

— (1841) ‘The gipsy camp’ in Merryn Williams, Raymond Williams, eds., John Clare: Selected Poetry and Prose, London: Methuen, 1986.

CLARKE, Jane, (1982) “‘So that you can live”, I’ Screen 23, 1982, pp.153-156. [See above: Sue Aspinal and Mandy Merck 1982]

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COHEN Sheila, MOODY Kim, (1998) ‘Unions, Strikes and Class Consciousness Today’, in Leo Panitch, Colin Leys, eds., Socialist Register 1998: The Communist Manifesto Now, Rendlesham: Merlin, 1998.

COLE, G. D. H., (1955) Studies in Class Structure, London: Routledge and Kegan Paul, 1964.

CONNOR , Steven, (1997) ‘Raymond Williams’s Time’, in Jeff Wallace, Rod Jones, Sophie Nield, eds., Raymond Williams Now: Knowledge, Limits and the Future, Basingstoke: Macmillan, 1997.

COPPARD, Kit, (1961) ‘Which Frame of Mind’, (New Left Review supplement), New Left Review, No. 7, 1961, pp.33-48.

COWLING, Maurice, (1990) ‘Raymond Williams in retrospect’, The New Criterion, Vol. 8, No. 6 [http://www.newcriterion.com/archive/08/feb90/cowling.htm].

CPGB (1935) For Soviet Britain, London: Communist Party of Great Britain, 1935.

— (1951) The British Road to Socialism, London: CPGB, 1951.

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CPSU, (1938) Central Committee, Communist Party of the Soviet Union, History of the Communist Party of the Soviet Union (Bolsheviks), Moscow: Foreign Languages Publishing House, 1939.

CRICK, Bernard, (1980) George Orwell: A Life, London: Secker & Warburg, 1980.

CUNNINGHAM, Valentine, (1997) ‘The Age of Anxiety and Influence; or, Tradition and the Thirties Talents’ in Keith Williams and Steven Matthews, eds., Rewriting the Thirties, London and New York: Addison Wesley Longman, 1997.

DEAN, Malcolm, (1971) ‘Is Labour Dying?’, Guardian, 18th January; 19th January; 20th January; 21st January.

de BOLLA, Peter, (1995) ‘Antipictorialism in the English Landscape Tradition: A Second Look at The Country and the City’ in Cultural Materialism: On Raymond Williams, edited by Christopher Prendergast, Minneapolis and London: University of Minnesota Press, 1995.

DEBORD, Guy, (1967) Society of the Spectacle, translated [1970] Detroit: Black & Red, 1983.

DEUTSCHER, Isaac, (1964) ‘Three Currents in Communism’, New Left Review, No 26, 1964, pp.3-18.

DI MICHELE, Laura (1993) ‘Autobiography and the “Structure of Feeling” in Border Country’ in Views Beyond the Border Country: Raymond Williams and Cultural Politics, edited by Dennis L. Dworkin and Leslie G. Roman, London: Routledge, 1993.

DOLLIMORE, Jonathan, (1984) Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries, Brighton: Harvester, 1984.

DOYLE, Brian, (1989) English & Englishness, London: Routledge, 1989.

DURBIN, Evan, (1940) The Politics of Democratic Socialism, London: Routledge, 1940.

DWORKIN, Dennis L., (1993) ‘Cultural Studies and the Crisis in British Radical Thought’ in Views Beyond the Border Country: Raymond Williams and Cultural Politics, edited by Dennis L. Dworkin and Leslie G. Roman, London: Routledge, 1993.

DYER, Geoff, (2003) Yoga For People Who Can’t Be Bothered to Do It, London: Abacus, 2003.

313


EAGLETON, Terry, (1970a) ‘Orwell and the Lower-Middle-Class Novel’ in George Orwell: A Collection of Critical Essays, edited by Raymond Williams, Englewood Cliffs, NJ: Prentice-Hall, 1974.

— (1970b) Exiles and Émigrés: Studies in Modern Literature, London: Chatto & Windus, 1970.

— (1976) Criticism and Ideology: A Study in Marxist Literary Theory, London: New Left Books, 1976.

— (1984) The Function of Criticism: From the Spectator to Post-Structuralism, London: Verso, 1994.

— (1989) ed., Raymond Williams, Critical Perspectives, Cambridge: Polity, 1989.

— (1990) The Ideology of the Aesthetic, Oxford: Blackwell, 1996.

— (2000) The Idea of Culture, Oxford: Blackwell, 2000. ELDRIDGE, J, ELDRIDGE, L, (1994) Raymond Williams:

Making Connections, London: Routledge, 1994. ELDRIDGE, Lizzie, (1997) ‘Drama in a Dramaturgical Society’

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ELIOT, George, (1868) ‘Address to Working Men, by Felix Holt’, in Appendix B of George Eliot, Felix Holt: The Radical [1866] edited by Lynda Mugglestone, Harmondsworth: Penguin, 1995.

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— (1876) Daniel Deronda, London: OUP, 1998. — (1884) Essays and leaves from a note-book, Edinburgh and

London: William Blackwood & Sons. ELIOT, T. S., (1919) ‘Tradition and the Individual Talent’, in T.

S. Eliot, The Sacred Wood [1920] London: Routledge, 1989. — (1920) ‘The Perfect Critic’, in The Sacred Wood, London:

Routledge, 1989. — (1923) ‘The Function of Criticism’, T. S. Eliot, Selected

Essays [1932] London: Faber and Faber, 1986. — (1932) T. S. Eliot, Selected Essays, London: Faber and Faber,

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— (1948) Notes towards the Definition of Culture, London: Faber and Faber, 1972.

EMPSON, William, (1935) Some Versions of Pastoral, Harmondsworth: Penguin, 1995.

— (1951) The Structure of Complex Words, London: Chatto & Windus, 1951.

ENGELS, Frederick (1878) Anti-During: Herr Eugen Dühring’s Revolution in Science, translation by Emile Burns [1934], London: Lawrence & Wishart, 1943.

— (1886) Ludwig Feuerbach and the End of Classical German Philosophy, Peking: Foreign Languages Press, 1976.

— (1888) ‘Preface to the English Edition’ in The Communist Manifesto, A Modern Edition [1998], London: Verso, 2000.

FOX, Ralph, (1937) The Novel and the People, London: Lawrence & Wishart, 1979.

GADAMER, Hans-Georg, (1960) Truth and Method, second, revised edition, translation revised by Joel Weinsheimer and Donald G. Marshall [1975 and 1989], London: Sheed & Ward, 2001.

GILMARTIN, Christina (1995) Engendering the Chinese revolution: radical women, communist politics, and mass movements in the 1920s, Berkeley: University of California Press, 1995.

GISSING, George, (1889) The Nether World, Oxford: OUP, 1992.

GORAK, Jan, (1988) The Alien Mind of Raymond Williams, University of Missouri Press: Columbia, 1988.

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GRAMSCI, Antonio, (1957) The Modern Prince and other Essays, translated and edited by Louis Marks, London: Lawrence & Wishart, 1957.

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— (1967) with Raymond Williams, and Edward Thompson, eds., (‘A group of socialist workers, writers and teachers’) London: New Left May Day Manifesto, ‘A group of socialist workers, writers and teachers’. [see Williams 1968b above]

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HEATH, Stephen, and SKIRROW, Gillian (1984) ‘Interview with Raymond Williams’ in Cultural Materialism: On Raymond Williams, edited by Christopher Prendergast, Minneapolis and London: University of Minnesota Press, 1995.

HEGEL, G. W. F, (1835) Hegel’s Aesthetics: Lectures on Fine Art, translated by T. M. Knox, Oxford: OUP, 1975.

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