Stage Directors and Directing for the Stage A Comprehensive Bibliography

Pioneering Books on Directing (Pre-1960) The Art of Directing Plays. D.C. Ashton, Eldridge Entertainment House, 1931 General Principles of Play Direction. Gilmor Brown and Alice Garwood, Samuel French, 1936. Directing the Play. Toby Cole and Helen Krich Chinoy, eds. Bobbs-Merrill, 1953. Play Directing. Allen Crafton, Prentice-Hall, 1938. Directing for the Amateur Stage. Leslie Crump, Dodd Mead and Co., 1935. Fundamentals of Play Directing. Alexander Dean, Holt, Rinehart & Co., 1941. Play Direction. John E. Dietrich, Prentice-Hall, 1953. The Art of Play Production. John Dolman, Harpers, 1946. The Play Produced.. John Fernald, The Year Book Press, 1934. The Penthouse Theatre. Glenn Hughes, Samuel French, 1942. (2nd rev. ed., Greenwood Press, 1969). The Director in the Theatre. Hugh Hunt, Routledge and Kegan, 1954. Play Production and Direction. C. Lowell Lees, Prentice-Hall, 1948. The Producer and the Play. Norman Marshall, Macdonald, 1957. Encores on Main Street: Successful Community Theatre Leadership. Talbot Pearson, Carnegie Institute of Technology Press, 1948. The Stage in Action. Samuel Selden, Crofts, 1941. Stagecraft from the Stage Director’s Point of View. Hal D. Stewart, Pitman, 1949.

General Texts on Directing for the Stage by Academics The Director’s Eye: A Comprehensive Textbook for Directors and Actors. John Ahart, Meriwether, 2001. Stage Direction in Transition. Hardie Albright, Dickenson, 1972. The Director at Work. Robert Benedetti, Prentice-Hall, 1985. [Current publisher: Allyn & Bacon] First Reading to First Night: A Candid Look at Stage Directing. Malcolm Black, University of Washington Press, 1975. The Craft of Play Directing. Curtis Canfield, Holt, Rinehart and Winston, 1963. Controls in Play Directing: Types and Styles of Plays. Lawrence Carra, Vantage Press, 1985. The Director’s Vision: Play Direction from Analysis to Production. Louis E. Catron, McGraw-Hill, 1989. Creative Play Direction. Robert Cohen and John Harrop, Prentice-Hall, 1974. (2nd edition, Allyn & Bacon, 1984) Directing for the Stage: A Workshop Guide of 42 Creative Training Exercise and Projects. Terry John Converse, Meriwether, 1995. Fundamentals of Play Directing. Alexander Dean, Holt, Rinehart & Co., 1941. (5th edition, Waveland Press, 2009, co-authored by Lawrence Carra) (2nd edition, 1965) Directing for Theater: A Personal Approach. Edgardo Bengson De La Cruz, University of the Philippines Press, 2005. Play Direction. John E. Dietrich, Prentice-Hall, 1953. (2nd edition, same pub., 1983, co-author Ralph W. Duckwall) Directing for the Stage. Lloyd Anton Frerer, McGraw-Hill, 2001. The Director in the Theatre. Marian Gallaway, Macmillan, 1963. A Director Prepares. Stanley L. Glenn, Dickenson Publishing, 1973. Play Directing: Analysis, Communication, and Style. Francis Hodge, Prentice-Hall, 1971. (7th edition, with Michael McLain, Allyn & Bacon, 2009) Directing Methods. Albert Johnson and Bertha Johnson, A.S. Barnes, 1970. Communication in Theatre Directing and Performance: From Rehearsal to Production. Jennifer Lanipekun, Cambria Press, 2011. Directing a Play. Michael McCaffery, Phaidon Press, 1988. (Reprint: Museum of Our National Heritage, 1991.) The Art of Play Directing: A Tentative Bibliography. Alice C. Owen, Simmons College, 1943. Directing for the Theatre (3rd rev. ed.). W. David Sievers, Harry E. Stiver, Jr., and Stanley Kahan, Wm. C. Brown Company, 1974. (1st edition: Brown, 1965, Sievers alone) Directing for Stage and Screen. Jack R. Stanley & Marian F. Monta, Palgrave Macmillan, 2007. Creating Theatre: The Art of Theatrical Directing. August W. Staub, Harper & Row, 1973.

Directing Bibliography Page 2 An Actor’s/Director’s Preparation and Scene Book. Harry E. Stiver, Jr., and Stanley Kahan, Allyn & Bacon, 1981. Directing Plays. Don Taylor, Routledge / Theatre Arts Books, 1997. Theatrical Direction: The Basic Techniques. David Welker, Allyn & Bacon, 1971.

Books on Directing by Professional Directors Different Every Night: Putting the Play on Stage and Keeping It Fresh. Mike Alfreds, Nick Hern Books, 2008. A Sense of Direction: Some Observations on the Art of Directing. William Ball, Drama Book Publishers, 1984. Contemporary Stage Directing. George Black, Holt, Rinehart & Winston, 1991. Thinking Like a Director: A Practical Handbook. Michael Bloom, Faber & Faber, Inc., 2001. A Director Prepares: Seven Essays on Art and Theatre. Anne Bogart, Routledge, 2001. Theatre Craft: A Director’s Practical Companion from A-Z. John Caird, Faber & Faber, 2010. On Directing. Harold Clurman, Macmillan, 1972. Words into Action: Finding the Life of the Play. William Gaskill, Nick Hern, 2011. Stage Directions. John Gielgud, Theatre Arts Books, 1963. Notes on Directing. Frank Hauser and Russell Reich, RcR Creative, 2003. Tips: Ideas for Directors. Jon Jory, Smith & Kraus, 2002. Creating Life on Stage: A Director’s Approach to Working with Actors. Marshall W. Mason, Heinemann, 2006. Mis-Directing the Play: Terry McCabe, Ivan R. Dee, 2001. The Director’s Craft: A Handbook for the Theatre. Katie Mitchell, Routledge, 2008. How to Direct a Play: A Masterclass in Comedy, Tragedy, Farce, Shakespeare, New Plays, Opera and Musicals. Braham Murray, Oberon, 2012. Directing Plays, Directing People. Mary B. Robinson, Smith & Kraus, 2012. The Director’s Companion. Mel Shapiro, Harcourt Brace, 1998. Being a Director: A Life in Theatre. Di Trevis, Routledge, 2011. So You Want to Be a Theatre Director? Stephen Unwin, Nick Hern Books, 2004. Directing Plays: A Working Professional’s Method. Stuart Vaughan, Longman, 1993.

Books on Directing for Beginners, Community Theatres and Amateur Groups Rehearsal Management for Directors. David Alberts, Heinemann, 1995. Directing Theater 101: 10 Steps to Successful Productions. Wilma Marcus Chandler, Smith & Kraus, 2008. Play Production with Children and Young People. John Allen, Dobson, 1950. Good Grief! Using the Grief Sheet to Improve Community Theatre Production: Telling the Story Better Than It Has Ever Been Told. Kenneth F. Anderson, Writers Club Press, 2002. Stage Directing: A Practical Guide. Chris Baldwin, Crowood Press, 2003. Musicals! Directing School and Community Theatre. Robert Boland and Paul M. Argentini, Scarecrow Press, 1997. Carver’s Manuel on Community Theatre Directing. James C. Carver, Hansa-Hewlett Publishing, 2010. The Theater Director’s Primer. Gary Cohen, Heinemann, 2005. Playing Director: A Handbook for Beginners. Rick Desrochers, Heinemann, 1995. Play Directing in the School: A Drama Director’s Survival Guide. David Grote, Meriwether, 1998. Community Plays: How to Put Them On. Ann Jellicoe, Methuen, 1987. How to Direct the High School Play. Leon C. Miller, Dramatic Publishing, 1968. Staging Musicals for Young Performers: How to Produce a Show in 36 Sessions or Less. Maria C. Novelly and Adele Firth, Meriwether Publishing, 2004. Stage Directing: The First Experiences. Jim A. Patterson, Allyn & Bacon, 2004. Play Director’s Survival Kit: A Complete Step-by-Step Guide to Producing Theatre in Any School or Community Setting. James W. Rodgers and Wanda C. Rodgers, Simon & Schuster, 1995. On Stage: How to Put on a Play. Patricia Sternberg, Julian Messner, 1983. The Art and Craft of Play Directing. David Stevens, lulu.com, 2013. Stage Directing: A Director’s Itinerary. Michael Wainstein, Focus, 2012. Theatre for Children: A Guide to Writing, Adapting, Directing and Acting. David Wood & Janet Grant, Ivan R. Dee, 1999. Directing the Play: From Selection to Opening Night. John Wray Young, Associated Faculty Press, 1972.

Directing Bibliography Page 3

Anthologies of Articles on Directing Directors on Directing: A Source Book of the Modern Theater. Toby Cole and Helen Krich Chinoy, Bobbs-Merrill, 1963. (2nd rev. ed., Allyn & Bacon, 1976). (Revision of Directing the Play, 1953.) Re: Direction: A Theoretical and Practical Guide. Rebecca Schneider and Gabrielle H. Cody, eds., Routledge, 2001. The Director in a Changing Theatre: Essays on Theory and Practice, with New Plays for Performance. J. Robert Wills, ed., Mayfield, 1976.

Interviews on Directing The Director’s Voice: Twenty-One Interviews. Arthur Bartow, TCG, 1988. Conversations with Anne: Twenty-Two Interviews. Anne Bogart, TCG, 2012. Directors’ Theatre. Judith Cook, George Harrap, 1974. Women Stage Directors Speak: Exploring the Influence of Gender on Their Work. Rebecca Daniels, Macfarland, 1996. In Contact with the Gods? Directors Talk Theatre. Maria M. Delgado and Paul Heritage, Manchester University Press, 1996. On Directing: Interviews with Directors. Gabriella Giannachi and Mary Luckhurst, eds., St. Martin’s, 1999. Directing for the Stage. Polly Irvin, Rotovision, 2003. Directors: From Stage to Screen and Back Again. Susan Beth Lehman, Intellect Ltd., 2013. The Director’s Voice, Twenty Interviews, Vol. 2. Jason Loewith, TCG, 2012. In Other Words: Women Directors Speak. Helen Manfull, Smith and Kraus, 1997. Taking Stage: Women Directors on Directing. Helen Manfull, Methuen, 1999. Creating Theater: The Professionals’ Approach to New Plays. Lee Alan Morrow and Frank Pike, Vintage, 1986. Directors/Directing: Conversations on Theatre. Maria Shevtsova and Christopher Innes, Cambridge University Press, 2009. Making Plays: Interviews with Contemporary British Dramatists and Directors. Duncan Wu, ed., Palgrave Macmillian, 2000.

History of Stage Directing / General Reference The Director and the Stage: From Naturalism to Grotowski. Edward Braun, Methuen, 1982. American Women Stage Directors of the Twentieth Century. Anne Fliotsos, University of Illinois Press, 2008. Theatrical Directors: A Biographical Dictionary. John W. Frick and Stephen M. Vallillo, eds., Greenwood Press, 1994. The Emergence of the Playwright-Director in American Theatre, 1960-1983. Bonnie Milne Gardner, Edwin Mellen Press, 2001. The Revisionist Stage: American Directors Reinvent the Classics. Amy S. Green, Cambridge University Press, 1994. Moscow Rehearsals: An Account of Methods of Production in the Soviet Theatre. Norris Houghton, Harcourt Brace Jovanovich, 1936. Return Engagement: A Postscript to “Moscow Rehearsals”. Norris Houghton, Holt, Rinehart and Winston, 1962. The Cambridge Introduction to Theatre Directing. Christopher Innes and Maria Shevtsova, Cambridge University Press, 2013. Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. David Richard Jones, University of California Press, 1986. The Reign of the Theatrical Director, French Theatre: 1887-1924. Bettina Knapp, Whitston, 1988. From Belasco to Brook: Representative Directors of the English-Speaking Stage. Samuel L. Leiter, Greenwood Press, 1991. From Stanislavski to Barrault: Representative Directors of the European Stage. Samuel L. Leiter, Greenwood Press, 1991. The Great Stage Directors: 100 Distinguished Careers of the Theater. Samuel L. Leiter, Facts On File, 1994. Fifty Key Theatre Directors. Shomit Mitter, ed., Routledge, 2003. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Peter Brook. Shomit Mitter, Routledge, 1992. Stage Director’s Handbook 2003-2004: Opportunities for Directors and Choreographers. Stage Directors and Choreographers Foundation, TCG, 2003. Stage Directors in Modern France. David Whitton, Manchester University Press, 1987.

Directing Shakespeare

Directing Bibliography Page 4 A Lifetime with Shakespeare: Notes from an American Director of All 38 Plays. Paul Barry, McFarland, 2010. On Directing Shakespeare: Interviews with Contemporary Directors. Ralph Berry, Hamish Hamilton, 1989. Directing Shakespeare. Michael Bogdanov, Nick Hern, 1995. Evoking Shakespeare. Peter Brook, Consortium Book Sales & Dist., 1999. (Revised as Evoking and Forgetting Shakespeare, TCG, 2003, 64 pp.) The Routledge Companion to Directors’ Shakespeare. John Russell Brown, Routledge, 2008. Instant Shakespeare: A Proven Technique for Actors, Directors, and Teachers. Louis Fantasia, Ivan R. Dee, 2003. Prefaces to Shakespeare. 5 volumes. Harley Granville-Barker, Sidgwick and Jackson, 1927-47. (US: Princeton University Press, 1947.) Directing Shakespeare: A Scholar Onstage. Sidney Homan, Ohio University Press, 2004. Staging Shakespeare at the New Globe. Pauline Kiernan, Palgrave Macmillan, 1999. Shakespearean Production. G. Wilson Knight, Routledge, 1968. Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages. Cary M. Mazer, UMI Research Press, 1981. Shakespeare Around the Globe: A Guide to Notable Postwar Revivals. Samuel L. Leiter, Greenwood Press, 1985. Staging Shakespeare: Seminars on Production Problems. Glenn Loney, ed. Garland Publishing, 1990. Theatre Student: Directing Shakespeare in the Contemporary Theatre. Frank Alonzo McMullan, Rosen Publishing Group, 1974. Staging Shakespearean Theatre. Elaine Adams Novak, Betterway Publications, 2000. Stage Directions Guide to Shakespeare. Stephen Peithman and Neil Offen, Heinemann, 2000. Ms-Directing Shakespeare: Women Direct Shakespeare. Elizabeth Schafer, St. Martin’s, 2000. Staging Shakespeare’s Late Plays. Roger Warren, Oxford, 1990. On Producing Shakespeare. Ronald Watkins, Benjamin Blom, 1964.

Directing Musical Theatre Musicals! Directing School and Community Theatre. Robert Boland and Paul M. Argentini, Scarecrow Press, 1997. Directing in Musical Theatre: An Essential Guide. Joe Deer, Routledge, 2014. Broadway, the Golden Years: Jerome Robbins and the Great Choreographer-Directors, 1940 to the Present. Robert Emmett Long, Continuum, 2002. From Assassins to West Side Story: The Director’s Guide to Musical Theatre. Scott Miller, Heinemann, 1996. Staging Musical Theatre. Elaine Novak and Deborah Novak, Betterway Publications, 1996. Staging Musicals for Young Performers: How to Produce a Show in 36 Sessions or Less. Maria C. Novelly and Adele Firth, Meriwether Publishing, 2004. The Show Makers: Great Directors of the American Musical Theatre, Lawrence Thelen, Taylor & Francis, 2001. Staging a Musical. Matthew White, Routledge, 1999. How to Direct a Musical. David Young, Routledge, 1995.

Production Theory The Theatre and Its Double. Antonin Artaud, trans. Mary Caroline Richard. New York: Grove Press, 1958. The Empty Space: A Book About Theatre – Deadly, Holy, Rough, Immediate. Peter Brook, Atheneum, 1968. Theatre of the Absurd. Martin Esslin, Heinemann, 1961. (3rd edition, 2004) Towards a Poor Theatre. Jerzy Grotowski, Simon & Schuster, 1969 Shakespeare Our Contemporary, Jan Kott, trans. Boleslaw Taborski. Garden City, NY: Doubleday Anchor, 1966. Theater: The Rediscovery of Style. Michel Saint-Denis, Theatre Arts Books, 1960.

Script Analysis for Directors Backwards and Forwards: A Technical Manual for Reading Plays. David Ball, Southern Illinois University Press, 1998. Interpreting the Play Script: Contemplation and Analysis. Palgrave Macmillan, 2011. Script Analysis: Reading and Understanding the Playscript for Production. David Grote, Wadsworth, 1984. How to Read a Play. Ronald Hayman, Grove Press, 1999 (revised edition).

Directing Bibliography Page 5 From Page to Stage: How Theatre Designers Make Connections Between Scripts and Images. Rosemary Ingham, Heinemann, 1998. Page and Stage: An Approach to Script Analysis. Stanley Vincent Longman, Allyn & Bacon, 2003. Studying Plays. Simon Shepherd and Mick Wallis, Arnold, 1998. (3rd edition, Bloomsbury Academic, 2010) Introduction to Play Analysis. Cal Pritner, Scott E. Walters, McGraw-Hill, 2004. Script Analysis for Actors, Directors, and Designers. James Thomas, Focal Press, 1998. (5th edition, 2013.)

Ensemble Theater, Improvisation, and Devising Making Theatre: The Frazzled Drama Teacher’s Guide to Devising. Joss Bennathan, Nick Hern, 2014. Devised and Collaborative Theatre: A Practical Guide. Tina Bicat and Chris Baldwin, Crowood, 2002. Ensemble Theatre Making: A Practical Guide. Rose Burnett Bonczek and David Storck, Routledge, 2012. Inventing the Truth: Devising and Directing. Mike Bradwell, Nick Hern, 2012. Making a Performance: Devising Histories and Contemporary Practices. Emma Govan, Helen Nicholson and Katie Normington, Routledge, 2007. The Frantic Assembly Book of Devising Theatre. Scott Graham and Steven Hoggett, Routledge, 2009. Devising Performance: A Critical History. Deirdre Heddon and Jane Milling, Palgrave Macmillan, 2005. Improvisation: Discovery and Creativity in Drama. John Hodgson and Ernest Richards, Eyre Methuen, 1966 Devising in Process. Alex Mermikides and Jackie Smart, Palgrave Macmillan, 2010. Devising Theatre: A Practical and Theoretical Handbook. Alison Oddey, Routledge, 1996. Your Handy Companion to Devising and Physical Theatre. Pilar Orti, lulu.com, 2011. Group Devised Theatre: A Theoretical and Practical Examination. Rosemary Parsons, LAP Lambert Academic Publishing, 2010. The Contemporary Ensemble: Interviews with Theatre-Makers. Duska Radosavljevic, Routledge, 2013. Improvisation for the Theatre: A Handbook of Teaching and Directing Techniques. Viola Spolin, Northwestern University Press, 1963. (Third Edition, 1999.) Theater Games for Rehearsal: A Director’s Handbook. Viola Spolin, Northwestern University, 1985. (Updated Third Edition, 2011.) Theater Games for the Classroom: A Teacher’s Handbook. Viola Spolin, Northwestern University, 1986.

Other Books on Directing The Production Notebooks: Theatre in Process. Volume 1. Mark Bly, ed., TCG, 1996. Directors’ Theatre. David Bradby and David Williams, St. Martin’s, 1988. Theater Directing: Art, Ethics, Creativity. Kazimierz Braun, Edwin Mellen Press, 2000. The Theatrical Image. James H. Clay and Daniel Krempel, McGraw-Hill, 1967. (Reprint: Univ. Press of America, 1985) Working on a New Play: A Play Development Handbook for Actors, Directors, Designers and Playwrights. Edward M. Cohen, Limelight Editions, 1995. Directors in Rehearsal: A Hidden World. Susan Letzler Cole, Routledge, 1992. Theatrical Space: A Guide for Directors and Designers. William Condee, Scarecrow Press, 2002. Play Direction: A Practical Viewpoint. John Counsell, David & Charles, 1973. Changing Direction: A Practical Approach to Directing Actors in Film and Theatre. Lenore DeKoven, Focal Press, 2006. Contemporary European Theatre Directors. Maria M. Delgado and Dan Rebellato, editors, Routledge, 2010. Upstaging Big Daddy: Directing Theater as if Gender and Race Matter. Ellen Donkin and Susan Clement, eds., University of Michigan Press, 1991. Sense of Direction: The Director and His Actors. John Fernald, Stein and Day, 1969. Play Production: Method and Practice. Morris Fishman, Jenkins, 1965. Staging the Post-Avant-Garde: Italian Experimental Performance After 1970. Gabriella Giannachi and Nick Kaye, Peter Lang, 2002. Staging Modern Playwrights: From Director’s Concept to Performance. Sidney Homan, Bucknell University Press, 2003. Theatre in the Round. Stephen Joseph, Barrie and Rockcliffe, 1968. The Art of Directing. John Kirk, Ad Hoc Productions, 1990. (Revised edition 2004, Xlibris) Scriptwork: A Director’s Approach to New Play Development. David Kahn, Donna Breed, Southern Illinois University Press, 1995.

Directing Bibliography Page 6 The Theatre Team: Playwright, Producer, Director, Designers and Actors. Jeane Luere and Sidney Berger, Greenwood, 1998. Playwright Versus Director: Authorial Intentions and Performance Interpretations. Jeane Luere and Sidney Berger, Greenwood, 1994. Directing Drama. John Miles-Brown, Dufour Editions, 1980 (re-issue; also Peter Owen, 1994) Director-Actor Relationship. John D. Mitchell, Iasta Press, 1996. Staging Premodern Drama. Lee Mitchell, Greenwood, 1984. Directing in the Theatre. Hugh Morrison, Pitman Publishing, 1973. (2nd edition, Theatre Arts Books, 1984.) Making Plays: The Writer-Director Relationship in the Theatre Today. Richard Nelson, edited by Colin Chambers. Faber & Faber, 1995. The Director as Artist: Play Direction Today. R.H. O’Neill and N.M. Boretz, Holt, Rinehart and Winston, 1987. Directing Beckett. Lois Oppenheim, University of Michigan Press, 1994. Stage Directions Guide to Directing. Stephen Peithman and Neil Offen, Heinemann, 1999. The Rehearsal Handbook for Actors and Directors: A Practical Guide. John Perry, Crowood Press, 2002. Between Director and Actor: Strategies for Effective Performance. Mandy Rees and John Staniunas, Heinemann, 2002. Directing a Play: James Roose-Evans on the Art of Directing and Acting. James Roose-Evans, Theatre Arts Books, 1968. Experimental Theatre from Stanislavski to Peter Brook. James Roose-Evans, Routledge, 1970. Friendly Enemies: Maximizing the Director-Actor Relationship. Delia Salvi, Watson-Guptil, 2003. Language in Drama: Meanings for the Director and the Actor. William L. Sharp, Chandler, 1970. Directing – A Handbook for Emerging Theatre Directors. Rob Swain, Methuen, 2012. Close-Up: The Contemporary Director. Jon Tuska, ed., Scarecrow Press, 1981. Directing Postmodern Theater: Shaping Signification in Performance. John Whitmore, University of Michigan Press. 1994. Directing in the Theatre: A Casebook. J. Robert Wills, Scarecrow Press, 1980. (2nd edition, 1994)

Acting and Performance The Art of Acting. Stella Adler (ed. Howard Kissel), Applause, 2000. Training of the American Actor. Arthur Bartow, ed., TCG, 2006. Acting: The First Six Lessons. Richard Boleslavsky, Theatre Arts, 1933. (Published in an expanded edition known as Acting: The First Six Lessons: Documents from the American Laboratory Theatre, Routledge, 2010.) The Great Acting Teachers and Their Methods. Richard Brestoff, Smith & Kraus, 1996. The Great Acting Teachers and Their Methods, Volume 2. Richard Brestoff, Smith & Kraus, 2010. A Practical Handbook for the Actor. Melissa Bruder, Lee Michael Cohn, Madeleine Olnek, Nathaniel Pollack, Robert Previtio, and Scott Zigler, Vintage, 1986. Actions: The Actors’ Thesaurus. Marina Caldarone and Maggie Lloyd-Williams, Drama Publishers, 2004. The Actor and the Target. Declan Donnellan, Nick Hern Books, 2002. (New Edition, TCG, 2006.) The Actor’s Art and Craft: William Esper Teaches the Meisner Technique. William Esper and Damon DiMarco, Anchor, 2008. The Actor’s Guide to Creating a Character: William Esper Teaches the Meisner Technique. William Esper and Damon DiMarco, Anchor, 2014. How to Stop Acting. Harold Guskin, Faber & Faber, 2003. A Challenge for the Actor. Uta Hagen, Scribner’s, 1991. Respect for Acting. Uta Hagen and Haskel Frankel, Macmillan, 1973. Sanford Meisner on Acting. Sanford Meisner and Dennis Longwell, Vintage, 1987. The Intent to Live: Achieving Your True Potential as an Actor. Larry Moss, Bantam, 2004. An Actor’s Work: A Student’s Diary. Konstantin Stanislavski, trans. Jean Benedetti, Routledge, 2008. An Actor’s Work on a Role. Konstantin Stanislavski, trans. Jean Beneditti, Routledge, 2009.

The Directing Profession Stage Money: The Business of the Professional Theater. Tim Donahue & Jim Patterson, University of South Carolina Press, 2010. Theater Careers: A Realistic Guide. Tim Donahue & Jim Patterson, University of South Carolina Press, 2012. Working in American Theatre: A Brief History, Career Guide and Resource Book for Over 1000 Theatres. Jim Volz, Methuen, 2011.

Directing Bibliography Page 7

Miscellaneous Books Relevant to Directing A Natural History of the Senses. Diane Ackerman, Vintage, 1991. The Presentation of Self in Everyday Life. Erving Goffman, Anchor, 1959. Zen in the Art of Archery. Eugen Herrigel (tr. R.F.C. Hull), 1953. (Originally published in German in 1948) The Tao of Pooh. Benjamin Hoff, Dutton, 1982. The Art of Making Dances. Doris Humphrey, Rinehart, 1959. Steal Like an Artist: 10 Things Nobody Told You About Being Creative. Austin Kleon Workman, 2012. Manwatching: A Field Guide to Human Behavior. Desmond Morris, Abrams, 1977. The Naked Ape: A Zoologist’s Study of the Human Animal. Desmond Morris, McGraw-Hill, 1967. The Collaborative Habit: Life Lessons for Working Together. Twyla Tharp, Simon & Schuster, 2009. The Creative Habit: Learn It and Use It for Life. Twyla Tharp, Simon & Schuster, 2003.

Dramaturgy The Art of Acting Dramaturgy: Transforming Critical Thought into Dramatic Action. Lenora Inez Brown, Focus Publishing, 2010. What is Dramaturgy? Bert Cardullo, editor, Peter Lang Int’l Academic Publishers, 2000. (3rd edition) Ghost Light: An Introductory Handbook for Dramaturgy. Michael Mark Chemers, Southern Illinois University Press, 2010. The Shakespearean Dramaturg: A Theoretical and Practical Guide. A.J. Hartley, Palgrave Macmillan, 2005. The Process of Dramaturgy: A Handbook. Scott R. Irelan, Anne Fletcher, and Julie Felise Dubiner, Focus Publishing, 2010. Dramaturgy in American Theater: A Source Book. Susan S. Jones, Geoffrey S. Proehl, and Michael Lupu, Cengage Learning, 1996. Dramaturgy: A Revolution in Theatre. Mary Lockhurst, Cambridge University Press, 2006. The Routledge Companion to Dramaturgy. Magda Romanska, editor, Routledge, 2014. Dramaturgy in the Making: A User’s Guide for Theatre Practicioners. Katalin Trencsényi, Geoffrey Proehl, Bloomsbury Methuen Drama, 2015. New Dramaturgy: International Perspectives on Theory and Practice. Katalin Trencsényi, Bernadette Cochrane, Bloomsbury Methuen Drama, 2014. Dramaturgy and Performance. Cathy Turner, Synne Behrndt, Palgrave Macmillan, 2008.

Great Stage Directors – Writings By and About Abbott, George (1887 – 1995) “Mister Abbott.” George Abbott, Random House, 1963.

Akalaitis, JoAnne (1937 – ) An Event in Space: Joanne Akalaitis in Rehearsal. Deborah Saivetz, Smith & Kraus, 2001.

Anderson, Lindsay (1923 – 1994) Never Apologise: The Collected Writings. Lindsay Anderson, edited by Paul Ryan, Plexus, 2002. Mainly About Lindsay Anderson. Gavin Lambert, Knopf, 2000. The Lindsay Anderson Diaries. Paul Sutton, A&C Black, 2006.

Antoine, André (1858 – 1943) Memories of the Théâtre Libre. André Antoine, trans. Marvin Carlson. University of Miami Press, 1964. Directors in Perspective: André Antoine. Jean Chothia, Cambridge University Press, 1991. Antoine and the Théâtre Libre. Samuel Waxman, Harvard University Press, 1926.

Directing Bibliography Page 8

Artaud, Antonin (1896 – 1948) Antonin Artaud: Selected Writings. Antonin Artaud, ed. Susan Sontag, University of California Press (reprint), 1988. Collected Works, Vols. 1-3. Antonin Artaud, trans. Victor Corti. Calder Publications, 1999 (reprint). The Theatre and Its Double. Antonin Artaud, 1938. (Trans. Victor Corti. John Calder, 1981.) Watchfiends & Rack Screams: Works from the Final Period. Antonin Artaud, edited and translated by Clayton Eshleman (with Bernard Bador), Exact Change, 1995. The Anatomy of Cruelty: Antonin Artaud, Life and Works. Stephen Barber, Sun Vision Press, 2013. Artaud, the Screaming Body, Films, Drawings and Recordings. Stephen Barber, Creation Books, 2005. Antonin Artaud: Blows and Bombs. Stephen Barber, Faber and Faber, 1993. Antonin Artaud: Terminal Curses, The Notebooks 1945-1948. Stephen Barber, Solar Books, 2008. Antonin Artaud (Bloom’s Modern Critical Views). Harold Bloom, Chelsea House, 1994. The Secret Art of Antonin Artaud. Jacques Derrida and Paule Thévenin, The MIT Press, 2000. Antonin Artaud: The Man and His Work. Martin Esslin, Calder Publications, 1976. Antonin Artaud: Poet Without Words, Naomi Greene, Touchstone, 1971. Antonin Artaud Anthology. Jack Hirschman, editor, City Lights Books, 1965. (2nd rev. ed.) Antonin Artaud: Man of Vision. Bettina L. Knapp, Swallow Press, 1980. Antonin Artaud’s Writing Bodies. Adrian Morfee, Oxford University Press, 2005. Antonin Artaud: The Scum of the Soul. Ros Murray, Palgrave Macmillan, 2014. Artaud on Theatre. C. Schumacher, ed., Methuen, 1989. Antonin Artaud: A Critical Reader. Edward Scheer, Routledge, 2003. 100 Years of Cruelty: Essays on Artaud. Edward Scheer, ed., University of Illinois Press, 2000. The Dramatic Concepts of Antonin Artaud. E. Sellin, University of Chicago Press, 1973. Necessary Cruelty: A Brief Examination of the Dramatic Principles of Antonin Artaud. Mitchell Tribbett, VDM Verlag, 2008.

Ashwell, Lena (1872 – 1957) Reflections from Shakespeare: A Series of Lectures. Lena Ashwell, Hutchinson, 1927. Myself a Player. Lena Ashwell, Michael Joseph Ltd., 1936. The Stage. Lena Ashwell, G. Bles, 1929. Lena Ashwell: Actress, Patriot, Pioneer. Margaret Leask, University of Hertfordshire Press, 2012.

Ayckbourn, Alan (1939 – ) Alan Ayckbourn: Grinning at the Edge. Paul M. Allen, Continuum, 2003. A Pocket Guide to Alan Ayckbourn’s Plays. Paul M. Allen, Faber & Faber, 2004. The Crafty Art of Playmaking. Alan Ayckbourn, Palgrave Macmillan, 2003. Alan Ayckbourn (Modern Dramatists). Michael Billington, Palgrave MacMillan, 1990. Alan Ayckbourn. Michael Holt, University Press of Mississippi, 1997. (2nd edition, Northcote House, 2014.) Laughter in the Dark: The Plays of Alan Ayckbourn. Albert E. Kalson, Fairleigh Dickinson University Press, 1993. Alan Ayckbourn in Chekhov’s Footsteps: A Study of Chekhovian Character Traits in Ayckbourn Drama. Mustafa Kirca, Ibidem-Verlag, 2010. Conversations with Ayckbourn. Ian Watson, Macdonald, 1981. Alan Ayckbourn (Twayne’s English Author Series). Sidney Howard White, Twayne Pub, 1984.

Ball, William (1931 – 1991) A Sense of Direction: Some Observations on the Art of Directing. William Ball, Drama Book Publishers, 1984. The Creation of an Ensemble: The First Years of the American Conservatory Theatre. John R. Wilk, Southern Illinois University Press, 1986.

Barba, Eugenio (1936 – ) Beyond the Floating Islands. Eugenio Barba, multiple translators, PAJ Publications, 1986. A Dictionary of Theatre Anthropology: The Secret Art of the Performer, 2nd ed. Eugenio Barba and Nicola Savarese, tran. Richard Fowler, Routledge, 2005. The Dilated Body. Eugenio Barba, trans. Richard Fowler, Zeami Libri, 1985. Eugenio Barba (Routledge Performance Practitioners). Jane Turner, Routledge, 2005. The Floating Islands. Eugenio Barba, Drama, 1979.

Directing Bibliography Page 9 Land of Ashes and Diamonds: My Apprenticeship in Poland / 26 Letters from Jerzy Grotowski to Eugenio Barba. Eugenio Barba, Black Mountain Press, 1999. On Directing and Dramaturgy: Burning the House. Eugenio Barba, Routledge, 2009. The Paper Canoe: Guide to Theatre Anthropology. Eugenio Barba, trans. Richard Fowler, Routledge, 1995. Eugenio Barba (Routledge Performance Practitioners). Jane Turner, Routledge, 2005. Negotiating Cultures: Eugenio Barba and the Intercultural Debate. Ian Watson, Manchester University Press, 2002. Towards a Third Theatre: Eugenio Barba and the Odin Teatret, 2nd ed., Ian Watson, Cambridge University Press, 1995.

Barrault, Jean-Louis (1910 – 1994) Reflections on the Theatre. Jean-Louis Barrault, trans. Barbara Wall. London: Rockliff, 1951. The Theatre of Jean-Louis Barrault. Jean-Louis Barrault, trans. Joseph Chiari, Hill and Wang, 1962. Memories for Tomorrow. Jean-Louis Barrault, trans. Jonathan Griffin, Dutton, 1974.

Barton, John (1928 – ) The Greeks. John Barton and Kenneth Cavander, Heinemann, 1981. The Hollow Crown: An Entertainment by and About the Kings and Queens of England. John Barton, Samuel French, 1962. Playing Shakespeare: An Actor’s Guide. John Barton, 1984. (Anchor Press edition, 2001) Tantalus Plays. John Barton, TCG, 1999. The Wars of the Roses. John Barton and Peter Hall, BBC Press, 1970. Directions by Indirections: John Barton of the Royal Shakespeare Company, Michael L. Greenwald, University of Delaware Press, 1985.

Bausch, Pina (1940 – 2009) Pina Bausch (Routledge Performance Practitioners). Royd Climenhaga, Routledge, 2009. The Pina Bausch Sourcebook: The Making of Tanztheater. Royd Climenhaga, Routledge, 2012. Pina Bausch and the Wuppertal Dance Theater: The Aesthetics of Repetition and Transformation. Peter Lang, 2001. Pina Bausch: Dance Theatre. Norbert Servos, tr. Stephen Morris, K. Kieser Verlag, 2008. Inheriting Dance: An Invitation from Pina. Marc Wagenbach, ed., Transcript Verlag, 2014.

Beck, Julian (1925 – 1985) The Life of the Theatre. Julian Beck, City Lights, 1972. Paradise Now. Julian Beck, Judith Malina, Vintage, 1971. Theandric: Julian Beck’s Last Notebooks. Erica Bilder, editor, Routledge, 1992. The Living Theatre. Alex M. Goldblum, ed., CreateSpace, 2013. Julian Beck: Paintings and Drawings. Andres Nadelson, Ubu Gallery/Janos Gat Gallery, 2001. We, The Living Theatre. Aldo Rostagno, Julian Beck, Judith Malina, Ballantine, 1970. The Living Theatre: Art, Exile, and Outrage. John Tytell, Grove Press, 1995.

Belasco, David (1853 – 1931) The Theatre Through the Stage Door. David Belasco, Harper & Row, 1919. David Belasco: Naturalism in the American Theatre. Lise-Lone Marker, Princeton University Press, 1975. The Bishop of Broadway: The Life and Work of David Belasco. Craig Timberlake, Library Publishers, 1954. The Life of David Belasco. 2 vols. William Winter, Moffat, Yard and Co., 1918.

Bennett, Michael (1943 – 1987) What They Did for Love: The Untold Story Behind the Making of “A Chorus Line”. Denny Martin Flinn, Bantam, 1989. One Singular Sensation: The Michael Bennett Story. Kevin Kelly, Doubleday, 1990. “A Chorus Line” and the Musicals of Michael Bennett. Ken Mandlebaum, St. Martin’s, 1989. On the Line: The Creation of “A Chorus Line”. Robert Viagas et al, William Morrow, 1990. (2nd edition, 2006)

Bergman, Ingmar (1918 – 2007) Images: My Life in Film. Ingmar Bergman (tr. Marianne Ruuth), Arcade, 1994. Ingmar Bergman: A Project for the Theater. Ingmar Bergman, Ungar, 1983.

Directing Bibliography Page 10 The Magic Lantern: An Autobiography. Ingmar Bergman, Alfred A. Knopf, 1988. Talking with Ingmar Bergman. Ingmar Bergman, Southern Methodist University, 1984. Ingmar Bergman: A Critical Biography. Peter Cowie, Limelight Editions, 1992 (updated edition). The Ingmar Bergman Archives. Paul Duncan, editor. Taschen America, 2008. The Films of Ingmar Bergman. Jesse Kalin, Cambridge University Press, 2003. Ingmar Bergman Revisited: Performance, Cinema and the Arts. Maaret Koskinen, ed., Wallflower Press, 2008. Ingmar Bergman and the Rituals of Art. Paisley Livingston, Cornell University Press, 1982. Ingmar Bergman: Film and Stage, Robert Emmet Long, Abrams, 1994. Ingmar Bergman: The Life and Films of the Last Great European Director. Geoffrey Macnab, I.B. Tauris, 2009. Masters of Cinema: Ingmar Bergman. Jacques Mandelbaum, Phaidon Press, 2011. Theater: Ingmar Bergman as Theater Director. Lise-Lone Marker, Frederick Marker, Yale University Press, 1979. Ingmar Bergman: A Life in the Theater. 2nd ed. Lise-Lone Marke, Frederick Marker, Cambridge University Press, 1992. (Revision of Ingmar Bergman: Four Decades in the Theater, 1982.) Ingmar Bergman: Interviews. Raphael Shargel, ed., University Press of Mississippi, 2007. Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. Irving Singer, The MIT Press, 2007. Ingmar Bergman: A Reference Guide. Birgitta Steene, Amsterdam University Press, 2006. Between Stage and Screen: Ingmar Bergman Directs. Egil Tornqvist, Amsterdam University Press, 1996. Berkeley, Busby (1895 – 1976) The Genius of Busby Berkeley. Bob Pike and Dave Martin, CFS Books, 1973. Showstoppers: Busby Berkeley and the Tradition of Spectacle. Martin Rubin, Columbia University Press, 1993. Buzz: The Life and Art of Busby Berkeley. Jeffrey Spivak, University Press of Kentucky, 2010. The Busby Berkeley Book. Tony Thomas and Jim Terry. New York Graphic Society, 1973.

Blin, Roger (1907 – 1984) Roger Blin and Twentieth-Century Playwrights. Odette Aslan, trans. Ruby Cohn. Cambridge University Press, 1988. Letters to Roger Blin: Reflections on the Theater. Jean Genet, Random House, 1969. Roger Blin: Collaborations and Methodologies (Stage and Screen Studies). Mark Taylor-Batty, Peter Lang, 2007.

Boal, Augusto (1931 – 2009) Augusto Boal (Routledge Performance Practitioners). Frances Babbage, Routledge, 2004. The Aesthetics of the Oppressed. Augusto Boal, trans. Adrian Jackson, Routledge, 2006. Games for Actors and Non-Actors. Augusto Boal, trans. Adrian Jackson. London: Routledge, 1992. (2nd edition, 2002.) Hamlet and the Baker’s Son: My Life in Theatre and Politics. Augusto Boal, Routledge, 2001. Legislative Theatre. Augusto Boal, trans. Adrian Jackson, Routledge, 1998. The Rainbow of Desire. Augusto Boal, trans. Adrian Jackson. London: Routledge, 1995. Theatre of the Oppressed. Augusto Boal, trans. Charles A. and Maria-Odilia Leal McBride. New York: Urizen Books, 1979. “Come Closer”: Critical Perspectives on Theatre of the Oppressed. Toby Emert & Ellie Friedland, eds., Peter Lang, 2011. InExActArt – The Autopoietic Theatre of August Boal: A Handbook of Theatre of the Oppressed Practice. Birgit Fritz, ibidem Press, 2012. Playing Boal: Theatre, Therapy, Activism. Mady Schutzman and Jan Cohen-Cruz, Routledge, 1993.

Bogart, Anne (1951 – ) And Then You Act: Making Art in an Unpredictable World. Anne Bogart, Routledge, 2007. Conversations with Anne: Twenty-Two Interviews. Anne Bogart, TCG, 2012. A Director Prepares: Seven Essays on Art and Theatre. Anne Bogart, Routledge, 2001. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. Anne Bogart, Tina Landau, TCG, 2005. What’s the Story: Essays About Art, Theater and Storytelling. Anne Bogart, Routledge, 2014. Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company. Scott T. Cummings, Cambridge University Press, 2006. Anne Bogart: Viewpoints. Michael Bigelow Dixon and Joel A. Smith, Smith & Kraus, 1995.

Directing Bibliography Page 11

Boucicault, Dion (1820 – 1890) The Selected Plays of Dion Boucicault. Dion Boucicault, ed. Andrew Perkin, Catholic University of America Press, 1987. Dion Boucicault: A Biography. Richard Fawkes, Quartet, 1979. Dion Boucicault. Robert Hogan, Twayne, 1969. Dion Boucicault: Irish Identity on Stage. Deirdre McFeely, Cambridge University Press, 2012. The Career of Dion Boucicault. Townsend Walsh Dunlap Society, 1915. (Repr. Arno Press, 1972.)

Brahm, Otto (1856 – 1912) The Theatre Director Otto Brahm. Horst Claus, UMI Research Press, 1981. Otto Brahm, the Man and the Critic. Maxim Newmark, G.E. Stechert, 1938.

Brecht, Bertolt (1898 – 1956) Bertolt Brecht: Journals 1934-1955. Bertolt Brecht, Routledge, 1993. Brecht on Theatre, Bertolt Brecht, trans. and ed. by John Willett. New York: Hill & Wang, 1964. The Messingkauf Dialogues. Bertolt Brecht, Eyre Methuen, 1971. The Theatre of Meyerhold and Brecht. Katherine Bliss Eaton, Greenwood Press, 1985. Brecht: The Man and His Work. Martin Esslin, Doubleday, 1960. Bertolt Brecht: His Life, His Art and His Times. Frederic Ewen, Citadel, 1967. The Essential Brecht. John Fuegi, Hennessy and Ingalls, 1972. Bertolt Brecht: Chaos According to Plan. John Fuegi, Cambridge University Press, 1987. Brecht & Company: Sex, Politics, and the Making of the Modern Drama. John Fuegi, Grove Press, 1994. Bertolt Brecht. Philip Glahn, Reaktion Books, 2014. Brecht: A Biography. Ronald Hayman, Oxford University Press, 1983. Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. David Richard Jones, University of California Press, 1986. Revolutionaries in the Theater: Meyerhold, Brecht, and Witkiewicz. Christine Kiebuzinska, UMI Press, 1988. Bertolt Brecht in America. James K. Lyon, Princeton University Press, 1980. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Peter Brook. Shomit Mitter, Routledge, 1992. Bertolt Brecht (Routledge Performance Practitioners). Meg Mumford, Routledge, 2008. Brecht: A Biography. K. Volker, trans. John Nowell, Continuum Publishing Group, 1978. Bertolt Brecht: A Literary Life. Stephen Parker, Bloomsbury Methuen, 2014. Bertolt Brecht’s Berlin: A Scrapbook of the Twenties. Wolf von Eckardt, Anchor Press, 1975. Bertolt Brecht’s Dramatic Theory. John J. White, Camden House, 2004. The Theater of Bertolt Brecht: A Study from Eight Aspects. John Willett, Methuen, 1959. Walter Benjamin and Bertolt Brecht: The Story of a Friendship. Edmut Wizisla (tr. Christine Shuttleworth), Yale University Press, 2009.

Breuer, Lee (1937 – ) Animations: A Trilogy for Mabou Mines. Lee Breuer, PAJ Press, 1979. Hajj. Lee Breuer, published in Word Plays 3, PAJ Press, 1983. The Theatre of Images. Bonnie Marranca, Drama Book Specialists, 1977.

Brook, Peter (1925 – ) The Empty Space: A Book About the Theatre – Deadly, Holy, Rough, Immediate. Peter Brook, Atheneum, 1968. Evoking Shakespeare. Peter Brook, Consortium Book Sales & Dist., 1999. (Revised as Evoking and Forgetting Shakespeare, TCG, 2003.) The Man Who: A Theatrical Research. Peter Brook and Marie Helene Estienne, Methuen, 2002. The Open Door: Thoughts on Acting and Theatre. Peter Brook, Pantheon, 1995. The Quality of Mercy: Reflections on Shakespeare. Peter Brook, Nick Hern Books, 2013. The Shifting Point: Theatre, Film, Opera 1946-1987. Peter Brook, Harper and Row, 1987. There Are No Secrets: Thoughts on Acting. Peter Brook, Methuen, 1993. Threads of Time: Recollections. Peter Brook, Counterpoint, 1999. In Search of the Mahabharata: Notes of Travels in India with Peter Brook 1982-1985. Jean-Claude Carriere (tr. Aruna Vasudev), Macmillan India, 2001. Conversations with Peter Brook, 1970-2000. Margaret Croyden, Faber & Faber, 2003.

Directing Bibliography Page 12 Peter Brook: Oxford to Orghast. Richard Helfer and Glenn Loney, eds., Routledge, 1998. Conference of the Birds: The Story of Peter Brook in Africa. John Heilpern, Methuen, 1977. (Rev. edition, 1989.) Peter Brook (Directors in Perspective). Albert Hunt and Geoffrey Reeves, Cambridge University Press, 1995. Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. David Richard Jones, University of California Press, 1986. Peter Brook: A Biography. Michael Kustow, St. Martin’s, 2005. Hamlet in Pieces: Shakespeare Reworked: Peter Brook, Robert Lepage, Robert Wilson. Andy Lavender, Continuum, 2003. The Open Circle: The Theater Environment of Peter Brook. Jean Guy Lecat and Andrew Todd, Palgrave Macmillan, 2003. Peter Brook’s Production of William Shakespeare’s A Midsummer Night’s Dream. Glenn Loney, ed., Dramatic Publishing, 1974. Peter Brook (Routledge Performance Practitioners). Lorna Marshall, Routledge, 2006. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Peter Brook. Shomit Mitter, Routledge, 1992. Between Two Silences: Talking with Peter Brook. Dale Moffitt, ed., Southern Methodist University Press, 1999. The Mahabharata: Peter Brook’s Epic in the Making. Garry O’Connor and Gilles Abegg, Mercury House, 1990. The Making of A Midsummer Night’s Dream: An Eyewitness Account of Peter Brook’s Production from First Rehearsal to First Night. David Selbourne, Methuen, 1982. The Open Circle: The Theatre Environment of Peter Brook. Andrew Todd and Jean Guy Lecat, Palgrave Macmillan, 2003. Peter Brook: A Biography. J.C. Trewin, Macdonald, 1971. Peter Brook: A Theatrical Casebook. David Williams, ed., Methuen, 1988. Peter Brook and ‘The Mahabharata’: Critical Perspectives. David Williams, ed., Routledge, 1991.

Chaikin, Joseph (1935 – 2003) Joseph Chaikin and the Winter Project: Ways of Working. Roger Babb, Lambert Academic Publishing, 2010. Joseph Chaikin: Exploring at the Boundaries of Theater. Eileen Blumenthal, Cambridge University Press, 1984. Joseph Chaikin and Sam Shepard: Letters and Texts, 1972-1984. Joseph Chaikin, ed. Barry Daniels, New American Library, 1989. The Presence of the Actor. Joseph Chaikin, Atheneum, 1972. Joseph Chaikin: A Bio-Bibliography. Alex Gildzen and Dimitris Karageorgious, Greenwood Press, 1992. A Book on the Open Theatre. Robert Pasolli, Avon, 1974.

Chekhov, Michael (1891 – 1955) Michael Chekhov (Routledge Performance Practitioners). Franc Chamberlain, Routledge, 2003. Lessons for the Professional Actor. Michael Chekhov, PAJ Publications, 1985. Michael Chekhov’s To the Director and Playwright, Michael Chekhov, edited by Charles Leonard, Harper & Row, 1963. [Limelight Editions, 1984] Michael Chekhov: On Theatre and the Art of Acting. Michael Chekhov, Applause, 2004. On Theatre and the Art of Acting: The Five-Hour Master Class. Michael Chekhov, Applause, 2004. (CDs & Booklet.) Master Classes in the Michael Chekhov Technique. The Michael Chekhov Association, Routledge, 2007. (DVD) On the Technique of Acting. Michael Chekhov, 1942. (Reissued as To the Actor, Routledge, 2002.) The Other Chekhov: A Biography of Michael Chekhov, the Legendary Actor, Director and Theorist. Charles Marowitz, Applause, 2004. The Michael Chekhov Handbook: For the Actor. Lenard Petit Routledge, 2009.

Clurman, Harold (1901 – 1980) The Fervent Years: The Story of the Group Theatre and the Thirties. Rev. ed. Harold Clurman, Hill & Wang, 1957. All People are Famous (Instead of an Autobiography). Harold Clurman, Harcourt Brace Jovanovich, 1974. On Directing. Harold Clurman, Macmillan, 1974. The Collected Works of Harold Clurman: Six Decades of Commentary on Theatre, Dance, Music, Film, Arts and Letters. Harold Clurman, edited by Marjorie Loggia and Glenn Young, Applause, 1994.

Copeau, Jacques (1879 – 1949) Copeau: Texts on Theatre. Jacques Copeau, edited and trans. John Rudlin and Norman H. Paul, Routledge, 1991. Jacques Copeau’s Friends and Disciples: The Théâtre du Vieux-Colombier in New York 1917-1919. Thomas John Donahue, Peter Lang Publishers, 2007. Jacques Copeau (Routledge Performance Practitioners). Mark Evans, Routledge, 2006. Jacques Copeau: Biography of a Theater. Maurice Kurtz, Southern Illinois University Press, 1999.

Directing Bibliography Page 13 Jacques Copeau (Directors in Perspective). John Rudlin, Cambridge University Press, 1986.

Corsaro, Frank (1924 – ) Maverick: A Director’s Personal Experience in Opera and Theatre. Frank Corsaro, Vanguard Press, 1978.

Coward, Noel (1899 – 1973) The Complete Verse of Noel Coward. Noel Coward, ed. Barry Day, Methuen, 2012. Coward. Noel Coward, Methuen, 2007. (Incorporates 3 volumes of autobiography: Present Indicative (1937), Future Indefinite (1954), and Past Conditional (1986).) The Letters of Noel Coward. Noel Coward, edited by Barry Day, Vintage, 2009. Noel Coward: The Complete Illustrated Lyrics. Noel Coward, edited by Barry Day, Overlook, 1998. The Noel Coward Reader. Noel Coward, edited by Barry Day, Knopf, 2010. Noel Coward. Clive Fisher, St. Martins Press, 1992. Noel Coward: A Biography. Philip Hoare, University of Chicago Press (reprint ed.), 1998. Speaking of Noel Coward: Interviews by Alan Farley. Ron Lazar, ed., AuthorHouse, 2013. Remembered Laughter: The Life of Noel Coward. Cole Lesley, Alfred A. Knopf, 1976. Noel Coward and His Friends. Cole Lesley, Graham Payn & Sheridan Morley, Morrow, 1979. Theatrical Companion to Coward: A Pictorial Record of the Theatrical Works of Noel Coward. Raymond Mander and Joe Mitchenson, Macmillan, 1957. (2nd edition, updated by Barry Day and Sheridan Morley, London: Oberon Books, 2000) A Talent to Amuse. Sheridan Morley, Doubleday, 1969. My Life with Noel Coward. Graham Payn and Barry Day, Applause, 2000. The Noel Coward Diaries. Graham Payne and Sheridan Morley, editors, Little, Brown, 1982.

Craig, Edith (1869 -- 1947) Edy: Recollections of Edith Craig, Eleanor Adlard, ed., Frederick Muller, 1949 Edith Craig (1869-1947): Dramatic Lives. Katharine Cockin, Cassell, 1998. Ellen and Edy: A Biography of Ellen Terry and Her Daughter, Edith Craig. Joy Melville, Pandora Press, 1987.

Craig, Edward Gordon (1872 – 1966) The Theatre of Edward Gordon Craig. Denis Bablet, trans. Daphne Woodward, Theatre Arts Books 1966. Gordon Craig: The Story of His Life. Edward Craig, Alfred A. Knopf, 1968. On the Art of the Theatre. Edward Gordon Craig, Heinemann, 1911. Index to the Story of My Days. Edward Gordon Craig, Viking, 1957. Edward Gordon Craig: A Bibliography. Ifan Kyrle Fletcher and Arnold Rood, Society for Theatre Research, 1967. Edward Gordon Craig. Christopher Innes, Cambridge University Press, 1983. (Revised as Edward Gordon Craig: A Vision of Theatre, Routledge, 1998.) Edward Gordon Craig: Designs for the Theatre. Janet Leeper, Harmondsworth, 1948. Edward Gordon Craig: Artist of the Theatre. Arnold Rood and Donald Oenslager, 1967. Gordon Craig and the Theatre. Enid Rose, Sampson Low Marston, 1931. Craig on Theatre. M.J. Walton, ed., Methuen, 1983.

Daly, Augustin (1838 – 1899) Plays by Augustin Daly. Augustin Daly, ed. Don M.B. Wilmeth and Rosemary Cullen, Cambridge University Press, 1984. The Life of Augustin Daly. Joseph Francis Daly, Macmillan, 1917. The Theater of Augustin Daly: An Account of the Late Nineteenth Century American Stage. Marvin Felheim, Harvard University, 1956.

Devine, George (1910 – 1966) Playwrights’ Theatre: The English Stage Company at the Royal Court. Terry Browne, Pitman, 1975. Being George Devine’s Daughter. Harriet Devine, Barkus Books, 2013. 25 Years of the English Stage Company at the Royal Court. Richard Findlater, ed., Amber Lane Press, 1981.

Directing Bibliography Page 14 A Writer’s Theatre: George Devine and the English Stage Company at the Royal Court, 1956-1965. Marcus Tschudin, Peter Lang, 1972. The Theatres of George Devine. Irving Wardle, Jonathan Cape, 1978.

Dexter, John (1925 – 1990) The Honourable Beast: A Posthumous Autobiography. John Dexter, Nick Hern, 1993. Theatre at Work: The Story of the National Theatre’s Production of Brecht’s ‘Galileo.’ John Hiley, Routledge and Kegan Paul, 1981.

Dodin, Lev (1944 – ) Dodin and the Maly Drama Theatre: Process to Performance. Maria Shevtsova, Routledge, 2004.

Donnellan, Declan (1953 – ) The Actor and the Target. Declan Donnellan, TCG, 2002 (New edition, 2006). Cheek by Jowl: Ten Years of Celebration. Simon Reade, Absolute Classics, 1991.

Evreinov, Nikolai (1879 – 1953) Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century. Sharon Marie Carnicke, Peter Lang, 1989. The Theatre in Life. Peter Nikolai Evreinoff, edited and trans. Alexander I. Nazaroff, Benjamin Blom, 1970. Evreinov: The Theatre of Paradox and Transformation. Spencer Golub, UMI Research Press, 1984.

Filippi, Rosina (1866 – 1930) Hints to Speakers and Players. Rosina Filippi, Edward Arnold, 1911.

Foreman, Richard (1937 – ) Richard Foreman and the Ontological-Hysteric Theatre. Kate Davy, UMI Research Press, 1981. Bad Boy Nietzsche! And Other Plays. Richard Foreman, TCG, 2005. Manifestos and Essays. Richard Foreman, TCG, 2013. My Head Was a Sledgehammer: Six Plays. Richard Foreman, Overlook Press, 1995. Paradise Hotel and Other Plays. Richard Foreman, Overlook, 2001. Reverberation Machines: Later Plays and Essays. Richard Foreman, Station Hill Press, 1985. Richard Foreman: Plays and Manifestos. Richard Foreman, edited by Kate Davy, New York University Press, 1976. Unbalancing Acts: Foundations for a Theater. Richard Foreman, edited by Ken Jordan, Pantheon, 1992. The Theatre of Images. Bonnie Marranca, ed., Johns Hopkins University Press, 1995. Richard Foreman (Art + Performance). Gerald Rabkin, ed., Johns Hopkins University Press, 1999.

Fosse, Bob (1927 – 1987) Bob Fosse’s Broadway. Margery Beddow, Heinemann, 1996. All His Jazz: The Life and Death of Bob Fosse. Martin Gottfried, Bantam Books, 1990. Razzle Dazzle: The Life and Work of Bob Fosse. Kevin Boyd Grubb, St. Martin’s, 1989. The Fosse Style. Debra McWaters, University Press of Florida, 2008. Fosse. Sam Wasson, Houghton Mifflin Harcourt, 2013.

Garrick, David (1717 – 1779) Garrick. Margaret Barton, Greenwood Press, 1978. David Garrick and the Birth of Modern Theatre. Jean Benedetti, Methuen, 2001. David Garrick, Director. Kalman A. Burnim, University of Pittsburgh Press, 1961. The Plays of David Garrick: Complete Collection of the Social Satire, French Adaptations, Pantomimes, Christmas and Musical Plays, Preludes, Interludes. David Garrick, Southern Illinois University Press, 1981. David Garrick: A Biography. Alan Kendall, St. Martins, 1986. Garrick. Ian MCintyre, Viking, 1999. David Garrick. Carola Oman, Hodder & Stoughton, 1974.

Directing Bibliography Page 15 Enter David Garrick. Anna Bird Stewart, J.B. Lippincott, 1951. David Garrick: A Critical Biography. George Winchester Stone, Jr. and George M. Kahrl, Southern Illinois University Press, 1979. David Garrick and the Development of English Comedy: A Study of Adaptation on the Eighteenth-Century Stage. Alan Swanson, Edwin Mellin Press, 2013.

Gaskill, William (1930 – ) A Sense of Direction: Life at The Royal Court Theatre. William Gaskill, Limelight, 1990. Words into Action: Finding the Life of the Play. William Gaskill, Nick Hern, 2011. The Royal Court Theatre and the Modern Stage. Philip Roberts, Cambridge University Press, 1999. The Sound of Two Hands Clapping. Kenneth Tynan, Holt, Rinehart and Winston, 1975.

Georg II, Duke of Saxe-Meiningen (1826 – 1914) The Meiningen Theater 1776-1926. Steven DeHart, UMI Research Press, 1981. The Story of the Meiningen. Max Grube, trans. Ann Marie Koller, edited by Wendell Coles, University of Florida Press, 1963. The Theater Duke: Georg II of Saxe-Meiningen and the German Stage. Ann Marie Koller, Stanford University Press, 1984. The Meiningen Court Theater 1866-1890. John Osborne, Cambridge University Press, 1988.

Gielgud, John (1904 – 2000) John Gielgud: A Celebration. Gyles Brandreth, Trafalgar Square, 1994. John Gielgud: An Actor’s Life. Gyles Brandreth, Sutton, 2001. Gielgoodies!: The Wit and Wisdom of John Gielgud. Jonathan Croall, Oberon, 2013. Gielgud: A Theatrical Life 1904-2004. Jonathan Croall, Continuum, 2001. John Gielgud: Matinee Idol to Movie Star. Jonathan Croall, Methuen, 2011. Backward Glances. John Gielgud, Hodder & Stoughton, 1989. Distinguished Company. John Gielgud, Heinemann, 1972. Early Stages: 1921-1936. John Gielgud, Macmillan, 1939. Revised edition, Hodder & Stoughton, 1987. Gielgud: An Actor and His Time. John Gielgud, with John Miller and John Powell, Clarkson N. Potter, 1980. Revised edition: Pan, 1996. Gielgud on Gielgud. John Gielgud, Hodder & Stoughton, 2000. Notes from the Gods: Playgoing in the Twenties. John Gielgud, Nick Hern Books, 1994. Shakespeare: Hit or Miss? John Gielgud, Sidgwick & Jackson, 1991. (Revised as Acting Shakespeare, Pan, 1997.) Sir John Gielgud: A Life in Letters. John Gielgud, ed. Richard Mangan, Arcade, 2004. Stage Directions. John Gielgud, Theatre Arts Books, 1963. John Gielgud’s Hamlet: A Record of Performance. Rosamond Gilder, Methuen, 1937. John Gielgud. Ronald Hayman, Random House, 1971. John Gielgud: The Authorized Biography. Sheridan Morley, Simon & Schuster, 2002. John Gielgud Directs Richard Burton in “Hamlet”: A Journal of Rehearsals. Richard L. Sterne, Random House, 1967.

Goethe, Johann Wolfgang von (1749 – 1832) Theatre, Drama, and Audience in Goethe’s Germany. W.H. Bruford, Routledge and Kegan Paul, 1950. Goethe and the Weimar Theatre. Marvin Carlson, Cornell University Press, 1978. Goethe on the Theatre. John Oxenford, Dramatic Museum of Columbia University, 1919. Goethe’s Faust: Theatre of Modernity. Hans Schulte, John Noyes, and Pia Kleber, editors, Cambridge University Press, 2011. Goethe’s Weimar. Francis Warner, Colin Smythe, 1998.

Granville-Barker, Harley (1877 – 1946) Harley Granville-Barker: A Preface to Modern Theatre. Christine Dymkovski, Folger, 1986. Associating with Shakespeare. Harley Granville-Barker, Oxford University Press, 1932. The Exemplary Theatre. Harley Granville-Barker, Chatto and Windus, 1922. Harley Granville-Barker Reclaimed. Harley Granville-Barker, edited by Jonathan Bank, Mint Theater, 2007. On Dramatic Method. Harley Granville-Barker, Hill & Wang, 1956.

Directing Bibliography Page 16 Plays: One. Harley Granville-Barker, Methuen, 1993. Prefaces to Shakespeare. 5 volumes. Harley Granville-Barker, Sidgwick and Jackson, 1927-47. (US: Princeton University Press, 1947.) Granville Barker and the Dream of Theater. Dennis Kennedy, Cambridge University Press, 1985. A Drama of Political Man: A Study in the Plays of Harley Granville Barker. Margery M. Morgan, Sidgwick & Jackson, 1961. Harley Granville-Barker. C.B. Purdom, Harvard University Press, 1956. Bernard Shaw’s Letters to Granville Barker. C.B. Purdom, ed., Phoenix House, 1956. Harley Granville Barker. Elmer W. Salenius, Twayne, 1982. Granville Barker: A Secret Life. Eric Salmon, Fairleigh Dickinson University Press, 1984.

Grotowski, Jerzy (1933 – 1999) Grotowski’s Empty Room. Paul Allain, ed., Seagull Books, 2009. Zygmunt Molik’s Voice and Body Work: The Legacy of Jerzy Grotowski. Giuliano Campo and Zygmunt Molik, Routledge, 2010. Towards a Poor Theatre. Jerzy Grotowski, Simon & Schuster, 1968. The Theater of Grotowski. Jennifer Kumiega, Methuen, 1985. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Peter Brook. Shomit Mitter, Routledge, 1992. Grotowski and His Laboratory. Zbigniew Osinski, trans. Lillian Vallee & Robert Findlay, PAJ Publications, 1986. Jerzy Grotowski’s Journeys to the East. Zbigniew Osinski, Routledge Icarus, 2013. At Work with Grotowski On Physical Actions. Thomas Richards, Jerzy Grotowski, Routledge, 1995. Heart of Practice: Within the Workcenter of Jerzy Grotowski and Thomas Richards. Thomas Richards, Routledge, 2008. The Unwritten Grotowski: Theory and Practice of the Encounter. Kris Salata, Routledge, 2012. Jerzy Grotowski (Routledge Performance Practictioners). James Slowiak & Jairo Cuesta, Routledge, 2007. Grotowski. Ramonde Temkine, trans. Alex Szogyi, Avon, 1972. An Acrobat of the Heart. Stephen Wangh, Vintage, 2000. Grotowski’s Objective Drama Research. Lisa Wolford, University Press of Mississippi, 1996. The Grotowski Sourcebook (Worlds of Performance). Lisa Wolford, Richard Schechner, eds., Routledge, 2001.

Guthrie, Tyrone (1900 – 1971) Tyrone Guthrie (Directors in Perspective). Ronald Bryden, Cambridge University Press, 2012. Tyrone Guthrie: A Biography. James Forsyth, Hamish Hamilton, 1976. The Director and the Script: Visualizing the Stage Directions. (LP record) Tyrone Guthrie, Folkways, 1962. A Life in the Theatre. Tyrone Guthrie, McGraw-Hill, 1959. In Various Directions: A View of Theatre. Tyrone Guthrie, Macmillan, 1963. A New Theatre. Tyrone Guthrie, McGraw-Hill, 1964. Twice Have the Trumpets Sounded: A Record of the Stratford Shakespearean Festival in Canada. Tyrone Guthrie, Robertson Davies and Grant Macdonald, Clarke, Irwin, 1954. Tyrone Guthrie On Acting. Tyrone Guthrie, Studio Vista, 1971. In Search of an Audience: How an Audience Was Found for the Tyrone Guthrie Theatre. Bradley G. Morison, Pitman, 1968. Minneapolis Rehearsals: Tyrone Guthrie Directs “Hamlet.” Alfred Rossi, University of California Press, 1970. Astonish Us in the Morning: Tyrone Guthrie Remembered. Alfred Rossi, Hutchinson, 1977.

Hall, Adrian (1927 – ) Adrian Hall: The Man, the Muse, and the Moments at Trinity Rep. Trinity Repertory Company, 1999. Theatre to Change Men’s Souls: The Artistry of Adrian Hall. Jeannie Marlin Woods, University of Delaware Press, 1993.

Hall, Peter (1930 – ) The Royal Shakespeare Company: The Peter Hall Years. David Addenbrooke, William Kimber, 1974. The Wars of the Roses. John Barton and Peter Hall, BBC Press, 1970. The Royal Shakespeare Company: A History of Ten Decades. Sally Beauman, Oxford University Press, 1982. Peter Hall’s Bacchai (National Theatre at Work). Jonathan Croall, Oberon Books, 2009. Power Play: The Life and Times of Peter Hall. Stephen Fay, Hodder & Stoughton, 1995. The Ring: Anatomy of an Opera. Stephen Fay, Secker and Warburg, 1984. Britain’s Royal National Theatre: The First 25 Years. Tim Goodwin, Nick Hern Books, 1988.

Directing Bibliography Page 17 Exposed by the Mask: Form and Language in Drama. Peter Hall, Oberon, 1999. Making an Exhibition of Myself: The Autobiography of Peter Hall. Peter Hall, Sinclair-Stevenson, 1993. (2nd edition, 2000) Peter Hall’s Diaries: The Story of a Dramatic Battle. Peter Hall, edited by John Goodwin, Methuen, 1983. Shakespeare’s Advice to the Players. Peter Hall, TCG, 2003. The Necessary Theatre. Peter Hall, TCG 1999. Peter Hall Directs ‘Antony and Cleopatra.’. Tirzah Lowen, Limelight, 1991. The National Theatre Story. Daniel Rosenthal, Oberon Books, 2014.

Harris, Jed (1900 – 1979) Jed Harris: The Curse of Genius. Martin Gottfried, Little, Brown, 1984. Watchman, What of the Night? Jed Harris, Doubleday, 1963. A Dance on the High Wire: A Unique Memoir of the Theatre. Jed Harris, Crown, 1979.

Hart, Moss (1904 – 1961) Dazzler: The Life and Times of Moss Hart. Steven Bach, Knopf, 2001. Moss Hart: A Prince of the Theater. Jared Brown, Back Stage Books, 2006. Act One: An Autobiography. Moss Hart, Random House, 1959.

Hopkins, Arthur (1878 – 1950) How’s Your Second Act? Arthur Hopkins, Philip Goodman, 1918. To a Lonely Boy. Arthur Hopkins, Country Life Press, 1937. Reference Point. Arthur Hopkins, Samuel French, 1948.

Houseman, John (1902 – 1988) Run-Through. John Houseman, Simon & Schuster, 1972. Front and Center. John Houseman, Simon & Schuster, 1979. Final Dress. John Houseman, Simon & Schuster, 1983.

Irving, Henry (1838 – 1905) Henry Irving. Gordon Craig, J.M. Dent and Sons, 1930. A Strange, Eventful History: The Dramatic Lives of Ellen Terry, Henry Irving, and Their Remarkable Families. Michael Holroyd, Farrar, Straus and Giroux, 2009. Henry Irving, Shakespearean. Alan Hughes, Cambridge University Press, 1981. Henry Irving: The Actor and His World. Laurence Irving, Macmillan, 1952. Sir Henry Irving: A Victorian Actor and His World. Jeffrey Richards, Continuum, 2005. Personal Reminiscences of Henry Irving. Bram Stoker, Macmillan 1906. Henry Irving at the Lyceum (Theatre in Focus). George Taylor, Chadwyck-Healey, 19??

Jones, Margo (1911 – 1955) Theatre-in-the-Round. Margo Jones, Rinehart and Company, 1951. Margo: The Life and Theatre of Margo Jones. Helen Sheehy, Southern Methodist University Press, 1990.

Jory, Jon. (1938 – ) Teaching the Actor Craft. Jon Jory, Smith & Kraus, 2013. Tips: Ideas for Directors. Jon Jory, Smith & Kraus, 2002. Tips: Ideas for Actors. Jon Jory, Smith & Kraus, 2000. Tips II: More Ideas for Actors. Jon Jory, Smith & Kraus, 2004. (Omnibus edition The Complete TIPS for Actors, 2013.)

Jouvet, Louis (1887 – 1951) Louis Jouvet, Man of the Theatre. Bettina L. Knapp, Columbia University Press, 1957.

Directing Bibliography Page 18

Kanin, Garson (1912 – 1999) My Side: An Autobiography. Ruth Gordon, Harper & Row, 1976. Hollywood. Garson Kanin, Viking Press, 1974.

Kantor, Tadeusz (1915 – 1990) Tadeusz Kantor Today: Metamorphoses of Death, Memory and Presence. Katarzyna Fazan, Anna Roza Burzynska & Marta Brys, eds. (tr. Anda McBride), Peter Lang, 2014. A Journey Through Other Spaces: Essays and Manifestos, 1944-1990. Tadeusz Kantor, edited and trans. Michal Kobialka, University of California Press, 1993. Further On, Nothing: Tadeusz Kantor’s Theatre. Michal Kobialka, University of Minnesota Press, 2009. Encounters with Tadeusz Kantor. Krzysztof Miklaszewski, translated and edited by G.M. Hyde. Routledge, 2002. Kantor Was Here: Tadeusz Kantor in Great Britain. Katarzyna Murawska-Muthesius and Natalia Zarzecka, editors, Black Dog, 2011. The Dead Memory Machine: Tadeusz Kantor’s Throne of Death. Krzysztof Plesniarowicz, ed., Black Mountain Press, 2000. Tadeusz Kantor: Interior of Imagination. Jaroslaw Suchan and Marek Swica, editors, Zacheta Narodowa Galeria Sztuki, 2005. Tadeusz Kantor (Routledge Performance Practitioners). Noel Witts, Routledge, 2010. Tadeusz Kantor. Stefan Zweifel, JRP/Ringier, 2009.

Kaufman, George S. (1889 – 1961) George S. Kaufman: His Life, His Theater. Malcolm Goldstein, Oxford University Press, 1971. Kaufman and Co.: Broadway Comedies. George S. Kaufman et al, Library of America, 2004. Wisecracks: The Farces of George S. Kaufman. Jeffrey Mason, UMI Research Press, 1988. George S. Kaufman and His Friends. Scott Meredith, Doubleday, 1974. George S. Kaufman and the Algonquin Round Table. Scott Meredith, Allen & Unwin, 1978. George S. Kaufman. Rhoda-Gale Pollack, Macmillan, 1988. George S. Kaufman: An Intimate Portrait. Howard Teichmann, Atheneum, 1972.

Kazan, Elia (1909 – 2003) Elia Kazan: Interviews (Conversations with Filmmakers). William Baer, ed., University Press of Mississippi, 2000. The Selected Letters of Elia Kazan. Albert J. Devlin, ed., Knopf, 2014. Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. David Richard Jones, Univ. of California Press, 1986. On What Makes a Director. Elia Kazan, Directors Guild of America, Inc., 1973. (pamphlet, reprinted January 1990) Elia Kazan: A Life. Elia Kazan, Alfred A. Knopf, 1988. Kazan on Directing. Elia Kazan, Vintage, 2010. Making the Fall: An Intimate Account of Elia Kazan and Arthur Miller Working Together on “After the Fall.” Richard D. Meyer, CreateSpace, 2013. Tennessee Williams and Elia Kazan: A Collaboration in the Theatre. Brenda Murphy, Cambridge University Press, 1992. Elia Kazan: The Cinema of an American Outsider. Brian Neve, I.B. Tauris, 2009. An American Odyssey: Elia Kazan and American Culture. Thomas H. Pauly, Temple University Press, 1983. Elia Kazan: A Biography. Richard Schickel, Harper Collins, 2005. Kazan: The Master Director Discusses His Films. Jeff Young, Newmarket Press, 1999.

King, Woodie, Jr. (1937 – ) The Impact of Race: Theatre and Culture. Woodie King, Jr., Applause, 2003.

Komisarjevsky, Theodore (1882 – 1954) Myself and the Theatre. Theodore Komisarjevsky, E.P. Dutton, 1930.

Arthur Laurents (1917 – 2011) Mainly on Directing: Gypsy, West Side Story and Other Musicals. Arthur Laurents, Knopf, 2009. Original Story By: A Memoir of Broadway and Hollywood. Arthur Laurents, Applause, 2001. The Rest of the Story: A Life Completed. Arthur Laurents, Applause, 2012.

Directing Bibliography Page 19

LeCompte, Elizabeth (1944 – ) American Avant-Garde Theatre: A History. Arnold Aronson, Routledge, 2000. The Wooster Group and Its Traditions. Johan Callens, Peter Lang International Academic Publishers, 2005. Breaking the Rules: The Wooster Group. David Savran, TCG, 1986.

Le Gallienne, Eva (1899 – 1991) At 33. Eva Le Gallienne, Longmans, Green and Co., 1934. Eva Le Gallienne’s Civic Repertory Plays. Eva Le Gallienne, W.W. Norton, 1928. With a Quiet Heart. Eva Le Gallienne, Viking, 1953. Eva Le Gallienne: A Bio-Bibliography. Robert Schanke, Greenwood Press, 1989. Shattered Applause: The Lives of Eva Le Gallienne. Robert A. Schanke, Southern Illinois University Press, 1992. Eva La Gallienne: A Biography. Helen Sheehy, Alfred A. Knopf, 1996.

Lepage, Robert (1957 – ) Theater Sans Frontiers: Essays on the Dramatic Universe of Robert Lepage. Joseph I. Donohoe, Jr. & Jane M. Koustas, eds., Michigan State University Press, 2000. Robert Lepage (Routledge Performance Practitioners). Aleksandar Dundjerovic, Routledge, 2009. The Cinema of Robert Lepage. Aleksandar Dundjerovich, Wallflower Press, 2003. The Theatricality of Robert Lepage. Aleksandar Dundjerovic, McGill-Queen’s University Press, 2007. The Visual Laboratory of Robert Lepage. Ludovic Fouquet (tr. Rhonda Mullins), Talonbooks, 2014. Hamlet in Pieces: Shakespeare Reworked: Peter Brook, Robert Lepage, Robert Wilson. Andy Lavender, Continuum, 2003. Connecting Flights. Robert Lepage, trans. Wanda Romer Taylor & Remy Charest, Methuen, 1995.

Lewis, Robert (1909 – 1997) Method – or Madness? Robert Lewis, Samuel French, 1958. Advice to the Players. Robert Lewis, Harper and Row, 1980. Slings and Arrows: Theater in My Life. Robert Lewis, Stein and Day, 1984.

Littlewood, Joan (1914 – 2002) Joan Littlewood (Directors in Perspective). Richard Boon, Cambridge University Press, 2003. The Theatre Workshop Story. Howard Goorney, Eyre Methuen, 1981. Agit-Prop to Theatre Workshop. Howard Goorney and Ewan MacColl, eds., Manchester University Press, 1986. Joan Littlewood (Routledge Performance Practitioners). Nadine Holdsworth, Routledge, 2006. Joan Littlewood’s Theatre (Cambridge Studies in Modern Theatre). Nadine Holdsworth, Cambridge University Press, 2011. Theatre Workshop: Joan Littlewood and the Making of Modern British Theatre. Robert Leach, University of Exeter Press, 2006. Joan’s Book: Joan Littlewood’s Peculiar History as She Tells It. Joan Littlewood, Methuen, 1994. Joan Littlewood: Dreams and Realities. Peter Rankin, Oberon Books, 2015.

Logan, Joshua (1908 – 1988) Josh: My Up and Down, In and Out Life. Josh Logan, Delacorte Press, 1976. Movie Stars, Real People, and Me. Josh Logan, Delacorte Press, 1978.

Lugné-Poe, Aurélien (1869 – 1940) Adventure in the Theatre: Lugné-Poe and the Théâtre de l’Oeuvre to 1899. Gertrude B. Jasper, Rutgers University Press, 1947.

Lyubimov, Yury (1917 – ) Yury Lyubimov: Thirty Years at the Taganka Theatre, 1964-1994. Birgit Breumers, Harwood, 1997. The Theater of Yury Lyubimov: Art and Politics at the Taganka Theater in Moscow. Alexander Gershkovich, trans. Michael Yurieff, Paragon House, 1989.

Directing Bibliography Page 20

Mamoulian, Rouben (1897 – 1987) The Theatre Guild: The First Ten Years. Walter Prichard Eaton, Brentano’s, 1929. “On My Way”: The Untold Story of Rouben Mamoulian, George Gershwin, and Porgy and Bess. Joseph Horowitz, Norton, 2013. Rouben Mamoulian. Tom Milne, Indiana University Press, 1970. Reinventing Reality: The Art and Life of Rouben Mamoulian. Mark J. Spergel, Scarecrow Press, 1993. The Theatre Guild: The Vintage Years 1929-1939. Roy Waldau, Case Western Reserve University, 1972.

Marowitz, Charles (1934 – 2014) Confessions of a Counterfeit Critic: A London Theatre Notebook, 1958-1971. Charles Marowitz, Methuen, 1973. Directing the Action: Acting and Directing in the Contemporary Theatre. Charles Marowitz, Applause, 1986. (Original Title: Prospero’s Staff, Indiana University Press, 1986) How to Stage a Play, Make a Fortune, Win a Tony and Become a Theatrical Icon. Charles Marowitz, Limelight, 2005. The Marowitz Shakespeare: Adaptations and Collages of Hamlet, Macbeth, The Taming of the Shrew, Measure for Measure and The Merchant of Venice. Charles Marowitz, Calder & Boyars, 1990. The Other Way: An Alternative Approach to Acting and Directing. Charles Marowitz, Applause, 1999. Recycling Shakespeare. Charles Marowitz, Applause, 2000. Roar of the Canon: Kott & Marowitz on Shakespeare. Charles Marowitz and Jan Kott, Applause, 2002.

Mason, Marshall W. (1940 – ) Creating Life on Stage: A Director’s Approach to Working with Actors. Marshall W. Mason, Heinemann, 2006.

McBurney, Simon (1957 – ) Complicite Plays 1: The Street of Crocodiles, The Three Lives of Lucie Cabrol, Mnemonic. Theatre Complicite, Methuen, 2003.

McClintic, Guthrie (1893 – 1961) Me and Kit. Guthrie McClintic, Little, Brown, 1955.

Mendes, Sam (1965 – ) Catching the Light: Sam Mendes and Simon Russell Beale, a Working Partnership. Oberon Books, 2011. Sam Mendes at the Donmar: Stepping into Freedom. Matt Wolf, Limelight, 2003.

Meyerhold, Vsevolod (1874 – 1940) The Theatre of Meyerhold: Revolution and the Modern Stage, 2nd edition. Edward Braun, Methuen, 1988. (Revised and expanded as Meyerhold: A Revolution in Theatre, University of Iowa Press, 1995.) The Theatre of Meyerhold and Brecht. Katherine Bliss Eaton, Greenwood Press, 1985. Meyerhold Speaks/Meyerhold Rehearses. Aleksandr Gladkov, edited by Alma Law. Routledge, 1998. Meyerhold: The Art of Conscious Theater. Marjorie L. Hoover, University of Massachusetts Press, 1974. Revolutionaries in the Theater: Meyerhold, Brecht, and Witkiewicz. Christine Kiebuzinska, UMI Press, 1988. Meyerhold, Eisenstein and Biomechanics: Actor Training in Revolutionary Russia. Alma Law and Mel Gordon, McFarland, 2012 (reprint). Vsevolod Meyerhold (Directors in Perspective). Robert Leach, Cambridge University Press, 1989. Meyerhold on Theatre. Vsevolod Meyerhold, translated and edited by Edward Braun, Hill and Wang, 1969. Vsevelod Meyerhold (Routledge Performance Practictioners). Jonathan Pitches, Routledge, 2003. Meyerhold at Work. Paul Schmidt, ed., University of Texas Press, 1980. Meyerhold’s Theatre of the Grotesque: Post-Revolutionary Productions, 1920-1932. James M. Symons, University of Miami Press, 1971.

Miller, Jonathan (1934 – ) In Two Minds: Jonathan Miller, a Biography. Kate Bassett, Oberon, 2013. Beyond the Fringe…and Beyond: A Critical Biography of Alan Bennett, Peter Cook, Jonathan Miller, Dudley Moore. Ronald Bergan, Virgin Books, 1990.

Directing Bibliography Page 21 The Don Giovanni Book: Myth of Seduction and Betrayal. Jonathan Miller, ed., Faber & Faber, 1990. Subsequent Performances. Jonathan Miller, Viking, 1986. A Profile of Jonathan Miller. Michael Romain, Cambridge University Press, 1991.

Mnouchkine, Ariane (1939 – ) Ariane Mnouchkine and the Théâtre du Soleil (Directors in Perspective). Adrian Kiernander, Cambridge University Press, 1993. Ariane Mnouchkine (Routledge Performance Practicioners). Judith G. Miller, Routledge, 2007. Collaborative Theatre: The Théâtre du Soleil Sourcebook. David Williams, ed., Routledge, 1998.

Moeller, Philip (1880 – 1958) The Magic Curtain: The Story of a Life in Two Fields, Theatre and Invention. Lawrence Langner, E.P. Dutton, 1951. Staging O’Neill: The Experimental Years, 1920-1934. Ronald H. Wainscott, Yale University Press, 1988.

Nekrosius, Eimuntas (1952 – ) Nekrosius and Lithuanian Theatre. Ludvika Popenhagen, Peter Lang, 2000.

Nemirovich-Danchenko, Vladimir (1858 – 1943) In Hollywood with Nemirovich-Danchenko 1926-1927: The Memoirs of Sergei Bertensson. Paul Fryer, editor, Anna Shoulgat, translator. Scarecrow, 2004. My Life in the Russian Theatre. Vladimir Nemirovich-Danchenko, trans. John Cournos, Little, Brown, 1936. The Moscow Art Theatre. Nick Worrall, Routledge, 1996.

Olivier, Laurence (1907 – 1989) Laurence Olivier. Felix Barker, Spellmount, 1984. Laurence Olivier. Melvyn Bragg, Hutchinson, 1984. Olivier. Terry Coleman, Henry Holt, 2005. Olivier. John Cottrell, Prentice-Hall, 1975. Laurence Olivier, Theater & Cinema. Robert L. Daniels, A.S. Barnes, 1980. Laurence Olivier. William Darlington, Morgan Grampian, 1968. Olivier. Logan Gourlay, ed. Stein and Day, 1973. Laurence Olivier. Anthony Holden, Atheneum, 1988. Sir Larry: The Life of Laurence Olivier. Thomas Kiernan, Times Books, 1981. The Real Life of Laurence Olivier. Roger Lewis, Applause, 1997. Lord Larry: A Personal Portrait of Laurence Olivier. Michael Munn, Anova Books, 2007. Confessions of an Actor. Laurence Olivier, Simon &: Schuster, 1982. Five Seasons of the Old Vic Theatre Company. Laurence Olivier and Michel Saint-Denis, Saturn Press, 1950. On Acting. Laurence Olivier, Simon & Schuster, 1986. My Father Laurence Olivier. Tarquin Olivier, Trafalgar Square, 1993.. Damn You, Scarlett O’Hara: The Private Lives of Vivien Leigh and Laurence Olivier. Darwin Porter and Roy Moseley, Blood Moon, 2011. Laurence Olivier. Donald Spoto, Harper Collins, 1990. Olivier / Shakespeare. Peter Whitehead and Robin Bean, comp. Lorrimer Films Ltd., 1966.

Packer, Tina (1938 – ) The Company She Keeps: Tina Packer Builds a Theater. Helen Epstein, Plunkett Lake Press, 1985.

Papp, Joseph (1921 – 1991) Joseph Papp and the New York Shakespeare Festival: An Annotated Bibliography. Brenda Coven and Christine E. King, Garland Publishing, 1988. Joseph Papp: A Bio-Bibliography. Barbara Lee Horn, Greenwood Press, 1992. Joe Papp: An American Life. Helen Epstein, Little, Brown, 1994. Enter Joseph Papp: In Search of a New American Theater, Stuart W. Little, Coward, McCann & Geoghegan, 1974.

Directing Bibliography Page 22 Shakespeare Alive! Joseph Papp and Elizabeth Kirkland, eds., Bantam (reissue), 1988. William Shakespeare’s “Naked” Hamlet: A Production Handbook. Joseph Papp and Ted Cornell, Macmillan, 1969. Free for All: Joe Papp, The Public, and the Greatest Theater Story Ever Told. Kenneth Turan and Joseph Papp, Doubleday, 2009. The Changing Face of American Theatre: Colorblind and Uni-racial Casting at the New York Shakespeare Festival Under the Direction of Joseph Papp. Charlene Widener, AV Akademikerverlag, 2012.

Pasqual, Lluís (1951 – ) ‘Other’ Spanish Theatres: Erasure and Inscription on the Twentieth Century Spanish Stage. Maria M. Delgado, Manchester University Press, 2003. The Theatre of Garcia Lorca: Text, Performance, Psychoanalysis. P.J. Smith, Cambridge University Press, 1998.

Payne, Ben Iden (1881 – 1976) A Life in a Wooden O: Memoirs of the Theatre. Ben Iden Payne, Yale University Press, 1977.

Piscator, Erwin (1893 – 1966) Erwin Piscator’s Political Theatre: The Development of Modern German Drama. C.D. Innes, Cambridge University Press, 1973. The Piscator Experiment: The Political Theatre. Maria Ley-Piscator, Southern Illinois University Press, 1967. The Political Theatre: A History 1914-1929. Erwin Piscator, translated with notes by Hugh Rorrison, Methuen, 1963. Erwin Piscator and the American Theatre. Gerhard F. Probst, Peter Lang Pub., 1992. The Theatre of Erwin Piscator: Half a Century of Politics in the Theatre. John Willett, Holmes and Meier, 1979.

Planchon, Roger (1931 – 2009) Roger Planchon: Director and Playwright. Yvette Daoust, Cambridge University Press, 1981. (Reissued 2010.)

Poel, William (1852 – 1934) William Poe’s Hamlets: The Director as Critic. Rinda F. Lundstrom, UMI Research Press, 1984. Shakespeare in the Theatre. William Poel, Sidgwick and Jackson, 1913. Some Notes on Shakespeare’s Stage and Plays. William Poel, Manchester University Press, 1916. What is Wrong with the Stage: Some Notes on the English Theatre from the Earliest Times to the Present Day. William Poel, Allen and Unwin, 1920. William Poel and the Elizabethan Revival. Robert Speaight, Heinemann, 1954. Poetry on the Stage: William Poel, Producer of Verse Drama. Bernice Larson Webb, The Edwin Mellen Press Ltd., 1979.

Prince, Harold (1928 – ) Creating the “New Musical”: Harold Prince in Berlin. Armin Geraths, editor, Peter Lang, 2006. Harold Prince and the American Musical Theatre (Directors in Perspective). Foster Hirsch, Cambridge University Press, 1989. (Updated edition: Applause, 2005.) Harold Prince: From Pajama Game to Phantom of the Opera and Beyond. Carol Ilson, UMI Research Press, 1989. Harold Prince: A Director’s Journey. Carol Ilson, Limelight, 200. (Updated edition, 2004.) Contradictions: Notes on Twenty-Six Years in the Theatre. Harold Prince, Dodd, Mead, 1974.

Quayle, Anthony (1913 – 1989) A Time to Speak. Anthony Quayle, Barrie & Jenkins, 1990.

Quintero, José (1924 – 1999) Quintero Directs O’Neill. Edwin J. McDonough, a cappela press, 1991. If You Don’t Dance, They Beat You. José Quintero, Little, Brown, 1974.

Reinhardt, Max (1873 – 1943) The Theatre of Max Reinhardt. Huntley Carter, F. and C. Palmer, 1914.

Directing Bibliography Page 23 The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Lotte H. Eisner, tr. by Roger Greaves, University of California Press, 2008 (2nd revised edition). Max Reinhardt: The Oxford Symposium. Margaret Jacobs and John Warren, editors, John Warren, 1986. The Genius: A Memoir of Max Reinhardt by His Son. Gottfried Reinhardt, Alfred A. Knopf, 1979. Max Reinhardt and His Theatre. Oliver M. Sayler and Mariele S. Gudernatsch, ed., Benjamin Blom, 1968. Max Reinhardt (Directors in Perspective). John L. Styan, Cambridge University Press, 1982.

Robbins, Jerome (1918 – 1998) The Making of a Musical. Richard Altman and Mervyn Kaufman, Crown, 1971. The Cage: Dancing for Jerome Robbins and George Balanchine, 1949-1954. Barbara Bocher and Adam Darius, CreateSpace, 2012. Jerome Robbins: That Broadway Man. Christine Conrad, Booth-Clibborn, 2000. Jerome Robbins: His Life, His Theater, His Dance. Deborah Jowitt, Simon & Schuster, 2004. Dance with Demons: The Life of Jerome Robbins. Greg Lawrence, Putnam, 2001. Broadway, the Golden Years: Jerome Robbins and the Great Choreographer Directors, 1940 to the Present. Robert Long, Continuum, 2001. Bernstein Meets Broadway: Collaborative Art in a Tie of War. Carol J. Oja, Oxford University Press, 2014. Jerome Robbins (Library of American Choreographers). Brian Seibert, Rosen Publishing, 2005. Somewhere: The Life of Jerome Robbins. Amanda Vaill, Broadway, 2006.

Saint-Denis, Michel (1897 – 1971) Michel Saint-Denis and the Shaping of the Modern Actor. Jane Baldwin, Praeger, 2003. Five Seasons of the Old Vic Theatre Company. Laurence Olivier and Michel Saint-Denis, Saturn Press, 1950. Theatre: The Rediscovery of Style. Michel Saint-Denis, Theatre Arts Books, 1961. Training for the Theatre: Premises and Promises. Michel Saint-Denis, Theatre Arts Books, 1982. Theatre: The Rediscovery of Style and Other Writings (Routledge Theatre Classics). Michel Saint-Denis, edited by Jane Baldwin, Routledge, 2008.

Schechner, Richard (1934 – ) The Rise of Performance Studies: Rethinking Richard Schechner’s Broad Spectrum. James Harding and Cindy Rosenthal, editors, Palgrave Macmillan, 2011. Between Theater and Anthropology. Richard Schechner, University of Pennsylvania Press, 1986. By Means of Performance: Intercultural Studies of Theatre and Ritual. Richard Schechner and Willa Appel, editors, Cambridge University Press, 1990. Dionysus in 69. Richard Schechner, ed., Farrar, Straus and Giroux, 1970. The End of Humanism. Richard Schechner, Performing Arts Journal Publications, 1982. Environmental Theatre. Richard Schechner, Hawthorne Books, 1973. [Expanded edition: Applause, 2000.] The Future of Ritual: Writings on Culture and Performance. Richard Schechner, Routledge, 1993. Performance Studies: An Introduction. Richard Schechner, Routledge, 2002. Performance Theory. Richard Schechner, Routledge, 2003 (2nd revised edition). Public Domain. Richard Schechner, Bobbs-Merrill, 1969.

Schneider, Alan (1917 – 1984) Samuel Beckett’s Theatre in America: The Legacy of Alan Schneider as Beckett’s American Director. Natka Bianchini, Palgrave Macmillan, 2015. Entrances: An American Director’s Journey. Alan Schneider, Viking, 1986. No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider. Alan Schneider and Samuel Beckett, edited by Maurice Harmon, Harvard University Press, 1998.

Schumann, Peter (1934 – ) The Bread and Puppet Theatre. 2 volumes. Stefan Brecht, Methuen, 1988.

Sharman, Jim (1945 – )

Directing Bibliography Page 24 Rocky Horror: From Concept to Cult. Scott Michaels and David Evans, Sanctuary, 2002.

Shaw, George Bernard (1856 – 1950) Bernard Shaw, Director. Bernard F. Dukore, University of Washington Press, 1971. Bernard Shaw: The One-Volume Definitive Edition. Michael Holroyd, Random House, 1998. The Rehearsal Copies of Bernard Shaw’s Plays. F.E. Loewenstein, Reinhardt and Evans, 1950. Theatrical Companion to Shaw. Raymond Mander and Joe Mitchenson, Rockliff, 1954. Bernard Shaw’s Letters to Granville Barker. C.B. Purdom, ed., Phoenix House, 1956. The Art of Rehearsal. George Bernard Shaw, Samuel French, 1928. “Rules for Directors.” In Shaw on Theatre. George Bernard Shaw, edited by E.J. West, Hill and Wang, 1959.

Stafford-Clark, Max (1941 – ) Taking Stock: The Theatre of Max Stafford-Clark. Philip Roberts and Max Stafford-Clark, Nick Hern, 2006. The Royal Court Theatre and the Modern Stage. Philip Roberts, Cambridge University Press, 1999. Letters to George: The Account of a Rehearsal. Max Stafford-Clark, RH Canada, 1992.

Stanislavski, Konstantin (1863 – 1938) The Seagull Produced by Stanislavski. S.D. Balukhaty, Dennis Dobson, 1970. Stanislavsky: A Biography. Jean Benedetti, Routledge, 1988. Stanislavski in Focus. Sharon Marie Carnicke, Routledge, 1998. Acting on Impulse: Reclaiming the Stanislavski Approach – A Practical Handbook for Actors. John Gillett, Bloomsbury Methuen, 2007. Stanislavsky Directs. Nikolai M. Gorchakov, trans. Miriam Goldina, Funk & Wagnalls, 1954. [Limelight, 1985.] Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. David Richard Jones, University of California Press, 1986. Stanislavsky: A Life. David Magarshack, Chanticleer Press, 1951. Konstantin Stanislavsky. Bella Merlin, Routledge, 2003. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Peter Brook. Shomit Mitter, Routledge, 1992. Stanislavski and America. Erika Munk, ed., Fawcett, 1966. An Actor Prepares. Konstantin Stanislavsky, trans. Elizabeth Reynolds Hapgood, Penguin, 1967. Building a Character. Konstantin Stanislavsky, trans. Elizabeth Reynolds Hapgood, Methuen, 1968. Creating a Role. Konstantin Stanislavsky, trans. Elizabeth Reynolds Hapgood, Methuen, 1983. An Actor’s Work: A Student’s Diary. Konstantin Stanislavski, trans. Jean Benedetti, Routledge, 2008. An Actor’s Work on a Role. Konstantin Stanislavski, trans. Jean Beneditti, Routledge, 2009. My Life in Art, Konstantin Stanislavsky, trans. J.J. Robbins, Little, Brown, 1924. Stanislavski’s Legacy: A Collection of Comments on a Variety of Aspects of an Actor’s Art and Life. Constantin Stanislavski and Elizabeth Reynolds Hapgood, Routledge, 1999. Stanislavsky on the Art of the Stage, Konstantin Stanislavsky, trans. David Margarshack, Faber & Faber, 1950. The Seagull Produced by Stanislavsky, Konstantin Stanislavsky, ed. S.D. Balukhaty, trans. David Margarshack, Denis Dobson, 1952. Stanislavski in Rehearsal: The Final Years. Vasily Osopivich Toporkov, trans. Christine Edwards, Theatre Arts Books, 1979.

Stein, Peter (1937 – ) Peter Stein: Germany’s Leading Theatre Director (Directors in Perspective). Michael Patterson, Cambridge University Press, 1981.

Strasberg, Lee (1901 – 1982) Lee Strasberg: The Imperfect Genius of the Actors Studio. Cindy Heller Adams, Doubleday, 1980. The Lee Strasberg Notes. Lola Cohen, editor, Routledge, 2010. Strasberg at the Actors Studio. R.H. Hethmon, ed., TCG, 1965. A Method to Their Madness: A History of the Actors Study. Foster Hirsch, Da Capo, 1984. Strasberg’s Method As Taught by Lorrie Hull: A Practical Guide for Actors, Directors, and Teachers. S. Loraine Hull, Ox Bow Press, 1985. A Dream of Passion: The Development of the Method. Lee Strasberg, Plume, 1988.

Directing Bibliography Page 25

Strehler, Giorgio (1921 – 1997) Giorgio Strehler (Directors in Perspective). David L. Hurst, Cambridge University Press, 1993. Giorgio Strehler Directors Carlo Goldoni. Scott Malia, Lexington Books, 2013.

Suzuki, Tadashi (1939 – ) The Art of Stillness: The Theatre Practice of Tadashi Suzuki. Paul Allain, Methuen, 2002. (2nd edition, 2011 w/DVD.) The Theatre of Suzuki Tadashi (Directors in Perspective). Ian Carruthers and Takahashi Yasunari, Cambridge University Press, 2004. Performing Shakespeare in Japan. Minami Ryuta, Ian Carruthers, and John Gillies, eds., Cambridge University Press, 2001. The Way of Acting: The Theatre Writings of Tadashi Suzuki. Tadashi Suzuki, trans. J. Thomas Rimer, TCG, 1986.

Swados, Elizabeth (1951 – ) At Play: Teaching Teenagers Theater. Elizabeth Swados, Faber & Faber, 2006. Listening Out Loud: Becoming a Composer. Elizabeth Swados, Harper and Row, 1988.

Tairov, Alexander (1885 – 1950) Notes of a Director. Alexander Tairov, trans. William Kuhlke, University of Miami Press, 1969. Modernism to Realism on the Soviet Stage: Tairov-Vakhtangov-Okhlopkov. Nick Worrall, Cambridge University Press, 1989.

Taymor, Julie (1952 – ) Julie Taymor: Playing with Fire: Theater, Opera, Film. Eileen Blumenthal and Julie Taymor, Abrams, 1995. (Updated and expanded edition, 1999; 3rd edition, 2007) The Reemergence of Mythology, Fantasy and Fable Examined in the Works of Mary Zimmerman, Robert Wilson and Julie Taymor. Sabrina Stewart, VDM Verlag, 2009. The Lion King: Pride Rock on Broadway. Julie Taymor, Disney Editions, 1998. George Tsypin Opera Factory: Building in the Black Void. George Tsypin & Julie Taymor, Princeton Architectural Press, 2005.

Tree, Herbert Beerbohm (1852 – 1917) Herbert Beerbohm Tree: Some Memories of Him and of His Art. Max Beerbohm, Classic Books, 1920. “The Great Lover”: The Life and Art of Herbert Beerbohm Tree. Madeleine Bingham, Atheneum, 1979. Beerbohm Tree: His Life and Laughter. Hesketh Pearson, Methuen, 1956.

Trevis, Di (1947 – ) Being a Director: A Life in Theatre. Di Trevis, Routledge, 2011.

Vakhtangov, Yevgeny (1883 – 1922) The Vakhtanov School of Stage Art. Nikolai Gorchakoff, edited by Phil Griffith, Foreign Languages Publishing House (1959 reprint). The Vakhtangov Sourcebook. Andrei Malaev-Babel, editor, Routledge, 2011. Yevgeny Vakhtangov: A Critical Portrait. Andrei Malaev-Babel, Routledge, 2012. Since Stanislavski and Vakhtangov: The Method as a System for Today’s Actor. Lawrence Parke, Actor’s World Books, 1986. Stanislavsky’s Protégé: Eugene Vakhtangov. Ruben Simonov, translated and adapted by Miriam Goldina, edited by Helen Choat, DBS Publications, 1969. Modernism to Realism on the Soviet Stage: Tairov-Vakhtangov-Okhlopkov. Nick Worrall, Cambridge University Press, 1989.

Vestris, Madame Eliza (1797 – 1856) Madame Vestris and the London Stage. William W. Appleton, Columbia University Press, 1974. Memoirs of the Life, Public and Private Adventures of Madame Vestris. George Colman, John Duncombe, 1826. Madame Vestris and Her Times. Charles Pearce, Stanley Paul, 1923. (Reprint: B. Blom, 1969.)

Directing Bibliography Page 26 Madame Vestris: A Theatrical Biography. Clifford John Williams, Sidgwick and Jackson, 1973.

Wajda, Andrzej (1926 – ) The Theatre of Andrzej Wajda (Directors in Perspective). Maciej Karpinski, trans. Christina Paul, Cambridge University Press, 1989.

Webster, Margaret (1905 – 1972) Margaret Webster: A Bio-Bibliography. Milly S. Barranger, Greenwood Press, 1994. Margaret Webster: A Life in the Theater. Milly S. Barranger, University of Michigan Press, 2004. Don’t Put Your Daughter on the Stage. Margaret Webster, Alfred A. Knopf, 1972. The Same Only Different: Five Generations of a Great Theatre Family. Margaret Webster, Gollancz, 1969. Shakespeare Today. Margaret Webster, Dent, 1957. Shakespeare Without Tears. Margaret Webster, Whittlesey House, 1942. (Rev. edition, Globe, 1955.)

Welles, Orson (1915 – 1990) Orson Welles, Shakespeare and Popular Culture. Michael Anderegg, Columbia University Press, 1999. Orson Welles: A Critical View. André Bazin, trans. Jonathan Rosenbaum, Harper & Row, 1978. Encyclopedia of Orson Welles. Chuck Berg, Tom Erskine, eds., Checkmark Books, 2003. Orson Welles. Maurice Bessy, trans. Ciba Vaughan, Crown, 1971. My Lunches with Orson: Conversations Between Henry Jaglom and Orson Welles. Peter Biskind, Metropolitan, 2013. This is Orson Welles. Peter Bogdonavich, Harper Collins, 1992. (Revised edition, 1998) Citizen Welles: A Biography of Orson Welles. Frank Brady, Scribner’s, 1989. Orson Welles: The Road to Xanadu. Simon Callow, Viking, 1995. Orson Welles, Volume 2: Hello Americans. Simon Callow, Viking, 2006. Orson Welles: The Stories of His Life. Peter Conrad, Faber & Faber, 2003. Filming Shakespeare’s Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa. Anthony Davies, Cambridge University Press, 1988. Orson Welles: Interviews. Mark W. Estrin, ed., University Press of Mississippi, 2002. Orson Welles: A First Biography. Roy Alexander Fowler, Pendulum, 1946. Orson Welles on Shakespeare: The W.P.A. and Mercury Theatre Playscripts. Richard France, editor, Praeger, 1990. [Paperback edition: Routledge, 2002.] The Theatre of Orson Welles. Richard France, Bucknell University Press, 1977. The Martians are Coming! The True Story of Orson Welles’ 1938 Panic Broadcast. Alan Gallop, Amberley, 2011. Focus on Orson Welles. Ronald Gottesman, ed., Prentice-Hall, 1976. Making Movies with Orson Welles. Gary Graver & Andrew J. Rausch, Scarecrow Press, 2008. The Medium and the Magician: Orson Welles, The Radio Years, 1934-1952. Paul Heyer, Rowman & Littlefield, 2005. Despite the System: Orson Welles Versus the Hollywood Studios. Richard Heylin, Chicago Review Press, 2005. Orson Welles: The Rise and Fall of an American Genius. Charles Higham, St. Martin’s, 1985. Orson Welles: A Biography. Barbara Leaming, Viking, 1985. Orson Welles. Joseph McBride, Viking, 1972. Orson Welles: Actor and Director. Joseph McBride, Oxford University Press, 1977. Whatever Happened to Orson Welles? A Portrait of an Independent Career. Joseph McBride, University Press of Kentucky, 2006. Perspectives on Orson Welles. Beja Morris, ed., G.K. Hall, 1995. The Magic World of Orson Welles. James Naremore, Oxford University Press, 1978. (New and rev. ed., Dallas: Southern Methodist University Press, 1989) The Fabulous Orson Welles. Peter Noble, Hutchinson, 1956. Orson Welles and Roger Hill: A Friendship in Three Acts. Todd Tarbox, BearManor Media, 2013. Orson Welles at Work. François Thomas & JeanpPiere Berthomé, Phaidon Press, 2008. Rosebud: The Story of Orson Welles. David Thomson, Alfred A. Knopf, 1996. Orson Welles Remembered: Interviews with His Actors, Editors, Cinematographers and Magicians. Peter Prescott Tonguette, McFarland, 2007. In My Father’s Shadow: A Daughter Remembers Orson Welles. Chris Welles Feder, Algonquin Books, 2009.

Directing Bibliography Page 27 Everybody’s Shakespeare: Three Plays (The Merchant of Venice, Julius Caesar, and Twelfth Night). Edited for Reading and Arranged for Staging. Orson Welles and Roger Hill, Todd Press, 1934. (Reprinted as The Mercury Shakespeare. New York: Harper, 1939) Orson Welles: A Bio-Bibliography. Bred Wood, Greenwood Press, 1990.

Whale, James (1889 – 1957) James Whale. James Curtis, Scarecrow Press, 1982. James Whale: A New World of Gods and Monsters. James Curtis, Faber & Faber, 1998. James Whale: A Biography of the Would-Be Gentleman. Mark Gattis, Cassell, 1995.

Wilson, Robert (1941 – ) The Theater of Visions: Robert Wilson. Stefan Brecht, Methuen, 1978. Robert Wilson’s Vision. Trevor Fairbrother, Museum of Fine Arts, 1991. The Theatre of Robert Wilson (Directors in Perspective). Arthur Holmberg, Cambridge University Press, 1997. Hamlet in Pieces: Shakespeare Reworked: Peter Brook, Robert Lepage, Robert Wilson. Andy Lavender, Continuum, 2003. Robert Wilson. Miguel Morey, Carmen Pardo, Ediciones Poligrafa S.A., 2002. Robert Wilson: The Theater of Images. Craig Nelson, ed., Harper & Row, 1984. Robert Wilson. Franco Quadri, Franco Bertoni and Robert Stearns, Rizzoli, 1998. Robert Wilson: From Within. Margery Arent Safir, Flammarion, 2011. Robert Wilson (Routledge Performance Practitioners). Maria Shevtsova, Routledge, 2007. Robert Wilson and His Collaborators. Lawrence Shyer, TCG, 1989. The Reemergence of Mythology, Fantasy and Fable Examined in the Works of Mary Zimmerman, Robert Wilson and Julie Taymor. Sabrina Stewart, VDM Verlag, 2009. The Theater of Images. Robert Wilson, Harper Collins, 1984.

Windust, Bretaigne (1906 – 1960) But Not Forgotten: The Adventure of the University Players. Norris Houghton, William Shane Associates, 1951.

Zeffirelli, Franco (1923 – ) Franco Zeffirelli: Complete Works – Thatre, Opera, Film. Caterina Napoleone, Abrams, 2010. The Autobiography of Franco Zeffirelli. Franco Zeffirelli, Weidenfeld and Nicolson, 1986. Zimmerman, Mary (1960 – ) The Reemergence of Mythology, Fantasy and Fable Examined in the Works of Mary Zimmerman, Robert Wilson and Julie Taymor. Sabrina Stewart, VDM Verlag, 2009.