ad&d 2nd ed - the art of the dungeons & dragons fantasy game (tsr8443)

8/17/2019 AD&D 2nd Ed - The Art of the Dungeons & Dragons Fantasy Game (TSR8443)

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Preface by

Gary Gygax

Designed by

Ruth Hoyer

Edited by

Margaret Weis


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THE ART OF THE DUNGEONS

8r

DRAGONS" FANTASY GAME

1985, TSR,

Inc.

All Rights Reserved.

t laws of

he United States o f America. An y repro-

hction

or

other unauthorired we o f the material

or

artwork contained hemin is prohibited

without the express written permission

of

TSR, Inc.

tributed to the

book

trade in the United States by Random House, c., and n Canada by

andom House

of

Canada, Ltd.

tributed in the United Kingdom b y TSR UK, Ltd. Distributed

to

the toy and hobby trade

5y regional distributom.

9UNGEONS & DRAGONS, ADVANCFU UUNGEONS& DRAGONS. ENDLESS QU ST

SUPER ENDLESS QUEST: DRAGONLANCE. CRIMSON CRYSTAL, DRAGON,

4MAZING. WORLD OFGREYHAWK, and the TSR

loa0

dm trademarks

owned

bv

,. ,

. .

istprinting: October1985

ntedin the United States ofAmerica

Library of Congrrss Catalog Card Number: 85-51039

ISBN: 0-88638-161-2

9 8 7 6 5 4 3 2 1

lake Geneva, WI 3147

TSR, UK, Ltd.

f i e Mill, Rathmore Road

Cambridge CBl4AD

United Kingdom


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PREFACE

Fantasy takes many forms.

The epics of Homer were handed down

by

word of mouth long

before they were recorded. The fanciful carvings of mythical crea-

tures in Egypt and the Middle East are

but

early records of man's

love for things of the imagination. The Brothers Grimm entertain us

with theirprose, while the painter Goya fascinates with his depic-

tions of antasy in flight.

Today, especiallx there

is

an explosion o f imaginative art-films,

books, games-all employing fantasy to relieve the tension and

tedium of the mundane world.

It

is with considerable pride that

recognize that the DUNGEONS

&

DRAG0NS"product line has

stimulated much of this rekindling of one o f our most ancient loves.

Fantasy indeed

DUNGEONS & DRAGONS gaming involves the creation of whole

worlds in the mind and imagination of the player. This is a shared

fantasy in all respects, for game master and all who assume the

personae of the heroic characters who will adventure in these myth-

ical realms of the imagination are linked through the medium of the

play, the excitement, and sheer wonder o f magic and swords,

dragons and strange creatures, lost cities

and

vaults o f treasure hid-

den far beneath the ground we walk upon.

It

is axiomatic: One picture is worth a thousand words. I f fantasy

gaming is adventuring in the mind, then how can it possibly exist

without pictures? Words there are aplentx but never enough o f the

fantastic llustrations

to

help us "see" and "experience" the beautx

horror, and mystery o f the realms where magic and monsters are

everywhere Not before this work, that is. Here, at last, is a begin-

ning of vision.

What visionsyou are about to experience Masters of the Arts

Arcane in full panoply Heroes in battle array, and the Fair Damsels

for which derring-do

is

done are here. So, too, are the evil adver-

saries who must be overcome to win through to the mystical grail

at quest's end.

How do such creatures appear? In as many variations and forms as

you can imagine We are dealing with fantasy, after all, and there

are as many ways o f imagininga monster or mage as there are dif-

ferentperceptions among us. You are given the enviable status of

Judge.

You

will select which of these works of art are true to the

subject-as you see it


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Just as I have long admired fantastic illustration, so too has TSR,

lnc., done its utmost to convey in pictures the wonders o f fantasy. I

am reminded o f the belovedpicture books of m y chil&ood as

I

contemplate the paintings offered herein. Children will, in fact,

marvel over them and dream. Mficianadoes of DUNGEONS &

DRAGONS gaming will certainly

see

these works as tools and

adjuncts

to

theirpusuit. Others, too, will find excellence in the

beauty and brawn, beasts and bravo so color fd y depicted on the

pages of this book. The wondrous world of neverwas, with all the

scary stuff and not a .bit of the danger. . . of course Such visions

are revealed for oy and daydreams, nothing more

. .

. nothing less

either

From its early inception more than ten years ago, the art of the

game has improved-just as the game has improved. We grow and

mature. Ideas take form, flowec and are caught

in

that instant for

all to share. In culmination o f the process, TSR, Inc., presents this

work. You will find it suitable for any collection of art books. Each

illustration was done with the care and love that go into superior

works of

art.

Leave the book on your coffee table for friends to

marvel over. Keep it beside the tomes in your librav, or have it as

an adjunct to your fantasy gameplaying-no matter. Have it

Prefaces are, after all, merely a few words to tell you what you are

about to acquire, or to bring you into a state of mind which attunes

you to the work. Saying thus, I hope that my fe w words have

excited you sufficiently to make you desire to possess this book

or-owning it already-better understand just what the brilliant

depictions of mythical places and persons, creatures and things, are

all about.

Enjoy, now, the worlds of imagination and wonder. Don't let me

keep you from them another moment


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PREFACE

by

Gary

Gygax

Dragons

Kigh S and other heroes

Damsels n

distress

GO

lins,

gres and trolls

Ghosts

houls and the undea

91

izards,

ruids and cicllcs

GriffOnS

and other mythical beasts

Dungeons

and

far

of f ands

INDEX

F

ARTISTS


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P


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Bop, oils and #cry

10

RAGONS


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Jef fEasley's dragons, on the other hand, impress the

viewer with their massive weight and girth. The red

dragons portrayed

in

"Dragons of Flame" and

"Dragons of Faith" have huge bodies--"bull-dog

like"-with large, powerful forelegs. They are in com-

plete control. Easley's dragons

know

who rules the

world/

'What wouldn't the adventurer want to meet most,"

exclaims Keith Parkinson, laughing. "That's the kind of

dragon

I

try to paint. To me, dragons are really intelli-

gent and cunning. They're laughing at us puny, inferior

humans. That's what

I

wanted to get across when

I

painted "Death to Lntruders."

The artists have long discussions about dragons among

themselves. Such questions arise as: how much does a

dragon weigh?

igure about the equivalent of four elephants,"

Parkinson says seriously. "Can you imagine the tre-

mendous strength it takes to get that much weight of f

the ground?"

Tsee them as landing and taking o f f very clumsily."

adds

Larry

Elmore. 'Not graceful at all.

A n d

I like to

draw dragons that have most of their weight in their

rear legs-so they leap up into the air. I draw physi-

cally strong dragons, like the one in 'Dragons of Ice.'l

think a dragon would use his magic only as a last

resort.

Otherwise he attacks first with his claws and

fangs and tail."

"One swipe o f a dragon's tail could knock out armies,

Parkinson says.

Graceful, powerful, intelligent, cunning-one thing the

artists all agree upon is summed up by Larry Elmore.

"We want people to feel the reality o f dragons, to rec-

ognize them as three-dimensional, living, breathing

creatures.

.

.

I'


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-,

Certainly the adventuring party may not exactly want

to

find

the

aiagon

itself, but the lure o f dragon treasure

is strong And, fighting a dragon

is

probably one of the

matest challenges the p.

dl e.

Not only can

draons attack w'thfaw claw, but they have pow-


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. .

,

,

. ,

,

. .

.

.

. , *

.

,

....:

, . .

. .

\

"Althoughher

sheer

size pv e n t s claw attacks,

can bite

with

all five

of

her heads and

s t i n g

wit

tail at the same time, breathe with one or rno

heads or cast spells with one

o

. .

.

I


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I

vuln,

li

to flattery Some can be "subduec

h

and captured.

. .

i f the group

ares.

Of

course, what one does

iith a captured dragon is a prob-

'm in itself

Larger towns and cities will usu-

ally have

a

market for dragons.

.

A

dragon remains subdued

for

ar

indefiniteperiod, but i f the creati

is

not strongly held, well treated,

given ample ure, and allowe

ample freed

t

will seek to kil,


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Dragons

of Faith,


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There are good dragons in the world. Thej

We ust have to find them.' "-Tasslehoff BUI

mp

us fight the evil ones

.

Fortunately fo r adventurers, there are good dragons in the world.

"The King o f the

Good

Dragons, Bahamut the Platinum Dragon, dwells

a

great fortifiedpalace behind the east wind.

. , ,

About one-quarter

of

time, he roams the earth in the guise ofhuman or nearly any other for n

he chooses.

. . .

There are seven huge ancient Gold Dragons

of

highest

lilifies and loyalty who serve as guards, companions, and advisors to

ihamut.

. .

_

D R A G O N S 2

5


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,f Desolation,” oils,

‘

2

6

DRAGONS


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In the realms 1

mssible disaste

i

is

the attack

o

ons can kill inst

blot out

the

sun

without warnir

',M SiC

Lover,"

.,Is,

by Robin Wood

711

tell y o u the reason I don't 1

I'd never

hnfihI7hhereare

6ve


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2 0

RAG.,..


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I

F


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Perhaps this threat

of

world-wide

devastation is why dragons hold

such fascination for

us.

Perhaps

this is wh y adventurers never tire

o f striving t o find and overcome

evil dragons-either b y individual

bravery and skill or by a group

of

allied adventurers working

together.

In

a

world where we could all be

obliterated by nuclear holocaust

without being able to utter

a

squeak of protest, it is a satisfying

fantasy to be able to either defeat

or subdue such a powerful enemy

as an evil dragon.

Now all we need are the heroe.?.

.

”Bridgeof

Sorrows,” acrylics,

wash, and colorpencils,

b y Denis

Beauvais

7 ike painting dragons because the y are the most challenging of all

fantasy creatures-flyins reptiles. You have the complexity o the wing

movement added to the curving movement

of he reptile body.”-Denis Beauvais


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34 RAGONS


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I


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Pen. brush,

and

"Raising his sword in the air, Sturm

gave the knight's salute to an

enemy. To his surprise

I

t was

returned wifh grave dignity by the

Dragon Highlord. Then the dragon

jove, its jaws open, prepared to

dash the knight apart with its

razor-sharp teeth."

Like dragons, heroes, too, come

all shapes and sizes.

''

The goblin on guard looks

L~

when he hears you coming. 'Who's

?ut there?'he growls, raising his

'ong spear.

Let's say that we get rid of

unwanted pests: Sir Robert, the

:nome, calls back with a grim

mile. He raises his sword meaning-

Lully."

Some, like the knight, were born to

i e heroes. Others, like the gnome,

we reluctant heroes, heroes by

iecessity. Still others, like Gord the

rhief o f Old City. are heroes

out

of

3

love o f adventure (and

a

lust for

"'A poignant climax to your tail '

Gord yelled, swinging his

enchanted blade to sever the chain

which held the iron grate nearly ten

feet above the demon's he.

man


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'Toyour horror, the ninja hasn't drawn a sword.

Instead, the black-clad killer has whipped his powerful

bow from his back and has already aimed a glistening

barbed arrow at you. Before you have time to move,

the assassin lets the cruel shaft fly straight at your

chest "

1


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A

hero was once des

centuries. In our drea

captive princess.


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-

NIGHTS


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Another important aspect

of

the

games

is

that we don’t all have t(

be built like Conan the Barbarian

to be a hero Each person in the

adventuring party has unique skills

that make him or her valuable to

Lhatparty Cooperation

is

one

of

he key elements to successful role-

>laying.

halfling who can slip into sma1I

>lacesmay be just as valuable to

he adventuringparty as the bur

Yghter who can break rocks witI

is

head.

The intelligent magic-u

2nd the wise, devout cleric are

?verybit as important as thepala-

din

knight.


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'5kiUedplayers. . ooperate-particulady . when

they must face some sti ff challenge-in order to gain

they meet, for they realize that m't

is

as good a

weapon as the sword or the (magic)speU''

Adventuring parties are generally mixed racially,

as

well as by skill. Each race has its own particular

ground. Halflings are clever a t spotting traps and mov-

ing quietly in shadows.

their

ends*

suPeriorP1aYem

will

not

fight evevthing

Heroes come in all shapes, sizes, and , , , sexes,

Pen, brush. and mk llustrations b y T m Eum

'7 draw herorc figures wrth big han ds to symb olize strength I want

strengths that can be

viewer o get the impression that these guys can do some real damag

Elves, for not

usuaUy

s as e v l l d o e r s l M y k r u g h r s a n ~ v ~ ~ p ~ ~ t ~3ey'vebeen on campalgnfor

humans, have excellent night vision and are adept a t

the use of the bow and arrow. I t is always wise to have

a dwarf along when wandering around in caves

because of the dwarves' affinity fo r living below

to the

advantage'

months, them armor IS bat te re d and dw w r h e y i e

next adventum . -T im

Timan

ready for

4

8

NIGHTS


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i


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'

But

there

s

no precedent f o

this 'Patrick continued to argu

avoiding Laurana's eyes.

'I'm

c

tain that-according to the Me

sure-women are not pennit fe

the Knighthood-'

In the early years

of

DUNGEO

&

DRAGONS gaming, it was

indeed to find women particip

in the adventures. Today that

changing

as

women discover i

more fun and exciting to be a h

ine than

a

damsel in distress.


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re In?

oils,

b y Dean Morrissey


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I

. .

“Three

Witchhes,”pen,

brush, and ink, by Tim

Euman

D “ t M S E L . 5 5


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4


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tlnps I

had

ever done. It was fun,

ctions. This time I

war told,

use your

D A M S E L S 6 3


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"Gord watched the girl shed her

cloaks. The golden light o f the

newly risen sun revealed that she

wore tunic and hose

o

dove gray,

'You are dressed as

a

boy, lady, hut

no youth ever displayed such a

figure in those garmentsrhe said."

As

women are discovering their

strengths and abilities andputt ing

them

to

use in the real world,

so

they are finding their places in the

worlds

of

fantasy as

well.

You

see, Tanis?

I m

not the

1t

sick child you knew. I mnot m,

father's daughter, living

ii

father's court.

I m

not eve

I


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Pen and


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ogres, and trolls


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I I

“The term ’monster‘is used throughout this work (Monster Manual) in

two manners. I ts first, and most important, meaning is to designate any

creature encountered-hostile

or

otherwise, human, humanoid,

or

beast.

Until the encounteringparty determines what they have come upon,

it is

a

monster. The secondary usage o f the term i s in the usual sense: a horrible

or

wicked creature

o f

some sort.”

GOBLINS

71


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”Known orc tribes include the

following: Vile Rune, Bloody Head,

Death Moon, Broken Bone, Evil

Eye, Leprous Hand, Rotting Eye,

Dripping Blade.

. .

ing because their coloration-

brown

or

brownish green with

a

bluish sheen-highlights their pink-

ish

snouts and ears. Their bristly

hair is dark brown or black, some-

times with tan patches. Even their

armor tends to be unattractive-

dirty and oftena bit rusty. Orcs

favor unpleasant colors

in

general. .. ”

“Orcs appear particularly disgust-


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"Watching as the monster slowly rolls backward, you

wonder

i

you have finally frightened it of f.

Your

doubts quickly vanish, however,

as

the beast suddenly

slides forward on the icy floor.

ou

barely scramble

out

of

ts way as it slides into the wall behind you.

With astonishing quickness, it spins itself around and

begins t o slide after you again."

"Dungeon

De-em,'' oils,

by JeffEasley


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&neath a military-looking helmet.

Its fat, flabby body leaked out

.'.


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. .

I

I

-

8

OBLINS


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i

Follorvmg

page

’’Astral

Avengem”

oils,

by

eff

Easley

GOBLINS

7 9


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..


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Nothing makes the blood of the adventurer run

cold

quite like meeting one o f these creatures from beyond

the grave.

"Lord Ariakas was a strong

man.

He could hurl a

spear with force enough t o drive

it

completely through

the body of

a

horse. He could break

a

man's neck with

one twist

of

his hand. Yet he found he could not

wrench himself loose f ro m the chill grasp that was

slowly crushing his wrist.

.

.

"The beings face was transparent. Ariakas could see

right through it t o the wall beyond. A pale light flick-

ered in the cavernous eyes. It stared straight ahead, as

i

t, too, could see right through Ariakas.

''

A death knight ' he whispered in awe."

L

84

GHOSTS


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,


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druids , and clerics


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Page 91:

Mo

Page 92 ' be

Last

by

C

he casting

dls,

clerical

magical, is y important

"It is absolutely essential to have

aspect ofplay

.

.

.

high intell,

F

for

a

character

I

whoi san

user. . . .

"Magic-usersdraw upon arcane powers in order to

exercise their profession. While they have mighty spells

o f offensive, defensiveand informational natu,

magic-users are very weak in combat.

. . . Furl

more, they can wear no armor and have few weapons

they can use, for martial training

i s so

foreign to

magic-users

as

to make the two almost mutually exclu-

sive. . .

WI.

93


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\ e-

Q

&

I.

m k llustrations by

Larry

Elmor


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"Magical spells. . are not bestowed by any supernatural force.

Rather, the magic-user must memorize each spell verbal and

somatic components, and supply himself

or

herself with any

required materials as well. . uch memorization requires the

character to consult his or her spell books in order to impress the

potent, mystical spell formulae upon the mind. .

"Once cast,

a

spell is totally forgotten. Gone. The mystical sym-

bols impressed upon the brain cany power, and speaking the spell

discharges this power, draining all memory o f the spell used '


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Pot

Lock, oils, by Clyde

Caldwell


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ower

to

turn lea

in

a coach trans


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proud to present the largest collec

tion o f extraordinary performing

monstem and mortals in the World

o f Greyhawk. They will astound,

amaze, delight, and frightenyou,''

All adventuring parties must face

"random encounters"-wandering

creatures in the fantasy world which

may affect the character's fate.

These mythological creatures-

good and evil and in between-are

essential residents o f any fantasy

world.

"The bullywugs are

a

batrachian

race of bipedal monsters which

inhabit wet places-rainy forests,

marshes, damp caves

or

virtually

any other place which

is

shady

or

dark and has water nearby, for

bullywugs need to dampen their

skins from time to time."


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“Search for the Pe~ams, ’ ’ ils,

b y

Clyde Caidwci


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1tU

Illustration bv Kevin Nichols

...

:

.


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-

Dungeons

and far+ lands


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S O U R CE S

P A I N T IN G S A N D I L LU S T R A T IO N S

Pane 43: DRAGON Manazine, Issue

58

Cover:

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30:

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35:

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36:

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39:

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Page 42,

DUNGEONS

&

DRAGONSO

Expert Set

Book of Marvelous Magic by Frank Mentzer

7985

DRAGONLANCEO

Calendar

1985 DRAGONLANCE Calendar

DUNGEONS & DRAGONS Compa nion Set

Dragons of Doom b y Rose Estes

Sabre R iver

by Douglas Niles and Bruce

and Gary Gygax

by Frank Me ntzer

-

Nesmi th

DUNGEONS & DRAGONS Expert Set

Lost Island of Castanamir bu Ken Ro l s ton

19 85 D R A G O N L A N C E C a l k d a r

Dragons of Despair b y T racy Hickman

Dragons of Despair b y T racy Hickman

left:

DUNGEONS

&

DRAGONS

Basic Set

right: Duel of the Masters b y Chris Martindale


top: DRAGON@Magazine, Issue #72

bottom: Th e Dragon's Ransom by Laura

7985

DRAGONLANCE

Calendar

DUNGEONS & DRAGONS Compan ion Se t


top:

DUNGEONS

&

DRAGONS

Master Set

bot tom: DUNGEONS & DRAGONS

DRAGON

Magazine, Issue

#97

D R A G O N Magazine, Issue #98


1985

DRAGONLANCE

Calendar

D R A G O N Magazine, Issue #92

DRAGON Magazine, Issue #78

1985

DRAGONLANCE

Calendar

Dragons of Winter Night, b y Margaret W eis

Dragons of Spring Dawning, b y Margaret

Dragons of Autumn Twilight, b y M argaret

Product Design

Savage Coast

b y Merle and Jackie Rasmussen,

City of Lankhmar

b y Bruce Nesm i th , Douglas

Master of the Desert Nom ads by David C ook

Blade

of

the Young Samurai by Morr i s S imon

top:

Bloodstone Pass

b y Douglas Niles and

bottom: War Rafts of Kron b y Bruce Nesm i th

French

Compa nion Set

and Tracy Hickman

Weis and Tracy Hickman

Weis and Tracy Hickman

a nd A n n e G r a y

Niles and Ke n Rolston

Michael Dobso n

Paie 44:

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56,

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:

Lathan's Gold

b y Merle Rasmussen

Poster designed exclusively fo r Sears, Ro ebuc k

1986 AMAZING Stories Calendar

left: DUNGEONS & DRAGONS Expert Set

right: DUNGEONS & DRAGONS Basic Set

WORLD

OF

GREYHAWK ' Fan tasy Setti ng

compiled b y Pluffet Smedger, th e Elder

Product Design

Spell of the Winter Wizard

b y L inda L owery



DRAGON Magazine. Issue #60

Rahasia,

b y Tracy and Laura Hickma n

Rahasia, b y Tracy and Laura Hickm an

left: DUNGEONS & DRAGONS Basic Set

right:

DRAGON

Magazine, Issue #92

Bane of Llywelyn b y Bob Blake


DUNGEONS & DRAGONS Basic Set

Test of the Warlords b y Douglas Niles


Product Design

Mo on Dragon Summer by Linda Lowery

DRAGON Magazine, Issue 80

DUNGEONS

&

DRAGONS

Basic Set

Castle Caldwell an d Beyond b y Harry Nucko l s

left: DUNGEONS & DRAGONS Expert Set

right:

DRAGON

Magazine, Issue #92


Product Design

Product Design

Blizzard Pa ss b y D av id C o o k

Product Design

DUNGEONS

&

DRAGONS@

Co mb at Shield

top: Lost Caverns of Tsojcanth

by

G a r y

bott om : Product Design

top: Product Design

bott om : Product Design

top: Product Design

bo t tom:

Monster Manual

I

Return to Brookmere b y Rose Estes

War Rafts of Kron

b y Bruce Nesmi th

top: Mordenkainen's Fantastic Aventure b y

Robert Kuntz and Gary Gygax

center: Product Design

bottom : Product Design

FIEND FO LIO@Tome edited b y Don Turnbull

Ghost Tower b y Jean Blashfield

o.

and Mini-adventure

G y g a x


127/130


128/130

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83:

Page 84:

Page

89:

Page

93:

Page 94:

Page 97:

Page 98:

Page

101,

Page 101,

Ravenloft b y Tracy and Laura Hickman

Dragons of Spring Dawning

Conan the Outlaw

b y Roger

E

Moore

Players Handbook

Dragons of Autumn Twilight

Saga of Old City

Players Handbook

first quote: Players Handbook

second quote: Dragons of Autumn Twilight

Page

107,

first quote:

Circus of Fear by Rose Estes

Page 107. second quo te: FIEND FOLIO@Tome edited b y

Page 108: DUNGEONS

&

DRAGONS Master Set

Page

114:

Dragons of Spring Dawning

Page 115: The Dancing Hut of Baba Yaga b y Roger E

Page 116: Dragons of Spring Dawning

Don

Tumbull

Moore from DRAGON Magazine, Issue #83


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ad&d 2nd ed - the art of the dungeons & dragons fantasy game (tsr8443)

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