Artistic Director: Zoé Emilie Henrot

Executive Director: Lori Gleason

School Director: Laura C. Centrella Greenwell

Artistic Advisor: Christina Onusko

Composer: Richard Erickson

Lighting Designer & Production Stage Manager: Jacob Edholm

Assistant Stage Manager: Barbara Edholm

Rehearsal Assistant: Deborah Nettell

Fight Choreographer: Aaron Preusse

Swing Dance Choreographer: Valeria Kochubei

Costume Designer: MaryBeth Gagner

Scenic Designer: Annie Henly

Carpenter: Matt Schneider

Historical Consultant: Amanda Koller

O'Shaughnessy: Kathleen Spehar, Director Kevin Jones, Production Manager

Company Faculty: Laura Greenwell Jeffrey Hankinson

Deborah Nettell Barbara Weinstine

Staff: Andrea Lane Henry Sillman

Musicians: Shane Allen Bill Cermak

Richard Erickson Lidia Gelfand

Franco Holder Michael Koerner Melanie Safar Susan Hsu

Social Media: Nicole Brown and Rosa Prigan

Photographers: David Trayers Caroline Yang Lori Gleason

Videographers: Maribeth Romslo David Trayers

BOARD OF DIRECTORS

Sarah Leismer, Interim-ChairLillyan Hoyos, Secretary/Treasurer

Sharon Armstrong Jim DeLeo

Amber GenetskyChristina Onusko

Dalton Outlaw Steve Pomeroy

Kelly Turpin

ADVISORSPatti DeMay

Rachel Koep, The Cowles Center Caroline Yang, Caroline Yang Photography

Caroline Yang is a photojournalist who has been following St. Paul Ballet since fall of

2013. She seeks to unveil our story through her work. Her portfolio of SPB work can be seen on instagram.com/carolineyangphoto

S T PA U L B A L L E T • S P B A L L E T.O R G • 6 5 1 . 6 9 0 . 1 5 8 8

ELITE DANCE SURFACES

CARMEN IN THE 1920S

ACT I

Mr. Z controls the streets of 1920s New York City with his

gangsters. Mickey enters to ask them if they have seen her fiancé

Donny, Mr. Z’s lieutenant.

Franny and Mary Lou lead the factory women into the street to

enjoy their lunch break and flirt with the gangsters. Donny arrives

late as always. Carmen joins the crowd outside the textile factory,

walking through puffs of cigarette smoke and admiring stares.

The gangsters attempt to get her attention, but she has her eyes

set on Donny, who ignores her. Carmen teases Donny, popping his

collar and setting his hat askew. Lunch break ends and the women

retreat back into the factory. Before she leaves, Carmen tucks her

headscarf into Donny's pocket. Donny is left alone, with Carmen's

memento.

Mickey finds Donny and he quickly hides the scarf. Arm-in-arm

with Mickey and Carmen still on his mind, Donny hears shouts

from the factory he is supposed to be overseeing. Mr. Z enters,

demanding to know what has happened. The factory women

accuse Carmen of starting a fight. Mr. Z orders Donny to hold

Carmen and stay with her while he decides what actions to take.

Carmen toys with Donny and escapes.

ACT II

Hiding away in Lee's Speakeasy, Carmen enjoys the New York City

night life. Eddy, a star baseball player, enters and is immediately

taken by Carmen. He isn’t the only one—Mr. Z and Donny are

also dazzled by her charms. Lee, Franny, Mary Lou and the

bootleggers coax Carmen to forget about all of them but

Carmen is determined to win Donny’s affections.

Donny sneaks into the speakeasy and finds Carmen cleaning

the bar. They dance together hesitantly, unsure of the other.

Meanwhile, Mickey searches for Donny. She discovers him with

Carmen and is heartbroken at the thought of losing him.

Carmen’s suitors encounter each other and the tension escalates.

A fight between Mr. Z and Donny ends when Carmen pulls out

a switchblade. Another fight breaks out between Donny and

Eddy and ends with Eddy proposing to Carmen. Mickey confronts

Donny and tells him he must choose between her and Carmen.

Furious about Eddy's proposal, Donny offers his arm to Mickey

and Carmen spitefully places Eddy's ring on her finger.

Carmen and Eddy's wedding day has arrived. As they walk out

into the streets, Carmen searches the crowd for Donny, who is

watching the from inside the factory. He decides to confront

Carmen about the mistake she has made in marrying Eddy.

Carmen comes face-to-face with Donny and tells him she is no

longer in interested in him. Blinded by his jealousy, Donny stabs

Carmen with the switchblade she gave him. Staggering backward,

Carmen pulls her scarf from Donny's pocket. Mickey runs to

Carmen, holding her in her arms as she dies.

Choreographer | Zoé Emilie Henrot Composer | Richard Erickson

Conductor | Yuri Ivan Music Director | Franco Holder

Scenic Designer | Annie Henly Costume Designer | MaryBeth Gagner

THE STREETS OF NEW YORK CITY

Carmen | Anna Roehr

Mr. Z (Zuniga) | Jarod Boltjes

Gangsters | Brennan Benson, Zachary Brickson, Rose Hartnett, Mollie Jenkins, Rhapsody Stiggers

New York Women | Olivia Bruhn, Talia DeLeo, Dorothy Hendrickson, Natalie Larkin, Brynne Whitman

Mickey (Micaëla) | Zoé Henrot

Donny (Don José) | Antonio Lopez

Franny (Frasquita) | Michelle Ludwig Mary Lou (Mercédès) | Elaina Sutula

Factory Women | Nicole Brown, Wesleigh Dichter, Rosa Prigan, Molly Winker

LEE'S SPEAKEASY

Lee (Lillas Pastia) | Nicole Brown

Waitresses | Dorothy Hendrickson & Natalie Larkin

Swing Dancers | Robbie Anderson, Michael Brafford, Gary Brimm, Valeria Kochubei, Katie Leatherberry, Maddie Rode

Bootleggers (Smugglers) | Wesleigh Dichter, Rosa Prigan, Molly Winker

Speakeasy Clients | Zachary Brickson, Olivia Bruhn, Talia DeLeo, Mollie Jenkins,

Rhapsody Stiggers, Brynne Whitman

Eddy (Escamillo) | Brennan Benson Eddy's Manager | Henry Sillman

Please silence all electronic devices. Texting is not allowed in the auditorium — the light emitted is distracting to both performers and other audience members. The use of cameras, phones or other devices for audio or video recording and the taking of photographs (with or without flash) during a rehearsal or performance is strictly prohibited. Photographs/video may be taken on theater

premises by SPB personnel or approved persons for promotional or marketing purposes and ticket holders expressly grant SPB the right to use such media. Music used with permission of ASCAP # 1324006 7267. Copyright of this performance (including without limitation the artwork, photographs, images, music, and video) is owned by St. Paul Ballet.©2018

All weapons in this production are fake stage props artists have been professionally trained to use. Thank you Cretin-Derham Hall Theater Program for lending SPB the New Yotk City bench for these performances.

A R T I S T I C D I R E C T O R

Zoé Emilie Henrot is the Artistic Director and resident choreographer for St. Paul Ballet. Her most recent works include Locked Key and To Billy. She trained at Boulder Ballet, Kansas City Ballet, American Ballet Theatre, and Joffrey Ballet. Henrot graduated summa cum laude from Mount Holyoke College with a double major in Dance and Biological Sciences. Over the past five years with SPB, Henrot has produced six original works and

presented eight works by visiting choreographers.

C O M P O S E R

Richard Erickson has composed music for modern dance, pop songs, shows, and improvised for dance classes at MDT and Zenon. In London 1987 to 2012, he composed for his Jazz Band, three staged Musicals, improvised for dance classes and workshops including Mark Morris, Bill T Jones, and Alvin Ailey. He returned to the Twin Cities in 2012, composed for film promotion, Web TV, corporate use, improvised for company ballet classes at SPB, Min-

nesota Dance Theater, and James Sewell Ballet. richardericksonmusic.com

C O N D U C T O R

Yuri Ivan (D.M.A.) has served as the Artistic Director of the Linden Hills Orchestra since 2006 and the Kenwood Symphony since 2007. He completed his music training in Ukraine under Jeremy Skybinky and Mykola Kolessa. He served as an Associate Conductor at The State Theatre of Opera and Ballet in Dnepro, Ukraine. Dr. Ivan completed his doctoral studies in conducting at the University of Minnesota. Dr. Ivan is active in the artistic life of

the Twin Cities metro area and beyond.

C O M P A N Y A R T I S T S

Brennan Benson trained in South Dakota and continued with Los Angeles Ballet, Ballet West, Cecchetti Council of America International Summer School, Brigham Young University, and Central Pennsylvania Youth Ballet. He studied under Marcia Dale Weary, Alan Hineline, and Simon Ball and choreographers Price Suddarth, Shayla Bott, Matthew Powell, and Simon Hoke. This is his second season with SPB.

Jarod Boltjes obtained his B.A. in dance and art from Saint Mary’s University of Minnesota. He didn’t discover dance until college where he trained with the Dance Repertory Company and studied abroad training and performing in the U.K. and Ireland. He has danced with Eclectic Edge Ensemble, Threads Dance Company, and Contempo Physical Dance. This is Jarod’s fifth season with SPB.

Nicole Brown began her training at Dance Works Performing Arts Center and continued at Ballet Royale Minnesota, Joffrey Ballet Chicago, Kansas City Ballet, and Alonzo King Lines Ballet on scholarship. She has danced soloist roles, including The Capi-tano in Peter Davison's Bella Luna, Aulos in Clara's Dream from The Nutcracker, and Lise in Peter Davison’s An American in Paris. This is Nicole’s fifth season with SPB.

Antonio Lopez began training with Ballet Repertory Theater of New Mexico, later becoming a company member. He studied with Joffrey Ballet, Walnut Hill, Alonzo King Lines Ballet, and Central Pennsylvania Youth Ballet, performing works by Alan Hinline, Mathew Powell, Kelly AnneSloan, Price Suddarth, Malinda Howe, and Balanchine’s Nutcracker and Western Symphony. This is his second season with SPB.

Michelle Ludwig graduated summa cum laude from the University of St. Thomas with a BA in K-12 education and Spanish, a minor in dance. She trained with Juli Mickelson, Joffrey Ballet, Magnus Midwest, Milwaukee Ballet, and Colorado Ballet, performing in Christopher Wheeldon’s A Midsummer’s Night Dream, Michael Pink’s Dracula, and Balanchine’s Concerto Barocco. This is her fifth season with SPB.

Anna Roehr began training at Ballet Nouveau Colorado. She continued her training at Colorado State University with Carol Rod-erick, Chung-Fu Chang and Jane Slusarski-Harris, Viktor Kabaniaev, Judy Bejarano, Katie Elliott and Andrew Skeels. She has performed works by Lirena Branitski, Zoé Emilie Henrot, Diane Coburn-Brun-ing, and Jamie Johnson. This is Anna's fourth season with SPB.

Elaina Sutula trained at The Nutmeg Conservatory, Tulsa Ballet and Mercyhurst University. She graduated magna cum laude with a B.A. in Dance and Pre-Nutrition Studies. She has worked with Tauna Hunter, Eleanor D’Antuono, Kirk Peterson, Victoria Mazzarelli, Pia Russo, Stephanie Murrish, Kerry Wagner Skuderin, Rick McCullough, and Hannah Baumgarten. This is Elaina’s second season with SPB.

A P P R E N T I C E A R T I S T S

Wesleigh Dichter began training at Ballet Royale in Minnesota and contiued with Central Pennsylvania Youth Ballet, the French Academie of Ballet, and Master Ballet Academy/Phoenix Ballet under the direction of Slawomir Wozniak. She most recently danced and performed with American National Ballet. This is her first season with SPB. Rosa Prigan is from Columbus, Ohio and a graduate of Butler University with a BFA in Dance Performance. Rosa began her training at BalletMet Columbus under Susan Dromisky and Dmitri Suslov and continued with Ballet Chicago, Cincinnati Ballet, the Bolshoi Ballet Academy, and American Ballet Theatre. This is her first season with SPB.

Molly Winker is from Bloomington, MN and began dancing under Juli Mickelson. She attended the University of Utah and has performed in works by Katie Scherman, Shayla Botts, Jay Kim, Rene Deluvy, and Brent Schneider. Molly graduated with a BFA in Ballet and minor in Health from the University of Utah. This is her first season with SPB.

M U S I C I A N A R T I S T S

Trevor Haining, Drums grew up in Minneapolis, MN and began studying drum set and percussion with 45-year member of the Min-nesota Orchestra Elliot Fine at the age of five. He performed with the MN All-State Jazz Ensemble and Minnesota Youth Symphony Orchestra. He attended the Indiana University Jacobs School of Music as a jazz studies major. He is Timpanist with the Bloomington Symphony Orchestra.

Aaron Hedenstrom, Saxophone & Clarinet has performed across the States as a jazz saxophonist, clinician, and composer. He has received many awards, including the 2013 Downbeat Award for "Best Graduate Jazz Soloist" and has been featured by Wichita State and Eastern Washington University. Aaron has performed at jazz venues including the Dakota Jazz Club, Snug Harbor, the Next Generation Jazz Festival, Scat Jazz Lounge.

Franco Holder, Music Director & Piano has collaborated with the Schubert Club, Kenwood Symphony Orchestra, New Age Art Sa-lon, Nimbus Theater and is a past winner of the Artistic Ambassa-dors Competition. He has directed music for many musicals–most recently Nunsense, Into the Woods, and Pump Boys and Dinettes. Currently, Franco is organist at Crown of Glory Lutheran Church and accompanist at SPB.

James L. Olcott, Trumpet is from Berkeley, CA. He served for 25 years as principal trumpet of the Cincinnati Ballet Orchestra and the Middletown Symphony Orchestra, as well as the Tidewater Music Festival, the Peter Britt Music Festival, the International Festival at Round-Top. His orchestral background includes per-formances with the San Francisco Opera and Ballet Companies and the Metropolitan Opera Company.

Steve Pikal, Bass is highly regarded as a first call bass play-er from the Twin Cities area jazz scene.  He has had the extreme pleasure backing shows with performers such as Cab Calloway, Bob Hope, and Margaret Whiting. He plays both locally and nationally touring, recording, and on the music festival circuits working with many bands and artists.

S W I N G D A N C E A R T I S T S

Valeria Kochubei, Swing Dance Choreographer is a native of Ukraine, where she began dancing Lindy Hop in 2011. She came to Minneapolis in 2015. Valeria has worn many Lindy hats—student, teacher, choreographer, performer, and competitor—and Valeria looks forward to spreading her knowledge and excitement for Lindy Hop to all those around her.

Robbie Anderson's passion for dance originated in his youth, participating in historical reenactments of the late 1700’s fur trade era. As a young adult, his love for vintage jazz dance and music was realized. Since then he’s enjoyed traveling throughout the country attending Lindy-hop events, learning from world-class instructors, and participating in competitions.

Michael Brafford is currently the Digital Marketing Manager at Twin Cities PBS in Saint Paul. Though Michael travels the world teaching and competing, it has been several years since he has been part of a live production and is excited to return to the stage. Previous theatrical appearances include: Chanhassen Din-ner Theatre, A Prairie Home Companion, and American Musical and Dramatic Academy.

Gary Grimm started dancing in 2011 at Truman State University. Gary has traveled to events across the United States to learn and compete. He has dabbled in Lindy, Charleston, St. Louis Shag, Balboa, and Blues and values dancing as a way to reflect and add to the music being played while communicating with his partner through the dance.

Katie Leatherberry first fell in love with dancing when she joined a historic ballroom dance group over 10 years ago. As she danced her way through centuries of partnered and group dances, she discovered the joys of connecting with others through music. While she still loves a good waltz, it is the dances of the jazz age that truly embody the exuberant joy and freedom of creative expression that Katie enjoys.

Maddie Rode began her dance career in college, where she fell in love with Lindy Hop and dances from the jazz era. She attends festivals celebrating vernacular jazz dance around the world, enjoying both the traditional and innovative aspects of this versatile dance. She preforms and competes with the Min-nesota Hotdishes and teaches at Uptown Swing.

P R O D U C T I O N A R T I S T S

Anne Henly holds a BA in Studio Art from Macalester College and an MFA in Scenic Design from the University of Minnesota. “In my life, I crave a meaningful artistic practice that allows me to work with my hands everyday and work as part of a team.” Her goal is to make productions that distill the art to its essence in order for the audience to make connections more easily without distractions.

MaryBeth Gagner's costume designs have been seen at Park Square Theater, Illusion Theater, James Sewell Ballet, Stuart Pimsler Dance and Theater, Ordway among others. She is Adjunct Professor, Costume Designer and Supervisor of the Costume Shop at Hamline University. She has a BA from Gustavus Adolphus College and an MFA in Costume Design from the University of WA.

Jacob Edholm, Lighting Designer & Production Stage Manager has worked with Twin Cities dance companies for the past decade as well as musicals including

STUDENTS:Zachary BricksonOivia BruhnTalia DeLeoDorothy Hendrickson

Mollie JenkinsNatalie LarkinRhapsody StiggersBrynne Whitman

WARD 6

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Barbara Edholm, Assistant Stage Manager is in her fifth season with SPB. She has worked with several local ballet organizations including touring a repertoire across Minnesota & Wisconsin. When she’s not backstage, she works full time in aquatics and enjoys teaching swimming lessons to children with special needs.

Aaron Preusse is the founder of the Fake Fighting Company, LLC and a Certified Teacher with the Society of American Fight Directors. Aaron has received honors of Advanced Gold with Recommendation from the British Academy of Dramatic Combat where he studied in multiple weapon styles. He has created for The Ordway, The Minnesota Opera, the Guthrie Theater, and Park Square Theatre.

G U E S T A R T I S T S & S T U D E N T S

Rose Hartnett has a BFA from Rutgers University in Dance. She teaches modern dance at the School of St. Paul Ballet.

Henry Sillman is studying Theater Arts at the University of Minnesota. He is an Administrative Assistant for the School of St. Paul Ballet.

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2018-19 SEASON

SERIES PACKAGES AND GROUP TICKETS ON SALE NOW!

DANCE SEASON

Ballet HispánicoLatina Choreographers ProgramThu, Oct 4, 7:30 pm

Compagnie Käfig—CCNPixelSat, Nov 3, 7:30 pm

Pittsburgh Ballet Theatre with The Saint Paul Chamber OrchestraMozart in MotionThu, Nov 8, 7:30 pm

Northrop and Walker Art Center Present Ate9calling glenn with live music by Glenn KotcheThu, Feb 7, 7:30 pm

The Joffrey BalletAnna Karenina with live orchestraSat, Mar 2, 7:30 pm Sun, Mar 3, 2:00 pm

Alvin Ailey American Dance TheaterMixed repertory including RevelationsTue, Mar 12, 7:30 pm

Ballet PreljocajLa Fresque (The Painting on the Wall) Angelin Preljocaj, Artistic Director Sat, Mar 30, 7:30pm

American Ballet TheatreMixed repertoryTue, Apr 2, 7:30 pm

David Roussève/REALITYHalfway to Dawn Sat, Apr 13, 7:30pm

SPECIAL EVENT

Walker Art Center and Northrop PresentLe Patin LibreVertical InfluencesThu, Apr 25, 6:00 pm & 8:30 pm Sat, Apr 27, 3:00 pm & 7:00 pm

MUSIC SERIES

Minnesota Orchestra Celebrating Northrop’s Restored Pipe Organwith music director Osmo Vänskä and organist Paul JacobsFri-Sat, Oct 12-13, 8:00 pm

Oratorio Society of Minnesota, U of M School of Music and Northrop PresentLest We ForgetWorld War I Armistice Centenary ConcertSun, Nov 11, 4:00 pm

U of M School of Music Presents57th Annual Marching Band Indoor ConcertSat, Nov 24, 7:00 pm Sun, Nov 25, 2:00 pm

Northrop and Foley-Baker Inc. PresentNathan Laube in ConcertFirst solo recital on Northrop’s restored pipe organTue, Dec 4, 7:30 pm