audioslave revelations

8/12/2019 Audioslave Revelations

http://slidepdf.com/reader/full/audioslave-revelations 1/86

Intro

Moderately slow q = 87

Broken CityLyrics by Chris Cornell

Music written and arranged by Audioslave

Copyright © 2006 LBV Songs (BMI), Melee Savvy Music (BMI), Me3 Publishing (BMI), EMI April Music Inc. (ASCAP) and Disappearing One (ASCAP)All Rights for LBV Songs, Melee Savvy Music and Me3 Publishing Controlled and Administered by Wixen Music Publishing, Inc.

All Rights for Disappearing One Controlled and Administered by EMI April Music Inc.All Rights Reserved Used by Permission

from Audioslave - Revelations

Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (slight dist.)

P.M. throughout

mp

*G5

33

=

*Chord symbols reflect implied harmony.

My1.

cit

Verse

G5

y- sleeps by the side of a free way,

- a cit y- of scraps in the

Riff A

win ter- time. She wore a yel low- coat, now there’s noth ing- on her back. If a

End Riff A

0 3 5 5 5 0 3 5 5 5 0 3

5 5 5 0 3 5 5 5

3 5 5

3 5 53 5

3 5 5

3 5 5

3 5 53 5

3 5 5 0 0 3 5

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied o

1



build ing- falls, you would n’t- care to no tice- un less- you were in it. And

no one cares a bout- climb ing- stairs, noth ing- at the top no more.

Out

Chorus

Gtr. 1 tacet

D5

side- trip pin’- in

C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

C5 D5 C5 D5 C5

Gtr. 3 (dist.)

*w/ phaser & DigiTech Whammy Pedal

Riff B1

f

End Riff B1

+6

*Set for one octave above.

+6 +6 +6 +6 +6 +6 +6

Gtr. 2 (dist.)

Riff B

w/ phaser

f

End Riff B

3 5 53 5 5 3 5

3 5 5 0 3

3 5 5

3 5 53 5

3 5 5 0 0 3 5

5

X7

5

X7

5

7

3X5

5

X7

5

X7

3X5

3X5

5

X7

5

7

3X5

5

X7

3X5

3X5

5X7

3X5

5X7

3X5

5X7

3X5

5X7

3X5

5X7

3X5

5X7

3X5

Digital Conversion ©2011 Sorgdal -Foreducational useonly -no t forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2



Out

Gtrs. 2 & 3: w/ Riffs B & B1 (3 times)

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5

D5

I watch

C5

her bleed

D5

and

C5

crack.

D5 C5

Out

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

C5 D5 C5

Out

D5 C5

-

D5

side- kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y,-

C5

D5

there’s noth

C5

ing- wrong

D5

with

C5

that.

D5 C5

Doo,

Interlude

*Dm7/C

doo, doo, doo, doo, doo, doo, doo,

Gtr. 3

Rhy. Fig. 1A

(

+6

)

+6 +6 +6

(

+6

)

+6 +6 +6

Gtr. 2

Rhy. Fig. 1

*Bass plays C.

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356


3



doo, doo, doo, doo, doo, doo, doo. Now2. the

End Rhy. Fig. 1A

(

+6

)

+6 +6 +6

(

+6

)

+6 +6 +6

End Rhy. Fig. 1

snow

Verse

Gtr. 1: w/ Riff A (2 times)Gtrs. 2 & 3 tacet

G5

falls down like it’s fall ing- on an o cean,- dead and emp ty- by the


Riff C

w/ wah-wah

mp

rail road- tracks where they used to go and come. Now they don’t come back. You can

End Riff C

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

5356

3 5 5

3 5 53 5

3 5 5

3 5 5

3 5 53 5

3 5 5 0 0 3 5


4



hear

Gtr. 4: w/ Riff C

the rust grow ing- up the through ways,

- down the al leys- where they

stole this town from the fron tier.- I can see him try’n’ to steal it back.

Out

Chorus

Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

C5 D5 C5 D5 C5

Voc. Fig. 1

(Out side- trip pin’- in the bro ken- cit y.)-

Out

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5

D5

I watch

C5

her bleed

D5

and

C5

crack.

D5 C5

End Voc. Fig. 1

Out

Bkgd. Voc.: w/ Voc. Fig. 1

D5

side- kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y.-

C5

D5 C5 D5 C5 D5

Out

C5

-

D5


C5

the bro

D5

ken

C5

- cit

D5

y,-

C5 D5

there’s noth

C5

ing- wrong

D5

with

C5

that.

D5 C5

Interlude

Doo,

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A

Dm7/C

doo, doo, doo,

doo, doo, doo, doo, doo, doo, doo, doo, doo, doo, doo.

Doo,


5



sun

Verse

Gtr. 1: w/ Riff D (4 times)Gtr. 6: w/ Rhy. Fig. 2 (4 times)

G7

won’t shine on this part of the map

Gtr. 5 tacet

an y- more.- When it’s

steady gliss.

cold out side- I see it hide be hind- the smoke stacks,- noth ing- grows. There’s no

gold rush,

no min er,- no rev o- lu- tion- be hind- her and the

ship yard- is a grave yard.- No one will be try’n’ to find her.

Out

Chorus

Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Riffs B & B1 (4 times)

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

C5 D5 C5 D5 C5

Out

D5

side- kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y.-

C5

D5

I watch

C5

her bleed

D5

and

C5

crack.

D5 C5

Out

D5


C5

the bro

D5

ken

C5

- cit

D5

y.-

C5 D5

C5 D5 C5

Out

D5 C5

-

17 8


7



D5

- side kick ing- in

C5

the bro

D5

ken

C5

- cit

D5

y,-

C5 D5

there’s noth

C5

ing- wrong

D5

with

C5

that.

D5 C5

Interlude

G7

There’s noth ing- wrong with that.

(Doo,

Voc. Fig. 2

doo, doo, doo, doo, doo, doo, doo,

Gtr. 7 (dist.)

Gtr. 8 (dist.)divisi

* pp

*Vol. swell

Out side- trip pin’- in the bro ken- cit y.-

doo, doo, doo,

doo, doo, doo, doo,

End Voc. Fig. 2

doo.)

f

Outro

Bkgd. Voc.: w/ Voc. Fig. 2 (till fade)Gtr. 6: w/ Rhy. Fig. 2 (till fade)Gtrs. 7 & 8 tacet

G7

3

Gtr. 1

Riff E End Riff E

108

108

3 5 5

3 5 53 5

3 5 5

3 5 53 5


8



Begin fade

Fade out

Gtr. 1: w/ Riff E (till fade)

Hey, out side- trip pin’- in the bro ken- cit y.-

Out -

Gtr. 4

Riff F End Riff F

Gtr. 4: w/ Riff F (till fade)

- side trip pin’- in the bro ken- cit y.- Out -

- side, out side,- out side,- out side.-

3

Gtr. 5

1/2 1

Out side,- out side,- out side.-

3 5 5

3 5 53 5

3 5 5

3 5 53 5

1517 15

17 17 17 17 17 1517

1517 15 17

17


9




Jewel of the SummertimeLyrics by Chris Cornell






Intro

(Drums)

*

Gtr. 1 (dist.)

w/ phaser

Riff A

D5

f

E5 Fsus2 D5 E5 Fsus2End Riff A


Gtr. 1: w/Riff A

D5

E5 Fsus2 D5 E5 Fsus2

When1.

I

I

Verse

Gtr. 1: w/ Riff A (4 times)

D5

was

turned

eight

twen ty-

een,

one,

E5

- I did

I

Fsus2

n’t-

saw

know

the

pain

sun

when

pull

the

ing-

sun

out

D5

was

of

high.

sight.

E5 Fsus2

D5

All

Burnt

that I

face,

met

E5

were

shad

dark

Fsus2

ows-

sil

e

hou-

rased,

ettes

-

-

and I knew

stumb

D5

I’d

ling- in

be all

the

E5

night.

right.

Fsus2

Left

Then

that

we

be

col

3

-

-

0 XXX

XXX

2 3

30

30

30

30

30

30

0 XXX

XXX

2 3

30

30

30

30

30

30


1



hind

lid

2nd time, Gtr. 2: w/ Rhy. Fill 1 (4 times)

D5

me,

ed

-

(Uh,

(Uh,

E5

huh.

huh.

Fsus2

some

and

thing

I

- blind

fin

D5

ed

al

-

-

me.

ly-

Uh,

Uh,

E5

huh.

huh.

Fsus2

You’re

got

re

a

-

mind

light

D5

ing

on

- me

me.

Uh,

Uh,

E5

huh.)

huh.)

Fsus2

of

Now

a

I’m

bet

bath

D5

ter

ing

-

- in

space in

the

E5

time,

bright

Fsus2

ul tra- -

miles

vi

Asus2

o-

a

let-

way.-

rays.

F5

A jew

Chorus

D5

el- of the sum mer- time,-

Gtr. 3 (dist.)

Riff C

mf

1

*Gtrs. 1 & 2 (dist.)

f

**w/ wah-wah

phaser off

Riff B

*Composite arrangement **Gtr. 2 only

1/4

Gtr. 2

Rhy. Fill 1

12 12 10 12 10

02200

3 3

XX

0

12

0

12 XX

12 XX

XX

12 12

00

XXX

XXX

22

33


2



1.

jew

Dm7

el- of the sum mer- time,- jew el- of the sum

Gtr. 3 tacet

Dm6

mer- time.-

End Riff C

1

D5 F5 G5

A jew

Gtr. 3: w/ Riff C

D5

el- of the sum mer- time,- a

3

Gtrs. 1 & 2 End Riff B

jew

Dm7

el- of the sum mer- time,- jew el- of the sum

Asus2

mer-

time.-

F5

wah-wah off

12 12 10 12 10

XX

XX

0

10

0

10 XX

10 XX

XX

10 10 XX

XX

0

9

0

9 XX

9 XX

XX

9 9

XX

XX

0

7

0 333

555 X

X

0

12

0

12 XX

12 XX

XX

12 12

XX

XX

0

10

0

10 XX

10 XX

XX

100 0

220

3


3



2.

Interlude

Gtr. 1: w/ Riff A (2 times)Gtr. 2 tacet

D5 E5 Fsus2 D5

E5 Fsus2 D5

E5 Fsus2 D5 E5 Fsus2

When2.

sum

Asus2

mer-

time,-

G5

time,

F5

time,

Eb5

Gtrs. 1 & 2

Guitar Solo

A5 B5 C5

Gtrs. 1 & 2 tacet

A5

B5 C5

*Gtr. 4 (dist.)

**w/ 2 harmonizers

f

*Two gtrs. arr. for one.**One set for a minor 7th below & one set for a major 7t h below.

Gtrs. 1 & 2

pp

Gtr. 4

A5 B5 C5

02200

555

555

333

333

111

111

111

8 9 10 10 11 12 13 14 14 15 16 16 19 20 20 20

777

777

12 16 14 16 1210

10 12 10 12 914 10 15

12 13 12 13 9


4



A5 B5 C5 D5

steady gliss.

E5 F5

**

8v a

3 3 3

*Trem. pick in 32nd not e pattern while sliding.

*

**Note fretted on pickup, causing muted sound.

steady gliss.

D5 E5 F5

**

steady gliss.

D5 E5 F58v a

**As before

D5 E5 F5

I3. left that be hind

Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Rhy. Fill 1 (4 times)

Gtr. 4 tacet

Verse

D5

- me,

(Uh,

E5

huh.

Fsus2

some thing- blind

D5

ed- me.

Uh,

E5

huh.

Fsus2

You’re re

3

-

8v a

mind

D5

ing- me

Uh,

E5

huh.)

Fsus2

of a bet

D5

ter- space in

E5

time,

Fsus2

miles

Asus2

a way.-

F5

Jew

Chorus

Gtr. 2 tacet

D5


Gtrs. 1 & 2

f

Gtr. 1

phaser off

1/41

12 14 12 15 15 16 19 20 22 19 15 14 127 15 22 X X X 22

5 22 X X X X 5 21 17 19 17 X 14 17 11 15 11

15 21 17 12 9

02200

12

3 3

12 10 12 10

0

12 XX

12 XX

XX

12 10


5



Begin fade Fade ou

jew

Dm7

el- of the sum mer- time,- a jew el- of the sum

Dm6

mer- time.-

D5 F5 G5

A

1

jew

Gtrs. 1 & 2: w/ Riff B (3 times)Gtr. 3: w/ Riff C

D5

el- of the sum mer- time,- jew

Dm7

el- of the sum mer- time,- a jew el- of the sum

Dm6

mer- time.-

3

D5 F5 G5

A jew

Gtr. 3: w/ Riff C

D5

el- of the sum mer- time,- jew

Dm7

el- of the sum mer- time,- jew el- of the

3

sum

Dm6

mer- time.-

D5 F5 G5

Jew

Gtr. 3: w/ Riff C

D5


jew

Dm7


jew el- of the sum

Dm6

mer- time.-

D5

F5 G5

Outro

Gtrs. 1 & 2: w/ Riff B (till fade)

D5

Dm7

Dm6

D5

F5 G5 D5

Dm7

Dm6

12 12 10 12 10

0

10 XX

XX

10 XX

XX

10 10 XX

XX

0

9

0

9 XX

9 XX

XX

9 9 XX

XX

0

7

0 333

555


6




MothLyrics by Chris Cornell




Fade In




Intro

***w/ delay and flanger

**

*

w/ fingers

D5 Bbmaj7

sim.

D/F# G5 F5 Bb D/F# G5

*** Delay set for eighth-note regeneration w/ 3 repeats.**Chord symbols reflect overall harmony.*First meas. located at 3:30 of track 11 on the CD.

delay off

D5†Gtr. 2 (dist.)

Gtr. 1 tacet

Riff ADm

f

Bb/D

†Doubled throughout

Dm[add4] Dm

Bb/D Dm7 Dm

End Riff A

57

57

57

55

33

53

57

55

X2

0 3 5 7

2

0 3 5 7

3

0 3 5 7

3

0 3 5 7

0

0 3 5 3

0

0 3 5 3

2

0 3 5 7

2

0 3 5 7

2

0 3 5 7

2

0 3 5 7

3

0 3 5 7

3

0 3 5 7

5

0 3 5 7

5

0 3 5 7

7

0 3 5 7

7


1



Verse

1.

2nd time, Gtr. 2 tacet

Bb

2.

Thought

I

I

loved

was

the

dif

heat,

D/F#

fer

I

- ent,-

loved

it

the

seems

things

G5

I’m

that I

just

for

the same.

got.-

F5

Gtr. 2

pp

Gtr. 3 (clean)

*w/ delay

mf

*Set for eighth-note regeneration w/ 1 repeat.

Gtr. 2 tacet

Bb

I

As

loved

a

the

gain

strings

-

D/F#

I

that

put

tied

my

me

hand

down

G5

o

and cut

ver- the

me

flame.

off.

D5

Gtr. 3

Bb

I thought

I

I

was

was

a

smart

king,

D/F#

er

I

- as

was a

I

moth

flew

G5

in to

with

-

paint

the

ed-

sun,

wings

F5

made of cloth.

7

533

57

55

335

533

57

55

57

533

57

55

335


2



Bb

but it

When did

turned

the

out

flame

D/F#

the way

burn so

it does

high

Gtr. 3 tacet

G5

with

and

ev

get

A5

’ry

so

- one.

D5

-

hot?

*Gtr. 4 (dist.)

f

*Doubled throughout

Oh,

G5 A5 D5

oh.

Gtr. 2

Gtr. 4

1st time, Gtr. 2: w/ Riff AGtr. 4 tacet2nd & 3rd times, Gtr. 2: w/ Riff A (1st 6 meas.)3rd time, Gtr. 1 tacet

Chorus

**

**3rd time, voc. tacet on beat 1.

Dm

I don’t fly a round- your fire

Bb/D

an y- more,-

Dm[add4]

I don’t fly a round- your

fire

Dm

an y- more.- Burned and fall en- down so man

Bb/D

y- times be fore.-

533

57

5 7 00

17

3 0 0 3 30 0 5 0 5 05 7 0

0 3 0 0 3 30 0 5


3



1.

2.C oT oda

Dm7

I don’t fly a round- your fire

Dm

an y- more.-

Interlude

Bb D/F# G5 F5Gtr. 2 tacet

Bb

D/F# G5

D5

Gtr. 2

pp

Gtr. 3

Dm7

I don’t fly a round,- fly

F5

a

D5

round,-

C5 D5

C5

A5 G5 F5 D5

Gtr. 2

Rhy. Fig. 1 End Rhy. Fig. 1

7

533

57

55

335

533

57

557

57

5

0 3 5 7

5

0 3 5 7 1515

1212

0 1010

1212

00

0 1010

77

0 55

33

0


4



fly

Gtr. 2: w/ Rhy. Fig. 1

F5

a

D5

round.-

C5 D5 C5 A5 G5 F5 D5

Gtr. 7 (dist.)

Guitar Solo

Riff B2

Bb

mp

D/F# Gm D/A Bb D/F# Gm DEnd Riff B2

Gtr. 5 (dist.)divisi

Gtr. 6 (dist.)

Riff B1

mp

Riff B

mp

End Riff B1

End Riff B

Gtr. 1

*w/ delay

Rhy. Fig. 2

sim.

End Rhy. Fig. 2

*Set for eighth-note regeneration w/ 3 repeats.

Oo.

Gtr. 1: w/ Rhy. Fig. 2Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2

BbD/F# Gm

D/A

(Oo.)

Bb D/F#

Gm D

8 7 10 13 11 10 10 8 7 10 13 11 11 15 15 15

107 7

71211

1110

107 7

71211

1110

53

57

55

33

53

57

55

57


5



D.S. al Coda

(take 2nd ending)

Bridge

Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)

Bb

I don’t fly

D/F#

a round- your fire

Gm

an y- more.-

F5 Bb

I don’t fly

D/F#

a round- your

Gtr. 7

pp

Gtr. 5divisi

Gtr. 6

pp

fire

Gtrs. 5, 6 & 7 tacet

G5

an y-

D5

more.-

Bb

Burned and fall

D/F#

en- down so man

G5

y- times be fore.

F5

-

Bb

I won’t fly

D/F#

a round,- fly

G5

a round.-

D5

Gtr. 1

delay off

8 7 10 13 11 10 10 8

107 7

71211

1110

107

53

57

55

X


6



Coda

Begin Fade

Fade out


F5 D5

Oh.

C5 D5 C5 A5

G5 F5 D5

Outro

Gtr. 2: w/ Rhy. Fig. 1 (till fade)

F5 D5

Fly

C5

a

D5

round,-

C5 A5 G5 F5 D5

F5 D5

oh.

C5 D5 C5 A5 G5

F5 D5

F5

D5 C5 D5 C5

A5 G5 F5 D5

F5

D5 C5 D5 C5

A5 G5 F5 D5

Oh.

F5 D5 C5 D5 C5 A5 G5 F5

D5


7



Intro


Nothing Left to Say but GoodbyeLyrics by Chris Cornell







*

w/ tremolo

let ring throughout

D7

mf

Bb7 G7


Verse

2nd time, Gtrs. 4 & 5 tacet

D7

Just1. like

Bless2.

a

your

res

***

heart,

D7/C

cue

you

- of

gave

a stray

me a home

Bb7

dog

and

in

a

the rain,

new

G7

I

start

was

and

**Gtrs. 1 & 2 (slight dist.)

Riff A

let ring throughout

End Riff A

**Gtr. 2: w/ phaser, played mp . ***Bass plays C.

hun

I

Gtrs. 1 & 2: w/ Riff A (3 times)

D7

gry

will

- when

leave

D7/C

you

you

found

nev

Bb7

me.

er.-

G7

45

35

75

75

31

31 7 7

67 8 7

45

35

75

75

31

31 7 7

67 8 7


1



C oT oda

D7

And

Sleep

you

at

could

your

tell

feet

D7/C

by

and

my

stand

tail

guard

Bb7

and

at

my

your

rib

front door,

G7

cage

Gtr. 3 (12-str. elec.)

Riff B

w/ slight dist.

let ring throughout

mf

End Riff B

what

I

Gtr. 3: w/ Riff B

D7

was

will

once

keep

* D7/F

a

this to

round

geth

-

-

Bb7

er.

me.

-

G7

Chorus

Bb5

I been chased by a


f

**Gtrs. 4 & 5 (slight dist.)

Rhy. Figs. 1 & 1A

*Bass plays F. **Gtr. 5 played f . Composite arrangement

rain

F5

cloud.

A7 Bb6['#4]

I was lost and near ly- drowned

Dm

and kicked a round,-

45

35

75

75

31

31 7

67 7 8 7

XXX

XXX

12133

13

133

13

133

13

133

13

33

3 33

00 0

2020

020

02020

00 1

3030

130

13030

130

13030

130

13030

000

0231

0231

023

023

023

0231

02

02

00

00


2



D.S. al Coda

Coda

G13

but now I’m found

Db Dbsus4

and I won’t run a way.-

F5 E5 F5 A5

Gtr. 4

Gtr. 5divisi

End Rhy. Fig. 1A

End Rhy. Fig. 1

Chorus

Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A

Bb5

I been chased by a rain

F5

cloud.

A7

Bb6['#4]

I was

lost and near ly- drowned

Dm


G13

but now I’m found

Db

Dbsus4


F5 E5 F5

A5

I

Bridge

G

killed my self,- threw a way- my men tal- health, but no

Dm

bod- y

Dsus2

- was blink

Dm

ing- an eye.

* F5/C

Gtr. 4

*Bass plays C.

300

30

3000

30

300

30

3000

00 4

666

46

4667

46

4667

46

4667

00

00

3 3 2 3 7

3 3 2 3 7

7

7

5554

5 5554

5 5554

5 5554

XXX

XXX 0

231

0230

0231

000

33

33

3335

3335


3



Back

G5

yard,- base ment,- fall ing- on the pave

ment.- Noth

Bb5

ing- left to say but good bye.

Dm

-

3

Noth

*F6/A

ing- left to say but good bye.

A7

-

3

*Bass plays A.

Verse

Gtr. 4 tacet

D7

It’s3. true I ran a way- be fore,

Bb7

- but be sure

G7

Gtr. 1

tremolo off

Riff C

P.M.

End Riff C

I

Gtr. 1: w/ Riff C (3 times)

D7

am no tail chas

Bb7

er.-

G7Gtr. 3: w/ Riff B (2 times)

D7

I know a good

**

**Bass plays note to right of slash, next 4 meas.

D7/F

thing when it throws

55

55

55

55

55

5 55

00

00 1

33

13

133

00

00 0

231

02

0231

000

323

323

323

00

00

0202

020

02020

020

2

0202

020

02020

020

014

014

014

014

0

014

0

014

0

014

0

014

014

0

014

0

014

0

014

0

014

0

014

0

014

014

014

014

014

45

35

75

75

31

31 7

67 8 7


4



Play 3 times & fade

Bb7/G

me a bone.

G7/Bb

I’m your

D7

best friend

D7/F

for ev-

Bb7/G

er.-

G7

Gtr. 4

Chorus

Gtrs. 4 & 5: w/ Rhy. Figs. 1 & 1A

Bb5

I been chased by a rain

F5

cloud.

A7 Bb6['#4]

I was

lost and near ly-

drowned

Dm


G13

but now I’m found

Db

Dbsus4


F5 E5 F5

A5Outro

*Dm

Gm

A

Bb6

Gtr. 6 (dist.)

f

**Gtrs. 6 & 7 (dist.)

w/ phaser

**Gtr. 7 played f .*Chord symbols reflect basic harmony.

B5 Bb5 Dm Gm A Bb6 B5 Bb5

15

19 0 2 31 0

50 1 6 5 4 2 0

7 5

4 4 4 4 3 3 3 3

0 2 31 0

50 1 6 5 4 2 0

7 5 4 4 4 4 3 3 3 3


5



Intro

Moderately q = 112

One and the SameLyrics by Chris Cornell





Play 3 times

Gtr. 1 (dist.)

*

Riff A

w/ wah-wah

B5

mf


End Riff A

**Gtr. 2 (dist.)

Gtr. 1 tacet

Riff B

Bm7

End Riff B

**Doubled throughout

Gtr. 2: w/ Riff B

Well,1. they don’t

99

9 9 9 9 9 XXX

XXX

9 9 9 9 9 9 9 9 9 9 XXX

XXX

9 9 9 9

9 9 9 9 9 9 XXX

XXX

9 9 9 9 9 9 9 9 9 9 XXX

XXX

9 9 9 9

7 77

97

9 7 9 9 79

79 7 9 7 5 7 5

7 5


1



1To Coda

hate

mask

*

Verse

B5

you,

A5 B5

you know

with

they

a

A5

love

tar

B5

you,

get.-

A5 B5

but

Keep

they’re

your

A5

Gtr. 2

Rhy. Fig. 1

*Key signature denotes B Mixolydian.

gonen

B5

na- e- come mies

A5

- killclos

B5

er.- you.

B7

TheyYou fall don’t in

End Rhy. Fig. 1

mean

love

Gtr. 2: w/ Rhy. Fig. 1 (2 times)B5 A5 B5

you an

from

y-

a

A5

harm,

great

B5

height.

A5 B5

Now

it’s

the

A5

just

eas

B5

y-

what

part’s

A5

they

o

B5

do.

ver.-

B7

Could be

Choose

your

your

moth

bat

B5

er,

tles,

-

-

A5 B5

could be

not

your

your

A5

fa

sol

B5

ther

diers.

-

-

A5 B5

You’re

or

nev

your

er

A5

-

best

sure

B5

of

friend

their

A5

in

col

B5

the

ors.-

world.

B7

But just like

79

XX

XX

57

79

XX

79

XX

XX

57

79

XX

XX

57

79

XX

79

XX

XX

57

79

XX

XX

57

79

XX

79

XX

XX

XX

XX 7 9

7 77 9

7 77 9

77


2



D.S. al Coda 1

1 Coda

2To Coda

blood

Chorus

*

*Chord symbols implied by bass, next 8 meas.


B5

in rain,

D5

love

F#5

and pain

E5

are one

D5

and the

F#5

same.

(One

D5

and the same.)

B5 E5

Just like blood

B5

in rain,

D5

love

F#5

and pain

E5

are

one

D5

in the

F#5

same.

(One

D5

in the same.)

Yeah,

B5 E5

yeah, yeah.

Interlude

Bm7Gtr. 2: w/ Riff B (2 times)

You2. wear a

blood

**

**Chord symbols implied by bass, next 8 meas.


B5

Chorus

in rain,

D5

love

F#5

and pain

E5

are

one

D5

and the

F#5

same.

D5 B5 E5

Just like blood

B5

in rain,

D5

love

(One

Voc. Fill 1

and the same.)

End Voc. Fill 1

F#5

and pain

E5

are one

D5

and the

F#5

same.

Bkgd. Voc.: w/ Voc. Fill 1

D5

Hey,

hey,

B5 E5

hey,


3



Gtr. 3

Gtr. 4 tacet

Bm7

6 6 6 6 6 6 6 6

6 6 6 6 6 6 6 6

8v a

6 6 6 6 6 6 6 3

Just like

8v a

w/ ring modulator 1/2

1 1/2 1 1/2 1 1/2

blood

Chorus

B5

in rain,

µ

love

Gtr. 3 tacet

and pain are

steady gliss.

8v a

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

14 12 1014 12 10

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

15 14 1215 14 12

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 15 1417 15 14

17 1714

2222 22 2222 22 22 22 2222 22 22 22 2222 22 22 22 22

12 24 19


5



D.S.S. al Coda 2

2 Coda

1.

2.

one and the same. Just like blood

Gtr. 1 tacet

in rain, love

Gtr. 1

and pain are one in the

same.

(One in the same.)

Just

like a

Hey!

Outro

Gtr. 2: w/ Riff B (3 times)

Bm7

Hey,

hey,

hey!

Hey!

Hey,

hey,

hey!

Hey!

Gtr. 2

XXX

XXX

7 77

97

9 7 9 9 79

79 7 9 7 5 7 5

00

00 X

7

77

7

77


6



Chorus

Moderately q = 125



Lyrics by Chris CornellMusic written and arranged by Audioslave

Original Firefrom Audioslave - Revelations

The o rig

µ

- i- nal- fire has died and gone, but the ri ot- in side- moves on. The o -

rig i- nal- fire has died and gone, but the ri ot- in side- moves on.

The o -

*Gtr. 1 (dist.)

**w/ DigiTech Whammy Pedal

f

*Doubled throughout **Set for one octave above.

rig

***E7(no3rd)

i- nal- fire has died

E6(no3rd)

and gone, but the ri

C/E

ot- in side- moves on.

E5

The o -

Riff A End Riff A

***Chord symbols reflect implied harmony.

rig

E7(no3rd)

i- nal- fire has died

E6(no3rd)

and gone, but the ri

C/E

ot- in side- moves on.

E5

With1. a

Riff B

Whammy Pedal off

End Riff B

1/4

00

017

017

017

017

017

017

017

017

016

016

016

016

016

016

016

016

015

015

015

015

015

015

015

015

014

014

014

014

014

014

014

014

017

017

017

017

017

017

017

017

016

016

016

016

016

016

016

016

015

015

015

015

015

015

015

015

014

014

014

014 2

3


1



pen

Gold

Verse

E5

2.

in

en-

one

sol

hand

diers-

tak

born

ing-

much

a

old

stand

er- than they’ll

drugged

ev er-

on

live

ker o

to

-

be,

sene,-

Rhy. Fig. 1

End Rhy. Fig. 1

1/4 1/4

eight

div


y

ing

-

-

four

in

and

to- a

five

sea

would

of

find

hands

us

in a

some

long

thin’

for

- to

got-

be

ten-

lieve.

cit

-

y.-

Right

Here

or

the rain

wrong

falls

with dirt y

ev

- hands on

er-

wires,

af ter,- the

sing

stran

in’

gled

-

-

songs

vines

in

hang

dis

dead

cord

in

- choirs.

raf ters.-

Gtr. 1

1/4 1/4

Scream

Blood

ing

rush

- in braille

to your

no

head

tempt ress-

in

prize

duc- es-

could

a laugh

ev er

ter-

- yield an

end

y

less

-

-

thing

ly.

-

-

so real.

The o -

1/4 1/4

rig

Chorus

E5

i- nal

- fire has died and gone, but the ri ot

- in

side- moves on. The o -

Rhy. Fig. 2

End Rhy. Fig. 2

1/4 1/4

02

3 02

3

02

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

3 02

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

3

02

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

3 0 XX

XX

XX

XX

XX

XX

XX

XX

XX

XX 2

3

02

02

02

02

02

02

02

0 3 02

02

02

02

02

02

3


2



1.

2.

rig


i- nal

- fire has died and

gone, but the ri

ot- in

side- moves on.

Gtr. 1

Interlude

E5

1/4

rig


i- nal

- fire has died and long gone,

but the ri ot

- in

side- moves on.

Bridge

A5

Can’t ex plain- it, it was some

E5

thin’- to

G5

see.

A5

Can’t con tain- some thin’-

B5

ev er

D5

-

Gtr. 1Riff C End Riff C

re

E5

al,

-

B5

ev er

D5

-

re

*Gtr. 1: w/ Riff A

*w/ Whammy pedal as before.

E7(no3rd) E6(no3rd)

al.

- Hey!

C/E E5

02

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

3

00 3

0 2 5

02 5 5


3



Bridge

Gtr. 1: w/ Riff C

A5

Can’t ex plain,-

Gtr. 2 tacet

it was some

E5

thin’- to

G5

see.

A5

Can’t con tain- some thin’- so

B5

ev

D5

er-

Gtr. 2

grad. dive

8v a

delay off

-1 1/2

-3 1/2

-7 slack

re

*Gtr. 1: w/ Riff B

*w/ Whammy pedal as before.

E7(no3rd)

al,-

E6(no3rd)

ev er- re

C/E E5

- al.

The o -

rig

ChorusGtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 2 times)

E5

i- nal

- fire has died and gone, but the ri ot

- in

side- moves on. The o -

rig


i- nal

- fire has died and

gone,

but the ri

ot- in

side- moves on. The

o -

rig

Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas., 3 times)

i- nal

- fire has died and gone, but the

Gtr. 2

**w/ DigiTech Whammy Pedal

***

Riff D8v a

***As before

**Sweep treadle randomly.

-3 -2 1/2-4

-3 -2 1/2 -2 1/2 -3 -3 -2 1/2 -3

X

X X X X X X X X X X


5



rit.

rit.

ri

ot- in

side- moves on.

The

o -

8v a

End Riff D

-3 -2 1/2 -3 -2 1/2 -2 1/2 -3 -3 -2 1/2 -2 1/2 -3 -2 1/2

rig

Gtr. 2: w/ Riff D

i- nal

- fire has died

and gone,

but the

ri

ot- in

side- moves on.

Gtr. 1

1/4

X X X X X X X X X X X

02

02

02

02

02

02

3 0


6



Free time

RevelationsLyrics by Chris Cornell





Moderately q = 113

Play 4 times

Tune down 1 step:(low to high) D-G-C-F-A-D

Gtr. 1 (clean)

Intro

*

let ring throughout

Riff ACmaj9

mp

G% A9(no3rd)


Eadd9

End Riff A

Cmaj9 G% A9(no3rd)

Gtr. 1

pp

Gtr. 1 tacet

Em7

D5 G5

**Gtr. 2 (dist.)

*** pp f

Riff B

End Riff B

**Doubled throughout

***Vol. swell

1/4

810

120

00

00

35

70

00

00

57

90

00

00

02

41

00

810

120

00

00

35

70

00

00

57

00

9

0

57

09

00

07

00

9

0

0 0XX

XX 5

7 5 5 5 5XXX

7 7 7 7 X5 5 5 5

3


1



Chorus

*G/D

Such a shame

D/F#

that I

D/G

would n’t- know

C

by now

G/D

D/F#

your

Gtr. 2Rhy. Fig. 1

*Bass plays notes to right of slash, next 7 meas.

rev

E

e- la- tions.-

G/D

Cut me in,

D/F#

I don’t

G

wan na- live

Am/C

with out-

G/D

D/F#

your rev

E

e- la- tions,-

End Rhy. Fig. 1

rev e- la- tions.-

109

109

109

109

97

97

97

97

54

54

54

54

75

75

75

75

109

109

109

109

97

97

97

0

076

076

076

076

076

076

076

7109

109

109

109

97

97

97

97

109

109

109

109

1210

1210

1210

1210

109

109

109

109

97

97

97

0 076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

076

7


3



D.S. al Coda

Coda

Interlude


Em7

D5 G5 Em7

D5 G5

ChorusGtr. 2: w/ Rhy. Fig. 1

G/D

Such a shame

D/F#

that I

D/G

would n’t- know

C

by now

Voc. Fig. 1

G/D

D/F#

your rev

E

e- la- tions.-

G/D

Cut me in,

D/F#

I

(I would n’t- know by now.

don’t

G

wan na- live

Am/C

with out-

G/D

D/F#

your rev

E

e- la- tions.-

Don’t wan na- live with out.)-

End Voc. Fig. 1

Guitar Solo

D5 D/F# G5

C5

Gtr. 3 (dist.)

*w/ toggle switch, delay & DigiTech Whammy Pedal

*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10. Hammer-on the strings with the left hand while flipping the pickup selector switch in a sixteenth-note rhythm until beat 4 of the 7th meas. Delay set for a time value equal to 5 sixteenth-notes w/ 1 repeat. Delayed signal sent to right channel. Whammy pedal set for one octave above. Press the Whammy’s on/off switch in the rhythm indicated ( + = on, o = off). Whammy effect in left channel only.

5 7 77

5 577

7 5 5 7 7 55

77 5

57

7 55

77 5

57

7 55

77

10


4



D5

D/F#

E5

G5

D/F#

D

E5

Gtr. 3

D5

D/F#

delay off

E5

Gtr. 4 (dist.)

*w/ delay & DigiTech Whammy Pedal

steady gli ss. st eady g liss.

*Delay set for eighth-note regeneration w/ 1 repeat. Whammy Pedal set for one octave above.

Gtr. 2

12 129

1212 9

912

12

99

1212 9

9

1717

1919 17

1719

19 1717

1919 17

1719

19 19

19

2121

19 19

2121

19 19

2121

19 19

2121

19 19

2121

19 19

21

21

19 19

2121

19 19

2121

19

1921

21

19 19

2121

19 1921

21

19 19 17 19

17 0 19

07

07

07

07

07

07

07


5



Half-time feel

steady gliss.

steady gliss. steady gliss.

Bridge

Gtr. 1: w/ Riff A (3 times)Gtrs. 2, 3 & 4 tacet

Cmaj9

I am haunt

G%

ed- when I

A9(no3rd)

am sleep ing.

Eadd9

-

Gtr. 5 (clean)

let ring throughout

mp Harm.

Cmaj9

Try to give

G%

with out- re

3

A9(no3rd)

ceiv-

Eadd9

ing.-

Harm.

19

19 0 19 0 19 19 0 19

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

1212

1212

12

1212

1212

12


6



Cmaj9

It’s in the ap

G%

ple- bite,

A9(no3rd)

it’s in the days

Eadd9

and nights.

(It’s in the ap ple- bite, it’s in the

Harm.

Pitch: E

Cmaj9

In the af

G%

ter- life- we’ll

E5

meet.

days and nights.)

Gtr. 5

Harm.

Gtr. 1

Interlude

Gtrs. 1 & 5 tacet

G D6add4/F# D6(add4) Em G D6add4/F# E

Gtr. 2Rhy. Fig. 2 End Rhy. Fig. 2

1212

12

5

1212

1212

12 12 12

810

120

00

00

35

70

00

00

079

09

0

10

09

0

10

09

0

10

09

0

10

09

0

9

07

0

9

07

0

9

07

0

9

07

0

5400

5400

5400

5400

7500

7500

7500

7500

10

09

0

10

09

0

10

09

0

10

09

0

9

07

0

9

07

0

9

07

00

00

7640

7640

7640

7640

7640

7640

7640

7


7



Gtr. 6 (dist.)


G D6add4/F#

*

fdbk.

p mf

D6(add4) Em G D6add4/F# E

*Vol. swell

ChorusBkgd. Voc.: w/ Voc. Fig. 1Gtr. 2: w/ Rhy. Fig. 1 (1st 6 meas.)Gtr. 6 tacet

G/D

Such a shame

D/F#

that I

D/G

would n’t- know

C

by now

G/D

D/F#

your

rev

E

e- la- tions.-

G/D

Cut me in,

D/F#

I don’t

G

wan na- live

Am/C

with out-

G/D

D/F#

your rev

E

e- la- tions.-

Gtr. 2: w/ Rhy. Fig. 1 (1st 7 meas.)

G/D

Such a shame,

D/F#

such a

Gtr. 2

**w/ panning

Gtr. 6

**Alternates from left to right speaker every 2 beats.

shame

D/G C

that I

G/D

would n’t- know

D/F#

by now.

E

Gtr. 6

10

109

109

109

109

97

97

97

0 076

076

076

076

076

076

076

7

17 17

17 17 17 17 17 17


8



G/D

Cut me in,

D/F#

I don’t

G

wan na- live

Am/C

with out-

G/D

D/F#

your

(Don’t wan na- live with out.)-

3

rev

E5

e- la- tions,- rev e- la- tions.-

Gtr. 6

Gtr. 2

17 17 17 17 17 17 17 17 17

17 17

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07

07


9



Intro


Shape of Things to ComeLyrics by Chris Cornell





1.

2.


(Drums)*Gtr. 1 (dist.)

C5

f

D5 C5 D5 C5 D5 A5 C5 Bb5 C5 Bb5 C5

*Doubled throughout

G5

A5 F5 G5 E5 F5 D5

E5 F5 G5 D5 C5 D5 D5 E5 F5 G5 D5

Well,1. it’s

late

Verse

*** D5

in

Dsus2

the hour

D5 Dm

Gtr. 1 tacet

D5 Dsus2

and a few

C5

more grains

**Gtr. 2 (slight dist.)

Riff A

let ring throughout

mp

**Two gtrs. arr. for one.

Gtr. 1

pp

***Chord symbols reflect implied harmony.

1010

1212

1212

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

XX

XX

77

1010

1010

1010

XX

XX

88

1010

1010

1010

XX

XX

88

1010

XX

XX

55

77

77

77

XX

XX

33

55

55

55

XX

XX

22

33

XX

XX

00

22

22

33

33

55

00

1010

1212

00

22

22

33

33

55

00

1212

1212

1212

1412

1212

1212

1212

15

1212

1212

1212

1412

1010

10 12 1010

10

00


1



D5

of sand

Dsus2

will fall

D5 Dm D5 Dsus2 F5

on the

Gtr. 2

End Riff A

col

Gtr. 2: w/ Riff A (2 1/2 times)

D5 Dsus2

or- ful-

D5

flow ers

Dm

-

D5 Dsus2

I’ve grown

C5

up on- the

3 3

dust

D5

and

Dsus2

moss.

D5 Dm D5 Dsus2 F5

And

now

D5

I

Dsus2

fear

D5

the

Dm

worst

D5

is

Dsus2

near.

C5

I hold

D5

them

Dsus2

close

D5

and

Dm

count

D5

their

Dsus2

years,

F5

and pray

D5

a

Dsus2

ray

D5

of

Dm

light

D5

ap

Dsus2

pears-

C5

to

shine

D5

down

Dsus2

on

D5

us

Dm

here.

D5 Dsus2 F5

Gtr. 2

1212

1212

1212

1412

1212

1212

1212

1512

1212

1212

1212

1412

1512

15 17 1515

15

1212

1212

1212

1412

1212

1212

1212

1512

1212

1212

1212

1412

15

15 15 17 15 15


2



Break

Chorus

Gtr. 2 tacet

C5 D5 C5 D5

down

C5 D5

in the shape

A5 C5

of things to

Bb5

come,

C5 Bb5 C5

Gtr. 1

Rhy. Fig. 1

f

G5

but

A5

I’m mov ing

F5

- on

G5

like

E5 F5

a sol

D5 E5 F5 D5 G5

dier.-

A5

And I’ll

C5

say

D5 C5 D5

now

C5 D5

when all

A5 C5

is said and

Bb5

done,

C5 Bb5 C5

End Rhy. Fig. 1

it’s

G5 A5

not ours to

F5

break,

G5 E5 F5

the shape

D5 E5

of things

F5

to

G5

come.

D5

1010

1212

1212

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

XX

XX

77

1010

1010

1010

XX

XX

88

1010

1010

1010

XX

XX

88

1010

XX

XX

55

77

77

77

XX

XX

33

55

55

55

XX

XX

22

33

XX

XX

00

22

22

33

33

00

55

77

1010

1010

1212

1212

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

XX

XX

77

1010

1010

1010

XX

XX

88

1010

1010

1010

XX

XX

88

1010

XX

XX

55

77

77

77

XX

XX

33

55

55

55

XX

XX

22

33

XX

XX

00

22

22

33

33

55

00


3



Interlude

D5Gtr. 1 tacet

There’s2. a

Gtr. 2

Gtr. 1

pp

crack

Verse

Gtr. 2: w/ Riff A (3 1/2 times)

D5

in

Dsus2

the clouds,

D5 Dm D5 Dsus2

but on

C5

ly- for a mo

D5

ment- now.

Dsus2 D5 Dm

D5 Dsus2 F5

Like an eye

D5 Dsus2

look ing- out,

D5 Dm D5 Dsus2

the blue

C5

sky spies the

3 3

roads

D5

we will

Dsus2

go down.

D5 Dm D5 Dsus2 F5

I won

D5

der-

Dsus2

what

D5

they

Dm

hold

D5

for

Dsus2

us.

C5

I hold

D5

my

Dsus2

fam

D5

’ly

Dm

- to

D5

my

Dsus2

breast.

F5

I

fear

D5

the

Dsus2

worst

D5

and

Dm

hope

D5

the

Dsus2

best

C5

will

1212

1212

1212

1212

1212

1212

1212

1212

1212

1212

1212

1212

1212

1212

1212

1212

00


4



come

D5

to

Dsus2

see

D5

us

Dm

blessed.

D5 Dm F5

Gtr. 2

Break

Chorus

Gtr. 1: w/ Rhy. Fig. 1Gtr. 2 tacet

C5 D5 C5 D5

down

C5 D5

in the shape

A5 C5

of things to

Bb5

come,

C5 Bb5 C5

G5

but

A5

I’m mov ing

F5

- on

G5

like

E5 F5

a sol

D5 E5 F5 D5 G5

dier.-

A5

And I’ll

C5

say

D5 C5 D5

now

C5 D5

when all

A5 C5

is said and

Bb5

done,

C5 Bb5 C5

it’s

G5 A5

not ours to

F5

break,

G5 E5 F5

the shape

D5 E5

of things

F5

to

G5

come.

D5

Gtr. 1

1212

1212

1212

1412

1212

1212

1212

1512

1212

1212

1212

1412

1515

15 17 15 15

55

77

77

77

XX

XX

33

55

55

55

XX

XX

22

33

XX

XX

00

22

22

33

33

55

00


5



E5 F5 D5

Hey!

G5 D5 E5

F5 G5 D5

E5 F5 G5

Hey!

Bridge

G5 D5 F5 C5 D5

Bb5 C5 D5

Gtr. 1 tacet

G5

Giv en- one more try, what would I change?

Gtr. 1

Gtr. 3 (dist.)

Riff B

f

End Riff B


D5 F5 C5 D5 Bb5 C5 D5 G5

I won’t de ny,- the thought is

strange.

D5 F5 C5 D5 Bb5 C5 D5 G5

I’ve done my best

and I will

00

22

22

33

33

00

55

00

22

22

33

33

55

00

00

22

22

33

33

55

43

55

33 5 1 3 5

5 XXX

XXX

XXX

XXX

XXX

XXX


6



G5 A5 F5 G5 E5 F5

8v a

6 7

3

Gtr. 4

D5 E5 F5 G5 D5 C5 D5

8v a 5

5

Gtr. 1

Break

Chorus


C5 D5 C5 D5

down

C5 D5

in the shape

Gtr. 4 tacet

A5 C5

of things to

Bb5

come,

C5 Bb5 C5

Gtr. 4

*w/ delay

8v a

*Set for eighth-note regeneration w/ 5 repeats.

G5

but

A5

I’m mov ing

F5

- on

G5

like

E5 F5

a sol

D5 E5 F5 D5 G5

dier.-

A5

And I’ll

C5

17 17 15 1317 15 15 13

15 14 1215 14 15

12 14 15 1614 15 16

14 15 16 15 1416 15 14

16 13 13

13 14 15 1614

16 16 16 16 16 20 21 21 22 22 22 22 22 22 22 22 22 22 22 22 22

1010

1212

22 22 22


8



say

D5 C5 D5

now

C5 D5

when all

A5 C5

is said and

Bb5

done,

C5 Bb5 C5

it’s

G5 A5

not ours to

F5

break,

G5 E5 F5

the shape

µ

of things to come,

Gtr. 1

Outro

C5 D5 C5 D5 C5 D5

the shape

C5 D5

of things to come,

C5 D5 C5 D5

C5 D5

C5 D5 C5 D5

the shape

E5

of things

F5

to

G5

come.

D5

55

77

77

77

XX

XX

33

55

55

55

XX

XX

22

33

1010

1212

1212

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

1212

1212

XX

XX

1010

1212

XX

XX

00

22

22

33

33

55

00


9




SomedaysLyrics by Chris Cornell





Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

Chorus

µ

Some days,

**F#5

some days,

some

*Gtrs. 1 & 2 (dist.)

f

Riff A

*Composite arrangement **Chord symbols reflect implied harmony.

days

just ain’t so eas

µ

y.-

End Riff A

16 2 2

4 2 4 2 1 2 4 2 4

2 2

4 2 4 2 1 2 4 2 4

2 2

4 2 4 2 1 2 4 2 4

2 2

4 22

4 22

4 2 4


1



Verse

F#5

It’s

Wake

not

1.

2. the

up,

fault

of an

look a

y-

round-

one- as

just

we

be

re

fore

volve

-

-

your feet

a

hit

round-

the

the

ground.

sun.

B5

Gtr. 4 (dist.)

Riff B2

mf

End Riff B2

**w/ DigiTech Whammy Pedal & tremolo

+6

**Set Whammy Pedal for one octave above. Tremolo rate set for quintuplets (approx.).

Gtr. 3 (dist.)

Riff B1

*w/DigiTech Whammy Pedal, harmonizer & tremolo

mf

End Riff B1

*Set Whammy Pedal for one octave above in toe down position and harmonizer for a perfect 5th above. Tremolo rate set for quintuplets (approx.).

Gtr. 5 (dist.)

Riff B3

***w/wah-wah

mf

End Riff B3

***o = open (toe up) + = closed (toe down)

1/4

Gtrs. 1 & 2

Riff B

P.M.

End Riff B

Gtrs. 1 & 2: w/ Riff B (2 times)Gtrs. 3, 4 & 5: w/ Riffs B1, B2 & B3 (2 times)

F#5

Where they

We

meet

sleep

the

be

oil

neath-

and

the same

street

sky,

is

but

where

we

you

all

stand

see

and

it

where you

through diff f’rent-

sleep.

eyes.

B5

7

0

2 2

0 1 2 X X 0 1 2 X X 0 1 2


2



1To Coda 2To Coda

Black

F#5

and

So if

whites,

you go

or

a

if

larms-

you

and lights,

stay,

stand in’-

plain

still,

clothes

or

and

if

Mi

you

ran

walk

- da

a

- rights.

way.

B5

-

At

Gtrs. 1 & 2

F#5

the

If

right

you bend

place,

or

but in

if

the

you

wrong life.

break,

Some

some

days

days

µ

just

just

ain’t

ain’t

so

so

eas

eas

y.

y. -

-Some

P.M.

days,

Chorus

Gtrs. 1 & 2: w/ Riff A (2 times)2nd & 3rd times, Gtrs. 1 & 2: w/ Riff A (1 1/2 times)

F#5

some days,

some

days

(Some days

just

just

ain’t

ain’t

so

so

eas

eas

y.

y.)

-

-

Some

days,

some days,

some

days,

(Some days,

some days

some days

just

just

ain’t

ain’t

so

so

0 1 2 X X 0 1 2 X X 0 1 2 16


3



D.S. al Coda 1

Coda

eas

eas

InterludeGtrs. 1 & 2: w/ Riff B (2 times)Gtrs. 3, 4 & 5: w/ Riffs B1, B2 & B3 (2 times)

F#5

y.

y.)

-

-

B5 F#5

B5

days,

F#5

(Some days,

some days

some days

just

just

ain’t

ain’t

so

so.)

E

eas y,-

Gtrs. 1 & 2

B

they just ain’t so eas y.

F#5

-

Oh, yeah.

steady gliss. steady gliss.

1/2

Bridge

E5

(Some one- may have done you wrong,

B5

done

But this

you

ain’t

wrong.)

so eas y.-

2 2

4 2 4 2 1 2 4 2 4

2 2

4 22

0221

2444

16 2 14 2 7 7 5 0 2 14 22 0

022

244


4



Gtrs. 1 & 2 tacet

F#5 A5 F#5 A5 F#5

Gtr. 6 (dist.)

w/ wah-wah

mf

A5 F#5

A5

I

F#5

don’t care for some

E5

days.

Gtr. 7 (clean)

w/ heavy reverb

mf

Gtr. 6

*Gtrs. 7 & 8 (clean)

Guitar Solo

**

Gtr. 6 tacet

F#m E/F# F#m

***w/ delay

Bm/F# F#m

*Gtr. 8 w/ heavy reverb, played mf .**Chord symbols reflect overall harmony.

***Set for whole-note regeneration w/ 1 repeat.

24

XX

XX

0 24

0 24

002

02

2 0 24

XX

XX 0

2

24

XX

0 2 0 24

XX

XX

XX

XX

1110

1110

24

XX

XX 0

2

24

0 24

002

02

2 0 24

XX

XX

0 2 02

1110

1312

1414

1615

1414


5



Gtr. 3

E/F#

tremolo off

mp

F#m

Gtr. 7

delay off

Gtr. 8

delay off

Bridge

E

Some one- may have done you right


F#m

or done you wrong,

Gtr. 3

pp

Gtr. 7

pp

Gtr. 8

pp


mp

5 5 7 9 10 10

1312

1312

1414

1312

1312

1312

99 11

10

10

1414

1110

022100

244222


6



A

or kept you down from the day

Bm

you were born.

Gtr. 9

There’s

Bm7

no need to a pol- o- gize- for the ri

F#m

ot- in your eyes ’cause some

days

C#7

just ain’t so eas y.

Gtr. 9 tacet

F#5

-

Gtr. 9

Gtr. 1

* p f

*Vol. swell

Gtr. 2

022

2

244

32

24232

244222

46464

46464

19 2 2

4 2 4 4 2 4 4 2 4

16 2 2

4 2 4 4 2 4 4 2 4


7



D.S.S. al Coda 2

2 Coda

Free time

Hey!

Hey!

Hey!

Some

Gtrs. 1 & 2

days,

F#5

(Some days,

some days

some days.)

just ain’t so

A5

Gtrs. 1 & 2

fdbk.

Pitch: C#

eas y.-

F#m

µ

2 2

4 2 4 4 2 4 4 2 4

2 2

4 2 4 4 2 4 4 2 4

2 2

4 22

4 22

4 2 4

2 2

4 2 4 2 1 2 4 2 4

2 2024

00 0

2

02

244222

244222


8



Intro

Moderately q = 96

Sound of a GunLyrics by Chris Cornell






Gtrs. 1 & 2 (elec.)

**w/ clean tone & delay

let ring throughout

Riff A

*Em

mp

E5 Esus4

8v a

**Delay set for dotted eighth-note regeneration w/ 1 repeat.


delay off

DEnd Riff A

Em E58v a

w/ dist.

loco

f

Gtr. 3 (elec.)

Rhy. Fig. 1A

E5

D5 E5 D5 E5 D5

w/ dist.

G5

mp

A5

D5 E5 D5 E5 D5End Rhy. Fig. 1A

G5 A5

Gtrs. 1 & 2


1517

1517

1517

1517

1917

1917

1917

1917

1717

1717

1717

1717

1415

1415

1415

1415

1517

1517

1517

1517

1917

1917

1917

1917

1917

1917

19

17

33

55

33

55

0 2 0 2

00

22

00

22

XX

XX

XX

00

555

777 X

XX

XXX

XXX

00

22

00

22

XX

XX

XX

00

555

777


1



Verse

Gtrs. 2 & 3 tacet

E

In

From

1.

2.

the

the

here

crack

and

in the

now

black

D

ness-

I

I

wait

wake.

C

It’s

down

get

a

ting-

-

*Gtrs. 1 & 4 (acous.)

mf

*Composite arrangement

mong

clos

D

- er

the young

ev

and

’ry-

the old.

night.

E

With

In

the

my

moon

cit

and

y,-

the

the

ground

play

D

ground-

I

is

play

a

bat

C

tle- - ground

with my chil

D

be

dren

tween

-

- the

in

wrong

my

and the

home.

right.

E

This

I

is

could run

for the

let ring

Rhy. Fig. 2

let ring

daugh

free

D

ters

as

- and

a

sons

child.

of

I

for

was safe

got

and

C

- ten

wild.

- ones,

na

learn

D

ing

ked-

-

and

how

un

to stand.

armed.-

let ring

let ring

End Rhy. Fig. 2

let ring

22100

0232

32010

0232

22100

0232

32010

0232 3 2

32

2210

0

0232 2

32010 0

0232 3 2

32


2



1.

2.

E

This

Now

is

I’m

for

grown

the

and

in

safe

D

no

in

- cent

my

- un

home,

knowns-

but

C

bur

some

ied

will

- in

nev

the

er-

sand.

stop.

let ring

let ring

let ring

Gtr. 4 tacet

D A5

Aw, run

Run

1st time, Gtr. 3: w/ Rhy. Fig. 1A (2 times)2nd time, Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)

Chorus

E5

ning

ning

-

- from

D5

the sound

E5

of a

D5

gun.

E5 D5 G5 A5

Gtrs. 1 & 2

f

Rhy. Fig. 3

Run

E5

ning- from

D5

the sound

E5

of a

D5

gun

E5

’til

D5

you’re wea

G5

ry.

A5

-

End Rhy. Fig. 3

Run

Gtrs. 1 & 2: w/ Rhy. Fig. 1

E5

ning- from

D5

the sound

E5

of a

D5

gun.

E5 D5 G5 A5

Run ning- from

D5

the sound

E5

of a

D5

gun.

E5

D5 G5 A5

Run ning- from

D5

the sound

E5

of a

D5 E5

gun.

D5 G5

A5

2210

0

023

2 2

3201

0 0

0232

02

17

0 2 0 2

00

22

00

22

XX

XX

XX

00

555

777

0 2 0 2

00

22

00

22

XX

XX

XX

00

555

777


3



seemed

E

they put a shine on this place

F#11[no3rd]

when I was young, or

Gtrs. 1 & 2

8v a

may

G%[no3rd]

be- I just don’t see it now.

D/A

8v a

Run

Chorus

*

*Gtr. 1: w/ dist., delay off.

Gtrs. 1 & 4: w/ Rhy. Fig. 2 (1 1/2 times)Gtr. 2 tacet

E

ning- from the sound of a gun.

D

Run

C

ning- from the sound of a gun

D

’til I’m wea ry.- Run

E

ning- from the sound of a gun,

D

run

C

ning- from the sound of a

D

gun,

Dsus4

hey!

D

Gtrs. 1, 2 & 4

f Gtrs. 2 & 4divisi

Gtr. 1

*****

**Slides apply to Gtr. 1 only.

*** Gtr. 1 to left of slashes in tab.

1617

1617

1617

1617

1917

1917

1917

1517

1717

1717

1717

1717

1415

1415

1415

14

32010

32010

32010

32010

32010

32010

32010

00 0

232

0232

0232

0232

0232

0232

0232

0232

0233

0233

0233

0233

0233

0233

0233

0233

0232

0232

00

141514

141514

141514

00


5



Interlude


*

E5 D5 E5 D5 E5

D5 G5 A5

D5 E5 D5 E5

D5 G5 A5

Gtr. 1

w/ wah-wah

*w/ wah-wah in the toe down position.

Run

Outro-Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 3

E5

ning

- from

D5

the sound

E5

of a

D5 E5

gun,

D5

G5 A5

run

E5

ning- from

D5

the sound

E5

of a

D5 E5

gun.

D5

G5 A5

Run

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)

E5

ning- from

D5

the sound

E5

of a

D5 E5

gun,

D5 G5 A5

a

run ning- from,

D5

run

E5

ning- from

D5

the

E5

sound of

D5

a

G5 A5

gun.

E

3

Gtrs. 1 & 2

00

55

77

XXX

XXX

XXX

00

22

00

22

XX

XX

XX

00

555

777

2221


6



Intro


Until We FallLyrics by Chris Cornell





(Drums) *Gtr. 1 (acous.)

Rhy. Fig. 1

C

let ring throughout

mf

Am

*Doubled throughout

F

Am

Verse


C

I1. walked the streets

End Rhy. Fig. 1

Am

with out- re gret,-

F

ah.

Am

C

I stood a lone-

Am

and watched my -

Gtr. 1

3201

201

201

201

30 2

0

02210

2210

2210

2210

2210

02210

0 2

3 3211

3211

3211

3211

3211

00

2210

02210

02210

02210

02210

2

2

3201

201

201

201

30 2

0

02210

2210

2210

2210

22210

0 2


1



self

F

fall a part.

G

-

Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)

C

An swered- the voic

Am

es- in my head,

F

ah.

Am C

Slipped through the chain

Am

link - of a bro -

F

- ken heart.

G

Gtr. 1


3 3211

3211

3211

3211

3211

0

3 320003

3200

3200

3200

3200

3200

3200

2

3 3211

3211

3211

3211

3211

0

3 320003

0003

0003

0003

32

0003

0003

0003

32

0003

320003

320003

320003

320003

320003

000


2



Chorus

**D

And when

F6sus2

I’m tired

C'9/E

of feel

G

ing- black,

D/F#

spread

F6sus2

the wings

C'9/E

*Gtrs. 1 & 2

Rhy. Fig. 3

let ring throughout

f

*Gtr. 2 (elec.) w/ slight dist. Composite arrangement

**Chord symbols reflect overall harmony.

up on-

G/B

your back.

D

Take

F6sus2

us high

C'9/E

a bove

G

- it all,

End Rhy. Fig. 3

D/F#

and stroke

F6sus2

your feath

Bb6

ers-

’til we

Interlude

fall


C

back

Gtr. 3 (elec.)

w/ slight dist.

mf

1

0232

0232

30

3

3

03

0

2

03

00232

0232

30

3

3

3

03

0

2 3 2 30232

0232

30

3

3

03

0

2

03

0

0232

0232

30

3

1

7 7 5 75 7

5 7


3



C oT oda

up on-

G/B

your back.

D

Take

F6sus2

us high

C'9/E

a

bove

G

- it all,

D/F#

and stroke

F6sus2

your feath

Bb6

ers-

Csus2

’til we fall,

Gtrs. 1 & 2 tacet

G5 F5 D5

Gtrs. 1 & 2

*Gtr. 4 (elec.)

w/ dist.

f

Riff A

*Doubled throughout

**Bb

un til

C5

- we

Bb5

fall,

C5 G5 F5 D5 Bb

un til

C5

- we

Bb5

fall

C5

End Riff A

**Bass plays Bb.

Gtr. 4: w/ Riff A

G5 F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5 G5

Yeah,

F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5

0232

0232

30

3

1

03

0

3

03

0

19 3

5 35

53 5

3 5

3

5 35

3 5 3 5


5



Bridge

Dsus2

What do

Bb,7#11

you feel

Asus4

be fore-

G6sus2

you think?

Gtr. 4 tacet

Dsus2

What do

Bb,7#11

you see

Asus4

Gtr. 5 (elec.)

*w/ dist. & wah-wah

P.M. throughout

mp

*Wah-wah in toe up position throughout.

Gtr. 1

Gtr. 4

pp

be fore-

G6sus2

you blink?

Dsus2

Who do

Bb,7#11

you bat

Asus4

tle- in

G6sus2

your dreams?

Gtr. 5

Gtr. 1

10

1310

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

0

03

2

03

2

03

2

03

20

03

2

03

2

5

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10

0

2

03

2

03

20

03

2

03

2

03

2

03

2


6



D.S. al Coda

Coda

rit.

Free time

Dsus2

Who strokes

F,7[no3rd]

your feath

Bb6#11

ers-

C'9

’til you scream?

G5

Gtr. 4: w/ Riff A (1st 3 meas.)

G5 F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5

G5

Yeah,

F5

back

D5

down

Bb

a gain.-

C5 Bb5 C5 Cm7

Gtr. 6 (elec.)

rit.

*

w/ clean tone & heavy reverb

mp

*Vol. swell

1

Gtr. 4

rit.w/ clean tone & chorus

1013

10

0

1013

10

0

1013

10

0

1013

10

0

1013

10 10 1013

1013

1013

10

0

10 10

0

03

23

03

1

03

0

3

03

0

3X00

3X00

3X00

3X00

3X003

3X003

3X0033

3X00

3X0033

3X00

3X0033

3X00

3X0033

3X0033

8 8

53 5 3 5

35343


7



Moderately q = 99

Wide AwakeLyrics by Chris Cornell





Gtrs. 1 & 2 (slight dist.)


Intro

*

Riff A

w/ chorus

Dm

mf


End Riff A

VerseGtrs. 1 & 2: w/ Riff A (2 times)

Dm

You1. can look a hur ri- cane- right in the eye.

Twelve hun dred- peo ple- dead or left to die.

Fol low- the lead ers.- Were it an eye

Gtrs. 1 & 2

Riff B

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X10

13

X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13

15

18X15

18X15

18X15

18X15

18X15

18X15

18X15

18X15

18X14

17X14

17X14

17X14

17X14

17X14

17X14

17

XXX

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15

XXX

XXX


1



Bb

for an eye,

Dm

they’d all

F5

be

End Riff B

blind,

Gtrs. 1 & 2: w/ Riff B

Dm

deaf or mur dered.- Of this I’m sure,

Bb

in this un

Dm

cer

F5

- tain-

A

time.

Gtrs. 1 & 2

Riff C End Riff C

*Gtr. 3 (dist.)

f

*Two gtrs. arr. for one.

Gtrs. 1 & 2 tacet

Chorus

Dm

So come pull the sheet o ver- my eyes

C

so

Gtr. 3

let ring throughout

X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11

12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X15

18X15

18X15

18X15

18X15

18X15

18X15

18

XXX

X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17X14

17

XXX

XXX

5776

5 5776

5 577

577

577

577

5776

577

5776

57

577

577

5776

00

3555

35

3555

35

3555

35

3555

0 0


2



2To Coda 1To Coda

I

F5

can sleep

C/E

to night,-

Bb5

de spite-

Dm

what I’ve

seen

C

to day.-

Dm

I’ve found you guilt

y- of a crime

C

of sleep

F5

ing- at

C/E

a time

Bb5

when you should

Dm

have been wide

C

a wake.-

F G

810

810

810

810

710

710

710

0133

13

13

13

133

13

133

00

55

5776

577

5776

577

5776

577

577

00

3555

35

3555

35

3555

35

3555

00

5776

5 5776

5 577

577

577

577

5776

577

5776

57

577

577

5776

00

3555

35

3555

35

3555

35

3555

0 0810

810

810

810

710

710

710

0133

13

13

13

133

13

133

00

55

5776

577

5776

577

5776

577

577

00

3555

35

3555

35

3555

35

3555

00

8101010

8101010

8101010

8101010

10121212

10121212

10121212

10121212


3



D.S. al Coda 1

1 Coda

Gtrs. 1 & 2: w/ Riff A

The poor and un de- fend- ed- left be -

hind

Gtrs. 1 & 2: w/ Riff B

while you’re

some where- trad ing- lives for oil,

Bb

as if the whole

Dm

world

F5

were

Gtrs. 1 & 2: w/ Riff C

A

blind, yeah.

F G

Guitar Solo

Gtr. 3 tacet

Dm

Gtr. 3 Gtr. 6

Riff D2

Gtrs. 5 & 6 (dist.)

f

Gtr. 5

Riff D1

Gtr. 4 (dist.)

f

Riff D

8101010

8101010

8101010

8101010

10121212

10121212

10121212

10121212

107 9 10 12 10 9 107 9 10 12 10 9 9

XXX

X

XXX

X

XXX

X

XXX

X

XXX

X

XXX

X

85 7 8 10 8 7 85 7 8 10 8 7 7

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

30 2 3 5 3 2 30 2 3 5 3 2 2


5



D.S.S. al Coda 2

ChorusGtr. 7 tacet

Dm

Come pull the sheet o ver- my eyes


C

so

Gtr. 3

w/ slight dist.

mp

Gtr. 6

pp

Gtrs. 4 & 5

pp

I

F5

can sleep

C/E

to night,-

Bb5

de spite

Dm

- what I’ve

Gtr. 3

seen

C

to day.-

w/ dist.

f

5776

577

5776

577

5776

577

5776

577

5776

577

5776

577

5776

577

5776

00 3

555

3555

3555

355

3555

355

355

35

5 7

3 5

810

810

810

810

710

710

710

00

133

13

133

133

133

133

133

5 57

5776

5776

5776

5776

5776

577

00

3555

355

355

355

355

355

355

355

355

355

355

355

355

355

355

XXX

XXX


7



2 Coda

Free time

F5

Wide

G

a wake,-

OutroGtrs. 4, 5 & 6: w/ Riffs D, D1 & D2

Dm

wide a wake,-

C5

wide a wake,-

Bb5

Dm

wide a wake,-

C5

F G D5

81010

81010

81010

81010

10121212

10121212

10121212

00

577

57

577

57

577

577

577

577

5776

577

5776

577

5776

577

577

00

355

355

355

355

355

355

355

355

355

355

355

355

355

355

355

00

133

133

133

133

133

133

133

00

5776

577

5776

577

5776

577

5776

00

355

355

355

355

355

355

355

8

audioslave revelations

Documents